Jazz From A To Z 3

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistLength
1Secret Love
recording engineer:
Malcolm Chisholm
executive producer:
Dave Grusin and Larry Rosen
producer:
Orrin Keepnews and Dave Usher
double bass:
Israel Crosby (on 1958-09-06)
drums (drum set):
Vernell Fournier (on 1958-09-06)
piano:
Ahmad Jamal (on 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (on 1958-09-06)
live instrumental recording of:
Secret Love (song from “Calamity Jane”) (on 1958-09-06)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Chappell, Remick Music Corp., Warner Bros., Inc., Warner Chappell North America and Warner Chappell North America Ltd.
sub-publisher:
Universal/MCA Music Ltd. and Warner Bros. Music Ltd.
part of:
The 26th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1953 winner)
part of:
Calamity Jane (stage musical)
Ahmad Jamal3:52
2Star Eyes
alto saxophone:
Art Pepper (in 1957)
double bass:
Paul Chambers (in 1957)
drums (drum set):
Philly Joe Jones (in 1957)
piano:
Red Garland (in 1957)
recording of:
Star Eyes (in 1957)
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
part of:
I Dood It (1943)
Art Pepper5:16
3To Mario Bauzá
producer:
Paquito D’Rivera
bass:
Joe Santiago (in 1994-11)
brass [trumpet, flugelhorn]:
Diego Urcola (in 1994-11)
guitar:
Carlos Emilio Morales (in 1994-11)
percussion [congas, bongos]:
Gabriel Machado (in 1994-11) and Carlos “Patato” Valdés (in 1994-11)
percussion [guiro, maracas, congas]:
Gerardo Rosales (in 1994-11)
piano:
Bebo Valdés (in 1994-11)
reeds [alto saxophone, clarinet]:
Paquito D’Rivera (in 1994-11)
timbales:
Amadito Valdés (in 1994-11)
trombone:
Juan Pablo Torres (in 1994-11)
recorded at:
Bauer Studios in Ludwigsburg, Baden-Württemberg, Germany (in 1994-11)
Bebo Valdés6:05
4Ritmo de Otoño
executive producer:
Scott Barber
producer:
Loren Harriet and Bernie Williams
recording of:
Ritmo de Otoño
writer:
Bernie Williams
Bernie Williams5:42
5Foul Play
alto saxophone:
Gigi Gryce (in 1958-02) and Jimmy Powell (in 1958-02)
baritone saxophone:
Sahib Shihab (in 1958-02)
double bass:
Sam Jones (in 1958-02)
drums (drum set):
Specs Wright (in 1958-02)
piano:
Wynton Kelly (in 1958-02)
tenor saxophone:
Benny Golson (in 1958-02)
trombone:
Melba Liston (in 1958-02)
trumpet:
Ray Copeland (in 1958-02) and Kenny Dorham (in 1958-02)
lead vocals:
Betty Carter (in 1958-02)
recording of:
Foul Play (in 1958-02)
writer:
Norman Mapp
Betty Carter2:25
6I've Got My Love to Keep Me Warm
recording of:
I’ve Got My Love to Keep Me Warm
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Billie Holiday3:59
7Strange Fruit
recording of:
Strange Fruit
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. and Music Sales Corporation
version of:
Bitter Fruit
Billie Holiday3:18
8Outa-Space
recording of:
Outa Space
composer:
Joe Greene and Billy Preston
Billy Preston4:11
9Space Race
engineer:
Tommy Vicari
producer:
Billy Preston
instrumental recording of:
Space Race
composer:
Billy Preston
publisher:
Irving Music and W.E.P. Music Corp.
Billy Preston3:27
10X-Ray Hip
Bona Fide4:19
11Soul-Limbo
producer:
Booker T. Jones
recording of:
Soul Limbo
writer:
Steve Cropper, Donald “Duck” Dunn, Al Jackson, Jr. and Booker T. Jones
publisher:
Al Jackson Jr. Music and Irving Music
Booker T. & the MG’s2:27
12Time Is Tight
recording of:
Time Is Tight
writer:
Steve Cropper, Donald “Duck” Dunn, Al Jackson, Jr. and Booker T. Jones
publisher:
Al Jackson Jr. Music and Irving Music
Booker T. & the MG’s4:19
13Groovin'
bass [electric bass]:
Donald “Duck” Dunn (in 1967)
drums (drum set):
Al Jackson (in 1967)
keyboard [organ, electric piano]:
Booker T. Jones (in 1967)
cover recording of:
Groovin’ (in 1967)
writer:
Eddie Brigati and Felix Cavaliere
publisher:
Slacsar
Booker T. & the MG’s2:44
14Mrs. Robinson
instrumental cover recording of:
Mrs. Robinson
lyricist and composer:
Paul Simon
publisher:
Charing Cross Music, Pattern Music Ltd, Paul Simon Music, Universal/MCA Music Ltd. and Universal/MCA Music Publishing Pty Ltd
Booker T. & the MG’s3:41
15Green Onions
recorded in:
Memphis, Tennessee, United States (in 1962-06)
producer:
Jim Stewart
bass guitar [bass]:
Lewie Steinberg (in 1962-06)
drums (drum set) [drums]:
Al Jackson (in 1962-06)
guitar:
Steve Cropper (in 1962-06)
Hammond organ:
Booker T. Jones (in 1962-06)
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 181) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 418)
recording of:
Green Onions (in 1962-06)
composer:
Al Jackson, Jr., Steve Cropper, Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music, Carlin Music Corporation, East/Memphis Music Corp. and Irving Music
Booker T. & the MG’s2:56
16The Theme From 'Electric Surfboard"
“Brother” Jack McDuff2:35
17Very Saxy
Buddy Tate8:19
18Heads Up! Feet Down!
phonographic copyright (℗) by:
Blue Note Records (in 2006)
recording of:
Heads Up! Feet Down! (in 1967-03)
composer:
Jimmy Heath
The Cannonball Adderley Quintet7:00
19Was Dog a Donut?
recording of:
Was Dog a Doughnut?
lyricist:
Bruce Lynch, Jean‐Alain Roussel and Cat Stevens
composer:
Bruce Lynch and Cat Stevens
publisher:
Ashtar Music B.V.
Cat Stevens5:16
20Give It All You Got
recording of:
Give It All You Got
composer:
Chuck Mangione
Chuck Mangione6:11
21Jordu
double bass:
George Morrow (on 1954-08-03)
drums (drum set):
Max Roach (on 1954-08-03)
piano:
Richie Powell (on 1954-08-03)
tenor saxophone:
Harold Land (on 1954-08-03)
trumpet:
Clifford Brown (on 1954-08-03)
recording of:
Jordu (on 1954-08-03)
composer:
Duke Jordan (in 1953)
Clifford Brown & Max Roach7:50
22What Is This Thing Called Love?
producer:
Bob Shad
double bass:
George Morrow (on 1956-02-16)
drums (drum set):
Max Roach (on 1956-02-16)
piano:
Richie Powell (on 1956-02-16)
tenor saxophone:
Sonny Rollins (on 1956-02-16)
trumpet:
Clifford Brown (on 1956-02-16)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1956-02-16)
lyricist and composer:
Cole Porter (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
Clifford Brown & Max Roach7:40
23Machine Gun
producer:
James Anthony Carmichael and Commodores
arranger:
James Anthony Carmichael
recorded at and mixed at:
Motown Recording Studios in West Hollywood, California, United States
recording of:
Machine Gun
composer:
Milan Williams
publisher:
Jobete Music Co., Inc.
Commodores2:39
24April in Paris
recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Count Basie3:49
25Corner Pocket
instrumental recording of:
Corner Pocket (from 1955-07-26 until 1955-07-27)
lyricist:
Donald Wolf
composer:
Freddie Green
publisher:
Longitude Music
Count Basie5:19
26Bright Mississippi
assistant recording engineer:
Chris Albert
recording engineer:
Al Schmitt (from 1996-01-03 until 1996-01-04)
producer:
Tommy LiPuma
assistant mixer:
Mike Krowiak
mixer:
Al Schmitt
bass:
Avishai Cohen (from 1996-01-03 until 1996-01-04)
drums (drum set):
Terri Lyne Carrington (from 1996-01-03 until 1996-01-04)
piano:
Danilo Pérez (from 1996-01-03 until 1996-01-04)
recorded at:
Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1996-01-03 until 1996-01-04)
cover recording of:
Bright Mississippi (from 1996-01-03 until 1996-01-04)
composer:
Thelonious Monk
Danilo Pérez5:40
27Scorpio
Dennis Coffey4:21
28Taurus
engineer:
Milan Bogdan
bass:
Bob Babbitt
guitar:
Dennis Coffey
conductor:
Mike Theodore
arranger:
Dennis Coffey
recording of:
Taurus
writer:
Dennis Coffey
Dennis Coffey3:01
29Whistle Bump
Eumir Deodato7:43
30God Bless the Child
phonographic copyright (℗) by:
Motown Record Company, L.P. (in 1972) and Motown Records (in 2015)
cover recording of:
God Bless the Child
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co.
Diana Ross2:43
31Chant
bass:
Butch Warren (on 1963-01-12)
guitar:
Kenny Burrell (on 1963-01-12)
membranophone:
Lex Humphries (on 1963-01-12)
piano:
Herbie Hancock (on 1963-01-12)
tenor saxophone:
Hank Mobley (on 1963-01-12)
trumpet:
Donald Byrd (on 1963-01-12)
vibraphone:
Donald Best (on 1963-01-12)
arranger:
Duke Pearson
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1963-01-12)
recording of:
Chant
composer:
Duke Pearson
Donald Byrd7:32
32Dance Hall
Donald Harrison6:42
33Sweet Sixteen Bars
Earl Grant4:49
34Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Ella Fitzgerald5:06
35Music Box Dancer
Frank Mills3:22
36Straight Life
engineer:
Rudy van Gelder
producer:
Creed Taylor
bass:
Ron Carter (on 1970-11-16)
drums (drum set):
Jack DeJohnette (on 1970-11-16)
electric piano:
Herbie Hancock (on 1970-11-16)
guitar:
George Benson (on 1970-11-16)
percussion:
Richie Landrum (on 1970-11-16)
tambourine:
Weldon Irvine (on 1970-11-16)
tenor saxophone:
Joe Henderson (on 1970-11-16)
trumpet:
Freddie Hubbard (on 1970-11-16)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1970-11-16)
recording of:
Straight Life (on 1970-11-16)
composer:
Freddie Hubbard
Freddie Hubbard17:30
37The Battle Scene (From "The Final Comedown")
Grant Green6:45
38This I Dig of You
Hank Mobley6:29
39Axel F
recording of:
Axel F (Beverly Hills Cop)
composer:
Harold Faltermeyer
Harold Faltermeyer6:35
40Delirium
Harold Land6:40
41Rotation
recording of:
Rotation
composer:
Andy Armer and Randy Alpert
Herb Alpert6:58
42Autodrive
recorded in:
United States (in 1983)
recording engineer:
Martin Bisi
producer:
Herbie Hancock and Material
mixer:
Dave Jerden
bass:
Bill Laswell (in 1983)
keyboard:
Michael Beinhorn (in 1983) and Herbie Hancock (in 1983)
recorded at:
OAO Studio in Brooklyn, New York, New York, United States (in 1983)
mixed at:
Eldorado Recording Studios in Burbank, California, United States
recording of:
Autodrive (in 1983)
writer:
Michael Beinhorn, Herbie Hancock and Bill Laswell
Herbie Hancock6:28
43Rockit
recorded in:
United States (in 1983)
recording engineer:
Martin Bisi (in 1983)
producer:
Herbie Hancock and Material
mixer:
Dave Jerden
bass:
Bill Laswell (in 1983)
keyboard:
Michael Beinhorn (in 1983) and Herbie Hancock (in 1983)
performer:
DXT (in 1983)
recorded at:
OAO Studio in Brooklyn, New York, New York, United States (in 1983)
mixed at:
Eldorado Recording Studios in Burbank, California, United States
music videos:
Rockit by Herbie Hancock
recording of:
Rockit (in 1983)
writer:
Michael Beinhorn, Herbie Hancock and Bill Laswell
publisher:
Ensign Music Corporation
Herbie Hancock5:29
44Hold On, I'm Coming
recording engineer and producer:
Tom Dowd
bass [electric bass]:
Mike Leach (on 1968-08-23)
drums (drum set):
Gene Chrisman (on 1968-08-23)
electric piano:
Bobby Wood (on 1968-08-23)
flute:
Herbie Mann (on 1968-08-23)
guitar:
Reggie Young (on 1968-08-23)
organ:
Bobby Emmons (on 1968-08-23)
vibraphone:
Roy Ayers (on 1968-08-23)
recorded at:
American Sound Studios in Memphis, Tennessee, United States (on 1968-08-23)
instrumental cover recording of:
Hold On, I’m Comin’ (on 1968-08-23)
writer:
Isaac Hayes and David Porter
publisher:
Cotillion Music Inc., East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. and Warner Bros. Music
sub-publisher:
ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス, ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
Herbie Mann8:57
45Popcorn
phonographic copyright (℗) by:
Musicor (in 1972)
cover recording of:
Popcorn (in 1972)
composer:
Gershon Kingsley
publisher:
Universal Music Publishing Pty Ltd.
recording of:
Popcorn
composer:
Gershon Kingsley
publisher:
Universal Music Publishing Pty Ltd.
Hot Butter2:34
46Riot
Hugh Masekela2:00
47Up, Up and Away
Hugh Masekela5:33
48Jackie's Hat
Jackie McLean5:03
49The Plain but the Simple Truth
recording engineer:
James Farber (on 1997-01-02)
producer:
Matt Pierson
mixer:
James Farber
bass:
Ben Wolfe (on 1997-01-02)
drums (drum set):
Clarence Penn (on 1997-01-02)
piano:
Larry Goldings (on 1997-01-02)
tenor saxophone:
James Moody (on 1997-01-02) and Mark Turner (on 1997-01-02)
phonographic copyright (℗) by:
WEA International Inc.
James Moody & Mark Turner8:31
50The Theme From "Miami Vice"
recording of:
Miami Vice Theme
composer:
Jan Hammer
Jan Hammer6:53
51Tell Me
producer:
Branford Marsalis
bass:
Orlando Le Fleming (from 2005-03-07 until 2005-03-08)
drums (drum set):
Jimmy Cobb (from 2005-03-07 until 2005-03-08)
piano:
Ellis Marsalis (from 2005-03-07 until 2005-03-08)
saxophone:
Andrew Speight (from 2005-03-07 until 2005-03-08)
recorded at:
UNC Greensboro School of Music in Greensboro, North Carolina, United States (from 2005-03-07 until 2005-03-08)
Jimmy Cobb & Ellis Marsalis5:18
52The Worm
Jimmy McGriff3:25
53Hobo Flats
recorded in:
New York, New York, United States (on 1963-03-20)
engineer:
Ray Hall, Bob Simpson and Val Valentin
producer:
Creed Taylor
alto saxophone:
George Dorsey (on 1963-03-20) and Phil Woods (on 1963-03-20)
baritone saxophone:
Danny Bank (on 1963-03-20)
bass trombone:
Tom Mitchell (on 1963-03-20)
double bass:
George Duvivier (on 1963-03-20)
drums (drum set):
Willie Rodriguez (on 1963-03-20)
flute:
Danny Bank (on 1963-03-20) and George Dorsey (on 1963-03-20)
harmonica:
Buddy Lucas (on 1963-03-20)
organ:
Jimmy Smith (on 1963-03-20)
tenor saxophone:
Al Cohn (on 1963-03-20) and Zoot Sims (on 1963-03-20)
trombone:
Jimmy Cleveland (on 1963-03-20), Urbie Green (on 1963-03-20) and Quentin Jackson (on 1963-03-20)
trumpet:
Joe Newman (on 1963-03-20), Ernie Royal (on 1963-03-20) and Clark Terry (on 1963-03-20)
orchestra:
Oliver Nelson’s Orchestra (on 1963-03-20)
conductor:
Oliver Nelson (on 1963-03-20)
arranger:
Oliver Nelson
instrumental recording of:
Hobo Flats (from 1963-03-15 until 1963-03-20)
composer:
Oliver Nelson
recording of:
Hobo Flats (on 1963-03-20)
composer:
Oliver Nelson
Jimmy Smith4:47
54Walk on the Wild Side
recorded in:
New Jersey, United States (on 1962-03-28)
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone and alto saxophone, flute and tenor saxophone:
Jerry Dodgion (on 1962-03-28) and Phil Woods (on 1962-03-28)
baritone saxophone and baritone saxophone, flute and tenor saxophone:
George Barrow (on 1962-03-28)
bass trombone:
Thomas Mitchell (on 1962-03-28)
double bass:
George Duvivier (on 1962-03-28) and Milt Hinton (on 1962-03-28)
drums (drum set) and drums (drum set) and percussion:
Ed Shaughnessy (on 1962-03-28)
flute and tenor saxophone:
Robert Ashton (on 1962-03-28) and Babe Clark (on 1962-03-28)
guitar:
Barry Galbraith (on 1962-03-28)
Hammond organ and organ:
Jimmy Smith (on 1962-03-28)
tenor saxophone:
Bob Ashton (on 1962-03-28) and Arthur Clarke (on 1962-03-28)
trombone:
Jimmy Cleveland (on 1962-03-28), Urbie Green (on 1962-03-28) and Britt Woodman (on 1962-03-28)
trumpet:
Joe Newman (on 1962-03-28), Ernie Royal (on 1962-03-28), Doc Severinsen (on 1962-03-28) and Joe Wilder (on 1962-03-28)
orchestra:
Oliver Nelson’s Orchestra
conductor:
Oliver Nelson (on 1962-03-28)
arranger and orchestrator:
Oliver Nelson
instrumental recording of:
Walk on the Wild Side (on 1962-03-28)
lyricist:
Mack David
composer:
Elmer Bernstein
publisher:
Columbia Pictures
part of:
The 35th Academy Award for Best Original Song (number: 2)
Jimmy Smith5:59
55Back at the Chicken Shack
recording engineer:
Rudy van Gelder (on 1960-04-25)
producer:
Alfred Lion
drums (drum set):
Donald Bailey (on 1960-04-25)
guitar:
Kenny Burrell (on 1960-04-25)
organ:
Jimmy Smith (on 1960-04-25)
tenor saxophone:
Stanley Turrentine (on 1960-04-25)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1960-04-25)
recording of:
Back at the Chicken Shack (on 1960-04-25)
composer:
Jimmy Smith
publisher:
Edmy Music
Jimmy Smith, Stanley Turrentine & Kenny Burrell8:06
56Why Am I Treated So Bad?
recorded in:
Los Angeles, California, United States (on 1967-03-06)
phonographic copyright (℗) by:
Blue Note Records (in 1991)
Cannonball Adderley7:03
57Silhouette
engineer:
Gerry “The Gov” Brown and Steve Smart
producer:
Kenny G
mixer:
Mick Guzauski
bass:
Vail Johnson
bass drum:
Peter Bunetta
keyboard:
Walter Afanasieff
phonographic copyright (℗) by:
Arista Records, Inc. (in 1988)
recording of:
Silhouette
composer:
Kenny G
publisher:
Brenee Mus., EMI Blackwood Music Inc., High Tech Music, Kenny G Music, Kuzu Music and SBK Songs Ltd. (in 1988)
Kenny G5:32
58Everyday
Lambert, Hendricks & Ross5:23
59Ceora
recording engineer:
Rudy van Gelder (on 1965-09-18)
producer:
Alfred Lion
alto saxophone:
Jackie McLean (on 1965-09-18)
double bass [bass]:
Larry Ridley (on 1965-09-18)
drums (drum set):
Billy Higgins (on 1965-09-18)
piano:
Herbie Hancock (on 1965-09-18)
tenor saxophone:
Hank Mobley (on 1965-09-18)
trumpet:
Lee Morgan (on 1965-09-18)
recording of:
Ceora (on 1965-09-18)
composer:
Lee Morgan
Lee Morgan6:24
60Zip Code
producer:
Alfred Lion
alto saxophone:
Jackie McLean (on 1965-11-16)
bass:
Reggie Workman (on 1965-11-16)
drums (drum set):
Billy Higgins (on 1965-11-16)
piano:
Larry Willis (on 1965-11-16)
trumpet:
Lee Morgan (on 1965-11-16)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-11-16)
recording of:
Zip Code (on 1965-11-16)
composer:
Lee Morgan
Lee Morgan6:31
61Beaux J. Poo Boo
recording engineer:
Jimmy Douglass (on 1971-05-04)
producer:
Joel Dorn
bass:
Jimmy Rowser (on 1971-05-04)
bass [electric bass]:
Bill Salter (on 1971-05-04)
electric guitar:
Cornell Dupree (on 1971-05-04)
electric piano:
Jodie Christian (on 1971-05-04)
guitar [guitar, electric guitar]:
David Spinozza (on 1971-05-04)
harp:
Corky Hale (on 1971-05-04)
keyboard [piano, electric piano, moog synthesizer]:
Les McCann (on 1971-05-04)
percussion:
Ralph MacDonald (on 1971-05-04)
percussion [african drums, percussion]:
William "Buck" Clarke (on 1971-05-04)
percussion [drums, percussion]:
Al Mouzon (on 1971-05-04), Bernard Purdie (on 1971-05-04) and Donald Dean (on 1971-05-04)
woodwind [tenor saxophone, oboe, flute, pneumatic flute]:
Yusef Lateef (on 1971-05-04)
conductor:
Les McCann (on 1971-05-04)
remixer:
Fred Catero
arranger:
Les McCann
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1971-05-04)
remixed at:
Fred Catero Studios in San Francisco, California, United States
recording of:
Beaux J. Poo Boo (on 1971-05-04)
composer:
Les McCann
Les McCann13:03
62Poo Pye McGoochie (And His Friends)
recording engineer:
Jimmy Douglass (on 1971-05-04)
producer:
Joel Dorn
bass:
Jimmy Rowser (on 1971-05-04)
bass [electric bass]:
Bill Salter (on 1971-05-04)
electric guitar:
Cornell Dupree (on 1971-05-04)
electric piano:
Jodie Christian (on 1971-05-04)
guitar [guitar, electric guitar]:
David Spinozza (on 1971-05-04)
harp:
Corky Hale (on 1971-05-04)
keyboard [piano, electric piano, moog synthesizer]:
Les McCann (on 1971-05-04)
percussion:
Ralph MacDonald (on 1971-05-04)
percussion [african drums, percussion]:
William "Buck" Clarke (on 1971-05-04)
percussion [drums, percussion]:
Al Mouzon (on 1971-05-04), Bernard Purdie (on 1971-05-04) and Donald Dean (on 1971-05-04)
woodwind [tenor saxophone, oboe, flute, pneumatic flute]:
Yusef Lateef (on 1971-05-04)
conductor:
Les McCann (on 1971-05-04)
remixer:
Fred Catero
arranger:
Les McCann
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1971-05-04)
remixed at:
Fred Catero Studios in San Francisco, California, United States
recording of:
Poo Pye McGoochie (and his friends) (on 1971-05-04)
composer:
Les McCann
Les McCann12:30
63The Entertainer
Marvin Hamlisch3:05
64Tubular Bells ("The Exorcist" Theme)
partial recording of:
Tubular Bells, Part One
composer:
Mike Oldfield
Mike Oldfield5:00
65The Theme From "Hill Street Blues"
recording of:
Hill Street Blues: Theme
composer:
Mike Post
publisher:
MTM Music (in 1984)
Mike Post & Larry Carlton3:14
66Cloud Nine
Mongo Santamaría5:45
67El Pussy Cat
Mongo Santamaría2:43
68Signifyin' Monkey
Oscar Brown Jr.4:00
69My Heart Belongs to Daddy
assistant recording engineer:
Jeff Lippay
recording engineer and mixer:
Joe Ferla
producer:
Stefan F. Winter
assistant mixer:
John Herman
double bass:
Charlie Haden (in 1988-11)
drums (drum set):
Paul Motian (in 1988-11)
electric guitar:
Bill Frisell (in 1988-11)
tenor saxophone:
Joe Lovano (in 1988-11)
instrumental cover recording of:
My Heart Belongs to Daddy (in 1988-11)
lyricist and composer:
Cole Porter (in 1938)
publisher:
Chappell, Chappell & Co. and Chappell Music Ltd.
Paul Motian, Bill Frisell, Charlie Haden & Joe Lovano4:55
70You Can't Sit Down
Phil Upchurch4:15
71A Hard Day's Night
cover recording of:
A Hard Day’s Night
writer:
John Lennon (from 1964-04-13 until 1964-04-14) and Paul McCartney (from 1964-04-13 until 1964-04-14)
publisher:
Blackwood Music Inc., Maclen Music, Inc., Music Corporation of America, Inc., Northern Songs, Sony/ATV Music Publishing LLC, Sony/ATV Tunes LLC and Unart Music Corp.
Ramsey Lewis4:59
72Money in the Pocket
Ramsey Lewis2:58
73Wade in the Water
Ramsey Lewis3:50
74Little Susie
Ray Bryant, Bobby Henderson & Sir Charles Thompson5:21
75Baby It's Cold Otside
engineer:
Steve Hoffman
producer:
Sid Feller
flugelhorn and trumpet:
Freddie Hubbard
guitar:
Jeff Pevar and Kevin Turner
tenor saxophone:
Rudy Johnson
background vocals:
The Raeletts
vocals:
Betty Carter and Ray Charles
conductor:
Marty Paich
performer:
Betty Carter
arranger:
Marty Paich
cover recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd., MPL UK Publishing, Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
part of:
The 22nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1949 winner)
Ray Charles & Betty Carter4:13
76Everybody Loves the Sunshine
phonographic copyright (℗) by:
UMG Recordings, Inc. (in 1976) and Universal Records Inc. (in 1976)
recording of:
Everybody Loves the Sunshine
lyricist and composer:
Roy Ayers
publisher:
Arlovol Music and BMG Monarch
Roy Ayers Ubiquity4:01
77I'm an Old Cowhand (From the Rio Grande)
recording engineer:
Roy Du Nann
producer:
Lester Koenig
double bass and double bass [bass]:
Ray Brown (on 1957-03-07)
drums (drum set):
Shelly Manne (on 1957-03-07)
tenor saxophone:
Sonny Rollins (on 1957-03-07)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-03-07)
instrumental recording of:
I’m an Old Cowhand (From the Rio Grande) (on 1957-03-07)
lyricist and composer:
Johnny Mercer
publisher:
The Johnny Mercer Foundation and WC Music Corp.
Sonny Rollins & Ray Brown10:12
78Don't Stop the Carnival
producer:
Orrin Keepnews
drums (drum set):
Tony Williams (from 1978-04-13 until 1978-04-15)
electric bass guitar:
Jerome Harris (in 1978-04)
electric guitar:
Aurell Ray (from 1978-04-13 until 1978-04-15)
piano:
Mark Soskin (from 1978-04-13 until 1978-04-15)
saxophone:
Sonny Rollins (from 1978-04-13 until 1978-04-15)
recorded at:
Great American Music Hall in San Francisco, California, United States (from 1978-04-13 until 1978-04-15)
recording of:
Don’t Stop the Carnival (in 1978-04)
composer:
Sonny Rollins
Sonny Rollins8:46
79Brain Training
Stanley Clarke4:53
80EJ
Steve Turre5:11
81A Tisket a Tasket
recording of:
A‐Tisket, A‐Tasket
lyricist:
[traditional], Ella Fitzgerald and Van Alexander
composer:
[traditional]
part of:
Roud Folk Song Index (number: 13188)
Take 6 & Ella Fitzgerald2:41
82Over There
assistant recording engineer:
Glen Pittman
engineer:
Don Murray
producer:
Herbie Hancock
assistant mixer:
Seth Presant
bass:
Derrick Hodge (from 2004-12-11 until 2004-12-14)
guitar:
Lionel Loueke (from 2004-12-11 until 2004-12-14)
membranophone:
Kendrick Scott (from 2004-12-11 until 2004-12-14)
piano:
Aaron Parks (from 2004-12-11 until 2004-12-14)
saxophone:
Brice Winston (from 2004-12-11 until 2004-12-14)
trumpet:
Terence Blanchard (from 2004-12-11 until 2004-12-14)
vocals:
Gretchen Parlato (from 2004-12-11 until 2004-12-14)
phonographic copyright (℗) by:
Blue Note Records
recorded at:
Henson Recording Studios in Hollywood, Los Angeles, California, United States (from 2004-12-11 until 2004-12-14)
mixed at:
G Studio Digital in Studio City, Los Angeles, California, United States
Terence Blanchard7:32
83Paraty
Brazilian Trio5:57
84Frankenstein
producer:
Rick Derringer
phonographic copyright (℗) by:
CBS Records Inc. (in 1972), Sony BMG Music Entertainment (in 1972) and Sony Music Entertainment Inc. (in 1972)
part of:
VH1: 100 Greatest Hard Rock Songs (number: 97)
recording of:
Frankenstein
composer:
Edgar Winter
publisher:
Longitude Music (ended), EMI Longitude Music, EMI Music Publishing Ltd., EMI Virgin Songs, Inc., Hierophant Music, Longitude Music Co., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
The Edgar Winter Group4:45
85Street Dance
recording of:
Street Dance
writer:
Bill Curtis, Johnny Flippin and Johnny King
Fatback Band3:15
86This Is What It Is
double bass:
Percy Heath (in 1997-02)
drums (drum set):
Albert “Tootie” Heath (in 1997-02)
piano:
“Sir” Roland Hanna (in 1997-02)
saxophone:
Jimmy Heath (in 1997-02)
trombone:
Slide Hampton (in 1997-02)
trumpet:
Jon Faddis (in 1997-02)
The Heath Brothers8:20
87On the Subway
The Last Poets1:35
88Cissy Strut
recording of:
Cissy Strut
composer:
Joseph Modeliste, Art Neville, Leo Nocentelli and George Porter, Jr.
The Meters3:07
89Afro Strut
The Nite-Liters2:53
90K-Jee
recording of:
K-Jee
composer:
Charles Edward Hearndon and Harvey Fuqua
The Nite-Liters4:06
91Hole in the Wall
recording of:
Hole in the Wall
writer:
Steve Cropper, Al Jackson, Jr. and Booker T. Jones
The Packers2:47
92Soulful Strut
producer:
Carl Davis and Eugene Record
drums (drum set):
Red Holt (in 1968)
piano:
Ken Chaney (in 1968)
strings:
Eldee Young (in 1968)
arranger:
Sonny Sanders
recording of:
Soulful Strut (in 1968)
composer:
Eugene Record and Sonny Sanders
publisher:
Unichappell Music, Inc., Warner–Tamerlane Publishing Corp., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
version of:
Am I the Same Girl
Young–Holt Unlimited3:02
93Humph
Thelonious Monk2:55
94Summer Samba
cover recording of:
Samba de Verão
lyricist:
Paulo Sérgio Valle
composer:
Marcos Valle
publisher:
Costa & Valle Gestão de Direitos Autorais e Produções Artisticas Ltda., Universal‐MCA Music Publishing, シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部 and 渡辺音楽出版 CM事業部
Walter Wanderley3:07
95Ain't No Stoppin' Us Now
cover recording of:
Ain’t No Stoppin’ Us Now
writer:
Jerry Cohen, Gene McFadden and John Whitehead
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp.
Wayman Tisdale4:06
96Nu Soul
engineer:
Nick O’Toole
producer:
Marc Free
drums (drum set):
Jason Brown (on 2008-10-20)
guitar:
Avi Rothbard (on 2008-10-20)
organ:
Gary Versace (on 2008-10-20)
saxophone:
Wayne Escoffery (on 2008-10-20)
phonographic copyright (℗) by:
Posi‐Tone Records
recorded at:
Kampo Studios in Manhattan, New York, New York, United States (on 2008-10-20)
mixed at:
Studio 507 in Los Angeles, California, United States
recording of:
Nu Soul (on 2008-10-20)
composer:
Wayne Escoffery
Wayne Escoffery4:42
97Bumpin'
Wes Montgomery6:50
98Tequila
Wes Montgomery3:21
99New Orleans Bump
Wynton Marsalis4:36
100Quarantine
recording engineer:
Jack Higgins (on 1960-05-09)
producer:
Orrin Keepnews
double bass:
Herman Wright (on 1960-05-09)
drums (drum set):
Lex Humphries (on 1960-05-09)
tenor saxophone:
Yusef Lateef (on 1960-05-09)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1960-05-09)
recording of:
Quarantine (on 1960-05-09)
composer:
Abe Woodley
Yusef Lateef7:03