Bach: Master Musician (The Classic Composers – Baroque 3)

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▼CD
#	Title	Length
1	Brandenburg Concerto no. 5, BWV 1050: 1st Movement orchestra: Kammerorchester Berlin conductor: Peter Wohlert recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro composer: Johann Sebastian Bach version of: Concerto D-Dur, BWV 1050a: I. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	10:54
2	Christmas Oratorio, BWV 248: Sinfonia orchestra: Virtuosi Saxoniae conductor: Ludwig Güttler recording of: Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia premiered in: Leipzig, Sachsen, Germany (on 1734-12-26) composed in: Leipzig, Sachsen, Germany (from 1734 until 1735) composer: Johann Sebastian Bach part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	5:37
3	Christmas Oratorio, BWV 248: Chorus „Ehre sei Gott in der Höhe“ choir vocals: Vokalensemble Frankfurt orchestra: Concerto Köln conductor: Ralf Otto recording of: Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ premiered in: Leipzig, Sachsen, Germany (on 1734-12-26) composed in: Leipzig, Sachsen, Germany (from 1734 until 1735) composer: Johann Sebastian Bach part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	2:23
4	Violin Concerto in A minor, BWV 1041: 1st Movement violin: Christian Altenburger orchestra: Deutsche Bachsolisten conductor: Helmut Winschermann recording of: Violin Concerto in A minor, BWV 1041: II. Andante composer: Johann Sebastian Bach part of: Violin Concerto in A minor, BWV 1041	3:39
5	The Art of Fugue, BWV 1080: Contrapunctus 5 orchestra: Neues Bachisches Collegium Musicum conductor: Max Pommer recording of: Die Kunst der Fuge, BWV 1080: V. Contrapunctus 5 composer: Johann Sebastian Bach part of: Bach-Werke-Verzeichnis (number: BWV 1080/5) part of: Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080) part of: Die Kunst der Fuge, BWV 1080.1 (1742 autograph)	3:56
6	Chorale Preludes, BWV 645: „Wachet auf, ruft uns die Stimme“ organ: Hannes Kästner recording of: Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 composer: Johann Sebastian Bach part of: Bach-Werke-Verzeichnis (number: BWV 645) is based on: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen” part of: Sechs Choräle von verschiedener Art	5:00
7	Chorale Preludes, BWV 650: „Kommst du nun, Jesus“ organ, organ [Orgel] and pipe organ: Friedrich Kircheis trumpet and trumpet [Trompete]: Ludwig Güttler recording of: Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650 composer: Johann Sebastian Bach part of: Bach-Werke-Verzeichnis (number: BWV 650) part of: Sechs Choräle von verschiedener Art recording of: Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650 (catch-all for arrangements) composer: Johann Sebastian Bach arrangement of: Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650	3:49
8	Brandenburg Concerto no. 2, BWV 1047: 1st Movement orchestra: Kammerorchester Berlin conductor: Peter Wohlert recording of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. composer: Johann Sebastian Bach part of: Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)	5:55
9	Well‐Tempered Clavier, Book 1, BWV 846: Preludio harpsichord: Gary Cooper recording of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude composer: Johann Sebastian Bach (in 1722) part of: Notebook for Anna Magdalena Bach (number: 29) part of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846 revision of: Prelude and Fugue no. 1 in C major, BWV 846a: I. Prelude	2:59
10	Well‐Tempered Clavier, Book 1, BWV 846: Fugue in C harpsichord: Gary Cooper recording of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Fugue composer: Johann Sebastian Bach (in 1722) part of: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846	2:19
11	Suite no. 2, BWV 1067: Rondeau orchestra: Deutsche Bachsolisten conductor: Helmut Winschermann recording of: Orchestersuite Nr. 2 h-Moll, BWV 1067: II. Rondeau (Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau) composer: Johann Sebastian Bach part of: Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)	2:11
12	Suite no. 2, BWV 1067: Sarabande orchestra: Deutsche Bachsolisten conductor: Helmut Winschermann recording of: Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande) composer: Johann Sebastian Bach part of: Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)	3:35
13	Mass in B minor, BWV 232: Part I: Chorus „Gloria in excelsis“ orchestra: Rheinische Kantorei conductor: Hermann Max recording of: h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	1:44
14	Mass in B minor, BWV 232: Chorus „Cum sancto spiritu“ orchestra: Rheinische Kantorei conductor: Hermann Max recording of: h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	3:49
15	Mass in B minor, BWV 232: Part II: Aria „Et in unum spiritum sanctum“ bass vocals: Hans-Georg Wimmer orchestra: Rheinische Kantorei conductor: Hermann Max recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	5:06
16	Mass in B minor, BWV 232: Part IV: Chorus „Osanna in excelsis“ orchestra: Rheinische Kantorei conductor: Hermann Max recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach is based on: Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" part of: h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)	2:40

Credits

Release

part of:	The Classic Composers (number: Baroque 3) (order: 3)

Discogs:	https://www.discogs.com/release/16462224 [info]

Release group

part of:	The Classic Composers (order: 8)

Discogs