Handel (including Highlights from Water Music • Messiah)

~ Release by George Frideric Handel (see all versions of this release, 1 available)

Annotation

The CD-Extra track has a brief written bio of Handel, info on this month’s tracks, written ads for the retail shop and info on a magazine competition.

Tracklist

1Enhanced CD
#TitleArtistLength
1Eternal Source of Light Divine (Birthday Ode for Queen Anne) (beginning)
recording engineer:
Antony Howell (from 1988-05-24 until 1988-05-25)
producer:
Mark Brown (from 1988-05-24 until 1988-05-25)
trumpet:
Crispian Steele‐Perkins (from 1988-05-24 until 1988-05-25)
alto vocals:
James Bowman (from 1988-05-24 until 1988-05-25)
choir vocals:
Choir of New College, Oxford (from 1988-05-24 until 1988-05-25)
orchestra:
The King’s Consort (from 1988-05-24 until 1988-05-25)
conductor:
Robert King (on 1988-05-24)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1989)
recorded at:
All Hallows’ Church in Hampstead, Camden, London, England, United Kingdom (from 1988-05-24 until 1988-05-25)
recording of:
Ode for the Birthday of Queen Anne, HWV 74: “Eternal Source of Light Divine” (from 1988-05-24 until 1988-05-25)
composer:
George Frideric Handel
part of:
Ode for the Birthday of Queen Anne, HWV 74
recording of:
Ode for the Birthday of Queen Anne, HWV 74: “The Day That Gave Great Anna Birth” (from 1988-05-24 until 1988-05-25)
composer:
George Frideric Handel
part of:
Ode for the Birthday of Queen Anne, HWV 74
George Frideric Handel6:08
2Concerto grosso, op. 3 no. 5
recording engineer:
Antony Howell (from 1992-06-15 until 1992-06-17)
producer:
Martin Compton (from 1992-06-15 until 1992-06-17)
orchestra:
The Brandenburg Consort (from 1992-06-15 until 1992-06-17)
conductor:
Roy Goodman (from 1992-06-15 until 1992-06-17)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1993)
recorded at:
All Hallows’ Church in Hampstead, Camden, London, England, United Kingdom (from 1992-06-15 until 1992-06-17)
recording of:
Concerto grosso in D minor, op. 3 no. 5, HWV 316 (from 1992-06-15 until 1992-06-17)
composer:
George Frideric Handel (from 1715 until 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 316)
part of:
Concerti Grossi, op. 3, HWV 312–317
George Frideric Handel10:04
3Sono liete, fortunate
recording engineer:
Antony Howell (from 1990-04-01 until 1990-04-03)
producer:
Ben Turner (from 1990-04-01 until 1990-04-03)
countertenor vocals:
James Bowman (from 1990-04-01 until 1990-04-03)
soprano vocals:
Gillian Fisher (from 1990-04-01 until 1990-04-03)
orchestra:
The King’s Consort (from 1990-04-01 until 1990-04-03)
conductor:
Robert King (from 1990-04-01 until 1990-04-03)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1990)
recorded at:
Kimpton Parish Church in Hertfordshire, England, United Kingdom (from 1990-04-01 until 1990-04-03)
recording of:
Sono liete, fortunate, HWV 194 (from 1990-04-01 until 1990-04-03)
composer:
George Frideric Handel (from 1710 until 1711)
part of:
Händel-Werke-Verzeichnis (number: HWV 194)
George Frideric Handel4:41
4Judas Maccabeus, Act III: So Shall the Lute and Harp
recording engineer:
Philip Hobbs (from 1992-03-14 until 1992-03-22)
assistant engineer:
Lindsay Pell (from 1992-03-14 until 1992-03-22)
producer:
Ben Turner (from 1992-03-14 until 1992-03-22)
soprano vocals [Israelitish woman]:
Emma Kirkby (from 1992-03-14 until 1992-03-22)
orchestra:
The King’s Consort (from 1992-03-14 until 1992-03-22)
conductor:
Robert King (from 1992-03-14 until 1992-03-22)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1992)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1992-03-14 until 1992-03-22)
recording of:
Judas Maccabaeus, HWV 63: Act III, no. 56. “So Shall the Lute and Harp Awake” (Israelitish Woman) (from 1992-03-14 until 1992-03-22)
composer:
George Frideric Handel (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act III
George Frideric Handel4:34
5Alexander Balus, Act III: Shall Cleopatra Ever Smile Again?
recording engineer:
Philip Hobbs (from 1997-04-11 until 1997-04-19)
choir vocals:
Choir of New College, Oxford (from 1997-04-11 until 1997-04-19)
soprano vocals [Cleopatra]:
Lynne Dawson (from 1997-04-11 until 1997-04-19)
tenor vocals [messenger]:
Tom Raskin (from 1997-04-11 until 1997-04-19)
orchestra:
The King’s Consort (from 1997-04-11 until 1997-04-19)
conductor:
Robert King (from 1997-04-11 until 1997-04-19)
chorus master:
Edward Higginbottom (from 1997-04-11 until 1997-04-19)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1997)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-04-11 until 1997-04-19)
recording of:
Alexander Balus, HWV 65: Act III. “Shall Cleopatra Ever Smile Again?” (from 1997-04-11 until 1997-04-19)
lyricist:
Thomas Morell
composer:
George Frideric Handel (from 1747-06-01 until 1747-07-04)
part of:
Alexander Balus, HWV 65: Act III
George Frideric Handel7:28
6Flute Sonata in G major, HWV 363b
recording engineer:
Antony Howell (from 1994-03-15 until 1994-12-21)
producer:
Martin Compton (from 1994-03-15 until 1994-12-21)
cello:
Richard Tunnicliffe (from 1994-03-15 until 1994-12-21)
flute:
Lisa Beznosiuk (from 1994-03-15 until 1994-12-21)
harpsichord:
Paul Nicholson (from 1994-03-15 until 1994-12-21)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1995)
recorded at:
All Saints’ Church in East Finchley, Barnet, London, England, United Kingdom (from 1994-03-15 until 1994-12-21)
recording of:
Flute Sonata in G major, op. 1 no. 5, HWV 363b (from 1994-03-15 until 1994-12-21)
composer:
George Frideric Handel (from 1711 until 1716)
part of:
Händel-Werke-Verzeichnis (number: HWV 363b)
part of:
Sonatas for an Accompanied Solo Instrument, op. 1
George Frideric Handel7:15
7Harpsichord Suite in E major, HWV 430 (5 variations ‘The Harmonious Blacksmith’)
recording engineer:
Antony Howell (, from 1994-04-11 until 1994-05-01)
producer:
Martin Compton (, from 1994-04-11 until 1994-05-01)
harpsichord:
Paul Nicholson (from 1994-04-11 until 1994-05-01)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1995)
recorded at:
All Saints’ Church in East Finchley, Barnet, London, England, United Kingdom (from 1994-04-11 until 1994-05-01)
recording of:
Suite de pièce in E major, Vol. 1 no. 5, HWV 430: IV. Air con Variazioni (from 1994-04-11 until 1994-05-01)
composer:
George Frideric Handel
part of:
Suite de pièce in E major, Vol. 1 no. 5, HWV 430
George Frideric Handel4:38
8Water Music Suite in F major, HWV 348: Allegro-Andante-Allegro
recording engineer:
Philip Hobbs (from 1997-01-13 until 1997-01-15)
producer:
Ben Turner (from 1997-01-13 until 1997-01-15)
orchestra:
The King’s Consort (from 1997-01-13 until 1997-01-15)
conductor:
Robert King (from 1997-01-13 until 1997-01-15)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1997-01-13 until 1997-01-15)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo (from 1997-01-13 until 1997-01-15)
composer:
George Frideric Handel
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel7:24
9Messiah: ‘The Trumpet Shall Sound’
recording engineer:
Antony Howell (from 1986-12-16 until 1986-12-20)
producer:
Mark Brown
orchestra:
Orchestra of The Sixteen (from 1986-12-16 until 1986-12-20)
conductor:
Harry Christophers (from 1986-12-16 until 1986-12-20)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (in 1987)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (from 1986-12-16 until 1986-12-20)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (from 1986-12-16 until 1986-12-20)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel8:49
10The Occasional Oratorio: ‘Blessed Are All They That Fear the Lord’George Frideric Handel4:42
Data tracks
11Classic FM Promotional Advert
[data]0:22

Credits

Release

manufactured in:UK
manufactured by:PMDC
copyrighted (©) by and phonographic copyright (℗) by:Hyperion Records Ltd, London (in 1998)
part of:All Time Great Music Collection (number: 37) (order: 4)