Live at Art D'Lugoff's Top of the Gate

~ Release by Bill Evans (see all versions of this release, 5 available)

Tracklist

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1▼CD
#TitleLength
1Emily
recording engineer:
George Klabin (on 1968-10-23)
producer:
Zev Feldman
mixer:
Fran Gala and George Klabin
double bass [bass]:
Eddie Gomez (on 1968-10-23)
drums (drum set):
Marty Morell (on 1968-10-23)
piano:
Bill Evans (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Emily (Emily Theme from The Americanization of Emily) (on 1968-10-23)
lyricist:
Johnny Mercer
composer:
Johnny Mandel
publisher:
EMI Miller Catalog, Inc., Primary Wave Songs and SBK Miller Catalog, Inc.
4:47
2Witchcraft
recording engineer:
George Klabin (on 1968-10-23)
producer:
Zev Feldman
mixer:
Fran Gala and George Klabin
double bass [bass]:
Eddie Gomez (on 1968-10-23)
drums (drum set):
Marty Morell (on 1968-10-23)
piano:
Bill Evans (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Witchcraft (on 1968-10-23)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp.
5:44
3Yesterdays
recording engineer:
George Klabin (on 1968-10-23)
producer:
Zev Feldman
mixer:
Fran Gala and George Klabin
bass:
Eddie Gomez (on 1968-10-23)
drums (drum set):
Marty Morell (on 1968-10-23)
piano:
Bill Evans (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Yesterdays (on 1968-10-23)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
part of:
Roberta
5:07
4Round Midnight
recording engineer:
George Klabin (on 1968-10-23)
producer:
Zev Feldman
mixer:
Fran Gala and George Klabin
double bass [bass]:
Eddie Gomez (on 1968-10-23)
drums (drum set):
Marty Morell (on 1968-10-23)
piano:
Bill Evans (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live recording of:
’Round Midnight (on 1968-10-23)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation, Ultra Empire Music, Warner Bros. Music, Warner Bros., Inc., Warner Chappell Music Ltd., Warner/Chappell Music Ltd. and Warner/Chappell North America Limited
is based on:
I Need You So
6:25
5My Funny Valentine
recording engineer:
George Klabin (on 1968-10-23)
producer:
Zev Feldman
mixer:
Fran Gala and George Klabin
double bass [bass]:
Eddie Gomez (on 1968-10-23)
drums (drum set):
Marty Morell (on 1968-10-23)
piano:
Bill Evans (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (on 1968-10-23)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc., Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd., Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
4:44
6California Here I Come
recording engineer:
George Klabin (on 1968-10-23)
producer:
Zev Feldman
mixer:
Fran Gala and George Klabin
double bass [bass]:
Eddie Gomez (on 1968-10-23)
drums (drum set):
Marty Morell (on 1968-10-23)
piano:
Bill Evans (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
California Here I Come (on 1968-10-23)
lyricist:
Buddy DeSylva and Al Jolson
composer:
Joseph Meyer
publisher:
M. Witmark & Sons (on 1924-01-07)
5:43
7Gone With the Wind
recording engineer:
George Klabin (on 1968-10-23)
producer:
Zev Feldman
mixer:
Fran Gala and George Klabin
double bass [bass]:
Eddie Gomez (on 1968-10-23)
drums (drum set):
Marty Morell (on 1968-10-23)
piano:
Bill Evans (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Gone With the Wind (on 1968-10-23)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel
publisher:
Bourne Co.
6:56
8Alfie
recording engineer:
George Klabin (on 1968-10-23)
producer:
Zev Feldman
mixer:
Fran Gala and George Klabin
double bass [bass]:
Eddie Gomez (on 1968-10-23)
drums (drum set):
Marty Morell (on 1968-10-23)
piano:
Bill Evans (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental cover recording of:
Alfie (on 1968-10-23)
lyricist:
Hal David (in 1965)
composer:
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation, Famous-Chappell and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部
part of:
The 39th Academy Award for Best Original Song (number: 2)
part of:
Alfie (1966 film)
5:08
9Turn Out the Stars
recording engineer:
George Klabin (on 1968-10-23)
producer:
Zev Feldman
mixer:
Fran Gala and George Klabin
double bass [bass]:
Eddie Gomez (on 1968-10-23)
drums (drum set):
Marty Morell (on 1968-10-23)
piano:
Bill Evans (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live recording of:
Turn Out the Stars (on 1968-10-23)
composer:
Bill Evans
publisher:
Ludlow Music, Inc.
4:38
2▼CD
#TitleLength
1Yesterdays
recording engineer:
George Klabin (on 1968-10-23)
producer:
Zev Feldman
mixer:
Fran Gala and George Klabin
double bass [bass]:
Eddie Gomez (on 1968-10-23)
drums (drum set):
Marty Morell (on 1968-10-23)
piano:
Bill Evans (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Yesterdays (on 1968-10-23)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
part of:
Roberta
4:48
2Emily (alternate version)
recording engineer:
George Klabin (on 1968-10-23)
producer:
Zev Feldman
mixer:
Fran Gala and George Klabin
double bass [bass]:
Eddie Gomez (on 1968-10-23)
drums (drum set):
Marty Morell (on 1968-10-23)
piano:
Bill Evans (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Emily (Emily Theme from The Americanization of Emily) (on 1968-10-23)
lyricist:
Johnny Mercer
composer:
Johnny Mandel
publisher:
EMI Miller Catalog, Inc., Primary Wave Songs and SBK Miller Catalog, Inc.
5:08
3In a Sentimental Mood
recording engineer:
George Klabin (on 1968-10-23)
producer:
Zev Feldman
mixer:
Fran Gala and George Klabin
double bass [bass]:
Eddie Gomez (on 1968-10-23)
drums (drum set):
Marty Morell (on 1968-10-23)
piano:
Bill Evans (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
In a Sentimental Mood (on 1968-10-23)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation, J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
4:06
4Round Midnight (alternate version)
recording engineer:
George Klabin (on 1968-10-23)
producer:
Zev Feldman
mixer:
Fran Gala and George Klabin
double bass [bass]:
Eddie Gomez (on 1968-10-23)
drums (drum set):
Marty Morell (on 1968-10-23)
piano:
Bill Evans (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live recording of:
’Round Midnight (on 1968-10-23)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation, Ultra Empire Music, Warner Bros. Music, Warner Bros., Inc., Warner Chappell Music Ltd., Warner/Chappell Music Ltd. and Warner/Chappell North America Limited
is based on:
I Need You So
6:26
5Autumn Leaves
recording engineer:
George Klabin (on 1968-10-23)
producer:
Zev Feldman
mixer:
Fran Gala and George Klabin
double bass [bass]:
Eddie Gomez (on 1968-10-23)
drums (drum set):
Marty Morell (on 1968-10-23)
piano:
Bill Evans (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1968-10-23)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc.
translated version of:
Les Feuilles mortes (Autumn Leaves)
5:30
6Someday My Prince Will Come
recording engineer:
George Klabin (on 1968-10-23)
producer:
Zev Feldman
mixer:
Fran Gala and George Klabin
double bass [bass]:
Eddie Gomez (on 1968-10-23)
drums (drum set):
Marty Morell (on 1968-10-23)
piano:
Bill Evans (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Someday My Prince Will Come (on 1968-10-23)
lyricist:
Larry Morey
composer:
Frank Churchill
publisher:
Bourne Co. (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
5:13
7Mother of Earl
recording engineer:
George Klabin (on 1968-10-23)
producer:
Zev Feldman
mixer:
Fran Gala and George Klabin
double bass [bass]:
Eddie Gomez (on 1968-10-23)
drums (drum set):
Marty Morell (on 1968-10-23)
piano:
Bill Evans (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live recording of:
Mother of Earl (on 1968-10-23)
composer:
Earl Zindars
4:21
8Here’s That Rainy Day
recording engineer:
George Klabin (on 1968-10-23)
producer:
Zev Feldman
mixer:
Fran Gala and George Klabin
double bass [bass]:
Eddie Gomez (on 1968-10-23)
drums (drum set):
Marty Morell (on 1968-10-23)
piano:
Bill Evans (on 1968-10-23)
recorded at:
Top of the Gate in Greenwich Village, New York, New York, United States (on 1968-10-23)
live instrumental recording of:
Here’s That Rainy Day (on 1968-10-23)
lyricist:
Johnny Burke
composer:
Jimmy Van Heusen
publisher:
Bourne Co., Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc., Music Sales Corporation and Warner Chappell Music Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
5:15

Credits

Release

manufactured in:United States
art direction and design:Burton Yount
photography:Tom Copi
Herb Snitzer
liner notes:Gary Burton
Nat Hentoff
George Klabin
Marty Morell
Eddie Gomez (in 2011-05)
Zev Feldman (in 2012-02)
executive producer:George Klabin
mastering:Fran Gala
copyrighted (©) by and phonographic copyright (℗) by:Resonance Records (in 2012)
Discogs:https://www.discogs.com/release/3773200 [info]
ASIN:US: B007PNS4TY [info]