La Voix humaine

~ Release by Francis Poulenc, Jean Cocteau; Carole Farley, Adelaide Symphony Orchestra, José Serebrier (see all versions of this release, 1 available)

Annotation

There are no printed track titles per se, only track numbers mixed in with the lyrics. The track titles here are quotes of the lyrics immediately following each track number. Each quote ends either at the end of the first multi-word sentence, or at the first ellipsis after multiple words of a sentence.

Tracklist

1▼CD
#TitleArtistLength
1La Voix humaine : « Allô, allô… »
soprano vocals:
Carole Farley
orchestra:
Adelaide Symphony Orchestra
conductor:
José Serebrier
recorded at:
Studios of the Australian Broadcasting Commission, Adelaide in Adelaide, South Australia, Australia (in 1981-09)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
Francis Poulenc5:23
2La Voix humaine : « Quelle comédie ? »
soprano vocals:
Carole Farley
orchestra:
Adelaide Symphony Orchestra
conductor:
José Serebrier
recorded at:
Studios of the Australian Broadcasting Commission, Adelaide in Adelaide, South Australia, Australia (in 1981-09)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
Francis Poulenc2:32
3La Voix humaine : « Je ne sais pas encore… »
soprano vocals:
Carole Farley
orchestra:
Adelaide Symphony Orchestra
conductor:
José Serebrier
recorded at:
Studios of the Australian Broadcasting Commission, Adelaide in Adelaide, South Australia, Australia (in 1981-09)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
Francis Poulenc1:14
4La Voix humaine : « Oui, mon chéri… »
soprano vocals:
Carole Farley
orchestra:
Adelaide Symphony Orchestra
conductor:
José Serebrier
recorded at:
Studios of the Australian Broadcasting Commission, Adelaide in Adelaide, South Australia, Australia (in 1981-09)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
Francis Poulenc1:09
5La Voix humaine : « Je te vois, tu sais. »
soprano vocals:
Carole Farley
orchestra:
Adelaide Symphony Orchestra
conductor:
José Serebrier
recorded at:
Studios of the Australian Broadcasting Commission, Adelaide in Adelaide, South Australia, Australia (in 1981-09)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
Francis Poulenc3:15
6La Voix humaine : « Moi, méchante ? »
soprano vocals:
Carole Farley
orchestra:
Adelaide Symphony Orchestra
conductor:
José Serebrier
recorded at:
Studios of the Australian Broadcasting Commission, Adelaide in Adelaide, South Australia, Australia (in 1981-09)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
Francis Poulenc2:16
7La Voix humaine : « Allô ! Ah ! Chéri ! C’est toi ? »
soprano vocals:
Carole Farley
orchestra:
Adelaide Symphony Orchestra
conductor:
José Serebrier
recorded at:
Studios of the Australian Broadcasting Commission, Adelaide in Adelaide, South Australia, Australia (in 1981-09)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
Francis Poulenc6:11
8La Voix humaine : « … Chéri… Chéri… Il était quatre heures du matin. »
soprano vocals:
Carole Farley
orchestra:
Adelaide Symphony Orchestra
conductor:
José Serebrier
recorded at:
Studios of the Australian Broadcasting Commission, Adelaide in Adelaide, South Australia, Australia (in 1981-09)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
Francis Poulenc0:54
9La Voix humaine : « … Allô ! … Je Cróyais qu’on avait coupé… »
soprano vocals:
Carole Farley
orchestra:
Adelaide Symphony Orchestra
conductor:
José Serebrier
recorded at:
Studios of the Australian Broadcasting Commission, Adelaide in Adelaide, South Australia, Australia (in 1981-09)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
Francis Poulenc1:20
10La Voix humaine : « Allô ! J’entends de la musique… »
soprano vocals:
Carole Farley
orchestra:
Adelaide Symphony Orchestra
conductor:
José Serebrier
recorded at:
Studios of the Australian Broadcasting Commission, Adelaide in Adelaide, South Australia, Australia (in 1981-09)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
Francis Poulenc1:16
11La Voix humaine : « Pardonne‐moi. »
soprano vocals:
Carole Farley
orchestra:
Adelaide Symphony Orchestra
conductor:
José Serebrier
recorded at:
Studios of the Australian Broadcasting Commission, Adelaide in Adelaide, South Australia, Australia (in 1981-09)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
Francis Poulenc3:20
12La Voix humaine : « … Voilà deux jours qu’il ne quitte pas l’antichambre… »
soprano vocals:
Carole Farley
orchestra:
Adelaide Symphony Orchestra
conductor:
José Serebrier
recorded at:
Studios of the Australian Broadcasting Commission, Adelaide in Adelaide, South Australia, Australia (in 1981-09)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
Francis Poulenc1:54
13La Voix humaine : « Allo, âllo, Madame, retirez vous. »
soprano vocals:
Carole Farley
orchestra:
Adelaide Symphony Orchestra
conductor:
José Serebrier
recorded at:
Studios of the Australian Broadcasting Commission, Adelaide in Adelaide, South Australia, Australia (in 1981-09)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
Francis Poulenc3:31
14La Voix humaine : « Où trouverais‐je la force de combiner un mensonge, mon pauvre adoré ? »
soprano vocals:
Carole Farley
orchestra:
Adelaide Symphony Orchestra
conductor:
José Serebrier
recorded at:
Studios of the Australian Broadcasting Commission, Adelaide in Adelaide, South Australia, Australia (in 1981-09)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
Francis Poulenc2:33
15La Voix humaine : « Je sais bien qu’il le faut, mais c’est atroce… »
soprano vocals:
Carole Farley
orchestra:
Adelaide Symphony Orchestra
conductor:
José Serebrier
recorded at:
Studios of the Australian Broadcasting Commission, Adelaide in Adelaide, South Australia, Australia (in 1981-09)
partial recording of:
La Voix Humaine, FP 171
composer:
Francis Poulenc (in 1959)
librettist:
Jean Cocteau
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1961) and Francis Poulenc’s works (FP) (number: FP 171)
is based on:
La Voix humaine (play)
Francis Poulenc5:43

Credits

Release

manufactured in:West Germany
printed in:West Germany
rights society:MCPS
SACEM
manufactured by:PolyGram
copyrighted (©) by:Chandos Records Ltd. (in 1985)
phonographic copyright (℗) by:Chandos Records Ltd. (in 1982)
discography entry:https://www.chandos.net/products/catalogue/CHAN 8331 [info]