The Classic Albums Collection 1955-1962

~ Release by Nat Adderley (see all versions of this release, 1 available)

Tracklist

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1▼CD: Introducing Nat Adderley / To The Ivy League From Nat
#TitleLength
1Watermelon
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Julian “Cannonball” Adderley (on 1955-09-06)
cornet:
Nat Adderley (on 1955-09-06)
double bass:
Paul Chambers (on 1955-09-06)
drums (drum set):
Roy Haynes (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
recording of:
Watermelon (on 1955-09-06)
composer:
J. Adderley and N. Adderley
publisher:
Drexall Music
2:48
2Little Joanie Walks
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Julian “Cannonball” Adderley (on 1955-09-06)
cornet:
Nat Adderley (on 1955-09-06)
double bass:
Paul Chambers (on 1955-09-06)
drums (drum set):
Roy Haynes (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
recording of:
Little Joanie Walks (on 1955-09-06)
composer:
J. Adderley and N. Adderley
publisher:
Drexall Music
4:06
3Two Brothers
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Julian “Cannonball” Adderley (on 1955-09-06)
cornet:
Nat Adderley (on 1955-09-06)
double bass:
Paul Chambers (on 1955-09-06)
drums (drum set):
Roy Haynes (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
recording of:
Two Brothers (on 1955-09-06)
composer:
J. Adderley and N. Adderley
publisher:
Drexall Music
3:32
4I Should Care
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Julian “Cannonball” Adderley (on 1955-09-06)
cornet:
Nat Adderley (on 1955-09-06)
double bass:
Paul Chambers (on 1955-09-06)
drums (drum set):
Roy Haynes (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
instrumental recording of:
I Should Care (on 1955-09-06)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation, Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック
recording of:
I Should Care
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation, Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック
4:29
5Crazy Baby
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Julian “Cannonball” Adderley (on 1955-09-06)
cornet:
Nat Adderley (on 1955-09-06)
double bass:
Paul Chambers (on 1955-09-06)
drums (drum set):
Roy Haynes (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
recording of:
Crazy Baby (on 1955-09-06)
composer:
J. Adderley and N. Adderley
publisher:
Drexall Music
6:04
6New Arrivals
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Julian “Cannonball” Adderley (on 1955-09-06)
cornet:
Nat Adderley (on 1955-09-06)
double bass:
Paul Chambers (on 1955-09-06)
drums (drum set):
Roy Haynes (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
recording of:
New Arrivals (on 1955-09-06)
composer:
J. Adderley and N. Adderley
publisher:
Drexall Music
6:44
7Sun Dance
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Julian “Cannonball” Adderley (on 1955-09-06)
cornet:
Nat Adderley (on 1955-09-06)
double bass:
Paul Chambers (on 1955-09-06)
drums (drum set):
Roy Haynes (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
recording of:
Sun Dance (on 1955-09-06)
composer:
J. Adderley and N. Adderley
publisher:
Drexall Music
3:54
8Fort Lauderdale
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Julian “Cannonball” Adderley (on 1955-09-06)
cornet:
Nat Adderley (on 1955-09-06)
double bass:
Paul Chambers (on 1955-09-06)
drums (drum set):
Roy Haynes (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
recording of:
Fort Lauderdale (on 1955-09-06)
composer:
J. Adderley and N. Adderley
publisher:
Drexall Music
3:22
9Friday Nite
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Julian “Cannonball” Adderley (on 1955-09-06)
cornet:
Nat Adderley (on 1955-09-06)
double bass:
Paul Chambers (on 1955-09-06)
drums (drum set):
Roy Haynes (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
recording of:
Friday Nite (on 1955-09-06)
composer:
J. Adderley and N. Adderley
publisher:
Drexall Music
3:16
10Blues For Bohemia
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Julian “Cannonball” Adderley (on 1955-09-06)
cornet:
Nat Adderley (on 1955-09-06)
double bass:
Paul Chambers (on 1955-09-06)
drums (drum set):
Roy Haynes (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
recording of:
Blues for Bohemia (on 1955-09-06)
composer:
J. Adderley and N. Adderley
publisher:
Drexall Music
5:25
11#251
recorded in:
New York, New York, United States (on 1956-07-18)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-18)
cornet:
Nat Adderley (on 1956-07-18)
double bass:
Al McKibbon (on 1956-07-18)
drums (drum set):
Charles Wright (on 1956-07-18)
piano:
Junior Mance (on 1956-07-18)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (in 1995)
2:47
12Sam's Tune
recorded in:
New York, New York, United States (on 1956-07-23)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-23)
cello:
Sam Jones (on 1956-07-23)
cornet:
Nat Adderley (on 1956-07-23)
double bass:
Al McKibbon (on 1956-07-23)
drums (drum set):
Charles Wright (on 1956-07-23)
piano:
Junior Mance (on 1956-07-23)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (in 1995, in 1999)
3:27
13Bimini
recorded in:
New York, New York, United States (on 1956-07-12)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-12)
cornet:
Nat Adderley (on 1956-07-12)
double bass:
Sam Jones (on 1956-07-12)
drums (drum set):
Charles Wright (on 1956-07-12)
piano:
Junior Mance (on 1956-07-12)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (in 1995)
3:42
14The Fat Man
recorded in:
New York, New York, United States (on 1956-07-23)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-23)
cornet:
Nat Adderley (on 1956-07-23)
double bass:
Al McKibbon (on 1956-07-23)
drums (drum set):
Charles Wright (on 1956-07-23)
piano:
Junior Mance (on 1956-07-23)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (in 1995)
3:32
15Sermonette
recorded in:
New York, New York, United States (on 1956-07-12)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-12)
cornet:
Nat Adderley (on 1956-07-12)
double bass:
Sam Jones (on 1956-07-12)
drums (drum set):
Charles Wright (on 1956-07-12)
piano:
Junior Mance (on 1956-07-12)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (in 1995)
3:38
16Jackleg
recorded in:
New York, New York, United States (on 1956-07-18)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-18)
cornet:
Nat Adderley (on 1956-07-18)
double bass:
Sam Jones (on 1956-07-18)
drums (drum set):
Charles Wright (on 1956-07-18)
piano:
Junior Mance (on 1956-07-18)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (in 1995)
3:52
17The Nearness Of You
recorded in:
New York, New York, United States (on 1956-07-23)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-23)
cornet:
Nat Adderley (on 1956-07-23)
double bass:
Al McKibbon (on 1956-07-23)
drums (drum set):
Charles Wright (on 1956-07-23)
piano:
Junior Mance (on 1956-07-23)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (in 1995)
6:17
18Ratter's Groove
recorded in:
New York, New York, United States (on 1956-07-18)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-18)
cornet:
Nat Adderley (on 1956-07-18)
double bass:
Sam Jones (on 1956-07-18)
drums (drum set):
Charles Wright (on 1956-07-18)
piano:
Junior Mance (on 1956-07-18)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (in 1995)
3:28
19Hayseed
recorded in:
New York, New York, United States (on 1956-07-12)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-12)
cornet:
Nat Adderley (on 1956-07-12)
double bass:
Sam Jones (on 1956-07-12)
drums (drum set):
Charles Wright (on 1956-07-12)
piano:
Junior Mance (on 1956-07-12)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (in 1995)
3:09
2▼CD: Branching Out / Much Brass
#TitleArtistLength
1Sister Caroline
recorded in:
New York, New York, United States (in 1958-09)
bass:
Andy Simpkins (in 1958-09)
cornet:
Nat Adderley (in 1958-09)
drums (drum set):
Bill Dowdy (in 1958-09)
piano:
Gene Harris (in 1958-09)
tenor saxophone:
Johnny Griffin (in 1958-09)
Nat Adderley5:52
2Well, You Needn't
recorded in:
New York, New York, United States (in 1958-09)
bass:
Andy Simpkins (in 1958-09)
cornet:
Nat Adderley (in 1958-09)
drums (drum set):
Bill Dowdy (in 1958-09)
piano:
Gene Harris (in 1958-09)
tenor saxophone:
Johnny Griffin (in 1958-09)
recording of:
Well, You Needn’t (in 1958-09)
composer:
Thelonious Monk
publisher:
Regent Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Nat Adderley8:26
3Don't Get Around Much Anymore
bass:
Andy Simpkins (in 1958-09)
cornet:
Nat Adderley (in 1958-09)
drums (drum set):
Bill Dowdy (in 1958-09)
piano:
Gene Harris (in 1958-09)
tenor saxophone:
Johnny Griffin (in 1958-09)
instrumental recording of:
Don’t Get Around Much Anymore (in 1958-09)
lyricist:
Bob Russell (in 1942)
composer:
Duke Ellington (in 1940)
publisher:
EMI Music, EMI Robbins Catalog Inc., Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
version of:
Never No Lament
Nat Adderley4:36
4I've Got Plenty O' Nuthin'
bass:
Andy Simpkins (in 1958-09)
cornet:
Nat Adderley (in 1958-09)
drums (drum set):
Bill Dowdy (in 1958-09)
piano:
Gene Harris (in 1958-09)
tenor saxophone:
Johnny Griffin (in 1958-09)
Nat Adderley5:02
5Branching Out
recorded in:
New York, New York, United States (in 1958-09)
bass:
Andy Simpkins (in 1958-09)
cornet:
Nat Adderley (in 1958-09)
drums (drum set):
Bill Dowdy (in 1958-09)
piano:
Gene Harris (in 1958-09)
tenor saxophone:
Johnny Griffin (in 1958-09)
recording of:
Branching Out (in 1958-09)
writer:
Harold Mabern
Nat Adderley6:50
6I Never Knew I Could Love Anybody
recorded in:
New York, New York, United States (in 1958-09)
bass:
Andy Simpkins (in 1958-09)
cornet:
Nat Adderley (in 1958-09)
drums (drum set):
Bill Dowdy (in 1958-09)
piano:
Gene Harris (in 1958-09)
tenor saxophone:
Johnny Griffin (in 1958-09)
instrumental recording of:
I Never Knew (I Could Love Anybody Like I’m Loving You) (in 1958-09)
writer:
Raymond B. Egan (until 1920), Roy K. Marsh (until 1920) and Tom Pitts (until 1920)
Nat Adderley4:44
7Warm Blue Stream
recorded in:
New York, New York, United States (in 1958-09)
bass:
Andy Simpkins (in 1958-09)
cornet:
Nat Adderley (in 1958-09)
drums (drum set):
Bill Dowdy (in 1958-09)
piano:
Gene Harris (in 1958-09)
tenor saxophone:
Johnny Griffin (in 1958-09)
instrumental recording of:
Warm Blue Stream (in 1958-09)
lyricist:
Dottie Wayne
composer:
Sara Cassey
Nat Adderley4:24
8Blue Concept
recorded in:
New York, New York, United States (on 1959-03-23)
bass:
Laymon Jackson (on 1959-03-23)
cello:
Sam Jones (on 1959-03-23)
cornet:
Nat Adderley (on 1959-03-23)
drums (drum set):
Albert “Tootie” Heath (on 1959-03-23)
piano:
Wynton Kelly (on 1959-03-23)
tuba:
Slide Hampton (on 1959-03-23)
The Nat Adderley Sextet7:38
9Little Miss
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins
producer:
Orrin Keepnews
bass:
Sam Jones (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
The Nat Adderley Sextet4:29
10Israel
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins
producer:
Orrin Keepnews
bass:
Sam Jones (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
The Nat Adderley Sextet3:56
11What Next?
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins
producer:
Orrin Keepnews
bass:
Sam Jones (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
The Nat Adderley Sextet3:23
12Moving
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins
producer:
Orrin Keepnews
bass:
Sam Jones (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
The Nat Adderley Sextet5:02
13Blue Brass Groove
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins
producer:
Orrin Keepnews
bass:
Sam Jones (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
The Nat Adderley Sextet5:41
14Accents
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins
producer:
Orrin Keepnews
bass:
Sam Jones (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
The Nat Adderley Sextet5:40
15Sometimes I Feel Like A Motherless Child
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins
producer:
Orrin Keepnews
bass:
Sam Jones (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
The Nat Adderley Sextet4:10
3▼CD: Work Song / That's Right!
#TitleArtistLength
1Work Song
recording engineer:
Jack Higgins (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cello:
Sam Jones (from 1960-01-25 until 1960-01-27)
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Percy Heath (from 1960-01-25 until 1960-01-27)
drums (drum set):
Louis Hayes (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
piano:
Bobby Timmons (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1960-01-25 until 1960-01-27)
recording of:
Work Song (original instrumental)
writer:
Oscar Brown Jr.
composer:
Nat Adderley
Nat Adderley4:16
2Pretty Memory
Nat Adderley3:54
3I've Got A Crush On You
recording engineer:
Jack Higgins (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Sam Jones (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1960-01-25 until 1960-01-27)
instrumental recording of:
I’ve Got a Crush on You (from 1960-01-25 until 1960-01-27)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
Nat Adderley2:56
4Mean To Me
recording engineer:
Jack Higgins (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Keter Betts (from 1960-01-25 until 1960-01-27)
drums (drum set):
Louis Hayes (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1960-01-25 until 1960-01-27)
instrumental recording of:
Mean to Me (from 1960-01-25 until 1960-01-27)
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music
Nat Adderley5:02
5Fallout
recording engineer:
Jack Higgins (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cello:
Sam Jones (from 1960-01-25 until 1960-01-27)
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Keter Betts (from 1960-01-25 until 1960-01-27)
drums (drum set):
Louis Hayes (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
piano:
Bobby Timmons (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1960-01-25 until 1960-01-27)
Nat Adderley4:55
6Sack Of Woe
Nat Adderley4:28
7My Heart Stood Still
recording engineer:
Jack Higgins (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cello:
Keter Betts (from 1960-01-25 until 1960-01-27)
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Sam Jones (from 1960-01-25 until 1960-01-27)
drums (drum set):
Louis Hayes (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1960-01-25 until 1960-01-27)
instrumental recording of:
My Heart Stood Still (from 1960-01-25 until 1960-01-27)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros., Warner Bros., Inc. and Warner Chappell Music Ltd.
part of:
One Dam Thing After Another
Nat Adderley6:26
8Violets For Your Furs
recording engineer:
Jack Higgins (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Sam Jones (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1960-01-25 until 1960-01-27)
instrumental recording of:
Violets for Your Furs (from 1960-01-25 until 1960-01-27)
lyricist:
Tom Adair
composer:
Matt Dennis
publisher:
Dorsey Bros Music Ltd., Dorsey Brothers Music and Music Sales Corporation
sub-publisher:
ミュージック・セールス
Nat Adderley3:50
9Scrambled Eggs
recording engineer:
Jack Higgins (from 1960-01-25 until 1960-01-27)
producer:
Orrin Keepnews
cello:
Sam Jones (from 1960-01-25 until 1960-01-27)
cornet:
Nat Adderley (from 1960-01-25 until 1960-01-27)
double bass [bass]:
Percy Heath (from 1960-01-25 until 1960-01-27)
drums (drum set):
Louis Hayes (from 1960-01-25 until 1960-01-27)
electric guitar [guitar]:
Wes Montgomery (from 1960-01-25 until 1960-01-27)
piano:
Bobby Timmons (from 1960-01-25 until 1960-01-27)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1960-01-25 until 1960-01-27)
Nat Adderley3:20
10The Old Country
Nat Adderley and the Big Sax Section3:58
11Chordnation
recorded in:
New York, New York, United States (on 1960-08-09)
alto saxophone:
Cannonball Adderley (on 1960-08-09)
baritone saxophone:
Tate Houston (on 1960-08-09)
cornet:
Nat Adderley (on 1960-08-09)
double bass:
Sam Jones (on 1960-08-09)
drums (drum set):
Jimmy Cobb (on 1960-08-09)
flute and oboe:
Yusef Lateef (on 1960-08-09)
guitar:
Jim Hall (on 1960-08-09)
piano:
Wynton Kelly (on 1960-08-09)
tenor saxophone:
Jimmy Heath (on 1960-08-09), Yusef Lateef (on 1960-08-09) and Charlie Rouse (on 1960-08-09)
Nat Adderley and the Big Sax Section6:13
12The Folks Who Live On The Hill
Nat Adderley and the Big Sax Section4:17
13Tadd
recorded in:
New York, New York, United States (on 1960-09-15)
alto saxophone:
Cannonball Adderley (on 1960-09-15)
baritone saxophone:
Tate Houston (on 1960-09-15)
cornet:
Nat Adderley (on 1960-09-15)
double bass:
Sam Jones (on 1960-09-15)
drums (drum set):
Jimmy Cobb (on 1960-09-15)
flute and oboe:
Yusef Lateef (on 1960-09-15)
guitar:
Les Spann (on 1960-09-15)
piano:
Wynton Kelly (on 1960-09-15)
tenor saxophone:
Jimmy Heath (on 1960-09-15), Yusef Lateef (on 1960-09-15) and Charlie Rouse (on 1960-09-15)
recording of:
Tadd (on 1960-09-15)
composer:
Barry Harris
Nat Adderley and the Big Sax Section4:19
14You Leave Me Breathless
Nat Adderley and the Big Sax Section4:18
15Night After Night
Nat Adderley and the Big Sax Section2:31
16E.S.P.
Nat Adderley and the Big Sax Section3:51
17That's Right!
Nat Adderley and the Big Sax Section8:46
4▼CD: Naturally! / In The Bag
#TitleArtistLength
1Naturally
Nat Adderley Quartet5:06
2Seventh Son
Nat Adderley Quartet6:52
3Love Letters
Nat Adderley Quartet4:17
4This Man's Dream
cornet:
Nat Adderley (on 1961-06-20)
double bass:
Sam Jones (on 1961-06-20)
drums (drum set):
Louis Hayes (on 1961-06-20)
piano:
Joe Zawinul (on 1961-06-20)
Nat Adderley Quartet5:29
5Chloe
Nat Adderley Quartet5:48
6Images
Nat Adderley Quartet4:39
7Oleo
Nat Adderley Quartet3:31
8Scotch And Water
double bass:
Paul Chambers (on 1961-07-19)
drums (drum set):
Philly Joe Jones (on 1961-07-19)
piano:
Wynton Kelly (on 1961-07-19)
trumpet:
Nat Adderley (on 1961-07-19)
Nat Adderley Quartet4:33
9In The Bag
recording engineer:
Cosimo Matassa (on 1962-05-09)
producer:
Bill Grauer
alto saxophone:
Cannonball Adderley (on 1962-05-09)
cornet:
Nat Adderley (on 1962-05-09)
double bass:
Sam Jones (on 1962-05-09)
drums (drum set):
James Black (on 1962-05-09)
piano:
Ellis Marsalis (on 1962-05-09)
tenor saxophone:
Nat Perrilliat (on 1962-05-09)
recorded at:
Cosimo Recording Studio in New Orleans, Louisiana, United States (on 1962-05-09)
The Nat Adderley Sextet6:23
10Sister Wilson
recording engineer:
Cosimo Matassa (on 1962-05-09)
producer:
Bill Grauer
alto saxophone:
Cannonball Adderley (on 1962-05-09)
cornet:
Nat Adderley (on 1962-05-09)
double bass:
Sam Jones (on 1962-05-09)
drums (drum set):
James Black (on 1962-05-09)
piano:
Ellis Marsalis (on 1962-05-09)
tenor saxophone:
Nat Perrilliat (on 1962-05-09)
recorded at:
Cosimo Recording Studio in New Orleans, Louisiana, United States (on 1962-05-09)
The Nat Adderley Sextet3:22
11R.S.V.P.
recording engineer:
Cosimo Matassa (on 1962-05-09)
producer:
Bill Grauer
alto saxophone:
Cannonball Adderley (on 1962-05-09)
cornet:
Nat Adderley (on 1962-05-09)
double bass:
Sam Jones (on 1962-05-09)
drums (drum set):
James Black (on 1962-05-09)
piano:
Ellis Marsalis (on 1962-05-09)
tenor saxophone:
Nat Perrilliat (on 1962-05-09)
recorded at:
Cosimo Recording Studio in New Orleans, Louisiana, United States (on 1962-05-09)
The Nat Adderley Sextet3:58
12Low Brown
recording engineer:
Cosimo Matassa (on 1962-05-09)
producer:
Bill Grauer
alto saxophone:
Cannonball Adderley (on 1962-05-09)
cornet:
Nat Adderley (on 1962-05-09)
double bass:
Sam Jones (on 1962-05-09)
drums (drum set):
James Black (on 1962-05-09)
piano:
Ellis Marsalis (on 1962-05-09)
tenor saxophone:
Nat Perrilliat (on 1962-05-09)
recorded at:
Cosimo Recording Studio in New Orleans, Louisiana, United States (on 1962-05-09)
cover recording of:
Low Brown
writer:
Yusef Salim
The Nat Adderley Sextet4:46
13Mozart-In'
recording engineer:
Cosimo Matassa (on 1962-05-09)
producer:
Bill Grauer
alto saxophone:
Cannonball Adderley (on 1962-05-09)
cornet:
Nat Adderley (on 1962-05-09)
double bass:
Sam Jones (on 1962-05-09)
drums (drum set):
James Black (on 1962-05-09)
piano:
Ellis Marsalis (on 1962-05-09)
tenor saxophone:
Nat Perrilliat (on 1962-05-09)
recorded at:
Cosimo Recording Studio in New Orleans, Louisiana, United States (on 1962-05-09)
The Nat Adderley Sextet6:31
14New Arrival
recording engineer:
Cosimo Matassa (on 1962-05-09)
producer:
Bill Grauer
alto saxophone:
Cannonball Adderley (on 1962-05-09)
cornet:
Nat Adderley (on 1962-05-09)
double bass:
Sam Jones (on 1962-05-09)
drums (drum set):
James Black (on 1962-05-09)
piano:
Ellis Marsalis (on 1962-05-09)
tenor saxophone:
Nat Perrilliat (on 1962-05-09)
recorded at:
Cosimo Recording Studio in New Orleans, Louisiana, United States (on 1962-05-09)
The Nat Adderley Sextet5:27
15Chatterbox
recording engineer:
Cosimo Matassa (on 1962-05-09)
producer:
Bill Grauer
alto saxophone:
Cannonball Adderley (on 1962-05-09)
cornet:
Nat Adderley (on 1962-05-09)
double bass:
Sam Jones (on 1962-05-09)
drums (drum set):
James Black (on 1962-05-09)
piano:
Ellis Marsalis (on 1962-05-09)
tenor saxophone:
Nat Perrilliat (on 1962-05-09)
recorded at:
Cosimo Recording Studio in New Orleans, Louisiana, United States (on 1962-05-09)
The Nat Adderley Sextet6:34