Peace on Earth: Christmas Music of Peace and Tranquility

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Medium
#	Title	Artist	Length
1	Messiah: For Unto Us a Child Is Born choir vocals: Cantillation orchestra: Orchestra of the Antipodes conductor: Antony Walker recording of: Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	3:37
2	Capriol Suite: Christmas Night (Pieds-en-l’air) orchestra: Sydney Symphony Orchestra conductor: Myer Fredman recording of: Capriol Suite: V. Pieds‐en‐l’air (for orchestra) composer: Peter Warlock publisher: Public Domain orchestration of: Capriol Suite: V. Pieds-en-l’air (for piano duet) part of: Capriol Suite (for orchestra)	[unknown]	2:06
3	It Came Upon the Midnight Clear engineer and editor: Virginia Read producer: Ralph Lane choir vocals: Cantillation conductor: Brett Weymark recording of: It Came Upon the Midnight Clear (“Noel” version) lyricist: Edmund Sears (in 1849) composer: [anonymous] arranger: Arthur Sullivan part of: The Hymnal 1982 (number: 90) is based on: It Came Upon the Midnight Clear (poem) is based on: NOEL (hymn tune)	[unknown]	2:51
4	L’Enfance du Christ: The Repose of the Holy Family orchestra: Tasmanian Symphony Orchestra conductor: David Stanhope recording of: L'Enfance du Christ, op. 25 : Deuxième partie no. 9. Le Repos de la Sainte Famille « Les pèlerins étant venus » (Le Récitant, Chœur d’anges) lyricist and composer: Hector Berlioz part of: L'Enfance du Christ : Deuxième partie « La Fuite en Égypte »	Hector Berlioz	2:59
5	While Shepherds Watched Their Flocks by Night engineer and editor: Virginia Read producer: Ralph Lane alto vocals: Natalie Shea choir vocals: Cantillation soprano vocals: Nicole Thomson tenor vocals: Richard Black vocals: Corin Bone conductor: Brett Weymark recording of: While Shepherds Watched their Flocks by Night (Winchester old version) lyricist: Nahum Tate composer: Christopher Tye arranger: George Kirbye is based on: Song of the Angels, at the Nativity of Our Blessed Saviour is based on: Winchester Old	[unknown]	2:45
6	Christmas Oratorio: Sinfonia orchestra: Tasmanian Symphony Orchestra conductor: David Stanhope arranger: William Gillies Whittaker recording of: Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia premiered in: Leipzig, Sachsen, Germany (on 1734-12-26) composed in: Leipzig, Sachsen, Germany (from 1734 until 1735) composer: Johann Sebastian Bach part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach	5:03
7	In dulci jubilo choir vocals: Cantillation conductor: Brett Weymark recording of: In dulci jubilo (arr. Michael Praetorius. Musae Sioniae VI, no. 32) composer: Michael Praetorius (in 1607) version of: In dulci iubilo (original traditional version in macaronic alteration of medieval German and Latin, use also for unspecified versions)	Michael Praetorius	2:24
8	The Nutcracker: Dance of the Sugar Plum Fairy orchestra: Queensland Symphony Orchestra conductor: Werner Andreas Albert recording of: Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy) composer: Пётр Ильич Чайковский part of: Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)	Пётр Ильич Чайковский	2:03
9	Cantata no. 147: “Jesu, Joy of Man’s Desiring” choir vocals: Sydney Philharmonia Symphonic Chorus orchestra: Sydney Philharmonia conductor: Antony Walker live recording of: Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) composer: Johann Sebastian Bach arrangement of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) recording of: Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) composer: Johann Sebastian Bach arrangement of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) lyricist: Martin Janus (in 1665) composer: Johann Sebastian Bach (in 1723) part of: Classic 100: Piano (number: 15) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach	2:49
10	Christmas Concerto: Pastorale engineer, producer and editor: Virginia Read cello: Rosemary Quinn harpsichord: Erin Helyard violin: Alice Evans and Anna McDonald orchestra: Sirius Ensemble recording of: Concerto Grosso in F minor, op. 1 no. 8 "Christmas Concerto": VI. Pastorale - Andante composer: Pietro Antonio Locatelli part of: Concerto grosso in F minor, op. 1 no. 8 "Christmas Concerto"	Pietro Antonio Locatelli	4:59
11	Es ist ein Ros entsprungen choir vocals: Cantillation conductor: Brett Weymark	[unknown]	3:12
12	Christmas Concerto: Pastorale orchestra: Tasmanian Symphony Orchestra conductor: David Stanhope recording of: Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: VI. Pastorale (Largo) composer: Arcangelo Corelli part of: Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)	Arcangelo Corelli	3:12
13	The Crown of Roses engineer and editor: Virginia Read producer: Ralph Lane choir vocals: Cantillation conductor: Brett Weymark recording of: The Crown of Roses (for a cappella mixed choir) lyricist: Алексей Плещеев (until 1877) composer: Пётр Ильич Чайковский (in 1889) translator: Geoffrey Dearmer translated version of: Sixteen Songs for Children, op. 54: no. 5. Legend (for mixed choir)	Пётр Ильич Чайковский	1:52
14	Gaudete! choir vocals: Cantillation tenor vocals: Antony Walker conductor: Antony Walker	[unknown]	2:19
15	Hodie Christus natus est engineer and editor: Virginia Read producer: Ralph Lane choir vocals: Cantillation conductor: Brett Weymark recording of: Hodie Christus natus est composer: [anonymous]	[anonymous]	1:09
16	Cantata no. 151: “Süsser Trost, mein Jesus kömmt” engineer: Allan Maclean producer: Ralph Lane editor: Oscar Gaona and Virginia Read soprano vocals: Belinda Montgomery performer: Sirius Ensemble recording of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": I. Aria (Sopran) "Süßer Trost, mein Jesus kömmt" premiered in: Leipzig, Sachsen, Germany (on 1725-12-27) composer: Johann Sebastian Bach (in 1725) librettist: Georg Christian Lehms (in 1711) part of: Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"	Johann Sebastian Bach	3:06
17	Veni, veni Emmanuel choir vocals: Cantillation conductor: Brett Weymark	[anonymous]	2:47
18	Messiah: Pifa orchestra: Sinfonia Australis conductor: Guy Noble recording of: Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel	3:15