Das Kantatenwerk, Volume 3

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Annotation

CD is manufactured by Polygram in Hannover, West Germany · Printed in West Germany

Tracklist

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1▼CD
#TitleLength
1Kantate 9 “Es ist das Heil uns kommen her” BWV 9: 1. Coro: “Es ist das Heil uns kommen her”
choir vocals:
King's College Choir Cambridge (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
chorus master:
David Willcocks (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": I. Coro "Es ist das Heil uns kommen her" (on 1971-12-08)
composer:
Johann Sebastian Bach (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
4:54
2Kantate 9 “Es ist das Heil uns kommen her” BWV 9: 2. Recitativo (Basso) “Gott gab uns ein Gesetz”
bass vocals:
Max van Egmond (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": II. Recitativo (Basso) "Gott gab uns ein Gesetz, doch waren wir zu schwach" (on 1971-12-08)
composer:
Johann Sebastian Bach (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
1:14
3Kantate 9 “Es ist das Heil uns kommen her” BWV 9: 3. Aria (Tenore) “Wir waren schon zu tief gesunken”
tenor vocals:
Kurt Equiluz (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": III. Aria (Tenore) "Wir waren schon zu tief gesunken" (on 1971-12-08)
composer:
Johann Sebastian Bach (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
7:19
4Kantate 9 “Es ist das Heil uns kommen her” BWV 9: 4. Recitativo (Basso) “Doch mußte das Gesetz erfüllet werden”
bass vocals:
Max van Egmond (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": IV. Recitativo (Basso) "Doch musste das Gesetz erfüllet werden" (on 1971-12-08)
composer:
Johann Sebastian Bach (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
1:15
5Kantate 9 “Es ist das Heil uns kommen her” BWV 9: 5. Aria (Soprano, Alto) “Herr, du siehst statt guter Werke”
alto vocals:
Paul Esswood (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": V. Aria (Duetto: Soprano, Alto) "Herr, du siehst statt guter Werke" (on 1971-12-08)
composer:
Johann Sebastian Bach (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
7:23
6Kantate 9 “Es ist das Heil uns kommen her” BWV 9: 6. Recitativo (Basso) “Wenn wir die Sünd aus dem Gesetz erkennen”
bass vocals:
Max van Egmond (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": VI. Recitativo (Basso) "Wenn wir die Sünd aus dem Gesetz erkennen" (on 1971-12-08)
composer:
Johann Sebastian Bach (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
1:23
7Kantate 9 “Es ist das Heil uns kommen her” BWV 9: 7. Choral (Coro) “Ob sich’s anließ, als wollt er nicht”
choir vocals:
King's College Choir Cambridge (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
chorus master:
David Willcocks (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": VII. Choral "Ob sichs anließ, als wollt er nicht" (on 1971-12-08)
lyricist:
Paul Speratus
composer:
Johann Sebastian Bach (from 1732 until 1735)
part of:
Breitkopf 389 Choralgesänge (number: 87)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
1:04
8Kantate 10 “Meine Seel erhebt den Herren” BWV 10 (deutsches Magnificat): 1. Coro: “Meine Seel erhebt den Herren”
choir vocals:
King's College Choir Cambridge (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
chorus master:
David Willcocks (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": I. Coro "Meine Seel erhebt den Herren" (on 1971-12-08)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
3:59
9Kantate 10 “Meine Seel erhebt den Herren” BWV 10 (deutsches Magnificat): 2. Aria (Soprano) “Herr, der du Stark und mächtig bist”
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": II. Aria (Soprano) "Herr, der du stark und mächtig bist" (on 1971-12-08)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
7:26
10Kantate 10 “Meine Seel erhebt den Herren” BWV 10 (deutsches Magnificat): 3. Recitativo(Tenore) “Des Höchsten Güt und Treu”
tenor vocals:
Kurt Equiluz (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": III. Recitativo (Tenore) "Des Höchsten Güt und Treu" (on 1971-12-08)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
1:23
11Kantate 10 “Meine Seel erhebt den Herren” BWV 10 (deutsches Magnificat): 4. Aria (Basso) “Gewaltige stößt Gott bom Stuhl”
bass vocals:
Max van Egmond (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": IV. Aria (Basso) "Gewaltige stößt Gott vom Stuhl" (on 1971-12-08)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
3:25
12Kantate 10 “Meine Seel erhebt den Herren” BWV 10 (deutsches Magnificat): 5. Choral (Alto, Tenore) “Er denket der Barmherzigkeit”
alto vocals:
Paul Esswood (on 1971-12-08)
tenor vocals:
Kurt Equiluz (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit" (on 1971-12-08)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
2:18
13Kantate 10 “Meine Seel erhebt den Herren” BWV 10 (deutsches Magnificat): 6. Recitativo (Tenore) “Was Gott den Vätern alter Zeiten”
tenor vocals:
Kurt Equiluz (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VI. Recitativo (Tenore) "Was Gott den Vätern alter Zeiten" (on 1971-12-08)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
2:08
14Kantate 10 “Meine Seel erhebt den Herren” BWV 10 (deutsches Magnificat): 7. Choral (Coro) “Lob und Preis sei Gott dem Vater”
choir vocals:
King's College Choir Cambridge (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
chorus master:
David Willcocks (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VII. Choral "Lob und Preis sei Gott dem Vater und dem Sohn" (on 1971-12-08)
composer:
Johann Sebastian Bach (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 122)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
0:59
2▼CD
#TitleLength
1Kantate 11 “Lobet Gott in seinen Reichen” BWV 11: 1. Coro “Lobet Gott in seinen Reichen”
choir vocals:
Chorus Viennensis (from 1971-12-08 until 1971-12-15) and Wiener Sängerknaben (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (from 1971-12-08 until 1971-12-15)
chorus master:
David Willcocks (from 1971-12-08 until 1971-12-15) and Hans Gillesberger (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
5:10
2Kantate 11 “Lobet Gott in seinen Reichen” BWV 11: 2. Recitativo (Tenore) “Der Herr Jesus hub seine Hände auf”
tenor vocals:
Kurt Equiluz (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: II. "Der Herr Jesu hub seine Hände auf" (Evangelista) (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
recording of:
Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen"
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
0:28
3Kantate 11 “Lobet Gott in seinen Reichen” BWV 11: 3. Recitativo (Basso) “Ach, Jesu, ist dein Abschied schon so nah?”
bass vocals:
Max van Egmond (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: III. Recitativo (Bass) "Ach, Jesu, ist dein Abschied schon so nah" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
1:00
4Kantate 11 “Lobet Gott in seinen Reichen” BWV 11: 4. Aria (Alto) “Ach, bleibe doch, mein liebstes Leben”
alto vocals:
Paul Esswood (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
6:43
5Kantate 11 “Lobet Gott in seinen Reichen” BWV 11: 5. Recitativo (Tenore) “Und ward aufgehoben zusehens”
tenor vocals:
Kurt Equiluz (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: V. "Und ward aufgehoben zusehends" (Evangelista) (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
0:24
6Kantate 11 “Lobet Gott in seinen Reichen” BWV 11: 6. Choral (Coro) “Nun lieget alles unter dir”
choir vocals:
Chorus Viennensis (from 1971-12-08 until 1971-12-15) and Wiener Sängerknaben (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (from 1971-12-08 until 1971-12-15)
chorus master:
David Willcocks (from 1971-12-08 until 1971-12-15) and Hans Gillesberger (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: VI. Choral "Nun lieget alles unter dir" (from 1971-12-08 until 1971-12-15)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (in 1735)
part of:
Breitkopf 389 Choralgesänge (number: 82)
part of:
Himmelfahrts-Oratorium, BWV 11
1:16
7Kantate 11 “Lobet Gott in seinen Reichen” BWV 11: 7. Recitativo (Tenore, Basso) “Und da sie ihm nach sahen”
bass vocals:
Max van Egmond (from 1971-12-08 until 1971-12-15)
tenor vocals:
Kurt Equiluz (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista) (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
1:03
8Kantate 11 “Lobet Gott in seinen Reichen” BWV 11: 8. Recitativo (Alto) “Ach, ja! So komme bald zurück”
alto vocals:
Paul Esswood (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: VIII. Recitativo (Alto) "Ach ja! so komme bald zurück" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
0:37
9Kantate 11 “Lobet Gott in seinen Reichen” BWV 11: 9. Recitativo (Tenore) “Sie aber beteten ihn an”
tenor vocals:
Kurt Equiluz (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: IX. "Sie aber beteten ihn an" (Evangelista) (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
0:40
10Kantate 11 “Lobet Gott in seinen Reichen” BWV 11: 10. Aria (Soprano) “Jesu, deine Gnadenblicke”
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: X. Aria (Sopran) "Jesu, deine Gnadenblicke" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
6:50
11Kantate 11 “Lobet Gott in seinen Reichen” BWV 11: 11. Choral (Coro) “Wann soll es doch geschehen”
choir vocals:
Chorus Viennensis (from 1971-12-08 until 1971-12-15) and Wiener Sängerknaben (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (from 1971-12-08 until 1971-12-15)
chorus master:
David Willcocks (from 1971-12-08 until 1971-12-15) and Hans Gillesberger (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
4:35