| # | Title | Length |
|---|
| A1 | Night and Day- producer:
- Norman Granz
- alto saxophone:
- Murray Williamson (on 1952-03-25), Charlie Parker (on 1952-03-25) and Harry Terrill (on 1952-03-25)
- baritone saxophone:
- Danny Bank (on 1952-03-25)
- bass and double bass:
- Ray Brown (on 1952-03-25)
- drums (drum set):
- Don Lamond (on 1952-03-25)
- guitar:
- Freddie Green (on 1952-03-25)
- piano:
- Oscar Peterson (on 1952-03-25)
- tenor saxophone:
- Flip Phillips (on 1952-03-25) and Hank Ross (on 1952-03-25)
- trombone:
- Bill Harris (on 1952-03-25), Lou McGarity (on 1952-03-25) and Bart Varsalona (on 1952-03-25)
- trumpet:
- Jimmy Maxwell (on 1952-03-25), Carl Pool (on 1952-03-25), Carl Poole (on 1952-03-25), Al Porcino (on 1952-03-25) and Bernie Privin (on 1952-03-25)
- orchestra:
- Joe Lipman & His Orchestra (on 1952-03-25)
- conductor:
- Joe Lipman (on 1952-03-25)
- arranger:
- Joe Lipman
- recorded at:
- Reeves Sound Studios in New York, New York, United States (on 1952-03-25)
- instrumental recording of:
- Night and Day (on 1952-03-25)
- lyricist and composer:
- Cole Porter (in 1932)
- publisher:
- Chappell & Co., Inc., Chappell Music Ltd., Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
- part of:
- Gay Divorce
| 2:50 |
| A2 | I Can’t Get Started- recorded in:
- New York, New York, United States (on 1952-03-25)
- producer:
- Norman Granz
- alto saxophone:
- Murray Williamson (on 1952-03-25), Charlie Parker (on 1952-03-25) and Harry Terrill (on 1952-03-25)
- baritone saxophone and bass saxophone:
- Danny Bank (on 1952-03-25)
- double bass:
- Ray Brown (on 1952-03-25)
- drums (drum set):
- Don Lamond (on 1952-03-25)
- guitar:
- Freddie Green (on 1952-03-25)
- piano:
- Oscar Peterson (on 1952-03-25)
- tenor saxophone:
- Flip Phillips (on 1952-03-25) and Hank Ross (on 1952-03-25)
- trombone:
- Bill Harris (on 1952-03-25), Lou McGarity (on 1952-03-25) and Bart Varsalona (on 1952-03-25)
- trumpet:
- Jimmy Maxwell (on 1952-03-25), Carl Pool (on 1952-03-25), Carl Poole (on 1952-03-25), Al Porcino (on 1952-03-25) and Bernie Privin (on 1952-03-25)
- orchestra:
- Joe Lipman & His Orchestra (on 1952-03-25)
- conductor:
- Don Lamond (on 1952-03-25) and Joe Lipman (on 1952-03-25)
- arranger:
- Don Lamond and Joe Lipman
- recorded at:
- Reeves Sound Studios in New York, New York, United States (on 1952-03-25)
- instrumental recording of:
- I Can’t Get Started (on 1952-03-25)
- lyricist:
- Ira Gershwin
- composer:
- Vernon Duke
- publisher:
- Chappell & Co., Chappell & Co., Inc., Chappell’s • Sydney, Music Sales Corporation and Universal Music Corp.
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| 3:08 |
| B1 | What Is This Thing Called Love- recorded in:
- New York, New York, United States (on 1952-03-25)
- producer:
- Norman Granz
- alto saxophone:
- Murray Williamson (on 1952-03-25), Charlie Parker (on 1952-03-25) and Harry Terrill (on 1952-03-25)
- baritone saxophone:
- Danny Bank (on 1952-03-25)
- double bass:
- Ray Brown (on 1952-03-25)
- drums (drum set):
- Don Lamond (on 1952-03-25)
- guitar:
- Freddie Green (on 1952-03-25)
- piano:
- Oscar Peterson (on 1952-03-25)
- tenor saxophone:
- Flip Phillips (on 1952-03-25) and Hank Ross (on 1952-03-25)
- trombone:
- Bill Harris (on 1952-03-25), Lou McGarity (on 1952-03-25) and Bart Varsalona (on 1952-03-25)
- trumpet:
- Jimmy Maxwell (on 1952-03-25), Carl Pool (on 1952-03-25), Carl Poole (on 1952-03-25), Al Porcino (on 1952-03-25) and Bernie Privin (on 1952-03-25)
- orchestra:
- Joe Lipman & His Orchestra (on 1952-03-25)
- conductor:
- Joe Lippman (on 1952-03-25)
- arranger:
- Joe Lippman (on 1952-03-25)
- recorded at:
- Reeves Sound Studios in New York, New York, United States (on 1952-03-25)
- instrumental recording of:
- What Is This Thing Called Love? (on 1952-03-25)
- lyricist and composer:
- Cole Porter (in 1929)
- publisher:
- Harms, Inc., Warner Bros., Inc. and Warner/Chappell
- part of:
- Wake Up and Dream
| 2:36 |
| B2 | Almost Like Being in Love- producer:
- Norman Granz
- alto saxophone:
- Murray Williamson (on 1952-03-25), Charlie Parker (on 1952-03-25) and Harry Terrill (on 1952-03-25)
- baritone saxophone:
- Danny Bank (on 1952-03-25)
- bass and double bass:
- Ray Brown (on 1952-03-25)
- drums (drum set):
- Don Lamond (on 1952-03-25)
- guitar:
- Freddie Green (on 1952-03-25)
- piano:
- Oscar Peterson (on 1952-03-25)
- tenor saxophone:
- Flip Phillips (on 1952-03-25) and Hank Ross (on 1952-03-25)
- trombone:
- Bill Harris (on 1952-03-25), Lou McGarity (on 1952-03-25) and Bart Varsalona (on 1952-03-25)
- trumpet:
- Jimmy Maxwell (on 1952-03-25), Carl Pool (on 1952-03-25), Carl Poole (on 1952-03-25), Al Porcino (on 1952-03-25) and Bernie Privin (on 1952-03-25)
- orchestra:
- Joe Lipman & His Orchestra (on 1952-03-25)
- conductor:
- Joe Lipman (on 1952-03-25)
- arranger:
- Joe Lipman
- recorded at:
- Reeves Sound Studios in New York, New York, United States (on 1952-03-25)
- instrumental cover recording of:
- Almost Like Being in Love (on 1952-03-25)
- lyricist:
- Alan Jay Lerner
- composer:
- Frederick Loewe
- publisher:
- EMI Music, EMI U Catalog Inc., EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company, WC Music Corp., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
- part of:
- Brigadoon
| 2:33 |
