| # | Title | Artist | Length |
|---|
| 1 | Messiah: XXII. Chorus: Behold the lamb of God | Georg Friedrich Händel | 2:19 |
| 2 | Messiah: XXIII. Song: He was despised (Alto) | Georg Friedrich Händel | 10:10 |
| 3 | Messiah: XXIV. Chorus: Surely He hath bourne our griefs, XXV. Chorus: And with His stripes we are healed- engineer:
- Martin Atkinson and John Dunkerley
- choir vocals:
- Christ Church Cathedral Choir, Oxford (in 1979)
- orchestra:
- Academy of Ancient Music (in 1979)
- conductor:
- Christopher Hogwood (in 1979)
- chorus master:
- Simon Preston (in 1979)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1980)
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (in 1979)
- recording of:
- Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
| Georg Friedrich Händel | 3:51 |
| 4 | Messiah: XXVI. Chorus:: All we like sheep have gone astray | Georg Friedrich Händel | 4:07 |
| 5 | Messiah: XXVII. Recitative: All they that see Him laugh Him to scorn (Tenor), XXVIII. Chorus: He trusted in God- engineer:
- Martin Atkinson and John Dunkerley
- choir vocals:
- Christ Church Cathedral Choir, Oxford (in 1979)
- tenor vocals:
- Paul Elliott (in 1979)
- orchestra:
- Academy of Ancient Music (in 1979)
- conductor:
- Christopher Hogwood (in 1979)
- chorus master:
- Simon Preston (in 1979)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1980)
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (in 1979)
- recording of:
- Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
| Georg Friedrich Händel | 2:59 |
| 6 | Messiah: XXIX. Recitative: Thy rebuke hath broken His heart (Tenor), XXX. Song: Behold, and see if there be any sorrow (Tenor), XXXI. Recitative: He was cut off out of the land of the living (Soprano 1)- engineer:
- Martin Atkinson and John Dunkerley
- soprano vocals:
- Judith Nelson (in 1979)
- tenor vocals:
- Paul Elliott (in 1979)
- orchestra:
- Academy of Ancient Music (in 1979)
- conductor:
- Christopher Hogwood (in 1979)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1980)
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (in 1979)
- recording of:
- Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1979)
- composer:
- George Frideric Handel
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
| Georg Friedrich Händel | 3:38 |
| 7 | Messiah: XXXII. Song: But thou didst not leave His soul in hell (Soprano 1) | Georg Friedrich Händel | 2:23 |
| 8 | Messiah: XXXIII. Chorus: Lift up your heads, O ye gates | Georg Friedrich Händel | 3:15 |
| 9 | Messiah: XXXIV. Recitative: Unto which of the angels said He at any time (Tenor), XXXV. Chorus: Let all the angels of God worship Him- engineer:
- Martin Atkinson and John Dunkerley
- choir vocals:
- Christ Church Cathedral Choir, Oxford (in 1979)
- tenor vocals:
- Paul Elliott (in 1979)
- orchestra:
- Academy of Ancient Music (in 1979)
- conductor:
- Christopher Hogwood (in 1979)
- chorus master:
- Simon Preston (in 1979)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1980)
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (in 1979)
- recording of:
- Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
| Georg Friedrich Händel | 1:44 |
| 10 | Messiah: XXXVI. Song: Thou art gone up on high (Soprano 2) | Georg Friedrich Händel | 2:54 |
| 11 | Messiah: XXXVII. Chorus: The Lord gave the word | Georg Friedrich Händel | 1:14 |
| 12 | Messiah: XXXVIII. Song: How beautiful are the feet (Soprano 1)- engineer:
- Martin Atkinson and John Dunkerley
- choir vocals:
- Christ Church Cathedral Choir, Oxford (in 1979)
- soprano vocals:
- Judith Nelson (in 1979)
- orchestra:
- Academy of Ancient Music (in 1979)
- conductor:
- Christopher Hogwood (in 1979)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1980)
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (in 1979)
- recording of:
- Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (in 1979)
- composer:
- George Frideric Handel (in 1741)
- is based on:
- Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano)
- part of:
- Messiah, HWV 56: Part II
| Georg Friedrich Händel | 2:05 |
| 13 | Messiah: XXXIX. Chorus: Their sound is gone out | Georg Friedrich Händel | 1:21 |
| 14 | Messiah: XL. Song: Why do the nations so furiously rage together? (Bass), XLI. Chorus: Let us break asunder- engineer:
- Martin Atkinson and John Dunkerley
- bass vocals and solo bass vocals:
- David Thomas (in 1979)
- choir vocals:
- Christ Church Cathedral Choir, Oxford (in 1979)
- orchestra:
- Academy of Ancient Music (in 1979)
- conductor:
- Christopher Hogwood (in 1979)
- chorus master:
- Simon Preston (in 1979)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1980)
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (in 1979)
- recording of:
- Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
| Georg Friedrich Händel | 3:15 |
| 15 | Messiah: XLII. Recitative: He that dwelleth in Heaven (Tenor), XLIII. Song: Thou shalt break them (Tenor)- engineer:
- Martin Atkinson and John Dunkerley
- tenor vocals:
- Paul Elliott (in 1979)
- orchestra:
- Academy of Ancient Music (in 1979)
- conductor:
- Christopher Hogwood (in 1979)
- phonographic copyright (℗) by:
- The Decca Record Company Limited (in 1980)
- recorded at:
- St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (in 1979)
- recording of:
- Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) (in 1979)
- composer:
- George Frideric Handel (in 1741)
- part of:
- Messiah, HWV 56: Part II
- recording of:
- Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 1979)
- composer:
- George Frideric Handel
- part of:
- Messiah, HWV 56: Part II
| Georg Friedrich Händel | 2:11 |
| 16 | Messiah: XLIV. Chorus: Hallelujah | Georg Friedrich Händel | 3:48 |