Battle of Guitars

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistLength
1Goin' Places
recorded in:
New York, New York, United States (on 1927-05-04)
guitar:
Eddie Lang (on 1927-05-04)
piano:
Arthur Schutt (on 1927-05-04)
violin:
Joe Venuti (on 1927-05-04)
recording of:
Goin' Places (on 1927-05-04)
writer:
Eddie Lang and Joe Venuti
Eddie Lang2:58
2Doin' Things
recorded in:
New York, New York, United States (on 1927-05-04)
guitar:
Eddie Lang (on 1927-05-04)
piano:
Arthur Schutt (on 1927-05-04)
violin:
Joe Venuti (on 1927-05-04)
Eddie Lang2:52
3Dinah
engineered in:
New York, New York, United States (on 1928-03-28)
guitar:
Eddie Lang (on 1928-03-28) and Eddie Lang (on 1928-03-28)
piano:
Rube Bloom (on 1928-03-28)
violin:
Joe Venuti (on 1928-03-28)
recording of:
Dinah (on 1928-03-28)
lyricist:
Sam M. Lewis and Joe Young
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. and Morley Music Corp.
part of:
The Girl’s Suite
Eddie Lang2:51
4Sweet Sue Just You
recorded in:
New York, New York, United States (on 1930-11-12)
alto saxophone, baritone saxophone and clarinet:
Jimmy Dorsey (on 1930-11-20)
double bass:
Joe Tarto (on 1930-11-20)
guitar:
Eddie Lang (on 1930-11-20)
piano:
Frank Signorelli (on 1930-11-20)
violin:
Joe Venuti (on 1930-11-20)
instrumental recording of:
Sweet Sue, Just You (on 1930-11-20)
lyricist:
Will J. Harris
composer:
Will J. Harris and Victor Young
publisher:
Shapiro Bernstein & Co. Ltd.
Eddie Lang2:48
5Lady Be Good
recorded in:
Paris, Île-de-France, France (in 1934-12)
double bass:
Louis Vola (in 1934-12)
guitar:
Roger Chaput (in 1934-12), Stéphane Grappelli (in 1934-12), Django Reinhardt (in 1934-12) and Joseph Reinhardt (in 1934-12)
performer:
Quintette du Hot Club de France (in 1934-12)
instrumental recording of:
Oh, Lady Be Good! (in 1934-12)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
Django Reinhardt2:52
6Ultrafox
recorded in:
Paris, Île-de-France, France (in 1934-12)
double bass:
Louis Vola (in 1934-12)
guitar:
Roger Chaput (in 1934-12), Stéphane Grappelli (in 1934-12), Django Reinhardt (in 1934-12) and Joseph Reinhardt (in 1934-12)
performer:
Quintette du Hot Club de France (in 1934-12)
recording of:
Ultrafox (in 1934-12)
composer:
Stéphane Grappelli and Django Reinhardt
Django Reinhardt3:23
7Liza
double bass:
Wesley Prince
guitar:
Oscar Moore
piano:
Nat King Cole
performer:
The Nat King Cole Trio
instrumental recording of:
Liza (All the Clouds’ll Roll Away)
lyricist:
Ira Gershwin and Gus Khan
composer:
George Gershwin
publisher:
New World Music Corp. (in 1929)
part of:
An American in Paris (2015 Broadway musical)
Oscar Moore2:58
8Honeysuckle Rose
recorded in:
London, England, United Kingdom (on 1938-01-31)
double bass:
Louis Vola (on 1938-01-31)
guitar:
Roger Chaput (on 1938-01-31), Django Reinhardt (on 1938-01-31) and Eugène Vées (on 1938-01-31)
violin:
Stéphane Grappelli (on 1938-01-31)
performer:
Quintette du Hot Club de France (on 1938-01-31)
recorded at:
Decca Studios in City of London, London, England, United Kingdom (on 1938-01-31)
instrumental recording of:
Honeysuckle Rose (on 1938-01-31)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
Django Reinhardt2:56
9Flying home
archtop guitar and electric guitar:
Charlie Christian (on 1939-10-02)
clarinet:
Benny Goodman (on 1939-10-02)
double bass:
Arthur Bernstein (on 1939-10-02)
drums (drum set):
Nick Fatool (on 1939-10-02)
piano:
Fletcher Henderson (on 1939-10-02)
vibraphone:
Lionel Hampton (on 1939-10-02)
recorded at:
Columbia Studios in New York, New York, United States (on 1939-10-02)
recording of:
Flying Home (instrumental version) (on 1939-10-02)
composer:
Benny Goodman and Lionel Hampton
publisher:
Ragbag Music and Regent Music
Charlie Christian3:17
10Black Spider Stomp
engineered in:
Los Angeles, California, United States (in 1939-05)
double bass:
Wesley Prince (in 1939-05)
guitar:
Oscar Moore (in 1939-05)
piano:
Nat King Cole (in 1939-05)
performer:
The Nat King Cole Trio (in 1939-05)
Oscar Moore2:54
11My Melancholy Baby
recorded in:
Paris, Île-de-France, France (on 1939-05-24)
double bass:
Emmanuel Soudieux (on 1939-05-24)
guitar:
Joseph Reinhardt, Pierre “Baro” Ferret (on 1939-05-24) and Django Reinhardt (on 1939-05-24)
violin:
Stéphane Grappelli (on 1939-05-24)
performer:
Quintette du Hot Club de France (on 1939-05-24)
instrumental recording of:
My Melancholy Baby (on 1939-05-04)
lyricist:
George A. Norton (in 1912)
composer:
Ernie Burnett (in 1911)
publisher:
Francis, Day & Hunter Ltd. and Shapiro, Bernstein & Co., Inc.
version of:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
recording of:
My Melancholy Baby
lyricist:
George A. Norton (in 1912)
composer:
Ernie Burnett (in 1911)
publisher:
Francis, Day & Hunter Ltd. and Shapiro, Bernstein & Co., Inc.
version of:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
Django Reinhardt2:49
12Seven Come Eleven
recorded in:
New York, New York, United States (on 1939-11-22)
clarinet:
Benny Goodman (on 1939-11-22)
double bass:
Artie Bernstein (on 1939-11-22)
drums (drum set):
Nick Fatool (on 1939-11-22)
electric guitar and guitar:
Charlie Christian (on 1939-11-22)
piano:
Fletcher Henderson (on 1939-11-22)
vibraphone:
Lionel Hampton (on 1939-11-22)
recording of:
Seven Come Eleven (on 1939-11-22)
composer:
Charlie Christian and Benny Goodman
Charlie Christian2:46
13I cant believe you're in love with me
double bass:
Ernie Newton
guitar:
Les Paul
piano:
Jim Atkins
performer:
Les Paul and His Trio
instrumental recording of:
I Can’t Believe That You’re in Love With Me
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh
publisher:
Mills Music, Inc.
Les Paul2:36
14Riffin' in F Minor
engineered in:
Los Angeles, California, United States (in 1939-02)
double bass:
Wesley Prince (in 1939-02)
guitar:
Oscar Moore (in 1939-02)
piano:
Nat King Cole (in 1939-02)
performer:
The Nat King Cole Trio (in 1939-02)
Oscar Moore2:05
15H.C.Q. Strut
recorded in:
London, England, United Kingdom (on 1939-08-25)
double bass:
Emmanuel Soudieux (on 1939-08-25)
guitar:
Django Reinhardt (on 1939-08-25), Joseph Reinhardt (on 1939-08-25) and Eugène Vées (on 1939-08-25)
violin:
Stéphane Grappelli (on 1939-08-25)
performer:
Quintette du Hot Club de France (on 1939-08-25)
recording of:
HCQ Strut (on 1939-08-25)
composer:
Stéphane Grappelli and Django Reinhardt
Django Reinhardt3:00
16Star Dust
bass:
Ernie Newton
guitar:
Les Paul
piano:
Jim Atkins
performer:
Les Paul and His Trio
instrumental recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc., EMI Music Publishing Ltd., Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
part of:
American Splendor
Les Paul2:16
17Gone with "What" wind
recorded in:
New York, New York, United States (on 1940-02-07)
bass and double bass:
Artie Bernstein (on 1940-02-07)
clarinet:
Benny Goodman (on 1940-02-07)
drums (drum set):
Nick Fatool (on 1940-02-07)
electric guitar and guitar:
Charlie Christian (on 1940-02-07)
piano:
Count Basie (on 1940-02-07)
vibraphone:
Lionel Hampton (on 1940-02-07)
performer:
The Benny Goodman Sextet
recording of:
Gone With 'What' Wind (on 1940-02-07)
writer:
Count Basie and Benny Goodman
Charlie Christian3:16
18Rythme Futur
recorded in:
Paris, Île-de-France, France (on 1940-10-01)
drums (drum set):
Pierre Fouad (on 1940-10-01)
guitar:
Django Reinhardt (on 1940-10-01) and Joseph Reinhardt (on 1940-10-01)
violin:
Josette Daydé (on 1940-10-01)
performer:
Quintette du Hot Club de France (on 1940-10-01)
recording of:
Rythme futur (on 1940-10-01)
composer:
Django Reinhardt
part of:
Rythme Futur / Django Tiger
Django Reinhardt2:41
19Subterfuge
double bass:
Ernie Newton
guitar:
Les Paul
piano:
Jim Atkins
performer:
Les Paul and His Trio
Les Paul2:10
20The Sheik of Araby
recorded in:
New York, New York, United States (on 1940-04-10)
bass:
Artie Bernstein (on 1940-04-10)
clarinet:
Benny Goodman (on 1940-04-10)
drums (drum set):
Nick Fatool (on 1940-04-10)
guitar:
Charlie Christian (on 1940-04-10)
piano:
Fletcher Henderson (on 1940-04-10)
vibraphone:
Lionel Hampton (on 1940-04-10)
instrumental recording of:
The Sheik of Araby (on 1940-04-10)
lyricist:
Harry B. Smith (in 1921) and Francis Wheeler (in 1921)
composer:
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music and Salabert
Charlie Christian3:22
21Doug-Rey-Mi
bass:
Wesley Prince (on 1940-07-17)
drums (drum set):
Al Spieldock (on 1940-07-17)
guitar:
Oscar Moore (on 1940-07-17)
piano:
Nat King Cole (on 1940-07-17)
vibraphone:
Lionel Hampton (on 1940-07-17)
performer:
The Hampton Rhythm Boys (on 1940-07-17)
Oscar Moore3:14
22Honeysuckle Rose
bass:
Ernie Newton
guitar:
Les Paul
piano:
Jim Atkins
performer:
Les Paul and His Trio
instrumental recording of:
Honeysuckle Rose
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
Les Paul1:59
2▼CD
#TitleArtistLength
1Coquette
bass:
Ernie Newton
guitar:
Les Paul
piano:
Jim Atkins
performer:
Les Paul and His Trio
Les Paul2:07
2Out on a limb
recorded in:
New York, New York, United States (on 1946-10-08)
bass and double bass:
Clyde Lombardi (on 1946-10-08)
guitar:
Billy Bauer (on 1946-10-08)
piano:
Lennie Tristano (on 1946-10-08)
recording of:
Out on a Limb (on 1946-10-08)
composer:
Lennie Tristano
Billy Bauer2:44
3At sundown
double bass:
Ernie Newton (in 1947)
guitar:
Les Paul (in 1947)
piano:
Jim Atkins (in 1947)
performer:
Les Paul and His Trio
instrumental recording of:
At Sundown (in 1947)
lyricist and composer:
Walter Donaldson (in 1927)
publisher:
Donaldson Publishing Co. and Leo Feist, Inc.
Les Paul3:00
4Interlude
recorded in:
New York, New York, United States (on 1946-10-08)
double bass:
Clyde Lombardi (on 1946-10-08)
guitar:
Billy Bauer (on 1946-10-08)
piano:
Lennie Tristano (on 1946-10-08)
Billy Bauer3:09
5Melodic meal
double bass:
Ernie Newton
guitar:
Les Paul
piano:
Jim Atkins
performer:
Les Paul and His Trio
Les Paul1:51
6Retrospection
recorded in:
New York, New York, United States (on 1947-08-14)
alto saxophone:
Lee Konitz (on 1947-08-14)
double bass:
Arnold Fishkind (on 1947-08-14)
guitar:
Billy Bauer (on 1947-08-14)
piano:
Lennie Tristano (on 1947-08-14)
Billy Bauer2:47
7Lee
recorded in:
New York, New York, United States (on 1953-04-23)
producer:
Bob Weinstock
bass and double bass:
Red Mitchell (on 1953-04-23)
drums (drum set):
Frank Isola (on 1953-04-23)
guitar:
Jimmy Raney (on 1953-04-23)
piano:
Hall Overton (on 1953-04-23)
tenor saxophone:
Sven Coolson (on 1953-04-23)
performer:
Hall Overton
phonographic copyright (℗) by:
Victor Musical Industries, Inc.
recorded at:
WOR Studios in New York, New York, United States (on 1953-04-23)
recording of:
Lee (on 1953-04-23)
composer:
Jimmy Raney
Jimmy Raney4:20
8Sometimes I'm happy
recorded in:
New York, New York, United States (on 1952-11-09)
double bass:
Bob Carter (on 1952-11-09)
drums (drum set):
Morey Feld (on 1952-11-09)
guitar:
Johnny Smith (on 1952-11-09)
piano:
Sanford Gold (on 1952-11-09)
tenor saxophone:
Stan Getz (on 1952-11-09)
performer:
Stan Getz Quintet (on 1952-11-09)
instrumental recording of:
Sometimes I’m Happy (on 1952-11-09)
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1927 musical)
part of:
Hit the Deck (1955 movie)
Johnny Smith2:21
9Strike up the band
recorded in:
Los Angeles, California, United States (from 1952-11-01 until 1952-12-04)
double bass:
Ray Brown (in 1952)
guitar:
Barney Kessel (in 1952)
piano:
Oscar Peterson (in 1952)
instrumental recording of:
Strike Up the Band (1927 Gershwin song) (in 1952)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Strike up the Band (1927 Gershwin musical)
Barney Kessel3:16
10Where or when
recorded in:
New York, New York, United States (on 1952-03-11)
bass:
Eddie Safranski (on 1952-03-11)
drums (drum set):
Don Lamond (on 1952-03-11)
guitar:
Johnny Smith (on 1952-03-11)
piano:
Sanford Gold (on 1952-03-11)
tenor saxophone:
Stan Getz (on 1952-03-11)
performer:
Stan Getz Quintet (on 1952-03-11)
instrumental recording of:
Where or When (from “Babes in Arms”) (on 1952-03-11)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Warner/Chappell, Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
Johnny Smith2:27
11Yesterdays
recorded in:
Los Angeles, California, United States (on 1954-02-14)
double bass:
Red Mitchell (on 1954-02-14)
drums (drum set):
Elaine Leighton (on 1954-02-14)
guitar:
Jimmy Raney (on 1954-02-14)
piano:
Sonny Clark (on 1954-02-14)
tenor saxophone:
Gösta Theselius (on 1954-02-14)
instrumental recording of:
Yesterdays (on 1954-02-14)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
part of:
Roberta
Jimmy Raney3:02
12Vicky's dream
recorded in:
Los Angeles, California, United States (on 1953-11-14)
alto saxophone and flute:
Bud Shank
double bass:
Harry Babasin
drums (drum set):
Shelly Manne
guitar:
Barney Kessel
piano:
Arnold Ross (on 1953-11-14)
recording of:
Vicky's Dream (on 1953-11-14)
composer:
Barney Kessel
Barney Kessel2:52
13Nice work if you can get it
recorded in:
New York, New York, United States (on 1952-11-09)
double bass:
Bob Carter (on 1952-11-09)
drums (drum set):
Morey Feld (on 1952-11-09)
guitar:
Johnny Smith (on 1952-11-09)
piano:
Sanford Gold (on 1952-11-09)
tenor saxophone:
Stan Getz
performer:
Stan Getz Quintet (on 1952-11-09)
instrumental recording of:
Nice Work If You Can Get It (on 1952-11-09)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc. and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
Johnny Smith2:27
14I want to be happy
recorded in:
Hollywood, Los Angeles, California, United States (in 1953-12)
double bass:
Ray Brown (in 1953-12)
guitar:
Herb Ellis (in 1953-12)
piano:
Oscar Peterson (in 1953-12)
instrumental recording of:
I Want to Be Happy (No, No, Nanette) (in 1953-12)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
Herb Ellis5:36
15Minor
recorded in:
New York, New York, United States (on 1954-05-28)
double bass:
Teddy Kotick (on 1954-05-28)
drums (drum set):
Nick Stabulas (on 1954-05-28)
guitar:
Jimmy Raney (on 1954-05-28)
piano:
Hall Overton (on 1954-05-28)
Jimmy Raney4:34
16Salute to Charlie Christian
recorded in:
Los Angeles, California, United States (on 1953-12-19)
alto saxophone and flute:
Bud Shank (on 1953-12-19)
double bass:
Harry Babasin (on 1953-12-19)
drums (drum set):
Shelly Manne (on 1953-12-19)
guitar:
Barney Kessel (on 1953-12-19)
piano:
Arnold Ross (on 1953-12-19)
recording of:
Salute to Charlie Christian (on 1953-12-19)
composer:
Barney Kessel
Barney Kessel3:17
17Tea for two
recorded in:
Hollywood, Los Angeles, California, United States (in 1953-12)
double bass:
Ray Brown (in 1953-12)
guitar:
Herb Ellis (in 1953-12)
piano:
Oscar Peterson (in 1953-12)
instrumental recording of:
Tea for Two (No, No, Nanette) (in 1953-12)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc., Warner Chappell Music Ltd., WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
No, No, Nanette
Herb Ellis6:09
18Moonlight in Vermont
recorded in:
New York, New York, United States (on 1952-03-11)
producer:
Teddy Reig
double bass:
Eddie Safranski (on 1952-03-11)
drums (drum set):
Don Lamond (on 1952-03-11)
guitar:
Johnny Smith (on 1952-03-11)
piano:
Sanford Gold (on 1952-03-11)
tenor saxophone:
Stan Getz (on 1952-03-11)
performer:
Stan Getz Quintet (on 1952-03-11)
phonographic copyright (℗) by:
EMI Records Ltd.
instrumental recording of:
Moonlight in Vermont (on 1952-03-11)
lyricist:
John Blackburn
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Johnny Smith3:16
19Body and soul
recorded in:
Los Angeles, California, United States (on 1954-02-14)
double bass:
Red Mitchell (on 1954-02-14)
drums (drum set):
Elaine Leighton (on 1954-02-14)
guitar:
Jimmy Raney (on 1954-02-14)
piano:
Sonny Clark (on 1954-02-14)
tenor saxophone:
Gösta Theselius (on 1954-02-14)
instrumental recording of:
Body and Soul (on 1954-02-14)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Jimmy Raney3:39
20What is there to say
recorded in:
Los Angeles, California, United States (on 1953-12-19)
alto saxophone and flute:
Bud Shank (on 1953-12-19)
double bass:
Harry Babasin (on 1953-12-19)
drums (drum set):
Shelly Manne (on 1953-12-19)
guitar:
Barney Kessel (on 1953-12-19)
piano:
Arnold Ross (on 1953-12-19)
instrumental recording of:
What Is There to Say? (on 1953-12-19)
lyricist:
Yip Harburg
composer:
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment and T.B. Harms Co.
Barney Kessel3:34
21Lover
recorded in:
Hollywood, Los Angeles, California, United States (in 1953-12)
double bass:
Ray Brown (in 1953-12)
guitar:
Herb Ellis (in 1953-12)
piano:
Oscar Peterson (in 1953-12)
instrumental recording of:
Lover (in 1953-12)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (in 1932)
publisher:
Famous Chappell and Famous Music Corporation
Herb Ellis7:13
3▼CD
#TitleArtistLength
1Signal
recorded in:
New York, New York, United States (on 1953-04-23)
double bass:
Red Mitchell (on 1953-04-23)
drums (drum set):
Frank Isola (on 1953-04-23)
guitar:
Jimmy Raney (on 1953-04-23)
piano:
Hall Overton (on 1953-04-23)
tenor saxophone:
Stan Getz (on 1953-04-23)
recording of:
Signal (on 1953-04-23)
composer:
Jimmy Raney
Jimmy Raney5:41
2Have you met miss jones
recorded in:
Hollywood, Los Angeles, California, United States (from 1954-11-15 until 1954-11-16)
producer:
Norman Granz
bass and double bass:
Ray Brown (in 1954-11)
drums (drum set):
Chico Hamilton (in 1954-11)
guitar:
Tal Farlow (in 1954-11)
piano:
Gerald Wiggins (in 1954-11)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (in 1954-11)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc. and Williamson Music Company
part of:
I’d Rather Be Right
Tal Farlow4:59
364 bars on wilshire
recorded in:
Los Angeles, California, United States (from 1954-06-04 until 1954-07-01)
bass:
Monty Budwig (in 1954) and Red Mitchell (in 1954)
drums (drum set):
Shelly Manne (in 1954) and Chuck Thompson (in 1954)
guitar:
Barney Kessel (in 1954)
oboe:
Bob Cooper (in 1954)
piano:
Hampton Hawes (in 1954) and Claude Williamson (in 1954)
tenor saxophone:
Bob Cooper
recording of:
64 Bars on Wilshire (in 1954)
composer:
Barney Kessel
Barney Kessel3:20
4On the square
recorded in:
New York, New York, United States (on 1954-05-28, on 1954-06-02)
bass:
Teddy Kotick (in 1954)
drums (drum set):
Nick Stabulas (in 1954)
guitar:
Jimmy Raney (in 1954)
piano:
Hall Overton (in 1954)
Jimmy Raney4:31
5My old flame
bass:
Oscar Pettiford
drums (drum set):
Joe Morello
guitar:
Tal Farlow and Barry Galbraith
instrumental recording of:
My Old Flame
lyricist:
Sam Coslow
composer:
Arthur Johnston
publisher:
Famous Music Corporation
Tal Farlow3:36
6A foggy day
recorded in:
Los Angeles, California, United States (from 1954-06-04 until 1954-07-01)
bass:
Monty Budwig (in 1954) and Red Mitchell (in 1954)
drums (drum set):
Shelly Manne (in 1954) and Chuck Thompson (in 1954)
guitar:
Barney Kessel (in 1954)
oboe:
Bob Cooper (in 1954)
piano:
Hampton Hawes (in 1954) and Claude Williamson (in 1954)
tenor saxophone:
Bob Cooper
instrumental recording of:
A Foggy Day (in London Town) (in 1954)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
Barney Kessel3:11
7'round midnight
recorded in:
New York, New York, United States (on 1953-04-23)
bass:
Red Mitchell (on 1953-04-23)
drums (drum set):
Frank Isola (on 1953-04-23)
guitar:
Jimmy Raney (on 1953-04-23)
piano:
Hall Overton (on 1953-04-23)
tenor saxophone:
Stan Getz (on 1953-04-23)
instrumental recording of:
’Round Midnight (for saxophone quartet, Müller-Irion) (on 1953-04-23)
composer:
Thelonious Monk and Cootie Williams
arranger:
Rainer Müller-Irion
arrangement of:
’Round Midnight
Jimmy Raney5:21
8Strike up the band
recorded in:
Hollywood, Los Angeles, California, United States (from 1954-11-15 until 1954-11-16)
producer:
Norman Granz
double bass:
Ray Brown (in 1954-11)
drums (drum set):
Chico Hamilton (in 1954-11)
guitar:
Tal Farlow (in 1954-11)
piano:
Gerald Wiggins (in 1954-11)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
instrumental recording of:
Strike Up the Band (1927 Gershwin song) (in 1954-11)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Strike up the Band (1927 Gershwin musical)
Tal Farlow3:29
9On a slow boat to China
recorded in:
Los Angeles, California, United States (from 1954-06-04 until 1954-07-01)
bass:
Monty Budwig (in 1954) and Red Mitchell (in 1954)
drums (drum set):
Chuck Thompson and Shelly Manne (in 1954)
guitar:
Barney Kessel (in 1954)
oboe and tenor saxophone:
Bob Cooper (in 1954)
piano:
Hampton Hawes (in 1954) and Claude Williamson (in 1954)
instrumental recording of:
On a Slow Boat to China (in 1954)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., MPL UK Publishing, Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
Barney Kessel3:17
10Stella by starlight
bass:
Red Mitchell (on 1954-02-14)
drums (drum set):
Elaine Leighton (on 1954-02-14)
guitar:
Jimmy Raney (on 1954-02-14)
piano:
Sonny Clark (on 1954-02-14)
tenor saxophone:
Gösta Theselius (on 1954-02-14)
instrumental recording of:
Stella by Starlight (on 1954-02-14)
lyricist:
Ned Washington (in 1946)
writer:
Ned Washington and Victor Young
composer:
Victor Young (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation
part of:
The Real Book (compilation of jazz standards, Volume I)
Jimmy Raney4:31
11Chuckles
recorded in:
New York, New York, United States (on 1956-06-05)
double bass:
Vinnie Burke (on 1956-06-05)
guitar:
Tal Farlow (on 1956-06-05)
piano:
Eddie Costa (on 1956-06-05)
Tal Farlow5:01
12I dont know what time it was
recorded in:
Los Angeles, California, United States (from 1954-06-04 until 1954-07-01)
bass:
Monty Budwig (in 1954) and Red Mitchell (in 1954)
drums (drum set):
Shelly Manne (in 1954) and Chuck Thompson (in 1954)
guitar:
Barney Kessel (in 1954)
oboe and tenor saxophone:
Bob Cooper (in 1954)
piano:
Hampton Hawes (in 1954) and Claude Williamson (in 1954)
instrumental recording of:
I Didn’t Know What Time It Was (Pal Joey) (in 1954)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
Barney Kessel3:57
13How deep is the ocean
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-01-17)
producer:
Norman Granz
bass and double bass:
Red Mitchell (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
How Deep Is the Ocean? (on 1955-01-17)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Tal Farlow4:01
14Jeepers creepers
recorded in:
Los Angeles, California, United States (from 1954-06-04 until 1954-07-01)
bass:
Monty Budwig (in 1954) and Red Mitchell (in 1954)
drums (drum set):
Shelly Manne (in 1954) and Chuck Thompson (in 1954)
guitar:
Barney Kessel (in 1954)
oboe and tenor saxophone:
Bob Cooper (in 1954)
piano:
Hampton Hawes (in 1954) and Claude Williamson (in 1954)
instrumental recording of:
Jeepers Creepers (in 1954)
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting
composer:
Harry Warren (in 1938)
publisher:
B. Feldman & Co. Ltd. and Copyright Control
part of:
The 11th Academy Award for Best Original Song (number: 2)
Barney Kessel3:51
15Motion
recorded in:
New York, New York, United States (on 1953-04-23)
bass:
Red Mitchell (on 1953-04-23)
drums (drum set):
Frank Isola (on 1953-04-23)
guitar:
Jimmy Raney (on 1953-04-23)
piano:
Hall Overton (on 1953-04-23)
tenor saxophone:
Stan Getz (on 1953-04-23)
recording of:
Motion (on 1953-04-23)
composer:
Jimmy Raney
Jimmy Raney5:23
16Speak low
guitar:
Laurindo Almeida
instrumental recording of:
Speak Low (from "One Touch of Venus") (Fox Trot Arrangement (Beguine Tempo))
lyricist:
Ogden Nash
composer:
Kurt Weill
arranger:
Jack Mason
arrangement of:
Speak Low (One Touch of Venus)
Laurindo Almeida2:22
17Um abraco no bonfa
guitar:
Charlie Byrd
instrumental recording of:
Um abraço no Bonfá
composer:
João Gilberto
Charlie Byrd2:46
18The girl from Ipanema
guitar:
Baden Powell
instrumental recording of:
The Girl From Ipanema
lyricist:
Vinicius de Moraes
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control, Corcovado Music Corp., Duchess Music Corporation, MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc., Universal Duchess Music Corp., Universal Music Publishing Ltd., Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd.
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
Baden Powell3:00
19Atabaque
guitar:
Laurindo Almeida
instrumental recording of:
Atabaque
writer:
Radamés Gnattali
Laurindo Almeida2:46
4▼CD
#TitleArtistLength
1Toccata
guitar:
Laurindo Almeida
Laurindo Almeida4:47
2Aria na 4 a corda
guitar:
Paulinho Nogueira
Paulinho Nogueira3:31
3Samba triste
guitar:
Baden Powell
recording of:
Samba triste
composer:
Billy Blanco and Baden Powell
instrumental recording of:
Samba triste
composer:
Billy Blanco and Baden Powell
Baden Powell3:30
4O grande amor
double bass:
Harvie Swartz (in 1983-07)
drums (drum set):
Akira Tana (in 1983-07)
guitar:
Carl Barry and Jack Wilkins (in 1983-07)
percussion:
Ted Moore (in 1983-07)
piano:
Albert Dailey (in 1983-07)
instrumental cover recording of:
O grande amor (in 1983-07)
lyricist:
Vinicius de Moraes
composer:
Antônio Carlos Jobim
Jack Wilkins4:27
5Vera Cruz
alto saxophone and sopranino saxophone:
Donald Harrison
double bass:
Nico Assumpção
drums (drum set):
Billy Cobham
guitar:
Dori Caymmi, Larry Coryell and Romero Lubambo
keyboard:
Luiz Avellar
percussion:
Bashiri Johnson, Monica Millet and Tiao Oliveira
trumpet:
Marcio Montarroyos
cover recording of:
Vera Cruz
writer:
Márcio Borges and Milton Nascimento
publisher:
Almo Music Corp.
sub-publisher:
Rondor Music Inc. and Rondor Musikverlag GmbH
Larry Coryell9:04
6Dailey double
double bass:
Harvie Swartz (in 1983-07)
drums (drum set):
Akira Tana (in 1983-07)
electric guitar:
Jack Wilkins (in 1983-07)
guitar:
Carl Barry
percussion:
Ted Moore (in 1983-07)
piano:
Albert Dailey (in 1983-07)
Jack Wilkins6:15
7Skylark
bass trumpet:
Dave Taylor
drums (drum set):
Jimmy Madison
French horn:
John Clark
guitar:
Jim Hall
piano:
“Sir” Roland Hanna and Ted Rosenthal
trumpet:
Chet Baker, Bob Milikan, Keith O’Quinn, Lew Soloff and Byron Stripling
tuba:
Matt Finders
cover recording of:
Skylark
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael (in 1941)
publisher:
Frank Music Corp., George Simon Music Co., George Simon, Inc., Hoagy Publishing Co., Songs of Peer, Ltd., The Johnny Mercer Foundation, Warner Bros. Music, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
日音 Synch事業部
Jim Hall9:29
8My foolish heart
double bass:
Harvie Swartz
drums (drum set):
Akira Tana
guitar:
Carl Barry and Jack Wilkins
percussion:
Ted Moore
piano:
Albert Dailey
instrumental recording of:
My Foolish Heart
lyricist:
Ned Washington
composer:
Victor Young
arranger:
Les Harris
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc., Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
part of:
The 22nd Academy Award for Best Original Song (number: 2)
Jack Wilkins1:46
9You must believe in spring
double bass:
Harvie Swartz
drums (drum set):
Akira Tana
guitar:
Carl Barry and Jack Wilkins
percussion:
Ted Moore
piano:
Albert Dailey
instrumental recording of:
You Must Believe in Spring
lyricist:
Alan Bergman and Marilyn Bergman
composer:
Michel Legrand
publisher:
N.S. Beaujolais Music Inc. (ended) and EMI U Catalog Inc.
translated version of:
Chanson de Maxence
Jack Wilkins5:11
10Misty
alto saxophone:
Chris Hunter
guitar:
Larry Coryell
piano:
Mulgrew Miller
synthesizer:
Jamie Laurence
tenor saxophone:
Richard Elliot
recording of:
Misty (original instrumental work)
composer:
Erroll Garner
publisher:
Warner Chappell Music Ltd.
Larry Coryell4:35
11Model A
alto saxophone:
Donald Harrison
double bass:
Eddie Gomez
drums (drum set):
Dave Weckl
guitar:
Kevin Eubanks
percussion:
Bashiri Johnson
piano:
Ted Rosenthal
Kevin Eubanks5:28
12St. Louis blues
drums (drum set):
Zach Danziger
guitar:
Larry Coryell and Chuck Loeb
keyboard:
Mark Sherman
piano:
Dan Heymann
tenor saxophone:
Donald Harrison
instrumental recording of:
St. Louis Blues
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Larry Coryell5:20
13Streets of Rio
double bass:
Harvie Swartz
drums (drum set):
Akira Tana
guitar:
Carl Barry and Jack Wilkins
percussion:
Ted Moore
piano:
Albert Dailey
Jack Wilkins6:42
14Better get hit in your soul
drums (drum set):
Zach Danziger
guitar:
Larry Coryell
keyboard:
Mark Sherman
recording of:
Better Git It in Your Soul
composer:
Charles Mingus
publisher:
Jazz Workshop, Inc.
Larry Coryell5:38

Credits

Release

ASIN:DE: B0007UAR4C [info]