| # | Title | Artist | Length |
|---|
| 1 | I Knew You Were Waiting (for Me)- recording engineer:
- David Frazer (in 1986)
- percussion programming:
- Preston Glass (in 1986)
- synthesizer programming:
- Walter Afanasieff (in 1986)
- additional assistant engineer:
- Stuart Hirotsu, Mike Iacopelli, Gordon Lyon, Lennete Viegas and Jim Watts
- additional engineer:
- Dana Jon Chappelle and Maureen Droney
- producer:
- George Michael and Narada Michael Walden
- mixer:
- David Frazer and Serban Ghenea
- bass guitar:
- Randy Jackson (in 1986)
- drums (drum set):
- Narada Michael Walden (in 1986)
- electric guitar:
- Corrado Rustici (in 1986)
- percussion and tambourine:
- Greg “Gigi” Gonaway (in 1986)
- synthesizer:
- Walter Afanasieff (in 1986)
- additional vocals:
- Aretha Franklin (in 1986)
- background vocals:
- Kitty Beethoven (in 1986), Jim Gilstrap (in 1986), Jennifer Hall (in 1986), Myrna Matthews (in 1986) and Claytoven Richardson (in 1986)
- lead vocals:
- Aretha Franklin (in 1986) and George Michael (in 1986)
- vocals:
- Aretha Franklin (in 1986)
- strings arranger:
- Jerry Hey
- arranger:
- Narada Michael Walden
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1986), Arista Records, LLC (in 1986), CBS, Inc. (in 1986) and Sony Music Entertainment (UK) Ltd. (in 1986)
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- recording of:
- I Knew You Were Waiting (for Me) (in 1986)
- writer:
- Simon Climie and Dennis Morgan
- publisher:
- BMG Music Publishing Ltd., Chrysalis Music, Chrysalis Music Ltd., Kobalt Music Publishing Ltd., Kobalt Music Services Ltd., Little Shop of Morgansongs, Rare Blue Music, Sony Music Publishing (Japan) Inc., ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Aretha Franklin & George Michael | 4:02 |
| 2 | Walking Down Your Street (remix) | Bangles | 3:16 |
| 3 | I Got the Feelin’ (It’s Over) | Gregory Abbott | 3:59 |
| 4 | Stand by Me- recorded in:
- New York, New York, United States (on 1960-10-27)
- producer:
- Leiber and Stoller
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- HHO Ltd., WEA International Inc. (in 1960, in 1961) and Atlantic Recording Corporation (in 1986)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music, Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt, Melodie der Welt GmbH & Co. KG, Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music, Trio Music Co., Inc., Unichappell Music and Universal Music Publishing
| Ben E. King | 2:54 |
| 5 | Mandolin Rain | Bruce Hornsby & the Range | 4:41 |
| 6 | Heartache Away | Don Johnson | 4:09 |
| 7 | Reet Petite (The Sweetest Girl in Town) | Jackie Wilson | 2:42 |
| 8 | Jack Your Body | Steve “Silk” Hurley | 3:14 |
| 9 | Surrender | Swing Out Sister | 3:53 |
| 10 | Pain Is So Close to Pleasure | Queen | 3:56 |
| 11 | You’re the Voice- recording engineer and mixer:
- Doug Brady
- drum machine programming and synthesizer [Fairlight] programming:
- Dave, Jack and Ross
- assistant engineer:
- Michael Wickow
- producer:
- Ross Fraser
- fretless bass:
- Roger McLachlan
- guitar:
- Brett Garsed
- keyboard and synthesizer [Fairlight]:
- David Hirschfelder
- background vocals:
- Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder, Colin Setches, Mal Stainton and Sandy Weekes
- lead vocals:
- Whispering Jack
- arranger:
- John Farnham, Ross Fraser and David Hirschfelder
- phonographic copyright (℗) by:
- BMG Arista / Ariola Limited (in 1986), BMG Australia Limited (in 1986), Sony BMG Music Entertainment (Australia) Pty Limited (in 1986), Wheatley Records Pty. Ltd. (in 1986) and RCA/Ariola (in 1987)
- recorded at and mixed at:
- AAV Studios in Melbourne, Victoria, Australia
- recording of:
- You’re the Voice
- writer:
- Andy Qunta, Keith Reid, Maggie Ryder and Chris Thompson
- publisher:
- A&G Songs Ltd., Almo Music Corp., Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd., Concord Songs Ltd., Copyright Control, CT Music, CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd., Universal Music, Universal Music Publishing and Universal Music Publishing AB
| John Farnham | 5:03 |
| 12 | Carrie- recording engineer and mixer:
- Wally Buck and Kevin Elson
- producer:
- Kevin Elson
- bass guitar [bass]:
- John Levén
- drums (drum set) [drums]:
- Ian Haugland
- guitar:
- John Norum
- keyboard:
- Mic Michaeli
- background vocals:
- Ian Haugland, Mic Michaeli and John Norum
- lead vocals:
- Joey Tempest
- phonographic copyright (℗) by:
- CBS Records AB (in 1986), CBS, Inc. (in 1986) and Sony Music Entertainment (in 1986)
- produced for:
- Elson Music Vision, Inc.
- recorded at and mixed at:
- Fantasy Studios in Berkeley, California, United States, Powerplay Studios in Maur, Zürich, Switzerland and Soundtrade Studios in Solna City, Stockholms län, Sweden
- recording of:
- Carrie
- writer:
- Mic Michaeli and Joey Tempest
- publisher:
- EMI Music Sweden AB, Screen Gems–EMI Music, Inc. and Seven Doors Music
| Europe | 4:31 |
| 13 | Tonight, Tonight, Tonight (remix)- producer:
- Genesis and Hugh Padgham
- phonographic copyright (℗) by:
- Charisma Records Ltd. (in 1986)
- recording of:
- Tonight, Tonight, Tonight
- lyricist:
- Phil Collins
- composer:
- Tony Banks, Phil Collins and Mike Rutherford
- publisher:
- Anthony Banks Ltd., Hit & Run Music (Publishing) Ltd, Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd. and Philip Collins Ltd.
- written at:
- The Farm in Surrey, England, United Kingdom
| Genesis | 4:29 |
| 14 | Hold Me | Colin Hay | 4:02 |
| 15 | Trouble | Heaven 17 | 4:01 |
| 16 | I Come Undone- additional engineer:
- David Dale
- assistant engineer:
- Michael Morgan
- engineer:
- Arthur Payson
- producer:
- Desmond Child
- mixer:
- Chris Lord‐Alge
- additional keyboard [keyboards]:
- Al Greenwood
- bass:
- John Seigler
- drums (drum set):
- Michael Braun
- guitar:
- Richie Sambora
- keyboard [keyboards]:
- Robbie Kondor
- percussion:
- Savron Hudson
- background vocals:
- Diana Grasselli, Jennifer Rush, Ellen Shipley and Myriam Valle
- performer:
- Jennifer Rush
- sound effects:
- Savron Hudson
- phonographic copyright (℗) by:
- CBS Schallplatten GmbH, Germany (in 1987)
- recorded at:
- Giant Sound Recording in New York, New York, United States, Quad Recording in New York, New York, United States and Skyline Studios in New York, United States
- mixed at:
- Unique Recording Studio in Manhattan, New York, New York, United States
- recording of:
- I Come Undone
- lyricist and composer:
- Morrie Brown and Ellen Shipley
- publisher:
- Shipwreck Music and Wavemaker Music Group Inc.
| Jennifer Rush | 4:05 |
| 17 | Your Eyes | Cook Da Books | 4:41 |
| 18 | Midnight Man | Sandra | 3:03 |
