Jay Jay Johnson

~ Release by Jay Jay Johnson (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleLength
1Jay Bird
alto saxophone:
Cecil Payne (on 1946-06-26)
double bass:
Leonard Gaskin (on 1946-06-26)
drums (drum set):
Max Roach (on 1946-06-26)
piano:
Bud Powell (on 1946-06-26)
trombone:
J.J. Johnson (on 1946-06-26)
2:58
2Coppin’ the Bop
alto saxophone:
Cecil Payne (on 1946-06-26)
double bass:
Leonard Gaskin (on 1946-06-26)
drums (drum set):
Max Roach (on 1946-06-26)
piano:
Bud Powell (on 1946-06-26)
trombone:
J.J. Johnson (on 1946-06-26)
recording of:
Coppin’ the Bop (on 1946-06-26)
composer:
J.J. Johnson
2:59
3Jay Jay
producer:
Teddy Reig
alto saxophone:
Cecil Payne (on 1946-06-26)
double bass:
Leonard Gaskin (on 1946-06-26)
drums (drum set):
Max Roach (on 1946-06-26)
piano:
Bud Powell (on 1946-06-26)
trombone:
J.J. Johnson (on 1946-06-26)
recorded at:
WOR Studios in New York, New York, United States (on 1946-06-26)
3:06
4Mad Be-Bop
alto saxophone:
Cecil Payne (on 1946-06-26)
double bass:
Leonard Gaskin (on 1946-06-26)
drums (drum set):
Max Roach (on 1946-06-26)
piano:
Bud Powell (on 1946-06-26)
trombone:
J.J. Johnson (on 1946-06-26)
2:42
5Boneology (Boney)
baritone saxophone:
Leo Parker (on 1947-12-24)
double bass:
Al Lucas (on 1947-12-24)
drums (drum set):
Shadow Wilson (on 1947-12-24)
piano:
Hank Jones (on 1947-12-24)
trombone:
J.J. Johnson (on 1947-12-24)
2:59
6Down Vernon’s Alley
baritone saxophone:
Leo Parker (on 1947-12-24)
double bass:
Al Lucas (on 1947-12-24)
drums (drum set):
Shadow Wilson (on 1947-12-24)
piano:
Hank Jones (on 1947-12-24)
trombone:
J.J. Johnson (on 1947-12-24)
2:34
7Yesterdays
baritone saxophone:
Leo Parker (on 1947-12-24)
double bass:
Al Lucas (on 1947-12-24)
drums (drum set):
Shadow Wilson (on 1947-12-24)
piano:
Hank Jones (on 1947-12-24)
trombone:
J.J. Johnson (on 1947-12-24)
instrumental recording of:
Yesterdays (on 1947-12-24)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
part of:
Roberta
2:58
8Riffette
baritone saxophone:
Leo Parker (on 1947-12-24)
double bass:
Al Lucas (on 1947-12-24)
drums (drum set):
Shadow Wilson (on 1947-12-24)
piano:
Hank Jones (on 1947-12-24)
trombone:
J.J. Johnson (on 1947-12-24)
2:27
9Audubon (Audobahn)
double bass:
Gene Ramey (on 1949-05-11)
drums (drum set):
Shadow Wilson (on 1949-05-11)
piano:
John Lewis (on 1949-05-11)
tenor saxophone:
Sonny Rollins (on 1949-05-11)
trombone:
J.J. Johnson (on 1949-05-11)
2:46
10Don’t Blame Me
double bass:
Gene Ramey (on 1949-05-11)
drums (drum set):
Shadow Wilson (on 1949-05-11)
piano:
John Lewis (on 1949-05-11)
tenor saxophone:
Sonny Rollins (on 1949-05-11)
trombone:
J.J. Johnson (on 1949-05-11)
instrumental recording of:
Don’t Blame Me (on 1949-05-11)
lyricist:
Dorothy Fields
composer:
Jimmy McHugh
publisher:
EMI Robbins Catalog Inc. and Ireneadele Publishing
2:48
11Goof Square
double bass:
Gene Ramey (on 1949-05-11)
drums (drum set):
Shadow Wilson (on 1949-05-11)
piano:
John Lewis (on 1949-05-11)
tenor saxophone:
Sonny Rollins (on 1949-05-11)
trombone:
J.J. Johnson (on 1949-05-11)
2:25
12Bee Jay
double bass:
Gene Ramey (on 1949-05-11)
drums (drum set):
Shadow Wilson (on 1949-05-11)
piano:
John Lewis (on 1949-05-11)
tenor saxophone:
Sonny Rollins (on 1949-05-11)
trombone:
J.J. Johnson (on 1949-05-11)
2:28
13Elysses
recorded in:
New York, New York, United States (on 1949-05-26)
double bass:
Leonard Gaskin (on 1949-05-26)
drums (drum set):
Max Roach (on 1949-05-26)
piano:
John Lewis (on 1949-05-26)
tenor saxophone:
Sonny Rollins (on 1949-05-26)
trombone:
J.J. Johnson (on 1949-05-26)
trumpet:
Kenny Dorham (on 1949-05-26)
2:52
14Opus V
recorded in:
New York, New York, United States (on 1949-05-26)
double bass:
Leonard Gaskin (on 1949-05-26)
drums (drum set):
Max Roach (on 1949-05-26)
piano:
John Lewis (on 1949-05-26)
tenor saxophone:
Sonny Rollins (on 1949-05-26)
trombone:
J.J. Johnson (on 1949-05-26)
trumpet:
Kenny Dorham (on 1949-05-26)
2:38
15Hilo
recorded in:
New York, New York, United States (on 1949-05-26)
double bass:
Leonard Gaskin (on 1949-05-26)
drums (drum set):
Max Roach (on 1949-05-26)
piano:
John Lewis (on 1949-05-26)
tenor saxophone:
Sonny Rollins (on 1949-05-26)
trombone:
J.J. Johnson (on 1949-05-26)
trumpet:
Kenny Dorham (on 1949-05-26)
3:00
16Fox Hunt
recorded in:
New York, New York, United States (on 1949-05-26)
double bass:
Leonard Gaskin (on 1949-05-26)
drums (drum set):
Max Roach (on 1949-05-26)
piano:
John Lewis (on 1949-05-26)
tenor saxophone:
Sonny Rollins (on 1949-05-26)
trombone:
J.J. Johnson (on 1949-05-26)
trumpet:
Kenny Dorham (on 1949-05-26)
2:46
17Afternoon in Paris (take 1)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass:
Nelson Boyd (, on 1949-10-17)
drums (drum set):
Max Roach (on 1949-10-17)
piano:
John Lewis (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (on 1949-10-17)
recording of:
Afternoon in Paris (on 1949-10-17)
composer:
John Lewis
3:03
18Afternoon in Paris (take 2)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass:
Nelson Boyd (on 1949-10-17)
drums (drum set):
Max Roach (on 1949-10-17)
piano:
John Lewis (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (on 1949-10-17)
recording of:
Afternoon in Paris (on 1949-10-17)
composer:
John Lewis
3:04
2▼CD
#TitleLength
1Elora (take 1)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass:
Nelson Boyd (, on 1949-10-17)
drums (drum set):
Max Roach (on 1949-10-17)
piano:
John Lewis (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (on 1949-10-17)
3:10
2Elora (take 2)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass [bass]:
Nelson Boyd (on 1949-10-17)
drums (drum set):
Max Roach (on 1949-10-17)
piano:
John Lewis (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (on 1949-10-17)
3:04
3Teapot (take 1)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass:
Nelson Boyd (, on 1949-10-17)
drums (drum set):
Max Roach (on 1949-10-17)
piano:
John Lewis (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (on 1949-10-17)
3:04
4Teapot (take 2)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass:
Nelson Boyd (, on 1949-10-17)
drums (drum set):
Max Roach (on 1949-10-17)
piano:
John Lewis (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (on 1949-10-17)
2:43
5Blue Mode (take 1)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass:
Nelson Boyd (, on 1949-10-17)
drums (drum set):
Max Roach (on 1949-10-17)
piano:
John Lewis (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (on 1949-10-17)
3:45
6Blue Mode (take 2)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass:
Nelson Boyd (, on 1949-10-17)
drums (drum set):
Max Roach (on 1949-10-17)
piano:
John Lewis (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (on 1949-10-17)
2:50
7Chance It
recorded in:
New York, New York, United States (on 1952-05-09)
alto saxophone:
Jackie McLean (on 1952-05-09)
double bass:
Oscar Pettiford (on 1952-05-09)
drums (drum set):
Kenny Clarke (on 1952-05-09)
piano:
Gil Coggins (on 1952-05-09)
trombone:
J.J. Johnson (on 1952-05-09)
trumpet:
Miles Davis (on 1952-05-09)
3:03
8Dear Old Stockholm
recorded in:
New York, New York, United States (on 1952-05-09)
producer:
Alfred Lion
alto saxophone:
Jackie McLean (on 1952-05-09)
double bass:
Oscar Pettiford (on 1952-05-09)
drums (drum set):
Kenny Clarke (on 1952-05-09)
piano:
Gil Coggins (on 1952-05-09)
trombone:
J.J. Johnson (on 1952-05-09)
trumpet:
Miles Davis (on 1952-05-09)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-09)
recording of:
Dear Old Stockholm (on 1952-05-09)
writer:
[traditional]
arranger:
Stan Getz
version of:
Ack, Värmeland, du sköna (Fryxell version)
cover recording of:
Dear Old Stockholm
writer:
[traditional]
arranger:
Stan Getz
version of:
Ack, Värmeland, du sköna (Fryxell version)
4:12
9Woody ’n You
recorded in:
New York, New York, United States (on 1952-05-09)
alto saxophone:
Jackie McLean (on 1952-05-09)
double bass:
Oscar Pettiford (on 1952-05-09)
drums (drum set):
Kenny Clarke (on 1952-05-09)
piano:
Gil Coggins (on 1952-05-09)
trombone:
J.J. Johnson (on 1952-05-09)
trumpet:
Miles Davis (on 1952-05-09)
recording of:
Woody ’n’ You (on 1952-05-09)
composer:
Dizzy Gillespie
3:24
10Capri
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (on 1953-06-22)
tenor saxophone:
Jimmy Heath (on 1953-06-22)
trombone:
J.J. Johnson (on 1953-06-22)
trumpet:
Clifford Brown (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
3:38
11Lover Man
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (on 1953-06-22)
tenor saxophone:
Jimmy Heath (on 1953-06-22)
trombone:
J.J. Johnson (on 1953-06-22)
trumpet:
Clifford Brown (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
instrumental recording of:
Lover Man (on 1953-06-22)
lyricist:
Jimmy Davis (in 1942), Roger “Ram” Ramirez (in 1942) and Jimmy Sherman (in 1942)
composer:
Roger “Ram” Ramirez, Jimmy Davis (in 1942) and Jimmy Sherman (in 1942)
publisher:
MCA Music (ended), MCA Music Publishing (ended) and Universal Music Corp.
3:52
12Turnpike
baritone saxophone and tenor saxophone:
Jimmy Heath (on 1953-06-22)
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (on 1953-06-22)
trombone:
J.J. Johnson (on 1953-06-22)
trumpet:
Clifford Brown (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
recording of:
Turnpike (on 1953-06-22)
composer:
J.J. Johnson
4:17
13Sketch
baritone saxophone:
Jimmy Heath (on 1953-06-22)
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (on 1953-06-22)
trombone:
J.J. Johnson (on 1953-06-22)
trumpet:
Clifford Brown (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
4:21
3▼CD
#TitleLength
1Get Happy
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (on 1953-06-22)
tenor saxophone:
Jimmy Heath (on 1953-06-22)
trombone:
J.J. Johnson (on 1953-06-22)
trumpet:
Clifford Brown (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
instrumental recording of:
Get Happy (on 1953-06-22)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc., Francis, Day & Hunter Ltd., Redwood Music Ltd., Remick Music Corp., S.A. Music Co. and Warner Bros. Music
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
4:49
2It Could Happen to You
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (on 1953-06-22)
trombone:
J.J. Johnson (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
instrumental recording of:
It Could Happen to You (on 1953-06-22)
lyricist:
Johnny Burke
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部
4:44
3Capri (alternate take)
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (on 1953-06-22)
tenor saxophone:
Jimmy Heath (on 1953-06-22)
trombone:
J.J. Johnson (on 1953-06-22)
trumpet:
Clifford Brown (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
3:49
4Turnpike (alternate take)
baritone saxophone and tenor saxophone:
Jimmy Heath (on 1953-06-22)
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (on 1953-06-22)
trombone:
J.J. Johnson (on 1953-06-22)
trumpet:
Clifford Brown (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
recording of:
Turnpike (on 1953-06-22)
composer:
J.J. Johnson
4:11
5Get Happy (alternate take)
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (on 1953-06-22)
tenor saxophone:
Jimmy Heath (on 1953-06-22)
trombone:
J.J. Johnson (on 1953-06-22)
trumpet:
Clifford Brown (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
instrumental recording of:
Get Happy (on 1953-06-22)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc., Francis, Day & Hunter Ltd., Redwood Music Ltd., Remick Music Corp., S.A. Music Co. and Warner Bros. Music
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
4:11
6Don’t Argue
recorded in:
New York, New York, United States (on 1954-12-03)
engineer:
Rudy van Gelder (on 1954-12-03)
double bass [bass]:
Peck Morrison (on 1954-12-03)
drums (drum set):
Al Harewood (on 1954-12-03)
piano:
Dick Katz (on 1954-12-03)
trombone:
J.J. Johnson (on 1954-12-03) and Kai Winding (on 1954-12-03)
3:01
7How Long Has This Been Going On
recorded in:
New York, New York, United States (on 1954-12-03)
engineer:
Rudy van Gelder
double bass [bass]:
Peck Morrison (on 1954-12-03)
drums (drum set):
Al Harewood (on 1954-12-03)
piano:
Dick Katz (on 1954-12-03)
trombone:
J.J. Johnson (on 1954-12-03) and Kai Winding (on 1954-12-03)
recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (on 1954-12-03)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
2:33
8Riviera
recorded in:
New York, New York, United States (on 1954-12-03)
engineer:
Rudy van Gelder
double bass [bass]:
Peck Morrison (on 1954-12-03)
drums (drum set):
Al Harewood (on 1954-12-03)
piano:
Dick Katz (on 1954-12-03)
trombone:
J.J. Johnson (on 1954-12-03) and Kai Winding (on 1954-12-03)
3:14
9Dinner for One
recorded in:
New York, New York, United States (on 1954-12-03)
engineer:
Rudy van Gelder
double bass [bass]:
Peck Morrison (on 1954-12-03)
drums (drum set):
Al Harewood (on 1954-12-03)
piano:
Dick Katz (on 1954-12-03)
trombone:
J.J. Johnson (on 1954-12-03) and Kai Winding (on 1954-12-03)
3:05
10Hip Bones
recorded in:
New York, New York, United States (on 1954-12-03)
engineer:
Rudy van Gelder
double bass [bass]:
Peck Morrison (on 1954-12-03)
drums (drum set):
Al Harewood (on 1954-12-03)
piano:
Dick Katz (on 1954-12-03)
trombone:
J.J. Johnson (on 1954-12-03) and Kai Winding (on 1954-12-03)
2:58
11Wind Bag
recorded in:
New York, New York, United States (on 1954-12-03)
engineer:
Rudy van Gelder
double bass [bass]:
Peck Morrison (on 1954-12-03)
drums (drum set):
Al Harewood (on 1954-12-03)
piano:
Dick Katz (on 1954-12-03)
trombone:
J.J. Johnson (on 1954-12-03) and Kai Winding (on 1954-12-03)
3:12
12We'll Be Together Again
recorded in:
New York, New York, United States (on 1954-12-03)
engineer:
Rudy van Gelder (on 1954-12-03)
double bass [bass]:
Peck Morrison (on 1954-12-03)
drums (drum set):
Al Harewood (on 1954-12-03)
piano:
Dick Katz (on 1954-12-03)
trombone:
J.J. Johnson (on 1954-12-03) and Kai Winding (on 1954-12-03)
instrumental recording of:
We’ll Be Together Again (on 1954-12-03)
lyricist:
Frankie Laine
composer:
Carl T. Fischer
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation, Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック and ミュージック・セールス
3:16
13Bag’s Groove
recorded in:
New York, New York, United States (on 1954-12-03)
engineer:
Rudy van Gelder (on 1954-12-03)
double bass [bass]:
Peck Morrison (on 1954-12-03)
drums (drum set):
Al Harewood (on 1954-12-03)
piano:
Dick Katz (on 1954-12-03)
trombone:
J.J. Johnson (on 1954-12-03) and Kai Winding (on 1954-12-03)
recording of:
Bags’ Groove (on 1954-12-03)
composer:
Milt Jackson
3:12
14Too Marvellous for Words
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
congas:
"Sabu" Martinez (on 1954-09-24)
double bass:
Charles Mingus (on 1954-09-24)
drums (drum set):
Kenny Clarke (on 1954-09-24)
piano:
Wynton Kelly (on 1954-09-24)
trombone:
J.J. Johnson (on 1954-09-24)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-09-24)
instrumental recording of:
Too Marvelous for Words (on 1954-09-24)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation, Victoria Music Ltd., Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
3:35
15Jay
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
congas:
"Sabu" Martinez (on 1954-09-24)
double bass:
Charles Mingus (on 1954-09-24)
drums (drum set):
Kenny Clarke (on 1954-09-24)
piano:
Wynton Kelly (on 1954-09-24)
trombone:
J.J. Johnson (on 1954-09-24)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-09-24)
3:38
4▼CD
#TitleLength
1Old Devil Moon
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
congas:
"Sabu" Martinez (on 1954-09-24)
double bass:
Charles Mingus (on 1954-09-24)
drums (drum set):
Kenny Clarke (on 1954-09-24)
piano:
Wynton Kelly (on 1954-09-24)
trombone:
J.J. Johnson (on 1954-09-24)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-09-24)
instrumental recording of:
Old Devil Moon (from “Finian’s Rainbow”) (on 1954-09-24)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc., Chappell Music and Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
part of:
Finian’s Rainbow (1947 Broadway musical)
3:51
2It’s You or No One
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass:
Charles Mingus (on 1954-09-24)
drums (drum set):
Kenny Clarke (on 1954-09-24)
piano:
Wynton Kelly (on 1954-09-24)
trombone:
J.J. Johnson (on 1954-09-24)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-09-24)
instrumental recording of:
It’s You or No One (on 1954-09-24)
lyricist:
Sammy Cahn
composer:
Sammy Cahn and Jule Styne
part of:
Romance on the High Seas
4:05
3Coffee Pot
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
congas:
"Sabu" Martinez (on 1954-09-24)
double bass:
Charles Mingus (on 1954-09-24)
drums (drum set):
Kenny Clarke (on 1954-09-24)
piano:
Wynton Kelly (on 1954-09-24)
trombone:
J.J. Johnson (on 1954-09-24)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1954-09-24)
recording of:
Coffee Pot (on 1954-09-24)
composer:
J.J. Johnson
4:07
4Pennies From Heaven
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (on 1955-06-06)
drums (drum set):
Kenny Clarke (on 1955-06-06)
piano:
Horace Silver (on 1955-06-06)
tenor saxophone:
Hank Mobley (on 1955-06-06)
trombone:
J.J. Johnson (on 1955-06-06)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-06-06)
instrumental recording of:
Pennies From Heaven (on 1955-06-06)
lyricist:
Johnny Burke (in 1936)
composer:
Arthur Johnston (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
4:17
5Viscosity
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (on 1955-06-06)
drums (drum set):
Kenny Clarke (on 1955-06-06)
piano:
Horace Silver (on 1955-06-06)
tenor saxophone:
Hank Mobley (on 1955-06-06)
trombone:
J.J. Johnson (on 1955-06-06)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-06-06)
4:20
6You're Mine You
recording engineer:
Rudy van Gelder (on 1955-06-06)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (on 1955-06-06)
drums (drum set):
Kenny Clarke (on 1955-06-06)
piano:
Horace Silver (on 1955-06-06)
tenor saxophone:
Hank Mobley (on 1955-06-06)
trombone:
J.J. Johnson (on 1955-06-06)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-06-06)
instrumental recording of:
You’re Mine, You (on 1955-06-06)
lyricist:
Edward Heyman
composer:
Johnny Green
3:07
7"Daylie" Double
recording engineer:
Rudy van Gelder (on 1955-06-06)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (on 1955-06-06)
drums (drum set):
Kenny Clarke (on 1955-06-06)
piano:
Horace Silver (on 1955-06-06)
tenor saxophone:
Hank Mobley (on 1955-06-06)
trombone:
J.J. Johnson (on 1955-06-06)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-06-06)
4:25
8Groovin’
recording engineer:
Rudy van Gelder (on 1955-06-06)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (on 1955-06-06)
drums (drum set):
Kenny Clarke (on 1955-06-06)
piano:
Horace Silver (on 1955-06-06)
tenor saxophone:
Hank Mobley (on 1955-06-06)
trombone:
J.J. Johnson (on 1955-06-06)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-06-06)
4:39
9Portrait of Jennie
recording engineer:
Rudy van Gelder
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (on 1955-06-06)
drums (drum set):
Kenny Clarke (on 1955-06-06)
piano:
Horace Silver (on 1955-06-06)
tenor saxophone:
Hank Mobley (on 1955-06-06)
trombone:
J.J. Johnson (on 1955-06-06)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-06-06)
recording of:
Portrait of Jennie (on 1955-06-06)
lyricist:
Gordon Burdge
composer:
J. Russel Robinson
2:55
10Pennies From Heaven (alternate take)
double bass [bass]:
Paul Chambers (on 1955-06-06)
drums (drum set):
Kenny Clarke (on 1955-06-06)
piano:
Horace Silver (on 1955-06-06)
tenor saxophone:
Hank Mobley (on 1955-06-06)
trombone:
J.J. Johnson (on 1955-06-06)
instrumental recording of:
Pennies From Heaven (on 1955-06-06)
lyricist:
Johnny Burke (in 1936)
composer:
Arthur Johnston (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
4:24
11Viscosity (alternate take)
double bass [bass]:
Paul Chambers (on 1955-06-06)
drums (drum set):
Kenny Clarke (on 1955-06-06)
piano:
Horace Silver (on 1955-06-06)
tenor saxophone:
Hank Mobley (on 1955-06-06)
trombone:
J.J. Johnson (on 1955-06-06)
4:19
12"Daylie" Double (alternate take)
double bass [bass]:
Paul Chambers (on 1955-06-06)
drums (drum set):
Kenny Clarke (on 1955-06-06)
piano:
Horace Silver (on 1955-06-06)
tenor saxophone:
Hank Mobley (on 1955-06-06)
trombone:
J.J. Johnson (on 1955-06-06)
4:35