Bach Handel Cantatas

~ Release by Dame Janet Baker (see all versions of this release, 2 available)

Tracklist

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1CD
#TitleLength
1Cantata "Ich habe genug", BWV 82b: No. 1, Aria, "Ich habe genug" (Alto)6:52
2Cantata "Ich habe genug", BWV 82b: No. 2, Recitative, "Ich habe genug" (Alto)1:21
3Cantata "Ich habe genug", BWV 82b: No. 3, Aria, "Schlummert ein, ihr matten Augen" (Alto)9:47
4Cantata "Ich habe genug", BWV 82b: No. 4, Recitativo, "Mein Gott! wenn kömmt das schöne" (Alto)1:01
5Cantata "Ich habe genug", BWV 82b: No. 5, Aria, "Ich freue mich auf meinen Tod" (Alto)4:01
6Cantata "Gott soll allein mein Herze haben", BWV 169: No. 1, Sinfonia8:17
7Cantata "Gott soll allein mein Herze haben", BWV 169: No. 2, Arioso, "Gott soll allein meine Herze haben" (Alto)2:49
8Cantata "Gott soll allein mein Herze haben", BWV 169: No. 3, Aria, "Gott soll allein meine Herze haben" (Alto)5:30
9Cantata "Gott soll allein mein Herze haben", BWV 169: No. 4, Recitative, "Was ist die Liebe Gottes?" (Alto)0:58
10Cantata "Gott soll allein mein Herze haben", BWV 169: No. 5, Aria, "Stirb in mir" (Alto)4:16
11Cantata "Gott soll allein mein Herze haben", BWV 169: No. 6, Recitative, "Doch meint es auch dabei" (Alto)0:36
12Cantata "Gott soll allein mein Herze haben", BWV 169: No. 7, Chorale, "Du süsse Liebe, schenk' uns deine Gunst" (Chorus)1:20
13Christmas Oratorio, BWV 248, Pt. 1: Cantata for the First Day of Christmas, No. 4 Aria "Bereite dich, Zion, mit zärtlichen Trieben" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (on 1975-10-17)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
5:08
14Cantata "Singet dem Herrn ein neues Lied", BWV 190: No. 3, Aria, "Lobe, Zion, deinen Gott" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": III. Aria (Alt) "Lobe, Zion, deinen Gott" (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
recording of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied": III. Aria (Alt) "Lobe, Zion, deinen Gott" (on 1975-10-17)
premiered in:
Leipzig, Sachsen, Germany (on 1724-01-01)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 190 "Singet dem Herrn ein neues Lied"
3:25
15Cantata "Gelobet sei der Herr, mein Gott", BWV 129: No. 4, Aria, "Gelobet sei der Herr, mein Gott, der ewig lebet" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 129 "Gelobet sei der Herr": IV. Aria (Alt) "Gelobet sei der Herr" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Johann Olearius (in 1665)
part of:
Kantate, BWV 129 "Gelobet sei der Herr"
recording of:
Kantate, BWV 129 "Gelobet sei der Herr": IV. Aria (Alt) "Gelobet sei der Herr" (on 1975-10-17)
composer:
Johann Sebastian Bach (in 1726)
librettist:
Johann Olearius (in 1665)
part of:
Kantate, BWV 129 "Gelobet sei der Herr"
5:58
16Cantata "O ewiges Feuer, o Ursprung der Liebe", BWV 34: No. 3, Aria, "Wohl euch, ihr auserwählten Seelen" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (in 1726)
librettist:
[anonymous]
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" (on 1975-10-17)
composer:
Johann Sebastian Bach (in 1726)
librettist:
[anonymous]
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
6:33
17Magnificat in D Major, BWV 243: No. 2, Aria, "Et exultavit spiritus meus" (Second Soprano)
mezzo-soprano vocals:
Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (on 1975-10-17)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach
part of:
Magnificat D-Dur, BWV 243
2:30
18Cantata "Lobet Gott in seinen Reichen", BWV 11: No. 4, Aria, "Ach, bleibe doch, mein liebstes Leben" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (on 1975-10-17)
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
7:20
2CD
#TitleLength
1Bist du bei mir, Aria for Voice and Continuo (from "Diomedes oder die triumphierende Unschuld")
mezzo-soprano vocals:
Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (from 1975-10-07 until 1975-10-09)
lyricist:
[unknown]
composer:
Gottfried Heinrich Stölzel
previously attributed to:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 25) and Bach-Werke-Verzeichnis (number: BWV 508)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) (on 1975-10-17)
lyricist:
[unknown]
composer:
Gottfried Heinrich Stölzel
previously attributed to:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 25) and Bach-Werke-Verzeichnis (number: BWV 508)
2:58
2Johannes-Passion, BWV 245, Pt. 2: No. 30, Aria, "Es ist vollbracht!" (Alto)
viola da gamba:
Jane Ryan (from 1975-10-07 until 1975-10-09, on 1975-10-17)
mezzo-soprano vocals:
Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (on 1975-10-17)
composer:
Johann Sebastian Bach
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
5:38
3Cantata "Bleib bei uns, denn es will Abend werden", BWV 6: No. 2, Aria, "Hochgelobter Gottessohn" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (from 1975-10-07 until 1975-10-09)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (on 1975-10-17)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
3:43
4Cantata "Komm, du süsse Todesstunde", BWV 161: No. 1, Aria, "Komm, du süsse Todesstunde" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (from 1975-10-07 until 1975-10-09)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (on 1975-10-17)
premiered in:
Weimar, Thüringen, Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
6:26
5Oster-Oratorium, BWV 249: No. 9, Aria, "Saget, saget mir geschwinde" (Alto)
mezzo-soprano vocals:
Dame Janet Baker (from 1975-10-07 until 1975-10-09, on 1975-10-17)
orchestra:
Academy of St Martin in the Fields (from 1975-10-07 until 1975-10-09, on 1975-10-17)
conductor:
Sir Neville Marriner (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1975-10-07 until 1975-10-09, on 1975-10-17)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (from 1975-10-07 until 1975-10-09)
composer:
Johann Sebastian Bach
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (on 1975-10-17)
composer:
Johann Sebastian Bach
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
6:49
6Cantata "Ah! crudel, nel pianto mio", HWV 78: Sonata
mezzo-soprano vocals:
Dame Janet Baker
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard
recording of:
Ah! crudel, nel pianto mio, HWV 78
composer:
George Frideric Handel (in 1708-08)
part of:
Händel-Werke-Verzeichnis (number: HWV 78)
8:41
7Cantata "Ah! crudel, nel pianto mio", HWV 78: No. 1, Aria, "Ah! crudel, nel pianto mio"6:29
8Cantata "Ah! crudel, nel pianto mio", HWV 78: Recitativo, "Non sdegnerai d'amar"1:08
9Cantata "Ah! crudel, nel pianto mio", HWV 78: No. 2, Aria, "Di quel bel che il ciel ti diede"4:33
10Cantata "Ah! crudel, nel pianto mio", HWV 78: No. 3, Recitativo accompagnato, "Balena il cielo" - Recitativo, "Cosi, del tuo spierato genio"2:20
11Cantata "Ah! crudel, nel pianto mio", HWV 78: No. 4, Aria, "Per trofei di mia costanza"7:45
12Cantata "Armida abbandonata", HWV 105: No. 1, Recitativo accompagnato, "Dietro l'orme fugaci"1:51
13Cantata "Armida abbandonata", HWV 105: No. 2, Aria, "Ah! crudele e pur ten vai"6:56
14Cantata "Armida abbandonata", HWV 105: No. 3, Recitativo, "Per te mi struggo, infido" - No. 4, Recitativo accompagnato, "O voi dell'incostante e procelloso"2:05
15Cantata "Armida abbandonata", HWV 105: No. 5, Aria, "Venti, fermate"3:39
16Cantata "Armida abbandonata", HWV 105: No. 6, Recitativo, "Ma che parlo, che dico?"1:23
17Cantata "Armida abbandonata", HWV 105: No. 7, Aria, "In tanti affanni miei assistimi almen"5:00

Credits

Release

ASIN:UK: B000VL9XKQ [info]