The Deutsche Grammophon Recordings

~ Release by Boston Symphony Chamber Players (see all versions of this release, 1 available)

Tracklist

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1▼CD: Carter: Sonata For Flute, Oboe, Violoncello And Harpsichord / Ives: Largo For Violin, Clarinet And Piano / Porter: Quintet For Oboe And String Quartet
#	Title	Artist	Length
1	Sonata For Flute, Oboe, Violoncello And Harpsichord: I. Risoluto instruments: Boston Symphony Chamber Players (in 1970-10) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1970-10) recording of: Sonata for Flute, Oboe, Cello and Harpsichord: I. Risoluto (in 1970-10) composer: Elliott Carter (in 1952) part of: Sonata for Flute, Oboe, Cello and Harpsichord	Elliott Carter	3:10
2	Sonata For Flute, Oboe, Violoncello And Harpsichord: II. Lento instruments: Boston Symphony Chamber Players (in 1970-10) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1970-10) recording of: Sonata for Flute, Oboe, Cello and Harpsichord: II. Lento (in 1970-10) composer: Elliott Carter (in 1952) part of: Sonata for Flute, Oboe, Cello and Harpsichord	Elliott Carter	6:59
3	Sonata For Flute, Oboe, Violoncello And Harpsichord: III. Allegro instruments: Boston Symphony Chamber Players (in 1970-10) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1970-10) recording of: Sonata for Flute, Oboe, Cello and Harpsichord: III. Allegro (in 1970-10) composer: Elliott Carter (in 1952) part of: Sonata for Flute, Oboe, Cello and Harpsichord	Elliott Carter	5:38
4	Largo For Violin, Clarinet & Piano instruments: Boston Symphony Chamber Players (in 1970-10) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1970-10) recording of: Largo for Violin, Clarinet and Piano, S. 73 (in 1970-10) composer: Charles Ives part of: A Descriptive Catalogue of the Music of Charles Ives (number: S. 73)	Charles Ives	5:55
5	Quintet For Oboe And String Quartet: I. Andante: Allegro - Tempo di Andante instruments: Boston Symphony Chamber Players (in 1970-10) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1970-10) recording of: Quintet for Oboe and String Quartet: I. Andante: Allegro - Tempo di Andante (in 1970-10) composer: Quincy Porter part of: Quintet for Oboe and String Quartet	Quincy Porter	6:15
6	Quintet For Oboe And String Quartet: II. Adagio, molto espressivo instruments: Boston Symphony Chamber Players (in 1970-10) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1970-10) recording of: Quintet for Oboe and String Quartet: II. Adagio, molto espressivo (in 1970-10) composer: Quincy Porter part of: Quintet for Oboe and String Quartet	Quincy Porter	4:57
7	Quintet For Oboe And String Quartet: III. Lento: Allegro moderato - Allegretto - Lento instruments: Boston Symphony Chamber Players (in 1970-10) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1970-10) recording of: Quintet for Oboe and String Quartet: III. Lento: Allegro moderato - Allegretto - Lento (in 1970-10) composer: Quincy Porter part of: Quintet for Oboe and String Quartet	Quincy Porter	5:57
8	Quintet For Oboe And String Quartet: IV. Adagio instruments: Boston Symphony Chamber Players (in 1970-10) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1970-10) recording of: Quintet for Oboe and String Quartet: IV. Adagio (in 1970-10) composer: Quincy Porter part of: Quintet for Oboe and String Quartet	Quincy Porter	2:51

2▼CD: Debussy: Violin Sonata / Cello Sonata / Sonata for Flute, Viola and Harp / Syrinx for Flute Solo
#	Title	Artist	Length
1	Violin Sonata, CD 148: I. Allegro vivo recording engineer: Joachim Niss executive producer: Karl Faust producer: Rainer Brock piano: Michael Tilson Thomas (from 1970-01-26 until 1970-03-23) violin: Joseph Silverstein (from 1970-01-26 until 1970-03-23) balance engineer: Günter Hermanns phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1970) recorded at: Symphony Hall in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23) recording of: Sonate pour violon et piano en sol mineur, L. 140 : I. Allegro vivo (from 1970-01-26 until 1970-03-23) composer: Claude Debussy (from 1916-10 until 1917-04) part of: Sonate pour violon et piano en sol mineur, L. 140	Claude Debussy	5:11
2	Violin Sonata, CD 148: II. Intermède. Fantasque et léger recording engineer: Joachim Niss executive producer: Karl Faust producer: Rainer Brock piano: Michael Tilson Thomas (from 1970-01-26 until 1970-03-23) violin: Joseph Silverstein (from 1970-01-26 until 1970-03-23) balance engineer: Günter Hermanns phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1970) recorded at: Symphony Hall in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23) recording of: Sonate pour violon et piano en sol mineur, L. 140 : II. Intermède: fantasque et léger (from 1970-01-26 until 1970-03-23) composer: Claude Debussy (from 1916-10 until 1917-04) part of: Sonate pour violon et piano en sol mineur, L. 140	Claude Debussy	4:18
3	Violin Sonata, CD 148: III. Finale. Très animé recording engineer: Joachim Niss executive producer: Karl Faust producer: Rainer Brock piano: Michael Tilson Thomas (from 1970-01-26 until 1970-03-23) violin: Joseph Silverstein (from 1970-01-26 until 1970-03-23) balance engineer: Günter Hermanns phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1970) recorded at: Symphony Hall in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23) recording of: Sonate pour violon et piano en sol mineur, L. 140 : III. Finale: très animé (from 1970-01-26 until 1970-03-23) composer: Claude Debussy (from 1916-10 until 1917-04) part of: Sonate pour violon et piano en sol mineur, L. 140	Claude Debussy	4:19
4	Cello Sonata in D minor, CD 144: I. Prologue. Lent recording engineer: Joachim Niss executive producer: Karl Faust producer: Rainer Brock cello: Jules Eskin (from 1970-01-26 until 1970-03-23) piano: Michael Tilson Thomas (from 1970-01-26 until 1970-03-23) balance engineer: Günter Hermanns phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1970) recorded at: Symphony Hall in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23) recording of: Sonate pour violoncelle et piano, L. 135, CD 144: I. Prologue (Sonata for Cello and Piano: I. Prologue) (from 1970-01-26 until 1970-03-23) composer: Claude Debussy (from 1915-07 until 1915-08) part of: Sonate pour violoncelle et piano, L. 135, CD 144 (Sonata for Cello and Piano)	Claude Debussy	4:53
5	Cello Sonata in D minor, CD 144: II. Sérénade. Modérément animé recording engineer: Joachim Niss executive producer: Karl Faust producer: Rainer Brock cello: Jules Eskin (from 1970-01-26 until 1970-03-23) piano: Michael Tilson Thomas (from 1970-01-26 until 1970-03-23) balance engineer: Günter Hermanns phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1970) recorded at: Symphony Hall in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23) recording of: Sonate pour violoncelle et piano, L. 135, CD 144: II. Sérénade (Sonata for Cello and Piano: II. Serenade) (from 1970-01-26 until 1970-03-23) composer: Claude Debussy (from 1915-07 until 1915-08) part of: Sonate pour violoncelle et piano, L. 135, CD 144 (Sonata for Cello and Piano)	Claude Debussy	7:32
6	Sonata for Flute, Viola and Harp, CD 145: I. Pastorale. Lento, dolce rubato recording engineer: Joachim Niss executive producer: Karl Faust producer: Rainer Brock flute: Doriot Anthony Dwyer (from 1970-01-26 until 1970-03-23) harp: Ann Hobson Pilot (from 1970-01-26 until 1970-03-23) viola: Burton Fine (from 1970-01-26 until 1970-03-23) balance engineer: Günter Hermanns phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1970) recorded at: Symphony Hall in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23) recording of: Sonate pour flûte, alto et harpe, L. 137 : I. Pastorale (Sonata for flute, viola and harp, L. 137: I. Pastorale) (from 1970-01-26 until 1970-03-23) composer: Claude Debussy (in 1915) part of: Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)	Claude Debussy	6:42
7	Sonata for Flute, Viola and Harp, CD 145: II. Interlude. Tempo di minuetto recording engineer: Joachim Niss executive producer: Karl Faust producer: Rainer Brock flute: Doriot Anthony Dwyer (from 1970-01-26 until 1970-03-23) harp: Ann Hobson Pilot (from 1970-01-26 until 1970-03-23) viola: Burton Fine (from 1970-01-26 until 1970-03-23) balance engineer: Günter Hermanns phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1970) recorded at: Symphony Hall in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23) recording of: Sonate pour flûte, alto et harpe, L. 137 : II. Interlude (Sonata for flute, viola and harp, L. 137: II. Interlude) (from 1970-01-26 until 1970-03-23) composer: Claude Debussy (in 1915) part of: Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)	Claude Debussy	5:37
8	Sonata for Flute, Viola and Harp, CD 145: III. Finale. Allegro moderato ma risoluto recording engineer: Joachim Niss executive producer: Karl Faust producer: Rainer Brock flute: Doriot Anthony Dwyer (from 1970-01-26 until 1970-03-23) harp: Ann Hobson Pilot (from 1970-01-26 until 1970-03-23) viola: Burton Fine (from 1970-01-26 until 1970-03-23) balance engineer: Günter Hermanns phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1970) recorded at: Symphony Hall in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23) recording of: Sonate pour flûte, alto et harpe, L. 137 : III. Finale (Sonata for flute, viola and harp, L. 137: III. Finale) (from 1970-01-26 until 1970-03-23) composer: Claude Debussy (in 1915) part of: Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)	Claude Debussy	4:56
9	Syrinx for Solo Flute, CD 137 recording engineer: Joachim Niss executive producer: Karl Faust producer: Rainer Brock flute: Doriot Anthony Dwyer (from 1970-01-26 until 1970-03-23) balance engineer: Günter Hermanns phonographic copyright (℗) by: Polydor International GmbH (in 1970) recorded at: Symphony Hall in Boston, Massachusetts, United States (from 1970-01-26 until 1970-03-23) recording of: Syrinx, L. 129, CD 137 (for solo flute) (from 1970-01-26 until 1970-03-23) composer: Claude Debussy (in 1913) dedicated to: Louis Fleury premiered at: [concert] publisher: Editions Jobert (in 1927-08) part of: Catalogue François Lesure des œuvres de Claude Debussy (number: L. 129) and Catalogue François Lesure des œuvres de Claude Debussy (number: CD 137)	Claude Debussy	2:42

3▼CD: Dvořák: String Quintet no. 2
#	Title	Artist	Length
1	String Quintet no. 2 in G major, op. 77, B. 49: I. Allegro con fuoco – Più mosso instruments: Boston Symphony Chamber Players (in 1971-06) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1971-06) recording of: String Quintet in G major, B. 49, op. 77: I. Allegro con fuoco (in 1971-06) composer: Antonín Dvořák (from 1875 until 1875-03) revised by: Antonín Dvořák (in 1888) part of: String Quintet in G major, B. 49, op. 77 part of: String Quintet in G major, B. 49, op. 77 (original five movement version)	Antonín Dvořák	9:14
2	String Quintet no. 2 in G major, op. 77, B. 49: Intermezzo. Andante religioso (Withdrawn 2nd Movement, Reworked as Nocturne, B. 47) instruments: Boston Symphony Chamber Players (in 1971-06) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1971-06) recording of: String Quintet in G major, B. 49, op. 77: II. Intermezzo. Andante religioso. Molto adagio (withdrawn movement) (in 1971-06) composer: Antonín Dvořák (from 1875 until 1875-03) part of: String Quintet in G major, B. 49, op. 77 (original five movement version)	Antonín Dvořák	5:21
3	String Quintet no. 2 in G major, op. 77, B. 49: II. Scherzo. Allegro vivace – Trio. L'istesso tempo, Quasi allegretto instruments: Boston Symphony Chamber Players (in 1971-06) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1971-06) recording of: String Quintet in G major, B. 49, op. 77: II. Scherzo (in 1971-06) composer: Antonín Dvořák (from 1875 until 1875-03) revised by: Antonín Dvořák (in 1888) part of: String Quintet in G major, B. 49, op. 77 part of: String Quintet in G major, B. 49, op. 77 (original five movement version)	Antonín Dvořák	8:57
4	String Quintet no. 2 in G major, op. 77, B. 49: III. Poco Andante instruments: Boston Symphony Chamber Players (in 1971-06) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1971-06) recording of: String Quintet in G major, B. 49, op. 77: III. Poco andante (in 1971-06) composer: Antonín Dvořák (from 1875 until 1875-03) revised by: Antonín Dvořák (in 1888) part of: String Quintet in G major, B. 49, op. 77 part of: String Quintet in G major, B. 49, op. 77 (original five movement version)	Antonín Dvořák	8:38
5	String Quintet no. 2 in G major, op. 77, B. 49: V. Finale. Allegro assai instruments: Boston Symphony Chamber Players (in 1971-06) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1971-06) recording of: String Quintet in G major, B. 49, op. 77: IV. Allegro assai (in 1971-06) composer: Antonín Dvořák (from 1875 until 1875-03) revised by: Antonín Dvořák (in 1888) part of: String Quintet in G major, B. 49, op. 77 part of: String Quintet in G major, B. 49, op. 77 (original five movement version)	Antonín Dvořák	7:01

4▼CD: Schoenberg: Chamber Symphony No.1, Op.9 / Berg: 2. Adagio From “Chamber Concerto” / Debussy: Prélude à l'après-midi d'un faune
#	Title	Artist	Length
1	Chamber Symphony no. 1, op. 9, Arr. Anton Webern: Langsam instruments: Boston Symphony Chamber Players (in 1978-04) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1978-04) recording of: Chamber Symphony no. 1, op. 9: I. Langsam - Sehr rasch (for piano and string quartet, Webern) (in 1978-04) composer: Arnold Schönberg (in 1906) arranger: Anton Webern (from 1922 until 1923) arrangement of: Chamber Symphony no. 1, op. 9: I. Langsam - Sehr rasch (Start — Rehearsal mark 38) part of: Chamber Symphony no. 1, op. 9 (for piano and string quartet, Webern)	Arnold Schönberg	5:55
2	Chamber Symphony no. 1, op. 9, Arr. Anton Webern: sehr rasch (38) instruments: Boston Symphony Chamber Players (in 1978-04) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1978-04) recording of: Chamber Symphony no. 1, op. 9: II. Sehr rasch (for piano and string quartet, Webern) (in 1978-04) composer: Arnold Schönberg (in 1906) arranger: Anton Webern (from 1922 until 1923) arrangement of: Chamber Symphony no. 1, op. 9: II. Sehr rasch (Rehearsal marks 38 — 60) part of: Chamber Symphony no. 1, op. 9 (for piano and string quartet, Webern)	Arnold Schönberg	2:07
3	Chamber Symphony no. 1, op. 9, Arr. Anton Webern: viel langsamer, aber doch fließend (60) instruments: Boston Symphony Chamber Players (in 1978-04) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1978-04) recording of: Chamber Symphony no. 1, op. 9: III. Viel langsamer, aber doch fließend (for piano and string quartet, Webern) (in 1978-04) composer: Arnold Schönberg (in 1906) arranger: Anton Webern (from 1922 until 1923) arrangement of: Chamber Symphony no. 1, op. 9: III. Viel langsamer, aber doch fließend (Rehearsal marks 60 — 77) part of: Chamber Symphony no. 1, op. 9 (for piano and string quartet, Webern)	Arnold Schönberg	3:15
4	Chamber Symphony no. 1, op. 9, Arr. Anton Webern: viel langsamer (77) instruments: Boston Symphony Chamber Players (in 1978-04) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1978-04) recording of: Chamber Symphony no. 1, op. 9: IV. Viel langsamer (for piano and string quartet, Webern) (in 1978-04) composer: Arnold Schönberg (in 1906) arranger: Anton Webern (from 1922 until 1923) arrangement of: Chamber Symphony no. 1, op. 9: IV. Viel langsamer (Rehearsal marks 77 — 90) part of: Chamber Symphony no. 1, op. 9 (for piano and string quartet, Webern)	Arnold Schönberg	3:45
5	Chamber Symphony no. 1, op. 9, Arr. Anton Webern: Etwas bewegter (T.415/Ziff. 86) instruments: Boston Symphony Chamber Players (in 1978-04) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1978-04) recording of: Chamber Symphony no. 1, op. 9: V. Schwungvoll (for piano and string quartet, Webern) (in 1978-04) composer: Arnold Schönberg (in 1906) arranger: Anton Webern (from 1922 until 1923) arrangement of: Chamber Symphony no. 1, op. 9: V. Schwungvoll (Rehearsal mark 90 — end) part of: Chamber Symphony no. 1, op. 9 (for piano and string quartet, Webern)	Arnold Schönberg	6:38
6	Chamber Concerto: II. Adagio instruments: Boston Symphony Chamber Players (in 1978-04) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1978-04) recording of: Chamber Concerto: II. Adagio (in 1978-04) composer: Alban Berg (from 1923 until 1925) part of: Chamber Concerto	Alban Berg	16:04
7	Prélude à l'après-midi d'un faune, L. 86 (Arr. For Ensemble) instruments: Boston Symphony Chamber Players (in 1978-04) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1978-04) recording of: Prélude à l’après-midi d’un faune, L. 86, CD 87 (for chamber ensemble, Sachs) (in 1978-04) composer: Claude Debussy (from 1891 until 1894-09) arranger: Benno Sachs arrangement of: Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)	Claude Debussy	10:50

5▼CD: Schoenberg: Suite, op. 29 / Phantasy For Violin And Piano, op. 47
#	Title	Artist	Length
1	Suite, op. 29: I. Ouvertüre: Allegretto instruments: Boston Symphony Chamber Players (in 1979-02) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1979-02) recording of: Suite, op. 29: I. Overtüre (in 1979-02) composer: Arnold Schönberg (from 1925 until 1926) part of: Suite, op. 29	Arnold Schönberg	11:08
2	Suite, op. 29: II. Tanzschritte: Moderato instruments: Boston Symphony Chamber Players (in 1979-02) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1979-02) recording of: Suite, op. 29: II. Tanzschritte (in 1979-02) composer: Arnold Schönberg (from 1925 until 1926) part of: Suite, op. 29	Arnold Schönberg	9:01
3	Suite, op. 29: III. Theme and variations instruments: Boston Symphony Chamber Players (in 1979-02) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1979-02) recording of: Suite, op. 29: III. Thema mit Variationen (in 1979-02) composer: Arnold Schönberg (from 1925 until 1926) part of: Suite, op. 29	Arnold Schönberg	6:05
4	Suite, op. 29: IV. Gigue instruments: Boston Symphony Chamber Players (in 1979-02) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1979-02) recording of: Suite, op. 29: IV. Gigue (in 1979-02) composer: Arnold Schönberg (from 1925 until 1926) part of: Suite, op. 29	Arnold Schönberg	8:28
5	Phantasy For Violin And Piano, op. 47 piano: Gilbert Kalish (in 1978-04) violin: Joseph Silverstein (in 1978-04) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1978-04) recording of: Phantasy for Violin with Piano Accompaniment, op. 47 (in 1978-04) composer: Arnold Schönberg (in 1949-03) dedicated to: Adolph Koldofsky part of: Works of Arnold Schönberg by opus number (number: op. 47)	Arnold Schönberg	9:24

6▼CD: Johann Strauss: Walzer (Transcriptions by Berg, Webern & Schoenberg)
#	Title	Artist	Length
1	Kaiser-Walzer, op. 437 instruments: Boston Symphony Chamber Players (in 1977-04) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1977-04) recording of: Kaiser-Walzer (for chamber ensemble, Schönberg) composer: Johann Strauss (in 1889) arranger: Arnold Schönberg (in 1925) arrangement of: Kaiser‐Walzer, op. 437 (Emperor Waltz, op. 437)	Johann Strauss	12:24
2	Rosen Aus Dem Süden, op. 388 instruments: Boston Symphony Chamber Players (in 1977-04) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1977-04) recording of: Rosen aus dem Süden (for chamber ensemble, Schönberg) (in 1977-04) composer: Johann Strauss arranger: Arnold Schönberg (in 1921) arrangement of: Rosen aus dem Süden, op. 388 (Roses from the South)	Johann Strauss	9:51
3	Wein, Weib Und Gesang, op. 333 instruments: Boston Symphony Chamber Players (in 1977-04) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1977-04) recording of: Wein, Weib und Gesang, op. 333 (arr. Alban Berg for piano, harmonium, and string quartet) (in 1977-04) composer: Johann Strauss arranger: Alban Berg arrangement of: Wein, Weib und Gesang, op. 333 (Wine, Woman and Song)	Johann Strauss	13:12
4	Schatz-Walzer, op. 418 instruments: Boston Symphony Chamber Players (in 1977-04) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1977-04) recording of: Schatz-Walzer, op. 418 (arr. Webern) (in 1977-04) composer: Johann Strauss (in 1885) arranger: Anton Webern arrangement of: Schatz-Walzer, op. 418 (Treasure-Waltz, Op. 418)	Johann Strauss	8:58

7▼CD: Stravinsky: Octet for Winds / Pastorale / Ragtime / Septet / Concertino
#	Title	Artist	Length
1	Octet for Winds, K41: I. Sinfonia. Lento – Allegro moderato instruments: Boston Symphony Chamber Players (in 1974-12) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-12) recording of: Octet for Wind Instruments: I. Sinfonia (in 1974-12) composer: Игорь Фёдорович Стравинский part of: Octet for Wind Instruments	Igor Stravinsky	4:17
2	Octet for Winds, K41: II. Tema con variazioni instruments: Boston Symphony Chamber Players (in 1974-12) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-12) recording of: Octet for Wind Instruments: II. Tema con variazioni (in 1974-12) composer: Игорь Фёдорович Стравинский part of: Octet for Wind Instruments	Igor Stravinsky	7:17
3	Octet for Winds, K41: III. Finale instruments: Boston Symphony Chamber Players (in 1974-12) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-12) recording of: Octet for Wind Instruments: III. Finale (in 1974-12) composer: Игорь Фёдорович Стравинский part of: Octet for Wind Instruments	Igor Stravinsky	3:38
4	Pastorale, K6 (Arr. Dushkin for Violin & 4 Wind Instruments) instruments: Boston Symphony Chamber Players (in 1974-12) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-12) recording of: Pastorale (for violin and four winds) (in 1974-12) composer: Игорь Фёдорович Стравинский (in 1907) arranger: Игорь Фёдорович Стравинский (in 1933) arrangement of: Pastorale (for soprano and piano)	Igor Stravinsky	2:57
5	Ragtime, K30 instruments: Boston Symphony Chamber Players (in 1974-12) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-12) recording of: Ragtime for 11 Instruments (in 1974-12) composer: Игорь Фёдорович Стравинский (from 1917 until 1918-11-11) dedicated to: Eugenia Errázuriz premiered at: [concert] publisher: J. & W. Chester, Ltd. (in 1920) and Wiener Philharmonischer Verlag (in 1924) part of: K Catalog (number: K030)	Igor Stravinsky	4:38
6	Septet, K80: I. Crotchet = 88 instruments: Boston Symphony Chamber Players (in 1974-12) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-12) recording of: Septet: I. ♩ = 88 (in 1974-12) composer: Игорь Фёдорович Стравинский part of: Septet	Igor Stravinsky	3:13
7	Septet, K80: IIa. Passacaglia with Variations instruments: Boston Symphony Chamber Players (in 1974-12) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-12) recording of: Septet: II. Passacaglia (in 1974-12) composer: Игорь Фёдорович Стравинский part of: Septet	Igor Stravinsky	5:06
8	Septet, K80: III. Gigue instruments: Boston Symphony Chamber Players (in 1974-12) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-12) recording of: Septet: III. Gigue (in 1974-12) composer: Игорь Фёдорович Стравинский part of: Septet	Igor Stravinsky	3:35
9	Concertino, K35 (for 12 Instruments) instruments: Boston Symphony Chamber Players (in 1974-12) recorded at: Symphony Hall in Boston, Massachusetts, United States (in 1974-12) recording of: Concertino (for 12 instruments) (in 1974-12) composer: Игорь Фёдорович Стравинский (in 1920) arranger: Игорь Фёдорович Стравинский (in 1952) premiered at: [concert] publisher: Edition Wilhelm Hansen arrangement of: Concertino (for string quartet)	Igor Stravinsky	6:34

8▼CD: Stravinsky: The Soldier's Tale
#	Title	Artist	Length
1	The Soldier's Tale: I The Soldier's March instruments: Boston Symphony Chamber Players (in 1975-07) spoken vocals [narrator]: John Gielgud (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 1 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	1:48
2	The Soldier's Tale: II Narrator: 'Phew, This Isn't A Bad Sort Of Spot' spoken vocals: Tom Courtenay (in 1975-07) spoken vocals [narrator]: John Gielgud (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 1 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	0:57
3	The Soldier's Tale: III Music For Scene 1: Airs By A Stream instruments: Boston Symphony Chamber Players (in 1975-07) spoken vocals: Tom Courtenay (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 1 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	2:27
4	The Soldier's Tale: IV Narrator: 'Enter The Devil' instruments: Boston Symphony Chamber Players (in 1975-07) spoken vocals: Tom Courtenay (in 1975-07) and Ron Moody (in 1975-07) spoken vocals [narrator]: John Gielgud (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 1 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	4:01
5	The Soldier's Tale: V The Soldier's March instruments: Boston Symphony Chamber Players (in 1975-07) spoken vocals [narrator]: John Gielgud (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 1 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	1:33
6	The Soldier's Tale: VI Narrator: 'Hurray, Here We Are! We're Home At Last!' instruments: Boston Symphony Chamber Players (in 1975-07) spoken vocals [narrator]: John Gielgud (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 1 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	2:39
7	The Soldier's Tale: VII Music For Scene 2: Pastorale instruments: Boston Symphony Chamber Players (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 1 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	4:07
8	The Soldier's Tale: VIII Narrator: 'The Devil Was Standing There' spoken vocals: Tom Courtenay (in 1975-07) and Ron Moody (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 1 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	1:48
9	The Soldier's Tale: IX Music For The End Of Scene 2 instruments: Boston Symphony Chamber Players (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 1 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	0:54
10	The Soldier's Tale: X Narrator: 'He Took The Book' spoken vocals [narrator]: John Gielgud (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 1 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	2:23
11	The Soldier's Tale: XI Music For The End Of Scene 2: Airs By A Stream instruments: Boston Symphony Chamber Players (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 1 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	2:27
12	The Soldier's Tale: XII Narrator: 'They Have Nothing - And Yet They Have It All' spoken vocals: Tom Courtenay (in 1975-07) and Ron Moody (in 1975-07) spoken vocals [narrator]: John Gielgud (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 1 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	3:09
13	The Soldier's Tale: XIII Music For Scene 3: Airs By A Stream instruments: Boston Symphony Chamber Players (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 1 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	1:01
14	The Soldier's Tale: XIV The Soldier's March instruments: Boston Symphony Chamber Players (in 1975-07) spoken vocals [narrator]: John Gielgud (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 2 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	1:39
15	The Soldier's Tale: XV Narrator: 'Now He Comes To Another Land' spoken vocals [narrator]: John Gielgud (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 2 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	2:11
16	The Soldier's Tale: XVI The Royal March instruments: Boston Symphony Chamber Players (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 2 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	2:29
17	The Soldier's Tale: XVII Narrator: 'They Have The Word For The Band To Play' spoken vocals: Tom Courtenay (in 1975-07) and Ron Moody (in 1975-07) spoken vocals [narrator]: John Gielgud (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 2 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	4:10
18	The Soldier's Tale: XVIII The Little Concert instruments: Boston Symphony Chamber Players (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 2 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	3:03
19	The Soldier's Tale: XIX Tango instruments: Boston Symphony Chamber Players (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 2 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	2:23
20	The Soldier's Tale: XX Valse instruments: Boston Symphony Chamber Players (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 2 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	1:52
21	The Soldier's Tale: XXI Ragtime instruments: Boston Symphony Chamber Players (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 2 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	2:19
22	The Soldier's Tale: XXII The Devil's Dance instruments: Boston Symphony Chamber Players (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 2 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	1:23
23	The Soldier's Tale: XXIII Little Chorale instruments: Boston Symphony Chamber Players (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 2 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	0:46
24	The Soldier's Tale: XXIV The Devil's Song instruments: Boston Symphony Chamber Players (in 1975-07) spoken vocals: Ron Moody (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 2 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	0:44
25	The Soldier's Tale: XXV Great Chorale instruments: Boston Symphony Chamber Players (in 1975-07) spoken vocals [narrator]: John Gielgud (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 2 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	3:39
26	The Soldier's Tale: XXVI Narrator: 'I Have Everything, He Thinks' instruments: Boston Symphony Chamber Players (in 1975-07) spoken vocals [narrator]: John Gielgud (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 2 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	1:57
27	The Soldier's Tale: Triumphal March Of The Devil instruments: Boston Symphony Chamber Players (in 1975-07) recorded at: Polydor Studios in London, England, United Kingdom (in 1975-07) partial recording of: The Soldier’s Tale: Part 2 (English version) (in 1975-07) composer: Игорь Фёдорович Стравинский librettist: Charles-Ferdinand Ramuz translator: Kitty Black and Michael Flanders part of: The Soldier’s Tale (English version)	Igor Stravinsky	1:57

9▼CD: Brahms & Mozart: Clarinet Quintets
#	Title	Artist	Length
1	Clarinet Quintet in B minor, op. 115: I. Allegro clarinet: Harold Wright (in 1994-05) performer: Boston Symphony Chamber Players (in 1994-05) recording of: Quintet for Clarinet, 2 Violins, Viola, and Cello in B minor, op. 115: I. Allegro (in 1994-05) composer: Johannes Brahms (in 1891) part of: Quintet for Clarinet, 2 Violins, Viola, and Cello in B minor, op. 115	Johannes Brahms	12:46
2	Clarinet Quintet in B minor, op. 115: II. Adagio clarinet: Harold Wright (in 1994-05) performer: Boston Symphony Chamber Players (in 1994-05) recording of: Quintet for Clarinet, 2 Violins, Viola, and Cello in B minor, op. 115: II. Adagio (in 1994-05) composer: Johannes Brahms (in 1891) part of: Quintet for Clarinet, 2 Violins, Viola, and Cello in B minor, op. 115	Johannes Brahms	11:36
3	Clarinet Quintet in B minor, op. 115: III. Andantino clarinet: Harold Wright (in 1994-05) performer: Boston Symphony Chamber Players (in 1994-05) recording of: Quintet for Clarinet, 2 Violins, Viola, and Cello in B minor, op. 115: III. Andantino - Presto non assai, ma con sentimento (in 1994-05) composer: Johannes Brahms (in 1891) part of: Quintet for Clarinet, 2 Violins, Viola, and Cello in B minor, op. 115	Johannes Brahms	5:06
4	Clarinet Quintet in B minor, op. 115: IV. Con moto clarinet: Harold Wright (in 1994-05) performer: Boston Symphony Chamber Players (in 1994-05) recording of: Quintet for Clarinet, 2 Violins, Viola, and Cello in B minor, op. 115: IV. Con moto (in 1994-05) composer: Johannes Brahms (in 1891) part of: Quintet for Clarinet, 2 Violins, Viola, and Cello in B minor, op. 115	Johannes Brahms	9:20
5	Clarinet Quintet in A, K. 581: I. Allegro cello: Jules Eskin (in 1994-05) clarinet: Harold Wright (in 1994-05) viola: Burton Fine (in 1994-05) violin [violin I]: Malcolm Lowe (in 1994-05) violin [violin II]: Laura Park (in 1994-05) performer: Boston Symphony Chamber Players (in 1994-05) recording of: Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro (in 1994-05) composer: Wolfgang Amadeus Mozart (in 1789) part of: Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"	Wolfgang Amadeus Mozart	9:32
6	Clarinet Quintet in A, K. 581: II. Larghetto cello: Jules Eskin (in 1994-05) clarinet: Harold Wright (in 1994-05) viola: Burton Fine (in 1994-05) violin [violin I]: Malcolm Lowe (in 1994-05) violin [violin II]: Laura Park (in 1994-05) performer: Boston Symphony Chamber Players (in 1994-05) recording of: Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto (in 1994-05) composer: Wolfgang Amadeus Mozart (in 1789) part of: Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"	Wolfgang Amadeus Mozart	6:37
7	Clarinet Quintet in A, K. 581: III. Menuetto cello: Jules Eskin (in 1994-05) clarinet: Harold Wright (in 1994-05) viola: Burton Fine (in 1994-05) violin [violin I]: Malcolm Lowe (in 1994-05) violin [violin II]: Laura Park (in 1994-05) performer: Boston Symphony Chamber Players (in 1994-05) recording of: Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": III. Minuetto (in 1994-05) composer: Wolfgang Amadeus Mozart (in 1789) part of: Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"	Wolfgang Amadeus Mozart	7:28
8	Clarinet Quintet in A, K. 581: IV. Allegretto con variazioni cello: Jules Eskin (in 1994-05) clarinet: Harold Wright (in 1994-05) viola: Burton Fine (in 1994-05) violin [violin I]: Malcolm Lowe (in 1994-05) violin [violin II]: Laura Park (in 1994-05) performer: Boston Symphony Chamber Players (in 1994-05) recording of: Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": IV. Allegretto con variazioni (in 1994-05) composer: Wolfgang Amadeus Mozart (in 1789) part of: Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"	Wolfgang Amadeus Mozart	9:56

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