| # | Title | Length |
|---|
| 1 | Begin the Beguine- engineer:
- Val Valentin
- producer:
- Norman Granz
- alto saxophone:
- Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
- baritone saxophone:
- Chuck Gentry (on 1956-02-08)
- bass trombone:
- George Roberts (on 1956-02-08)
- cello:
- Robert La Marchina (on 1956-02-08) and Edgar Lustgarten (on 1956-02-08)
- double bass:
- Joe Mondragon (on 1956-02-08)
- drums (drum set):
- Alvin Stoller (on 1956-02-08)
- guitar:
- Barney Kessel (on 1956-02-08)
- harp:
- Corky Hale (on 1956-02-08)
- piano:
- Paul Smith (on 1956-02-08)
- tenor saxophone:
- Bob Cooper (on 1956-02-08) and Ted Nash (on 1956-02-08)
- trombone:
- Milt Bernhart (on 1956-02-08), Joe Howard (on 1956-02-08) and Lloyd Ulyate (on 1956-02-08)
- trumpet:
- Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
- lead vocals:
- Ella Fitzgerald (on 1956-02-08)
- conductor:
- Buddy Bregman (on 1956-02-08)
- arranger:
- Buddy Bregman
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-08)
- cover recording of:
- Begin the Beguine (on 1956-02-08)
- lyricist and composer:
- Cole Porter (in 1935)
- publisher:
- Chappell Music Ltd., Warner Bros., Inc., Warner Chappell Music Ltd., Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- Jubilee
| 3:34 |
| 2 | Let’s Do It | 3:29 |
| 3 | I Get a Kick Out of You | 3:58 |
| 4 | Anything Goes | 3:17 |
| 5 | You Do Something to Me | 2:20 |
| 6 | You’re the Top | 3:30 |
| 7 | Night and Day- engineer:
- Val Valentin
- producer:
- Norman Granz
- alto saxophone:
- Herb Geller (on 1956-03-27) and Bud Shank (on 1956-03-27)
- baritone saxophone:
- Chuck Gentry (on 1956-03-27)
- bass trombone:
- George Roberts (on 1956-03-27)
- cello:
- Robert La Marchina (on 1956-03-27) and Edgar Lustgarten (on 1956-03-27)
- double bass:
- Joe Mondragon (on 1956-03-27)
- drums (drum set):
- Alvin Stoller (on 1956-03-27)
- guitar:
- Barney Kessel (on 1956-03-27)
- harp:
- Corky Hale (on 1956-03-27)
- piano:
- Paul Smith (on 1956-03-27)
- tenor saxophone:
- Bob Cooper (on 1956-03-27) and Ted Nash (on 1956-03-27)
- trombone:
- Milt Bernhart (on 1956-03-27), Joe Howard (on 1956-03-27) and Lloyd Ulyate (on 1956-03-27)
- trumpet:
- Pete Candoli (on 1956-03-27), Harry “Sweets” Edison (on 1956-03-27), Maynard Ferguson (on 1956-03-27) and Conrad Gozzo (on 1956-03-27)
- lead vocals:
- Ella Fitzgerald (on 1956-03-27)
- conductor:
- Buddy Bregman (in 1956)
- arranger:
- Buddy Bregman
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-03-27)
- cover recording of:
- Night and Day (on 1956-03-27)
- lyricist and composer:
- Cole Porter (in 1932)
- publisher:
- Chappell & Co., Inc., Chappell Music Ltd., Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
- part of:
- Gay Divorce
| 3:01 |
| 8 | I’ve Got You Under My Skin | 2:41 |
| 9 | What Is This Thing Called Love- engineer:
- Val Valentin
- producer:
- Norman Granz
- bass trombone:
- George Roberts (on 1956-02-09)
- double bass:
- Joe Mondragon (on 1956-02-09)
- drums (drum set):
- Alvin Stoller (on 1956-02-09)
- guitar:
- Barney Kessel (on 1956-02-09)
- piano:
- Paul Smith (on 1956-02-09)
- trombone:
- Milt Bernhart (on 1956-02-09), Joe Howard (on 1956-02-09) and Lloyd Ulyate (on 1956-02-09)
- lead vocals:
- Ella Fitzgerald (in 1956, on 1956-02-09)
- conductor:
- Buddy Bregman (in 1956, on 1956-02-09)
- arranger:
- Buddy Bregman
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-09)
- cover recording of:
- What Is This Thing Called Love? (on 1956-02-09)
- lyricist and composer:
- Cole Porter (in 1929)
- publisher:
- Harms, Inc., Warner Bros., Inc. and Warner/Chappell
- part of:
- Wake Up and Dream
- cover recording of:
- What Is This Thing Called Love? (in 1956)
- lyricist and composer:
- Cole Porter (in 1929)
- publisher:
- Harms, Inc., Warner Bros., Inc. and Warner/Chappell
- part of:
- Wake Up and Dream
| 2:02 |
| 10 | From This Moment On | 3:15 |
| 11 | Too Darn Hot | 3:44 |
| 12 | Ridin’ High | 3:18 |
| 13 | Easy to Love | 3:21 |
| 14 | I Love Paris- engineer:
- Val Valentin
- producer:
- Norman Granz
- alto saxophone:
- Herb Geller (on 1956-02-07) and Bud Shank (on 1956-02-07)
- baritone saxophone:
- Chuck Gentry (on 1956-02-07)
- bass trombone:
- George Roberts (on 1956-02-07)
- cello:
- Robert La Marchina (on 1956-02-07) and Edgar Lustgarten (on 1956-02-07)
- double bass:
- Joe Mondragon (on 1956-02-07)
- drums (drum set):
- Alvin Stoller (on 1956-02-07)
- flute:
- Ted Nash (on 1956-02-07)
- guitar:
- Barney Kessel (on 1956-02-07)
- harp:
- Corky Hale (on 1956-02-07)
- oboe:
- Bob Cooper (on 1956-02-07)
- piano:
- Paul Smith (on 1956-02-07)
- tenor saxophone:
- Bob Cooper (on 1956-02-07) and Ted Nash (on 1956-02-07)
- trombone:
- Milt Bernhart (on 1956-02-07), Joe Howard (on 1956-02-07) and Lloyd Ulyate (on 1956-02-07)
- trumpet:
- Pete Candoli (on 1956-02-07), Harry “Sweets” Edison (on 1956-02-07), Maynard Ferguson (on 1956-02-07) and Conrad Gozzo (on 1956-02-07)
- lead vocals:
- Ella Fitzgerald (in 1956, on 1956-02-07)
- conductor:
- Buddy Bregman (in 1956, on 1956-02-07)
- arranger:
- Buddy Bregman
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-07)
- recording of:
- I Love Paris (on 1956-02-07)
- lyricist and composer:
- Cole Porter (in 1953)
- publisher:
- Chappell, Chappell & Co., Inc. and Warner/Chappell North America Limited
- part of:
- Can‐Can
- part of:
- Can‐Can
- part of:
- High Society
| 4:52 |
| 15 | It’s De‐Lovely | 2:39 |
| 16 | Don’t Fence Me In | 3:18 |
| 17 | All Through the Night | 3:12 |
| 18 | So in Love | 3:46 |
| 19 | Miss Otis Regrets | 3:00 |
| 20 | In the Still of the Night | 2:36 |
| 21 | Every Time We Say Goodbye | 3:29 |
