The Heifetz Collection, Volume 19: 51 Miniatures 1944-1946

~ Release by Heifetz (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleArtistLength
1Mélodie in E-flat (no. 3, Souvenir d'un lieu cher, op. 42)
piano:
Emanuel Bay (on 1945-11-30)
violin:
Jascha Heifetz (on 1945-11-30)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-30)
recording of:
Souvenir d’un lieu cher for Violin and Piano, op. 42: III. Mélodie (on 1945-11-30)
composer:
Пётр Ильич Чайковский (from 1878-03 until 1878-05)
part of:
Souvenir d’un lieu cher for Violin and Piano, op. 42
Piotr Ilich Tchaikovsky3:44
2Nocturne in E-flat, op. 55 no. 2
piano:
Emanuel Bay (on 1945-11-30)
violin:
Jascha Heifetz (on 1945-11-30)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-30)
recording of:
Nocturne in E‐flat, op. 55 no. 2 (for violin and piano, arr. Heifetz) (on 1945-11-30)
composer:
Fryderyk Chopin (in 1843)
piano and violin arranger:
Jascha Heifetz
arrangement of:
Nocturne no. 16 in E‐flat major, op. 55 no. 2: Lento
Frédéric Chopin3:53
3Vogel als Prophet (no. 7, Waldszenen, op. 82)
piano:
Emanuel Bay (on 1945-11-30)
violin:
Jascha Heifetz (on 1945-11-30)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-30)
recording of:
Vogel als Prophet (for violin and piano, arr. Heifetz) (on 1945-11-30)
composer:
Robert Schumann (from 1848 until 1849)
piano and violin arranger:
Jascha Heifetz
arrangement of:
Waldszenen, op. 82: VII. Vogel als Prophet. Langsam, sehr zart
Robert Schumann2:30
4Dance no. 4
piano:
Emanuel Bay (on 1945-12-01)
violin:
Jascha Heifetz (on 1945-12-01)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-12-01)
recording of:
Dance no. 4 (for violin and piano, arr. Heifetz) (on 1945-12-01)
composer:
Alexander Krein
piano and violin arranger:
Jascha Heifetz
part of:
Works of Alexander Krein by opus number (number: 4)
arrangement of:
Dances, op. 50: No. 4. Allegretto in A minor
Alexander Krein1:31
5March (from The Love for Three Oranges)
piano:
Emanuel Bay (on 1945-11-30)
violin:
Jascha Heifetz (on 1945-11-30)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-30)
recording of:
March from The Love for Three Oranges (for violin and piano, arr. Heifetz) (on 1945-11-30)
composer:
Сергей Сергеевич Прокофьев
piano and violin arranger:
Jascha Heifetz
arrangement of:
Suite from “Love for Three Oranges”, op. 33A: III. Marche (original for orchestra)
Sergei Prokofiev1:26
6Clair de lune (no. 3, Suite bergamasque)
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune, pour violon et piano (for violin and piano, Roelens) (on 1945-11-29)
composer:
Claude Debussy (from 1890 until 1905)
arranger:
Alexandre Roelens
arrangement of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy3:37
7Golliwog's Cakewalk (no. 6, Children's Corner)
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Golliwog’s Cakewalk (for violin and piano, arr. Heifetz) (on 1945-11-29)
composer:
Claude Debussy (from 1906-06 until 1908-07)
piano and violin arranger:
Jascha Heifetz
arrangement of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake‐Walk (original piano version)
Claude Debussy2:29
8Ao pé da fogueira (Preludio XV)
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Ao pé da fogueira (for violin and piano, arr. Heifetz) (on 1945-11-29)
composer:
Flausino Vale
piano and violin arranger:
Jascha Heifetz
arrangement of:
Ao pé da fogueira
Flausino Rodriques do Vale1:11
9Waves at Play
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Waves at Play (on 1945-11-29)
composer:
Edwin Grasse (in 1914)
Edwin Grasse1:37
10The Swan (from Carnival of the Animals)
piano:
Emanuel Bay (on 1945-12-01)
violin:
Jascha Heifetz (on 1945-12-01)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-12-01)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (for violin and piano, arr. Heifetz) (on 1945-12-01)
composer:
Camille Saint‐Saëns
piano and violin arranger:
Jascha Heifetz
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, part of orig. Carnival of the Animals, for cello and dual piano)
Camille Saint‐Saëns2:32
11Huella, op. 49 (Canción argentina)
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Huella, op. 49 (for violin and piano, arr. Heifetz) (on 1945-11-29)
composer:
Julián Aguirre
piano and violin arranger:
Jascha Heifetz
arrangement of:
Huella, op. 49 (for piano)
Julián Aguirre2:23
12Beau soir
piano:
Milton Kaye (on 1944-10-16)
violin:
Jascha Heifetz (on 1944-10-16)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-16)
recording of:
Beau soir, L. 6, CD 84 (for violin and piano, Heifetz) (on 1944-10-16)
composer:
Claude Debussy (from 1890 until 1891)
piano and violin arranger:
Jascha Heifetz
arrangement of:
Beau soir, L. 6, CD 84 “Lorsque au soleil couchant les rivières sont roses” (for voice and piano)
Claude Debussy2:06
13Hills (no. 4, Pictures, op. 30)
piano:
Emanuel Bay (on 1946-02-16)
violin:
Jascha Heifetz (on 1946-02-16)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1946-02-16)
recording of:
6 Pictures, op. 30: No. 4. Hills (for violin and piano) (on 1946-02-16)
composer:
Cecil Burleigh
dedicated to:
Gaylord Yost
part of:
6 Pictures, op. 30 (for violin and piano)
Cecil Burleigh1:34
14Hungarian Dance no. 7
piano:
Emanuel Bay (on 1945-12-01)
violin:
Jascha Heifetz (on 1945-12-01)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-12-01)
recording of:
Hungarian Dances: No. 7 in A major (for violin and piano, Joachim) (on 1945-12-01)
composer:
Johannes Brahms
arranger:
Joseph Joachim
arrangement of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, No. 7 in A major: Allegretto – Vivo
part of:
Hungarian Dances (for violin and piano, Joachim)
Johannes Brahms2:01
15Moto perpetuo
piano:
Emanuel Bay (on 1946-02-16)
violin:
Jascha Heifetz (on 1946-02-16)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1946-02-16)
recording of:
4 Small Concert Pieces, op. 21: No. 4. Moto perpetuo (for violin and piano) (on 1946-02-16)
composer:
Cecil Burleigh
dedicated to:
Albert Spalding
part of:
4 Small Concert Pieces, op. 21 (for violin and piano)
Cecil Burleigh1:10
16Viennese (Impression no. 12)
piano:
Milton Kaye (on 1944-10-18)
violin:
Jascha Heifetz (on 1944-10-18)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-18)
recording of:
Viennese (Impression no. 12) (for violin and piano, arr. Heifetz) (on 1944-10-18)
composer:
Leopold Godowsky
piano and violin arranger:
Jascha Heifetz
Leopold Godowsky3:45
17Humoreske in G-flat, op. 101 no. 7 (arr. in G)
piano:
Milton Kaye (on 1944-10-18)
violin:
Jascha Heifetz (on 1944-10-18)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-18)
recording of:
Humoresque in G-flat major, op. 101 no. 7 (for violin and piano, arr. Heifetz) (on 1944-10-18)
composer:
Antonín Dvořák (in 1894)
piano and violin arranger:
Jascha Heifetz
arrangement of:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
Antonín Dvořák3:33
18Pièce en forme d'un habanera
piano:
Milton Kaye (on 1944-10-17)
violin:
Jascha Heifetz (on 1944-10-17)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-17)
recording of:
Pièce en forme de habanera (for violin and piano, Catherine) (on 1944-10-17)
composer:
Maurice Ravel
piano and violin arranger:
Georges Catherine
arrangement of:
Pièce en forme de habañera (original version for bass vocals and piano)
Maurice Ravel2:36
19Masque (no. 5, Romeo & Juliet piano suite, o. 75)
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Masque (for violin and piano, arr. Heifetz) (on 1945-11-29)
composer:
Сергей Сергеевич Прокофьев
piano and violin arranger:
Jascha Heifetz
arrangement of:
10 Pieces from Romeo and Juliet, op. 75: No. 5. Masks
Sergei Prokofiev1:59
20Prelude in C-sharp minor, op. 34 no. 10
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
24 Preludes, op. 34: No. 10. Moderato non troppo in C-sharp minor (for violin and piano, arr. Tsyganov) (on 1945-11-29)
composer:
Дмитрий Дмитриевич Шостакович
piano and violin arranger:
Дмитрий Цыганов
arrangement of:
24 Preludes, op. 34, no. 10: Moderato non troppo in C-sharp minor
part of:
24 Preludes, op. 34 (for violin and piano, arr. Tsyganov)
Dmitri Shostakovich1:59
21Prelude in D-flat, op. 34 no. 15
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
24 Preludes, op. 34: No. 15. Allegretto in D major (for violin and piano, arr. Tsyganov) (on 1945-11-29)
composer:
Дмитрий Дмитриевич Шостакович
piano and violin arranger:
Дмитрий Цыганов
arrangement of:
24 Preludes, op. 34, no. 15: Allegretto in D-flat major
part of:
24 Preludes, op. 34 (for violin and piano, arr. Tsyganov)
Dmitri Shostakovich0:57
22Mélodie (from Orphée et Euridice)
piano:
Emanuel Bay (on 1945-11-30)
violin:
Jascha Heifetz (on 1945-11-30)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-30)
recording of:
Mélodie (Dance of the Blessed Spirits) (for violin and piano, arr. Kreisler) (on 1945-11-30)
composer:
Christoph Willibald Gluck (in 1774)
piano and violin arranger:
Fritz Kreisler (in 1913)
arrangement of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck2:52
23Hymn to the Sun (from Le coq d'or)
piano:
Emanuel Bay (on 1945-11-30)
violin:
Jascha Heifetz (on 1945-11-30)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-30)
recording of:
Hymn to the Sun from The Golden Cockerel (for violin and piano, Kreisler) (on 1945-11-30)
composer:
Николай Андреевич Римский‐Корсаков
arranger:
Fritz Kreisler (in 1919)
arrangement of:
The Golden Cockerel: Act II. Entrance and Aria of Queen Shemakha (Hymn in the Sunshine) (Shemakha)
Nicholas Rimsky-Korsakov3:03
24Figaro (Paraphrase on Largo al factotum from Il barbiere di Siviglia)
piano:
Milton Kaye (on 1944-10-17)
violin:
Jascha Heifetz (on 1944-10-17)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-17)
recording of:
Figaro (for violin and piano) (on 1944-10-17)
composer:
Mario Castelnuovo‐Tedesco
is based on:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro)
Gioachino Rossini5:16
2▼CD
#TitleArtistLength
1Preludes: I. Allegro ben ritmato e deciso
piano:
Emanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (for violin and piano, Heifetz) (on 1945-11-28)
composer:
George Gershwin
arranger:
Jascha Heifetz
arrangement of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (original version for piano)
part of:
Three Preludes (for violin and piano, Heifetz)
George Gershwin1:28
2Preludes: II. Andante con moto e poco rubato
piano:
Emanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
Three Preludes: No. 2. Andante con moto e poco rubato (for violin and piano, Heifetz) (on 1945-11-28)
composer:
George Gershwin
arranger:
Jascha Heifetz
arrangement of:
Three Preludes: No. 2. Andante con moto e poco rubato (original version for piano)
part of:
Three Preludes (for violin and piano, Heifetz)
George Gershwin2:51
3Preludes: III. Allegro ben ritmato e deciso
piano:
Emanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
Three Preludes: No. 3. Allegro ben ritmato e deciso (for violin and piano, Heifetz) (on 1945-11-28)
composer:
George Gershwin
arranger:
Jascha Heifetz
arrangement of:
Three Preludes: No. 3. Allegro ben ritmato e deciso (original version for piano)
part of:
Three Preludes (for violin and piano, Heifetz)
George Gershwin1:12
4Old Folks at Home
piano:
Milton Kaye (on 1944-10-18)
violin:
Jascha Heifetz (on 1944-10-18)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-18)
recording of:
Old Folks at Home (for violin and piano, arr. Heifetz) (on 1944-10-18)
composer:
Stephen Foster
piano and violin arranger:
Jascha Heifetz
arrangement of:
Old Folks at Home (Swanee River)
Stephen Foster3:15
5From the Canebrake, op. 5 no. 1
piano:
Milton Kaye (on 1944-10-16)
violin:
Jascha Heifetz (on 1944-10-16)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-16)
recording of:
From the Canebrake, op. 5 no. 1 (for violin and piano) (on 1944-10-16)
composer:
Samuel Gardner (in 1918)
Samuel Barber1:32
6Hexapoda (5 Studies in Jitteroptera): Gut-Bucket Gus
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Hexapoda: I. Gut-Bucket Gus (on 1945-11-29)
composer:
Robert Russell Bennett (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
Robert Russell Bennett1:58
7Hexapoda (5 Studies in Jitteroptera): Jane Shakes Her Hair
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Hexapoda: II. Jane Shakes Her Hair (on 1945-11-29)
composer:
Robert Russell Bennett (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
Robert Russell Bennett1:03
8Hexapoda (5 Studies in Jitteroptera): Betty and Harold Close Their Eyes
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Hexapoda: III. Betty and Harold Close Their Eyes (on 1945-11-29)
composer:
Robert Russell Bennett (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
Robert Russell Bennett1:40
9Hexapoda (5 Studies in Jitteroptera): Jim Jives
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Hexapoda: IV. Jim Jives (on 1945-11-29)
composer:
Robert Russell Bennett (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
Robert Russell Bennett0:59
10Hexapoda (5 Studies in Jitteroptera): ... Til Dawn Sunday
piano:
Emanuel Bay (on 1945-11-29)
violin:
Jascha Heifetz (on 1945-11-29)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-29)
recording of:
Hexapoda: V. Til Dawn Sunday (on 1945-11-29)
composer:
Robert Russell Bennett (in 1940)
part of:
Hexapoda (5 Studies in Jitteroptera) (for violin and piano)
Robert Russell Bennett1:46
11I Dream of Jeanie with the Light Brown Hair
piano:
Milton Kaye (in 1944-10)
violin:
Jascha Heifetz (in 1944-10)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1944-10)
recording of:
Jeanie With the Light Brown Hair (for violin and piano, arr. Heifetz) (in 1944-10)
composer:
Stephen Foster
piano and violin arranger:
Jascha Heifetz
arrangement of:
Jeanie With the Light Brown Hair
Stephen Foster2:54
12Porgy and Bess: Summertime
piano:
Emanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
Porgy and Bess: Summertime (for violin and piano, arr. Heifetz) (on 1945-11-28)
composer:
George Gershwin
piano and violin arranger:
Jascha Heifetz
arrangement of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
George Gershwin1:44
13Porgy and Bess: A Woman Is a Sometime Thing
piano:
Emanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
Porgy and Bess: A Woman Is a Sometime Thing (for violin and piano, arr. Heifetz) (on 1945-11-28)
composer:
George Gershwin
piano and violin arranger:
Jascha Heifetz
arrangement of:
Porgy and Bess: Act Ⅰ, Scene Ⅰ. “Lissen to yo’ daddy warn you … A woman is a sometime thing”
George Gershwin1:48
14Porgy and Bess: My Man's Gone Now
piano:
Emanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
Porgy and Bess: My Man's Gone Now (for violin and piano, arr. Heifetz) (on 1945-11-28)
composer:
George Gershwin
piano and violin arranger:
Jascha Heifetz
arrangement of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
George Gershwin3:51
15Porgy and Bess: It Ain't Necessarily So
instruments:
Jascha Heifetz (on 1945-11-28)
piano:
Emanuel Bay (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
Porgy and Bess: It Ain’t Necessarily So (for piano and violin, arr. Heifetz) (on 1945-11-28)
composer:
George Gershwin
piano and violin arranger:
Jascha Heifetz
arrangement of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
George Gershwin2:28
16Porgy and Bess: Bess, You Is My Woman
piano:
Emanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
Porgy and Bess: Bess, You Is My Woman Now (for violin and piano, arr. Heifetz) (on 1945-11-28)
composer:
George Gershwin
piano and violin arranger:
Jascha Heifetz
arrangement of:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
George Gershwin3:03
17Porgy and Bess: Tempo di Blues (There's a Bog Dat's Leavin' Soon for New York)
piano:
Emanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
Porgy and Bess: Tempo di Blues (for violin and piano, arr. Heifetz) (on 1945-11-28)
composer:
George Gershwin
piano and violin arranger:
Jascha Heifetz
arrangement of:
Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York”
George Gershwin2:51
18A la valse
piano:
Emanuel Bay (on 1944-10-17)
violin:
Jascha Heifetz (on 1944-10-17)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-17)
recording of:
3 Pieces, No. 3: A la valse (on 1944-10-17)
composer:
Victor Herbert
Victor Herbert1:35
19Jamaican Rumba
piano:
Milton Kaye (on 1944-10-16)
violin:
Jascha Heifetz (on 1944-10-16)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-16)
recording of:
Jamaican Rumba (for violin or viola and piano, arr. Primrose) (on 1944-10-16)
composer:
Arthur Benjamin
arranger:
William Primrose
arrangement of:
Jamaican Rumba (for orchestra)
Arthur Benjamin1:35
20Florida Night Song (no. 2, An Outlandish Suite)
piano:
Emanuel Bay (on 1945-11-28)
violin:
Jascha Heifetz (on 1945-11-28)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-28)
recording of:
An Outlandish Suite: No. 2. Florida Night Song (on 1945-11-28)
composer:
Susan H. Dyer
Susan Dyer2:52
21Deep River
piano:
Milton Kaye (on 1944-10-18)
violin:
Jascha Heifetz (on 1944-10-18)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-18)
recording of:
Deep River (arr. Heifetz, for violin and piano) (on 1944-10-18)
composer:
[traditional]
arranger:
Jascha Heifetz
arrangement of:
Deep River
[traditional]2:18
22Levee Dance, op. 27 no. 2 (based on Go Down, Moses)
piano:
Milton Kaye (on 1944-10-16)
violin:
Jascha Heifetz (on 1944-10-16)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-16)
recording of:
Levee Dance op. 27 no. 2 (for violin and piano) (on 1944-10-16)
composer:
Clarence Cameron White
is based on:
Go Down Moses (spiritual)
Clarence Cameron White3:02
23Gweedore Brae
piano:
Milton Kaye (on 1944-10-18)
violin:
Jascha Heifetz (on 1944-10-18)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-18)
recording of:
Gweedore Brae (for violin and piano, arr. Crowther) (on 1944-10-18)
composer:
[traditional]
piano and violin arranger:
John Crowther
[traditional]3:08
24Moderato assai (Mack the Knife) (from Die Dreigroschenoper)
piano:
Emanuel Bay (on 1945-11-30)
violin:
Jascha Heifetz (on 1945-11-30)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1945-11-30)
recording of:
Seven Pieces from "The Threepenny Opera": No. 1. Song of Human Insufficiency / Mack the Knife (for violin and piano, arr. Frenkel) (on 1945-11-30)
composer:
Kurt Weill
piano and violin arranger:
Stefan Frenkel
part of:
Seven Pieces from "The Threepenny Opera" (for violin and piano, arr. Frenkel)
Kurt Weill2:16
25White Christmas
violin:
Jascha Heifetz (on 1944-10-17)
orchestra:
[unknown] (on 1944-10-17)
conductor:
Salvador Camarata (on 1944-10-17)
recorded at:
World Broadcasting System Studios in New York, New York, United States (on 1944-10-17)
instrumental recording of:
White Christmas (on 1944-10-17)
lyricist and composer:
Irving Berlin (from 1938 until 1940)
publisher:
Copyright Control, EMI Allans Music Australia Pty Ltd, Irving Berlin Music Corp., Universal Music Publishing Pty Ltd., Williamson Music Company and Irving Berlin Music Company (from 1940 to present)
sub-publisher:
Irving Berlin Music Ltd., Warner/Chappell Music Ltd., Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 15th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1942 winner)
Irving Berlin3:18
26Lullaby (from Jocelyn)
piano:
Emanuel Bay
violin:
Jascha Heifetz (on 1946-07-13)
vocals:
Bing Crosby (on 1946-07-13)
conductor:
Victor Young (on 1946-07-13)
recorded at:
Decca Studios in Hollywood, Los Angeles, California, United States (on 1946-07-13)
recording of:
Jocelyn, op. 100: Acte II. Berceuse (catch-all for arrangements) (on 1946-07-13)
composer:
Benjamin Godard
arrangement of:
Jocelyn, op. 100: Acte II. Berceuse “Cachés dans cet asile” (Jocelyn, Op. 100: Act II. Lullaby “Angels Guard Thee”)
Benjamin Godard3:12
27Where My Caravan Has Rested
piano:
Emanuel Bay
violin:
Jascha Heifetz (on 1946-07-13)
vocals:
Bing Crosby (on 1946-07-13)
conductor:
Victor Young (on 1946-07-13)
recorded at:
Decca Studios in Hollywood, Los Angeles, California, United States (on 1946-07-13)
recording of:
Where My Caravan Has Rested (on 1946-07-13)
lyricist:
Edward Teschemacher
composer:
Hermann Löhr
part of:
Romany Songs
Hermann Löhr2:53

Credits

Release

part of:The Heifetz Collection (number: 19) (order: 16)
ASIN:US: B00004SNIQ [info]