| # | Title | Artist | Length |
|---|
| 1 | Can't Get Enough | Bad Company | 4:17 |
| 2 | School's Out- engineer:
- Roy Cicala and Shelly Yakus
- producer:
- Bob Ezrin
- drums (drum set):
- Neil Smith
- electric bass guitar:
- Dennis Dunaway
- electric guitar:
- Michael Bruce and Glen Buxton
- guitar and background vocals:
- Reggie Vincent
- keyboard:
- Michael Bruce and Bob Ezrin
- lead vocals:
- Alice Cooper
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1972, in 1974) and WEA International Inc. (in 1972)
- produced for:
- Alive Enterprises Incorporated and Nimbus 9 Productions
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone: 500 Greatest Songs of All Time (number: 319)
- recording of:
- School’s Out
- writer:
- Michael Bruce, Glen Buxton, Alice Cooper, Dennis Dunaway and Neal Smith
- publisher:
- Bizarre Music Co., BMG Platinum Songs US, Carlin Music Corporation, Copyright Control, Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music and Warner–Tamerlane Publishing Corp.
- sub-publisher:
- フジパシフィックミュージック and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 3:29 |
| 3 | Listen to the Music | Doobie Brothers | 3:43 |
| 4 | Little Sister | Ry Cooder | 3:50 |
| 5 | Running on Empty | Jackson Browne | 4:51 |
| 6 | Raspberry Beret- recording engineer:
- Susan Rogers (in 1984-09) and Susan Rogers (on 1984-09-13: strings)
- producer and mixer:
- Prince (in 1984-09)
- assistant mixer:
- Susan Rogers (in 1984-09)
- 12 string guitar, drum machine [Linn LM-1], electric bass guitar, electric grand piano [Yamaha CP-80], percussion, synthesizer [Yamaha DX7] and lead vocals:
- Prince (in 1984-09)
- cello:
- David Coleman (on 1984-09-13) and Suzie Katayama (on 1984-09-13)
- violin:
- Novi Novog (on 1984-09-13)
- background vocals:
- Lisa Coleman (in 1984-09), Susannah Melvoin (in 1984-09) and Wendy Melvoin (in 1984-09)
- arranger:
- Prince (in 1984-09)
- phonographic copyright (℗) by:
- NPG Records, Inc. (in 1985) and Warner Bros. Records Inc. (in 1985)
- recorded at:
- Flying Cloud Drive Warehouse in Eden Prairie, Minnesota, United States (in 1984-09) and Flying Cloud Drive Warehouse in Eden Prairie, Minnesota, United States (on 1984-09-13: strings)
- mixed at:
- Flying Cloud Drive Warehouse in Eden Prairie, Minnesota, United States (in 1984-09)
- part of:
- Billboard: The 500 Best Pop Songs (number: 362)
- recording of:
- Raspberry Beret (from 1984-09-07 until 1984-09-13)
- lyricist and composer:
- Prince
- publisher:
- Controversy Music
| Prince & The Revolution | 3:35 |
| 7 | Rhiannon | Fleetwood Mac | 4:14 |
| 8 | Heart of Gold | Neil Young | 3:09 |
| 9 | For What It's Worth | Buffalo Springfield | 2:42 |
| 10 | Fire & Rain | James Taylor | 3:21 |
| 11 | She's Gone | Hall & Oates | 5:15 |
| 12 | I Want to Know What Love Is- additional engineer:
- Josh Abbey, Larry Alexander, Jason Corsaro, Joe Ferla and Howie Lindeman
- assistant engineer:
- Bobby Cohen, Tim Crich and Scott "Abada" Mabuchi
- engineer:
- Frank Filipetti
- producer:
- Mick Jones and Alex Sadkin
- additional keyboard:
- Tom Bailey
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar:
- Mick Jones
- additional vocals:
- Jennifer Holliday
- background vocals:
- Donnie Harper, Mick Jones and Rick Wills
- choir vocals:
- The New Jersey Mass Choir
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1984), Warner Music International (in 1984), WEA International Inc. (in 1984) and Rhino Entertainment Company (in 2009)
- additionally recorded at:
- Right Track Recording in Manhattan, New York, New York, United States
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States
- mixed at:
- Right Track Recording in Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 65), Billboard: The 500 Best Pop Songs (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (number: 476)
- recording of:
- I Want to Know What Love Is
- lyricist and composer:
- Mick Jones
- publisher:
- Evansongs Ltd., Somerset Songs Publishing Inc., Warner Brothers Music Ltd., Warner Chappell Music, Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Foreigner | 5:05 |
| 13 | Drive- recording engineer:
- Nigel Green
- producer:
- The Cars and Robert John “Mutt” Lange
- mixer:
- Mike Shipley
- bass:
- Benjamin Orr
- drums (drum set):
- David Robinson
- guitar:
- Elliot Easton and Ric Ocasek
- keyboard:
- Greg Hawkes
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
- recorded at:
- Battery Studios in London, England, United Kingdom
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Drive by The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek (in 1983)
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp., Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | 3:56 |
| 14 | Sailing- assistant engineer:
- Stuart Gitlin
- engineer and mixer:
- Chet Himes
- producer:
- Michael Omartian
- acoustic guitar, electric guitar, background vocals and lead vocals:
- Christopher Cross
- bass guitar:
- Andy Salmon
- drums (drum set):
- Tommy Taylor
- electric piano and synthesizer:
- Rob Meurer
- percussion:
- Victor Feldman
- piano:
- Michael Omartian
- arranger:
- Christopher Cross, Rob Meurer and Michael Omartian
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1979, in 1981, in 2001)
- produced for:
- Free Flow Productions
- recorded at:
- Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Sailing
- lyricist and composer:
- Christopher Cross
- publisher:
- BMG Songs, Inc., Pop ’n’ Roll Music, Universal Music Corp. and Universal Music–MGB Songs
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Christopher Cross | 4:16 |
| 15 | Soul Man- recording engineer:
- Warren Dewey
- assistant engineer:
- Jay Krugman
- assistant producer:
- Belinda Tischler
- producer and mixer:
- Bob Tischler
- bass guitar:
- Donald “Duck” Dunn
- guitar:
- Steve Cropper and Matt Murphy
- harmonica:
- Elwood J. Blues
- trombone:
- Tom “Bones” Malone
- trumpet:
- Al Rubin
- lead vocals:
- Jake E. “Joliet” Blues (on 1978-09-09)
- horn arranger:
- Tom Scott
- recorded at:
- Gibson Amphitheatre in Universal City, California, United States (on 1978-09-09)
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- live cover recording of:
- Soul Man (on 1978-09-09)
- writer:
- Isaac Hayes (in 1967) and David Porter (in 1967)
- publisher:
- EMI Music Publishing, Rondor Music (London) Ltd., Rondor Music Ltd., Walden Music, Inc., Warner Chappell Music Ltd., Warner Chappell North America, Almo Music Corp. (in 1986) and Walden Music Corp. (in 1986)
| Blues Brothers | 3:04 |
| 16 | Respect- recording engineer:
- Tom Dowd (on 1967-02-14)
- producer:
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (on 1967-02-14)
- bass guitar:
- Tommy Cogbill (on 1967-02-14)
- cornet:
- Melvin Lastie (on 1967-02-14)
- drums (drum set):
- Roger Hawkins (on 1967-02-14)
- guitar:
- Jimmy Johnson (on 1967-02-14)
- organ:
- Spooner Oldham (on 1967-02-14)
- piano:
- Aretha Franklin (on 1967-02-14)
- tenor saxophone:
- Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
- background vocals:
- Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
- vocals:
- Aretha Franklin (on 1967-02-14)
- conductor:
- Tom Dowd (on 1967-02-14)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (on 1967-02-14)
- lyricist and composer:
- Otis Redding
- publisher:
- Cotillion Music Inc., East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
| Aretha Franklin | 2:28 |
| 17 | Beast of Burden | Bette Midler | 3:47 |
| 18 | Life's Been Good | Joe Walsh | 4:41 |
| 19 | Take Me Home | Phil Collins | 4:37 |
