Opera Classics (box 6: Serse, disc 1: Serse) (Les Arts Florissants feat. conductor William Christie)

~ Release by Georg Friedrich Händel (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleLength
1Serses: Overtura
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Overtura (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40
4:43
2Serses: Atto I. "Frondi tenere"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 1. Recitativo “Frondi tenere” (Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (in 1738)
part of:
Serse, HWV 40: Atto I
0:42
3Serses: Atto I. "Ombra mai fu"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous]
part of:
Serse, HWV 40: Atto I
3:21
4Serses: Atto I. "Sento un soave concento"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
bass vocals [Elviro]:
Antonio Abete (from 2003-11-17 until 2003-11-25)
countertenor vocals [Arsamene]:
Lawrence Zazzo (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 3. Sinfonia e Recitativo “Sento un soave concento” (Arsamene, Elviro, Romilda) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto I
1:59
5Serses: Atto I. "O voi, che penate"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
bass vocals [Elviro]:
Antonio Abete (from 2003-11-17 until 2003-11-25)
countertenor vocals [Arsamene]:
Lawrence Zazzo (from 2003-11-17 until 2003-11-25)
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (from 2003-11-17 until 2003-11-25)
soprano vocals [Romilda]:
Elizabeth Norberg-Schulz (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 4. Arioso e Recitativo “O voi, che penate!” (Romilda, Elviro, Arsamene, Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto I
2:08
6Serses: Atto I. "Arsamene"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
countertenor vocals [Arsamene]:
Lawrence Zazzo (from 2003-11-17 until 2003-11-25)
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I. Recitativo “Arsamene!” - “Mio Sire!” (Serse, Arsamene) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto I
0:18
7Serses: Atto I. "Va godendo vezzoso e bello"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
soprano vocals [Romilda]:
Elizabeth Norberg-Schulz (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 5. Aria “Va godendo vezzoso e bello” (Romilda) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto I
1:54
8Serses: Atto I. "Più che penso ala fiamme"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 14. Aria “Piu che penso alle fiamme del core” (Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto I
6:31
9Serses: Atto I. "Saprà delle mie offese"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Amastre]:
Silvia Tro Santafé (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 17. Aria “Sapra delle mie offese ben vendicarsi il cor” (Amastre) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto I
4:27
10Serses: Atto II. "L'amerete?"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
soprano vocals [Romilda]:
Elizabeth Norberg-Schulz (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto II, no. 27. Duetto “L'amerete? L'amerò” (Serse, Romilda) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto II
0:51
11Serses: Atto II. "Se bramata d'amar chi vi sdegna"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto II, no. 28. Aria “Se bramate d’amar chi vi sdegna” (Serse) (from 2003-11-17 until 2003-11-25)
part of:
Serse, HWV 40: Atto II
5:57
12Serses: Atto II. "Quella che tutta fé"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
countertenor vocals [Arsamene]:
Lawrence Zazzo (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto II, no. 32. Aria “Quella che tutta fé” (Arsamene) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto II
3:25
13Serses: Atto II. "Sì, la voglio e l'otterò!"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
countertenor vocals [Arsamene]:
Lawrence Zazzo (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto II, no. 35. Aria “Sì la voglio, e la otterrò” (Arsamene) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto II
2:47
14Serses: Atto II. "V'inchino, eccelso Re"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (from 2003-11-17 until 2003-11-25)
soprano vocals [Atalanta]:
Sandrine Piau (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto II. Recitativo “V'inchino, eccelso Rè” (Atalanta, Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto II
0:28
15Serses: Atto II. "Voi mi dite che non l'ami"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
soprano vocals [Atalanta]:
Sandrine Piau (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto II, no. 36. Aria “Voi mi dite che non l'ami” (Atalanta) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto II
2:57
16Serses: Atto II. "Il core spera e teme"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto II, no. 37. Aria “Il core spera e teme” (Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto II
4:23
17Serses: Atto II. "Gran pena è gelosia!"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Amastre]:
Silvia Tro Santafé (from 2003-11-17 until 2003-11-25)
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto II, no. 40. Duetto “Gran pena è gelosia” (Serse, Amastre) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto II
1:43
18Serses: Atto II. "La fortuna, la vita"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Amastre]:
Silvia Tro Santafé (from 2003-11-17 until 2003-11-25)
soprano vocals [Romilda]:
Elizabeth Norberg-Schulz (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live partial recording of:
Serse, HWV 40: Atto II (from 2003-11-17 until 2003-11-25)
part of:
Serse, HWV 40
0:30
19Serses: Atto II. "Chi cede al furore"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
soprano vocals [Romilda]:
Elizabeth Norberg-Schulz (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto II, no. 42. Aria “Chi cede al furore” (Romilda) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto II
4:33
20Serses: Atto III. "Per rendermi beato"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto III, no. 45. Aria “Per rendermi beato” (Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto III
3:08
21Serses: Atto III. "Amor, tiranno Amor"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
countertenor vocals [Arsamene]:
Lawrence Zazzo (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto III, no. 46. Aria “Amor, tiranno Amor” (Arsamene) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto III
recording of:
Serse, HWV 40: Atto III, no. 46. Aria “Amor, tiranno Amor” (Arsamene)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto III
4:25
22Serses: Atto III. "Come già vi accennammo"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto III. Recitativo “Come già vi accennammo” (Serse, Ariodate) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto III
0:50
23Serses: Atto III. "Del Ciel d'amore"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto III, no. 47. Aria “Del ciel d'amore sorte sì bella” (Ariodate) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto III
2:12
24Serses: Atto III. "Cagion son io del mio dolore"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Amastre]:
Silvia Tro Santafé (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto III, no. 48. Aria “Cagion son io del mio dolore” (Amastre) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto III
2:26
25Serses: Atto III. "Troppo oltraggi la mia fede"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
countertenor vocals [Arsamene]:
Lawrence Zazzo (from 2003-11-17 until 2003-11-25)
soprano vocals [Romilda]:
Elizabeth Norberg-Schulz (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto III, no. 49. Duetto “Troppo oltraggi la mia fede” / “Troppo inganni la mia fede” (Romilda, Arsamene) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto III
2:36
26Serses: Atto III. "Crude furie degl'orridi abissi"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto III, no. 51. Aria “Crude furie degli orridi abissi” (Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto III
3:42
27Serses: Atto III. "Caro voi siete all'alma"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
soprano vocals [Romilda]:
Elizabeth Norberg-Schulz (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto III, no. 52. Aria “Caro voi siete all'alma” (Romilda) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto III
2:01
28Serses: Atto III. "Ritorno a noi la calma"
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
orchestra:
Les Arts Florissants (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto III. Coro “Ritorno a noi la calma” (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel
part of:
Serse, HWV 40: Atto III
1:47