All That Jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistLength
1One O'Clock Jump
recording of:
One O’Clock Jump
composer:
Count Basie (in 1937)
publisher:
EMI Feist Catalog Inc.
Count Basie2:57
2Blue Rondo a la Turk
Dave Brubeck3:03
3Round MidnightMiles Davis2:36
4Nice Work If You Can Get It
recorded in:
New York, New York, United States (on 1950-05-19)
producer:
George Treadwell
bass:
Billy Taylor Jr. (on 1950-05-19)
clarinet:
Tony Scott (on 1950-05-19)
drums (drum set):
J.C. Heard (on 1950-05-19)
electric guitar:
Mundell Lowe (on 1950-05-19)
piano:
Jimmy Jones (on 1950-05-19)
solo trumpet:
Miles Davis (on 1950-05-19)
tenor saxophone:
Budd Johnson (on 1950-05-19)
trombone:
Bennie Green (on 1950-05-19)
vocals:
Sarah Vaughan (on 1950-05-19)
orchestra:
George Treadwell & His All Stars and with George Treadwell and his All Stars (on 1950-05-19)
cover recording of:
Nice Work If You Can Get It (on 1950-05-19)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc. and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
Sarah Vaughan2:39
5Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:20
6Girl Talk
conductor:
Neal Hefti
recording of:
Girl Talk
lyricist:
Bobby Troup
composer:
Neal Hefti
part of:
East Coast Music Association Song of the Year Nominees (number: 1991 (Holly Cole))
Neal Hefti2:53
7Prelude to the Afternoon of a Faun
recording engineer:
Rudy van Gelder (on 1972-09-14)
double bass:
Ron Carter (on 1972-09-14)
drums (drum set):
Billy Cobham (on 1972-09-14)
electric bass guitar:
Stan Clarke (on 1972-09-14)
electric guitar:
John Tropea (on 1972-09-14)
electric piano and piano:
Eumir Deodato (on 1972-09-14)
flute:
Hubert Laws (on 1972-09-14)
guitar:
Jay Berliner (on 1972-09-14)
percussion:
Ray Barretto (on 1972-09-14)
trumpet:
Marvin Stamm (on 1972-09-14)
conductor:
Eumir Deodato (on 1972-09-14)
arranger:
Eumir Deodato
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1972-09-14)
recording of:
Prélude à l’après-midi d’un faune, L. 86, CD 87 (catch-all for arrangements)
composer:
Claude Debussy (from 1891 until 1894-09)
arrangement of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
Eumir Deodato5:13
8Take Five
Dave Brubeck2:58
9Body and SoulBenny Goodman2:57
10Don't ExplainBillie Holiday2:49
11Summertime
recorded in:
New York, New York, United States (on 1966-03-15)
baritone saxophone:
Ronnie Cuber (on 1966-03-15)
drums (drum set):
Jimmy Lovelace (on 1966-03-15) and Ray Lucas (on 1966-03-15)
guitar:
George Benson (on 1966-03-15)
organ:
Dr. Lonnie Smith (on 1966-03-15)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1966-03-15)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd., Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited, Ira Gershwin Music (in 1935), WB Music Corp. (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
George Benson2:25
12Satin Doll
recording of:
Satin Doll
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. and WB Music Corp.
Duke Ellington3:52