| # | Title | Length |
|---|
| 1 | East River Drive- engineer:
- Richard Alderson
- producer:
- Ralph MacDonald and Grover Washington, Jr.
- mixer:
- Richard Alderson, Ralph MacDonald and Grover Washington, Jr.
- bass:
- Marcus Miller (from 1981-06 until 1981-09)
- congas and percussion:
- Ralph MacDonald (from 1981-06 until 1981-09)
- drums (drum set):
- Steve Gadd (from 1981-06 until 1981-09)
- guitar:
- Eric Gale (from 1981-06 until 1981-09)
- Rhodes piano:
- Richard Tee (from 1981-06 until 1981-09)
- saxophone:
- Grover Washington, Jr. (from 1981-06 until 1981-09)
- synthesizer:
- Paul Griffin (from 1981-06 until 1981-09)
- background vocals:
- Vivian Cherry (from 1981-06 until 1981-09), Frank Floyd (from 1981-06 until 1981-09), Yvonne Lewis (from 1981-06 until 1981-09), Ullanda McCullough (from 1981-06 until 1981-09) and Zack Sanders (from 1981-06 until 1981-09)
- conductor:
- William Eaton (from 1981-06 until 1981-09)
- arranger:
- William Eaton
- phonographic copyright (℗) by:
- Elektra/Asylum Records
- recorded at and mixed at:
- Rosebud Recording Studio in New York, New York, United States (from 1981-06 until 1981-09)
- recording of:
- East River Drive (in 1981)
- composer:
- Grover Washington, Jr.
| 4:47 |
| 2 | Come Morning- engineer:
- Richard Alderson
- producer:
- Ralph MacDonald and Grover Washington, Jr.
- mixer:
- Richard Alderson, Ralph MacDonald and Grover Washington, Jr.
- bass:
- Marcus Miller (from 1981-06 until 1981-09)
- congas and percussion:
- Ralph MacDonald (from 1981-06 until 1981-09)
- drums (drum set):
- Steve Gadd (from 1981-06 until 1981-09)
- guitar:
- Eric Gale (from 1981-06 until 1981-09)
- Rhodes piano:
- Richard Tee (from 1981-06 until 1981-09)
- saxophone:
- Grover Washington, Jr. (from 1981-06 until 1981-09)
- synthesizer:
- Paul Griffin (from 1981-06 until 1981-09)
- background vocals:
- Vivian Cherry (from 1981-06 until 1981-09), Frank Floyd (from 1981-06 until 1981-09), Yvonne Lewis (from 1981-06 until 1981-09), Ullanda McCullough (from 1981-06 until 1981-09) and Zack Sanders (from 1981-06 until 1981-09)
- conductor:
- William Eaton (from 1981-06 until 1981-09)
- arranger:
- William Eaton
- phonographic copyright (℗) by:
- Elektra/Asylum Records
- recorded at and mixed at:
- Rosebud Recording Studio in New York, New York, United States (from 1981-06 until 1981-09)
- recording of:
- Come Morning (in 1981)
- composer:
- Grover Washington, Jr.
| 4:56 |
| 3 | Be Mine (Tonight)- engineer:
- Richard Alderson
- producer:
- Ralph MacDonald and Grover Washington, Jr.
- mixer:
- Richard Alderson, Ralph MacDonald and Grover Washington, Jr.
- bass:
- Marcus Miller (from 1981-06 until 1981-09)
- congas and percussion:
- Ralph MacDonald (from 1981-06 until 1981-09)
- drums (drum set):
- Steve Gadd (from 1981-06 until 1981-09)
- guitar:
- Eric Gale (from 1981-06 until 1981-09)
- Rhodes piano:
- Richard Tee (from 1981-06 until 1981-09)
- saxophone:
- Grover Washington, Jr. (from 1981-06 until 1981-09)
- synthesizer:
- Paul Griffin (from 1981-06 until 1981-09)
- background vocals:
- Vivian Cherry (from 1981-06 until 1981-09), William Eaton (from 1981-06 until 1981-09), Frank Floyd (from 1981-06 until 1981-09), Yvonne Lewis (from 1981-06 until 1981-09), Ullanda McCullough (from 1981-06 until 1981-09) and Zack Sanders (from 1981-06 until 1981-09)
- lead vocals:
- Grady Tate (from 1981-06 until 1981-09)
- conductor:
- William Eaton (from 1981-06 until 1981-09)
- arranger:
- William Eaton
- phonographic copyright (℗) by:
- Elektra/Asylum Records
- recorded at and mixed at:
- Rosebud Recording Studio in New York, New York, United States (from 1981-06 until 1981-09)
- recording of:
- Be Mine (Tonight) (in 1981)
- writer:
- William Eaton, Ralph MacDonald and William Salter
| 6:26 |
| 4 | Reaching Out- engineer:
- Richard Alderson
- producer:
- Ralph MacDonald and Grover Washington, Jr.
- mixer:
- Richard Alderson, Ralph MacDonald and Grover Washington, Jr.
- bass:
- Marcus Miller (from 1981-06 until 1981-09)
- congas and percussion:
- Ralph MacDonald (from 1981-06 until 1981-09)
- drums (drum set):
- Steve Gadd (from 1981-06 until 1981-09)
- guitar:
- Eric Gale (from 1981-06 until 1981-09)
- Rhodes piano:
- Richard Tee (from 1981-06 until 1981-09)
- saxophone:
- Grover Washington, Jr. (from 1981-06 until 1981-09)
- synthesizer:
- Paul Griffin (from 1981-06 until 1981-09)
- background vocals:
- Vivian Cherry (from 1981-06 until 1981-09), Frank Floyd (from 1981-06 until 1981-09), Yvonne Lewis (from 1981-06 until 1981-09), Ullanda McCullough (from 1981-06 until 1981-09) and Zack Sanders (from 1981-06 until 1981-09)
- conductor:
- William Eaton (from 1981-06 until 1981-09)
- arranger:
- William Eaton
- phonographic copyright (℗) by:
- Elektra/Asylum Records
- recorded at and mixed at:
- Rosebud Recording Studio in New York, New York, United States (from 1981-06 until 1981-09)
- recording of:
- Reaching Out (in 1981)
- composer:
- Grover Washington, Jr.
| 4:09 |
| 5 | Jamming- engineer:
- Richard Alderson
- producer:
- Ralph MacDonald and Grover Washington, Jr.
- mixer:
- Richard Alderson, Ralph MacDonald and Grover Washington, Jr.
- bass:
- Marcus Miller (from 1981-06 until 1981-09)
- congas and percussion:
- Ralph MacDonald (from 1981-06 until 1981-09)
- drums (drum set):
- Steve Gadd (from 1981-06 until 1981-09)
- guitar:
- Eric Gale (from 1981-06 until 1981-09)
- Rhodes piano:
- Richard Tee (from 1981-06 until 1981-09)
- saxophone:
- Grover Washington, Jr. (from 1981-06 until 1981-09)
- synthesizer:
- Paul Griffin (from 1981-06 until 1981-09)
- background vocals:
- Vivian Cherry (from 1981-06 until 1981-09), William Eaton (from 1981-06 until 1981-09), Frank Floyd (from 1981-06 until 1981-09), Yvonne Lewis (from 1981-06 until 1981-09), Ullanda McCullough (from 1981-06 until 1981-09) and Zack Sanders (from 1981-06 until 1981-09)
- conductor:
- William Eaton (from 1981-06 until 1981-09)
- arranger:
- William Eaton
- phonographic copyright (℗) by:
- Elektra/Asylum Records
- recorded at and mixed at:
- Rosebud Recording Studio in New York, New York, United States (from 1981-06 until 1981-09)
- instrumental cover recording of:
- Jamming (in 1981)
- lyricist and composer:
- Bob Marley
- publisher:
- Almo Music Corp., Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
| 5:07 |
| 6 | Little Black Samba- engineer:
- Richard Alderson
- producer:
- Ralph MacDonald and Grover Washington, Jr.
- mixer:
- Richard Alderson, Ralph MacDonald and Grover Washington, Jr.
- bass:
- Marcus Miller (from 1981-06 until 1981-09)
- congas and percussion:
- Ralph MacDonald (from 1981-06 until 1981-09)
- drums (drum set):
- Steve Gadd (from 1981-06 until 1981-09)
- guitar:
- Eric Gale (from 1981-06 until 1981-09)
- Rhodes piano:
- Richard Tee (from 1981-06 until 1981-09)
- saxophone:
- Grover Washington, Jr. (from 1981-06 until 1981-09)
- synthesizer:
- Paul Griffin (from 1981-06 until 1981-09)
- background vocals:
- Vivian Cherry (from 1981-06 until 1981-09), William Eaton (from 1981-06 until 1981-09), Frank Floyd (from 1981-06 until 1981-09), Yvonne Lewis (from 1981-06 until 1981-09), Ullanda McCullough (from 1981-06 until 1981-09) and Zack Sanders (from 1981-06 until 1981-09)
- lead vocals:
- Grady Tate (from 1981-06 until 1981-09)
- conductor:
- William Eaton (from 1981-06 until 1981-09)
- arranger:
- William Eaton
- phonographic copyright (℗) by:
- Elektra/Asylum Records
- recorded at and mixed at:
- Rosebud Recording Studio in New York, New York, United States (from 1981-06 until 1981-09)
| 5:44 |
| 7 | Make Love to You | 4:30 |
| 8 | I'm All Yours | 4:42 |
