Lieder

~ Release by Hugo Wolf; Dietrich Fischer‐Dieskau, Daniel Barenboim (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistLength
1Mörike-Lieder, No. 1: Der Genesene an die Hoffnung "Tödlich graute mir der Morgen"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1972-12)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1972-12)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 1. Der Genesene an die Hoffnung “Tödlich graute mir der Morgen” (in 1972-12)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf4:36
2Mörike-Lieder, No. 2: Der Knabe und das Immlein "Im Weinberg auf der Höhe"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1972-12)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1972-12)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 2. Der Knabe und das Immlein "Im Weinberg auf der Höhe" (in 1972-12)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:25
3Mörike-Lieder, No. 4: Jägerlied "Zierlich ist des Vogels Tritt im Schnee"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1972-12)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1972-12)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 4. Jägerlied "Zierlich ist des Vogels Tritt im Schnee" (in 1972-12)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf0:57
4Mörike-Lieder, No. 5: Der Tambour "Wenn meine Mutter hexen könnt'"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1972-12)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1972-12)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 5. Der Tambour “Wenn meine Mutter hexen könnt’” (in 1972-12)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:42
5Mörike-Lieder, No. 6: Er ist's "Frühling läßt sein blaues Band"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1972-12)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1972-12)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 6. Er ist’s “Frühling läßt sein blaues Band” (in 1972-12)
lyricist:
Eduard Mörike (from 1829 to present)
composer:
Hugo Wolf
is based on:
Er ist’s
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf1:21
6Mörike-Lieder, No. 8: Begegnung "Was doch heut Nacht"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1972-12)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1972-12)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 8. Begegnung "Was doch heut Nacht" (in 1972-12)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf1:21
7Mörike-Lieder, No. 9: Nimmersatte Liebe "So ist die Lieb'!"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1972-12)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1972-12)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 9. Nimmersatte Liebe “So ist die Lieb’!” (in 1972-12)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:25
8Mörike-Lieder, No. 10: Fußreise "Am frisch geschnittnen Wanderstab"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1972-12)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1972-12)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 10. Fußreise "Am frisch geschnittnen Wanderstab" (for voice and piano) (in 1972-12)
lyricist:
Eduard Mörike
composer:
Hugo Wolf (in 1888)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:48
9Mörike-Lieder, No. 11: An eine Äolsharfe "Angelehnt an die Epheuwand"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1972-12)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1972-12)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 11. An eine Äolsharfe "Angelehnt an die Epheuwand" (in 1972-12)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf6:58
10Mörike-Lieder, No. 12: Verborgenheit "Laß, o Welt, o laß mich sein"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1972-12)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1972-12)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 12. Verborgenheit "Laß, o Welt, o laß mich sein" (in 1972-12)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:59
11Mörike-Lieder, No. 13: Im Frühling "Hier lieg' ich auf dem Frühlingshügel"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1972-12)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1972-12)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 13. Im Frühling "Hier lieg' ich auf dem Frühlingshügel" (in 1972-12)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf5:05
12Mörike-Lieder, No. 15: Auf einer Wanderung "In ein freundliches Städtchen"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1972-12)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1972-12)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 15. Auf einer Wanderung “In ein freundliches Städtchen” (in 1972-12)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:12
13Mörike-Lieder, No. 17: Der Gärtner "Auf ihrem Leibrößlein"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1972-12)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1972-12)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 17. Der Gärtner "Auf ihrem Leibrößlein" (in 1972-12)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf1:30
14Mörike-Lieder, No. 18: Zitronenfalter im April "Grausame Frühlingssonne"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1972-12)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1972-12)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 18. Zitronenfalter im April "Grausame Frühlingssonne" (in 1972-12)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:00
15Mörike-Lieder, No. 19: Um Mitternacht "Gelassen stieg die Nacht ans Land"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1972-12)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1972-12)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 19. Um Mitternacht "Gelassen stieg die Nacht ans Land" (in 1972-12)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:32
16Mörike-Lieder, No. 20: Auf eine Christblume I "Tochter des Wald's"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1972-12)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1972-12)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 20. Auf eine Christblume I "Tochter des Wald's" (in 1972-12)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf6:17
17Mörike-Lieder, No. 21: Auf eine Christblume II "Im Winterboden schläft"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1972-12)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1972-12)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 21. Auf eine Christblume II "Im Winterboden schläft" (in 1972-12)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:03
18Mörike-Lieder, No. 22: Seufzer "Dein Liebesfeuer"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1972-12)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1972-12)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 22. Seufzer "Dein Liebesfeuer" (in 1972-12)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:00
19Mörike-Lieder, No. 23: Auf ein altes Bild "In grüner Landschaft Sommerflor"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1972-12)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1972-12)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 23. Auf ein altes Bild “In grüner Landschaft Sommerflor” (in 1972-12)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:29
20Mörike-Lieder, No. 24: In der Frühe "Kein Schlaf noch kühlt"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1972-12)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1972-12)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 24. In der Frühe "Kein Schlaf noch kühlt" (in 1972-12)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:24
21Mörike-Lieder, No. 25: Schlafendes Jesuskind "Sohn der Jungfrau"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1972-12)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1972-12)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 25. Schlafendes Jesuskind "Sohn der Jungfrau" (for voice and piano) (in 1972-12)
lyricist:
Eduard Mörike
composer:
Hugo Wolf (in 1888)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf4:06
2▼CD
#TitleArtistLength
1Mörike-Lieder, No. 26: Karwoche "O Woche! Zeugin heiliger Beschwerde!"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1972-12)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1972-12)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 26. Karwoche "O Woche! Zeugin heiliger Beschwerde!" (in 1972-12)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:48
2Mörike-Lieder, No. 27: Zum neuen Jahr "Wie heimlicher Weise"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1972-12)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1972-12)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 27. Zum neuen Jahr "Wie heimlicher Weise" (in 1972-12)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf1:42
3Mörike-Lieder, No. 28: Gebet "Herr! schicke was du willt"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 28. Gebet "Herr! schicke was du willt" (for voice and piano) (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf (in 1888)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:05
4Mörike-Lieder, No. 29: An den Schlaf "Schlaf! Süßer Schlaf!"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 29. An den Schlaf "Schlaf! Süßer Schlaf!" (for voice and piano) (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf (in 1888)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:53
5Mörike-Lieder, No. 30: Neue Liebe "Kann auch ein Mensch"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 30. Neue Liebe "Kann auch ein Mensch" (for voice and piano) (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:30
6Mörike-Lieder, No. 31: Wo find' ich Trost? "Eine Liebe kenn' ich"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 31. Wo find' ich Trost? "Eine Liebe kenn' ich" (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf5:27
7Mörike-Lieder, No. 32: An die Geliebte "Wenn ich, von deinem Anschaun"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 32. An die Geliebte "Wenn ich, von deinem Anschaun" (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:44
8Mörike-Lieder, No. 33: Peregrina I "Der Spiegel dieser treuen, braunen Augen"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 33. Peregrina I "Der Spiegel dieser treuen, braunen Augen" (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:05
9Mörike-Lieder, No. 34: Peregrina II "Warum, Geliebte, denk' ich dein"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 34. Peregrina II "Warum, Geliebte, denk' ich dein" (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:22
10Mörike-Lieder, No. 35: Frage und Antwort "Fragst du mich"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 35. Frage und Antwort "Fragst du mich" (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:13
11Mörike-Lieder, No. 36: Lebewohl "Lebe wohl! - Du fühlest nicht"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 36. Lebewohl “Lebe wohl! - Du fühlest nicht” (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:36
12Mörike-Lieder, No. 37: Heimweh "Anders wird die Welt"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 37. Heimweh "Anders wird die Welt" (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:30
13Mörike-Lieder, No. 38: Lied vom Winde "Sausewind, Brausewind"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 38. Lied vom Winde "Sausewind, Brausewind" (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:18
14Mörike-Lieder, No. 39: Denk es, o Seele! "Ein Tännlein grünet wo"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 39. Denk es, o Seele! "Ein Tännlein grünet wo" (for voice and piano) (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf (in 1888)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:59
15Mörike-Lieder, No. 40: Der Jäger "Drei Tage Regen"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 40. Der Jäger "Drei Tage Regen" (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:26
16Mörike-Lieder, No. 43: Lied eines Verliebten "In aller Früh"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 43. Lied eines Verliebten "In aller Früh" (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf1:44
17Mörike-Lieder, No. 44: Der Feuerreiter "Sehet ihr am Fensterlein"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 44. Der Feuerreiter "Sehet ihr am Fensterlein" (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf4:54
18Mörike-Lieder, No. 46: Gesang Weylas "Du bist Orplid, mein Land!"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 46. Gesang Weylas "Du bist Orplid, mein Land!" (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:06
19Mörike-Lieder, No. 47: Die Geister am Mummelsse "Vom Berge was kommt dort"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 47. Die Geister am Mummelsse "Vom Berge was kommt dort" (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
is based on:
Die Geister am Mummelsee
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:27
20Mörike-Lieder, No. 48: Storchenbotschaft "Des Schäfers sein Haus"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 48. Storchenbotschaft "Des Schäfers sein Haus" (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:43
21Mörike-Lieder, No. 49: Zur Warnung "Einmal, nach einer lustigen Nacht"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 49. Zur Warnung "Einmal, nach einer lustigen Nacht" (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:16
22Mörike-Lieder, No. 50: Auftrag "In poetischer Epistel"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 50. Auftrag "In poetischer Epistel" (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf1:23
23Mörike-Lieder, No. 51: Bei einer Trauung "Vor lauter hochadligen Zeugen"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 51. Bei einer Trauung "Vor lauter hochadligen Zeugen" (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:12
24Mörike-Lieder, No. 52: Selbstgeständnis "Ich bin meiner Mutter einzig Kind"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 52. Selbstgeständnis “Ich bin meiner Mutter einzig Kind” (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf1:17
25Mörike-Lieder, No. 53: Abschied "Unangeklopft ein Herr tritt abends bei mir ein"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Mörike-Lieder: No. 53. Abschied "Unangeklopft ein Herr tritt abends bei mir ein" (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:56
26Gedichte von Scheffel, Mörike, Goethe und Kerner, No. 2: Der König bei der Krönung
producer:
Cord Garben
piano:
Daniel Barenboim (in 1973-06)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1973-06)
balance engineer:
Hans‐Peter Schweigmann
recording of:
Gedichte von Scheffel, Mörike, Goethe und Kerner: Nr. 2. Der König bei der Krönung (in 1973-06)
lyricist:
Eduard Mörike
composer:
Hugo Wolf
part of:
6 Gedichte von Scheffel, Mörike, Goethe und Kerner
Hugo Wolf2:15
3▼CD
#TitleArtistLength
1Goethe-Lieder, No. 1: Harfenspieler I "Wer sich der Einsamkeit ergibt"
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Goethe-Lieder: Nr. 1. Harfenspieler I "Wer sich der Einsamkeit ergibt" (for voice and piano) (from 1974-10 until 1974-11)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf4:40
2Goethe-Lieder, No. 2: Harfenspieler II "An die Türen will ich schleichen"
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Goethe-Lieder: Nr. 2. Harfenspieler II "An die Türen will ich schleichen" (for voice and piano) (from 1974-10 until 1974-11)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf2:23
3Goethe-Lieder, No. 3: Harfenspieler III "Wer nie sein Brot mit Tränen aß"
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Goethe-Lieder: Nr. 3. Harfenspieler III "Wer nie sein Brot mit Tränen aß" (for voice and piano) (from 1974-10 until 1974-11)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf3:13
4Goethe-Lieder, No. 4: Spottlied aus "Wilhelm Meister" "Ich armer Teufel"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 4. Spottlied aus "Wilhelm Meister" "Ich armer Teufel" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf2:05
5Goethe-Lieder, No. 10: Der Sänger "Was hör' ich draußen vor dem Tor"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 10. Der Sänger "Was hör' ich draußen vor dem Tor" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf7:20
6Goethe-Lieder, No. 11: Der Rattenfänger "Ich bin der wohlbekannte Sänger"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 11. Der Rattenfänger "Ich bin der wohlbekannte Sänger" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
is based on:
Der Rattenfänger (Poem)
part of:
Goethe-Lieder
Hugo Wolf2:32
7Goethe-Lieder, No. 12: Ritter Kurts Brautfahrt "Mit des Bräutigams Behagen"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 12. Ritter Kurts Brautfahrt "Mit des Bräutigams Behagen" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf5:57
8Goethe-Lieder, No. 13: Gutmann und Gutweib "Und morgen fällt Sankt Martins Fest"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 13. Gutmann und Gutweib "Und morgen fällt Sankt Martins Fest" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf5:27
9Goethe-Lieder, No. 14: Cophtisches Lied I "Lasset Gelehrte sich zanken und streiten"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 14. Cophtisches Lied I "Lasset Gelehrte sich zanken und streiten" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf3:03
10Goethe-Lieder, No. 15: Cophtisches Lied II "Geh! Gehorche meinen Winken"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 15. Cophtisches Lied II "Geh! Gehorche meinen Winken" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf2:05
11Goethe-Lieder, No. 16: Frech und froh I "Mit Mädchen sich vertragen"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 16. Frech und froh I "Mit Mädchen sich vertragen" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf1:18
12Goethe-Lieder, No. 17: Frech und froh II "Liebesqual verschmäht mein Herz"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 17. Frech und froh II "Liebesqual verschmäht mein Herz" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf1:04
13Goethe-Lieder, No. 18: Beherzigung "Ach, was soll der Mensch verlangen?"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 18. Beherzigung "Ach, was soll der Mensch verlangen?" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf2:47
14Goethe-Lieder, No. 49: Prometheus "Bedecke deinen Himmel, Zeus"
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Goethe-Lieder: Nr. 49. Prometheus "Bedecke deinen Himmel, Zeus" (for voice and piano) (from 1974-10 until 1974-11)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875, on 1889-01-02)
part of:
Goethe-Lieder
Hugo Wolf8:13
15Goethe-Lieder, No. 50: Ganymed "Wie im Morgenglanze"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 50. Ganymed "Wie im Morgenglanze" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf5:03
16Goethe-Lieder, No. 51: Grenzen der Menschheit "Wenn der uralte heilige Vater"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 51. Grenzen der Menschheit "Wenn der uralte heilige Vater" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf7:25
17Goethe-Lieder, No. 19: Epiphanias "Die heiligen drei König'"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 19. Epiphanias "Die heiligen drei König'" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf4:07
18Goethe-Lieder, No. 20: St. Nepomuks Vorabend "Lichtlein schwimmen"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 20. St. Nepomuks Vorabend "Lichtlein schwimmen" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf2:28
19Goethe-Lieder, No. 21: Genialisch Treiben "So wälz' ich ohne Unterlaß"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 21. Genialisch Treiben "So wälz' ich ohne Unterlaß" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf1:09
20Goethe-Lieder, No. 22: Der Schäfer "Es war ein fauler Schäfer"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 22. Der Schäfer "Es war ein fauler Schäfer" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf2:23
21Goethe-Lieder, No. 23: Der neue Amadis "Als ich noch ein Knabe war"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 23. Der neue Amadis "Als ich noch ein Knabe war" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf2:18
4▼CD
#TitleArtistLength
1Goethe-Lieder, No. 24: Blumengruß "Der Strauß, den ich gepflücket"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 24. Blumengruß "Der Strauß, den ich gepflücket" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf1:07
2Goethe-Lieder, No. 25: Gleich und Gleich "Ein Blumenglöckchen vom Boden"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 25. Gleich und Gleich "Ein Blumenglöckchen vom Boden" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf1:01
3Goethe-Lieder, No. 28: Frühling über's Jahr "Das Beet, schon lockert sich's in die Höh'!"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 28. Frühling über's Jahr "Das Beet, schon lockert sich's in die Höh'!" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf1:51
4Goethe-Lieder, No. 29: Anakreons Grab "Wo die Rose hier blüht"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 29. Anakreons Grab "Wo die Rose hier blüht" (for voice and piano) (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875, on 1888-11-04)
part of:
Goethe-Lieder
Hugo Wolf3:13
5Goethe-Lieder, No. 30: Dank der Paria "Großer Brahma!"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 30. Dank der Paria "Großer Brahma!" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf2:52
6Goethe-Lieder, No. 31: Königlich Gebet "Ha, ich bin der Herr der Welt"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 31. Königlich Gebet "Ha, ich bin der Herr der Welt" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf2:49
7Goethe-Lieder, No. 32: Phänomen "Wenn zu der Regenwand"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 32. Phänomen "Wenn zu der Regenwand" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf2:07
8Goethe-Lieder, No. 33: Erschaffen und Beleben "Hans Adam war"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Goethe-Lieder: Nr. 33. Erschaffen und Beleben "Hans Adam war" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf2:24
9Goethe-Lieder, No. 34: Ob der Koran von Ewigkeit sei?
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Goethe-Lieder: Nr. 34. Ob der Koran von Ewigkeit sei? (from 1974-10 until 1974-11)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf1:19
10Goethe-Lieder, No. 35: Trunken müssen wir alle sein!
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Goethe-Lieder: Nr. 35. Trunken müssen wir alle sein! (from 1974-10 until 1974-11)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf1:13
11Goethe-Lieder, No. 36: So lang man nüchtern ist
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Goethe-Lieder: Nr. 36. So lang man nüchtern ist (from 1974-10 until 1974-11)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf1:40
12Goethe-Lieder, No. 38: Was in der Schenke waren heute
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Goethe-Lieder: Nr. 38. Was in der Schenke waren heute (from 1974-10 until 1974-11)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf1:20
13Goethe-Lieder, No. 39: Nicht Gelegenheit macht Diebe
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Goethe-Lieder: Nr. 39. Nicht Gelegenheit macht Diebe (from 1974-10 until 1974-11)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf2:09
14Goethe-Lieder, No. 42: Dies zu deuten, bin erbötig!
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Goethe-Lieder: Nr. 42. Dies zu deuten, bin erbötig! (from 1974-10 until 1974-11)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf2:05
15Goethe-Lieder, No. 43: Hätt' ich irgend wohl Bedenken
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Goethe-Lieder: Nr. 43. Hätt' ich irgend wohl Bedenken (from 1974-10 until 1974-11)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf1:13
16Goethe-Lieder, No. 44: Komm, Liebchen, komm!
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Goethe-Lieder: Nr. 44. Komm, Liebchen, komm! (from 1974-10 until 1974-11)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf2:40
17Goethe-Lieder, No. 45: Wie sollt' ich heiter bleiben
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Goethe-Lieder: Nr. 45. Wie sollt' ich heiter bleiben (from 1974-10 until 1974-11)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf1:35
18Goethe-Lieder, No. 46: Wenn ich dein gedenke
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Goethe-Lieder: Nr. 46. Wenn ich dein gedenke (from 1974-10 until 1974-11)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf1:21
19Goethe-Lieder, No. 47: Locken, haltet mich gefangen
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Goethe-Lieder: Nr. 47. Locken, haltet mich gefangen (from 1974-10 until 1974-11)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (in 1875)
part of:
Goethe-Lieder
Hugo Wolf1:48
20Gedichte von Scheffel, Mörike, Goethe und Kerner, No. 4: Beherzigung "Feiger Gedanken"
producer:
Cord Garben
piano:
Daniel Barenboim (in 1974-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1974-01)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Europa Sonor in Paris, Île-de-France, France (in 1974-01)
recording of:
Gedichte von Scheffel, Mörike, Goethe und Kerner: Nr. 4. Beherzigung "Feiger Gedanken" (in 1974-01)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf
part of:
6 Gedichte von Scheffel, Mörike, Goethe und Kerner
Hugo Wolf2:02
21Gedichte von Scheffel, Mörike, Goethe und Kerner, No. 5: Wandrers Nachtlied
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Gedichte von Scheffel, Mörike, Goethe und Kerner: Nr. 5. Wandrers Nachtlied (from 1974-10 until 1974-11)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf
part of:
6 Gedichte von Scheffel, Mörike, Goethe und Kerner
Hugo Wolf3:28
22Nachgelassene Lieder II, No. 11: Mädchen mit dem roten Mündchen
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Nachgelassene Lieder II, No. 11: Mädchen mit dem roten Mündchen (from 1974-10 until 1974-11)
lyricist:
Heinrich Heine
composer:
Hugo Wolf
Hugo Wolf0:47
23Nachgelassene Lieder II, No. 12: Du bist wie eine Blume
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Nachgelassene Lieder II, No. 12: Du bist wie eine Blume (from 1974-10 until 1974-11)
lyricist:
Heinrich Heine
composer:
Hugo Wolf
Hugo Wolf1:21
24Gedichte nach Heine, Shakespeare und Lord Byron, No. 1: Wo wird einst
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Gedichte nach Heine, Shakespeare und Lord Byron, No. 1: Wo wird einst (from 1974-10 until 1974-11)
lyricist:
Heinrich Heine
composer:
Hugo Wolf
Hugo Wolf2:22
25Nachgelassene Lieder II, No. 13: Wenn ich in deine Augen seh'
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Nachgelassene Lieder II, No. 13: Wenn ich in deine Augen seh' (from 1974-10 until 1974-11)
lyricist:
Heinrich Heine
composer:
Hugo Wolf
Hugo Wolf1:24
26Nachgelassene Lieder II, No. 14: Spätherbstnebel
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Nachgelassene Lieder II, No. 14: Spätherbstnebel (from 1974-10 until 1974-11)
lyricist:
Heinrich Heine
composer:
Hugo Wolf
Hugo Wolf3:08
27Nachgelassene Lieder II, No. 15: Mit schwarzen Segeln
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Nachgelassene Lieder II, No. 15: Mit schwarzen Segeln (from 1974-10 until 1974-11)
lyricist:
Heinrich Heine
composer:
Hugo Wolf
Hugo Wolf0:49
28Nachgelassene Lieder II, No. 17: Wie des Mondes Abbild zittert
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Nachgelassene Lieder II, No. 17: Wie des Mondes Abbild zittert (from 1974-10 until 1974-11)
lyricist:
Heinrich Heine and Nikolaus Lenau
composer:
Hugo Wolf
Hugo Wolf3:11
29Nachgelassene Lieder II, No. 20: Frage nicht "Wie sehr ich Dein, soll ich Dir sagen?"
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Nachgelassene Lieder II, No. 20: Frage nicht "Wie sehr ich Dein, soll ich Dir sagen?" (from 1974-10 until 1974-11)
lyricist:
Nikolaus Lenau
composer:
Hugo Wolf
Hugo Wolf3:10
30Nachgelassene Lieder II, No. 21: Herbst "Nun ist es Herbst"
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Nachgelassene Lieder II, No. 21: Herbst "Nun ist es Herbst" (from 1974-10 until 1974-11)
lyricist:
Nikolaus Lenau
composer:
Hugo Wolf
Hugo Wolf3:21
31Nachgelassene Lieder II, No. 18: Abendbilder
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Nachgelassene Lieder II, No. 18: Abendbilder (from 1974-10 until 1974-11)
lyricist:
Nikolaus Lenau
composer:
Hugo Wolf
Hugo Wolf10:11
32Nachgelassene Lieder II, No. 19: Herbstentschluß "Trübe Wolken, Herbstesluft"
producer:
Cord Garben
piano:
Daniel Barenboim (from 1974-10 until 1974-11)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1974-10 until 1974-11)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (from 1974-10 until 1974-11)
recording of:
Nachgelassene Lieder II, No. 19: Herbstentschluß "Trübe Wolken, Herbstesluft" (from 1974-10 until 1974-11)
lyricist:
Nikolaus Lenau
composer:
Hugo Wolf
Hugo Wolf4:55
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