Mass in B minor

~ Release by J.S. Bach; Stuttgarter Kammerorchester, Karl Münchinger (see all versions of this release, 1 available)

Tracklist

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1▼CD
#	Title	Artist	Length
1	h-Moll-Messe, BWV 232: Kyrie: Kyrie eleison choir vocals: Wiener Singakademie orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	9:43
2	h-Moll-Messe, BWV 232: Kyrie: Christe eleison soprano vocals: Elly Ameling and Yvonne Minton orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	5:52
3	h-Moll-Messe, BWV 232: Kyrie: Kyrie eleison choir vocals: Wiener Singakademie orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	4:14
4	h-Moll-Messe, BWV 232: Gloria: Gloria in excelsis Deo choir vocals: Wiener Singakademie orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor) recording of: h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	6:43
5	h-Moll-Messe, BWV 232: Gloria: Laudamus te soprano vocals: Yvonne Minton orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	5:05
6	h-Moll-Messe, BWV 232: Gloria: Gratias agimus tibi choir vocals: Wiener Singakademie orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	3:09
7	h-Moll-Messe, BWV 232: Gloria: Domine Deus orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	6:17
8	h-Moll-Messe, BWV 232: Gloria: Qui tollis pecata mundi choir vocals: Wiener Singakademie soprano vocals: Elly Ameling tenor vocals: Werner Krenn orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	3:19
9	h-Moll-Messe, BWV 232: Gloria: Qui sedes ad dexteram Patris alto vocals: Helen Watts orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	5:24
10	h-Moll-Messe, BWV 232: Gloria: Quoniam tu solus Sanctus bass vocals: Tom Krause orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	4:46
11	h-Moll-Messe, BWV 232: Gloria: Cum Sancto Spiritu choir vocals: Wiener Singakademie orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	4:35

2▼CD
#	Title	Artist	Length
1	h-Moll-Messe, BWV 232: Credo: Credo in unum Deum choir vocals: Wiener Singakademie orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	2:34
2	h-Moll-Messe, BWV 232: Credo: Patrem omnipotentem choir vocals: Wiener Singakademie orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	2:20
3	h-Moll-Messe, BWV 232: Credo: Et in unum Dominum alto vocals: Helen Watts soprano vocals: Elly Ameling orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	5:37
4	h-Moll-Messe, BWV 232: Credo: Et incarnatus est choir vocals: Wiener Singakademie orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	2:38
5	h-Moll-Messe, BWV 232: Credo: Cruxifixus choir vocals: Wiener Singakademie orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	4:00
6	h-Moll-Messe, BWV 232: Credo: Et resurrexit choir vocals: Wiener Singakademie orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	4:34
7	h-Moll-Messe, BWV 232: Credo: Et in Spiritum Sanctum bass vocals: Tom Krause orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	5:43
8	h-Moll-Messe, BWV 232: Credo: Confiteor unam baptisma choir vocals: Wiener Singakademie orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120) part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor) recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	7:27
9	h-Moll-Messe, BWV 232: Sanctus: Sanctus choir vocals: Wiener Singakademie orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	5:25
10	h-Moll-Messe, BWV 232: Sanctus: Osanna in excelsis choir vocals: Wiener Singakademie orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	2:53
11	h-Moll-Messe, BWV 232: Sanctus: Benedictus choir vocals: Wiener Singakademie tenor vocals: Werner Krenn orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor) recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	7:43
12	h-Moll-Messe, BWV 232: Agnus Dei: Agnus Dei alto vocals: Helen Watts orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	5:34
13	h-Moll-Messe, BWV 232: Agnus Dei: Dona nobis pacem choir vocals: Wiener Singakademie orchestra: Stuttgarter Kammerorchester conductor: Karl Münchinger recorded at: Sofiensaal in Landstraße, Wien, Austria recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1970-05) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Dona nobis pacem part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	Johann Sebastian Bach	3:17

Credits

Release

discography entry:	http://www.bach-cantatas.com/Performers/Munchinger.htm#V1 [info]

Release group

Discogs:	https://www.discogs.com/master/835958 [info]

Discogs