60’s Soul Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistLength
1Knock on Wood
recording of:
Knock on Wood
writer:
Steve Cropper and Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd., Warner Chappell Music, Warner Chappell Music Ltd. and Warner Chappell North America
Eddie Floyd?:??
2Under the Boardwalk
recorded in:
New York, New York, United States (on 1964-05-21)
producer:
Bert Berns and Mike Leander
double bass [bass]:
Milt Hinton (on 1964-05-21)
drums (drum set) [drums]:
Gary Chester (on 1964-05-21)
guitar:
Everett Barksdale (on 1964-05-21), Bill Suyker (on 1964-05-21), Billy Davis (on 1964-05-21) and Bob Bushnell (on 1964-05-21)
piano:
Ernie Hayes (on 1964-05-21)
strings [nine strings]:
[unknown] (on 1964-05-21)
vibraphone [vibes]:
George Devens (on 1964-05-21)
baritone vocals:
Gene Pearson (on 1964-05-21)
bass vocals:
Winifred Terry (on 1964-05-21)
lead vocals:
Johnny Moore (on 1964-05-21)
tenor vocals:
Charlie Thomas (on 1964-05-21)
conductor:
Gary Sherman (on 1964-05-21)
arranger:
Gary Sherman and Teacho Wiltshire
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1988) and WEA International Inc. (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 6), Billboard: The 500 Best Pop Songs (number: 304) and Rolling Stone: 500 Greatest Songs of All Time (number: 487)
recording of:
Under the Boardwalk (on 1964-05-21)
writer:
Arthur Resnick and Kenny Young
publisher:
Alley Music Corp., Intersong, TM Music Ltd. and Trio Music Company
The Drifters?:??
3Warm and Tender Love
cover recording of:
Warm and Tender Love
lyricist and composer:
Bobby Robinson
publisher:
Warner Bros. Music Ltd., Warner Chappell Music Ltd. and Warner Chappell North America
Percy Sledge?:??
4I Heard It Through the Grapevine
cover recording of:
I Heard It Through the Grapevine
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd., EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
Martha Reeves?:??
5So Much in Love
recording of:
So Much in Love
writer:
Billy Jackson, Roy Straigis and George Williams
publisher:
ABKCO Japan Publishing and ABKCO Music, Inc.
The Tymes?:??
6What Becomes of the Broken Hearted
producer:
William "Mickey" Stevenson
recording of:
What Becomes of the Brokenhearted
writer:
James Dean, Paul Riser and William Weatherspoon
publisher:
EMI Music Publishing Ltd. and Jobete Music (UK)
Jimmy Ruffin?:??
7My Guy
bass:
James Jamerson (in 1964)
drums (drum set):
Benny Benjamin (in 1964)
guitar:
Robert White (in 1964) and Eddie Willis (in 1964)
instruments:
The Funk Brothers (in 1964)
organ:
Earl Van Dyke (in 1964)
piano:
Johnny Griffith (in 1964)
trombone:
George Bohanon (in 1964) and Paul Riser (in 1964)
trumpet:
Russell Conway (in 1964) and Herbert Williams (in 1964)
vibraphone:
Dave Hamilton (in 1964)
background vocals:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) and Jackie Hicks (in 1964)
lead vocals:
Mary Wells (in 1964)
phonographic copyright (℗) by:
Motown Record Corporation (in 1964)
recorded at:
Hitsville in Detroit, Michigan, United States (in 1964)
recording of:
My Guy (in 1964)
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells?:??
8(Sittin’ on) The Dock of the Bay
phonographic copyright (℗) by:
K-Tel International (in 1980)
cover recording of:
(Sittin’ on) the Dock of the Bay (in 1980)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music, Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros., Warner Bros. Music Ltd., Warner Chappell Music, Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
Percy Sledge?:??
9Rescue Me
producer:
Billy Davis, Raynard Miner and Carl Smith
lead vocals:
Fontella Bass
arranger:
Phil Wright
phonographic copyright (℗) by:
MCA Records, Inc. (in 1965) and UMG Recordings, Inc. (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (number: 31)
recording of:
Rescue Me
writer:
Raynard Miner and Carl Smith
publisher:
United Artists Music Co., Inc. (ended), Chevis Music Publ. Corp. and Reservoir 416
Fontella Bass?:??
10Spanish Harlem
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller
cello:
Charles McCracken (on 1960-10-27)
double bass [bass]:
Lloyd Trotman (on 1960-10-27)
drums (drum set) [drums]:
Gary Chester (on 1960-10-27)
guitar:
Al Caiola (on 1960-10-27)
percussion:
Phil Kraus (on 1960-10-27)
piano:
Ernie Hayes (on 1960-10-27)
reeds:
Romeo Penque (on 1960-10-27)
background vocals:
[unknown] (on 1960-10-27)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (on 1960-10-27)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 350)
recording of:
Spanish Harlem (on 1960-10-27)
lyricist:
Jerry Leiber
composer:
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc., Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. and Unichappell Music
Ben E. King?:??
11People
cover recording of:
People (Funny Girl)
lyricist:
Bob Merrill (in 1963)
composer:
Jule Styne (in 1963)
publisher:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc., Chappell Music, Chappell Music Ltd. and Warner Chappell Music Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Funny Girl (Broadway musical)
recording of:
People (Funny Girl)
lyricist:
Bob Merrill (in 1963)
composer:
Jule Styne (in 1963)
publisher:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc., Chappell Music, Chappell Music Ltd. and Warner Chappell Music Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Funny Girl (Broadway musical)
The Tymes?:??
12The Letter
producer:
Dan Penn
phonographic copyright (℗) by:
Arista Records (in 1967), Arista Records, Inc. (in 1967), RCA Records (in 1967) and Atoll Music (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 357) and Rolling Stone: 500 Greatest Songs of All Time (number: 364)
recording of:
The Letter (in 1967)
lyricist and composer:
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control, EMI Music, Lovolar Music, Sony Music Publishing (Japan) Inc. and Warner Chappell Music
The Box Tops?:??
13B.A.B.Y.
recording of:
B-A-B-Y
writer:
Isaac Hayes and David Porter
publisher:
Universal Music Publishing Ltd. and Warner/Chappell North America
Carla Thomas?:??
14Save the Last Dance for Me
recording of:
Save the Last Dance for Me
writer:
Doc Pomus and Mort Shuman
publisher:
Hill and Range Southwind Mus S A, Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd., ヤマハミュージックエンタテインメントホールディングス, ワーナー・チャペル音楽出版 Synch事業部, Hill and Range Songs, Inc. (in 1974) and Trio Music (in 1974)
The Drifters?:??