Coleman Hawkins: Milestones of a Legend

~ Release by Coleman Hawkins (see all versions of this release, 1 available)

Tracklist

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1▼CD: The High and Mighty Hawk (1958) & The Hawk Flies High (1957)
#TitleLength
1Bird of Prey Blues
recorded in:
New York, New York, United States (from 1958-02-18 until 1958-02-19)
producer:
Stanley Dance
double bass [bass]:
Ray Brown (from 1958-02-18 until 1958-02-19)
drums (drum set):
Mickey Sheen (from 1958-02-18 until 1958-02-19)
piano:
Hank Jones (from 1958-02-18 until 1958-02-19)
trumpet:
Buck Clayton (from 1958-02-18 until 1958-02-19)
11:17
2My One and Only Love
recorded in:
New York, New York, United States (from 1958-02-18 until 1958-02-19)
producer:
Stanley Dance
double bass [bass]:
Ray Brown (from 1958-02-18 until 1958-02-19)
drums (drum set):
Mickey Sheen (from 1958-02-18 until 1958-02-19)
piano:
Hank Jones (from 1958-02-18 until 1958-02-19)
trumpet:
Buck Clayton (from 1958-02-18 until 1958-02-19)
instrumental recording of:
My One and Only Love (in 1958-02)
lyricist:
Robert Mellin
composer:
Robert Mellin and Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing, Sherwin Music Publishing Corp., Warock Corp. and ミュージカル・ライツ・東京
version of:
Music from Beyond the Moon (My One and Only Love)
7:25
3Vignette
recorded in:
New York, New York, United States (from 1958-02-18 until 1958-02-19)
producer:
Stanley Dance
double bass [bass]:
Ray Brown (from 1958-02-18 until 1958-02-19)
drums (drum set):
Mickey Sheen (from 1958-02-18 until 1958-02-19)
piano:
Hank Jones (from 1958-02-18 until 1958-02-19)
trumpet:
Buck Clayton (from 1958-02-18 until 1958-02-19)
4:29
4Ooh-Wee, Miss G.P.
recorded in:
New York, New York, United States (from 1958-02-18 until 1958-02-19)
producer:
Stanley Dance
double bass [bass]:
Ray Brown (from 1958-02-18 until 1958-02-19)
drums (drum set):
Mickey Sheen (from 1958-02-18 until 1958-02-19)
piano:
Hank Jones (from 1958-02-18 until 1958-02-19)
trumpet:
Buck Clayton (from 1958-02-18 until 1958-02-19)
3:59
5You've Changed
recorded in:
New York, New York, United States (from 1958-02-18 until 1958-02-19)
producer:
Stanley Dance
double bass [bass]:
Ray Brown (from 1958-02-18 until 1958-02-19)
drums (drum set):
Mickey Sheen (from 1958-02-18 until 1958-02-19)
piano:
Hank Jones (from 1958-02-18 until 1958-02-19)
trumpet:
Buck Clayton (from 1958-02-18 until 1958-02-19)
instrumental recording of:
You’ve Changed (in 1958-02)
lyricist:
Bill Carey
composer:
Carl T. Fischer
publisher:
Peer International and Southern Music Publishing Company
7:41
6Get Set
recorded in:
New York, New York, United States (from 1958-02-18 until 1958-02-19)
producer:
Stanley Dance
double bass [bass]:
Ray Brown (from 1958-02-18 until 1958-02-19)
drums (drum set):
Mickey Sheen (from 1958-02-18 until 1958-02-19)
piano:
Hank Jones (from 1958-02-18 until 1958-02-19)
trumpet:
Buck Clayton (from 1958-02-18 until 1958-02-19)
4:56
7Chant
engineer:
Jack Higgins
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass:
Oscar Pettiford (from 1957-03-12 until 1957-03-15)
drums (drum set):
Jo Jones (from 1957-03-12 until 1957-03-15)
guitar:
Barry Galbraith (from 1957-03-12 until 1957-03-15)
piano:
Hank Jones (from 1957-03-12 until 1957-03-15)
tenor saxophone:
Coleman Hawkins (from 1957-03-12 until 1957-03-15)
trombone:
J.J. Johnson (from 1957-03-12 until 1957-03-15)
trumpet:
Idrees Sulieman (from 1957-03-12 until 1957-03-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1957-03-12 until 1957-03-15)
5:07
8Juicy Fruit
engineer:
Jack Higgins
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass:
Oscar Pettiford (from 1957-03-12 until 1957-03-15)
drums (drum set):
Jo Jones (from 1957-03-12 until 1957-03-15)
guitar:
Barry Galbraith (from 1957-03-12 until 1957-03-15)
piano:
Hank Jones (from 1957-03-12 until 1957-03-15)
tenor saxophone:
Coleman Hawkins (from 1957-03-12 until 1957-03-15)
trombone:
J.J. Johnson (from 1957-03-12 until 1957-03-15)
trumpet:
Idrees Sulieman (from 1957-03-12 until 1957-03-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1957-03-12 until 1957-03-15)
11:19
9Think Deep
engineer:
Jack Higgins
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass:
Oscar Pettiford (from 1957-03-12 until 1957-03-15)
drums (drum set):
Jo Jones (from 1957-03-12 until 1957-03-15)
guitar:
Barry Galbraith (from 1957-03-12 until 1957-03-15)
piano:
Hank Jones (from 1957-03-12 until 1957-03-15)
tenor saxophone:
Coleman Hawkins (from 1957-03-12 until 1957-03-15)
trombone:
J.J. Johnson (from 1957-03-12 until 1957-03-15)
trumpet:
Idrees Sulieman (from 1957-03-12 until 1957-03-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1957-03-12 until 1957-03-15)
3:25
10Laura
engineer:
Jack Higgins
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass:
Oscar Pettiford (from 1957-03-12 until 1957-03-15)
drums (drum set):
Jo Jones (from 1957-03-12 until 1957-03-15)
guitar:
Barry Galbraith (from 1957-03-12 until 1957-03-15)
piano:
Hank Jones (from 1957-03-12 until 1957-03-15)
tenor saxophone:
Coleman Hawkins (from 1957-03-12 until 1957-03-15)
trombone:
J.J. Johnson (from 1957-03-12 until 1957-03-15)
trumpet:
Idrees Sulieman (from 1957-03-12 until 1957-03-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1957-03-12 until 1957-03-15)
instrumental recording of:
Laura (1945 song)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc., EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
4:35
11Blue Lights
engineer:
Jack Higgins
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass:
Oscar Pettiford (from 1957-03-12 until 1957-03-15)
drums (drum set):
Jo Jones (from 1957-03-12 until 1957-03-15)
guitar:
Barry Galbraith (from 1957-03-12 until 1957-03-15)
piano:
Hank Jones (from 1957-03-12 until 1957-03-15)
tenor saxophone:
Coleman Hawkins (from 1957-03-12 until 1957-03-15)
trombone:
J.J. Johnson (from 1957-03-12 until 1957-03-15)
trumpet:
Idrees Sulieman (from 1957-03-12 until 1957-03-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1957-03-12 until 1957-03-15)
recording of:
Blue Lights (from 1957-03-12 until 1957-03-15)
writer:
Gigi Gryce
5:46
12Sancticity
engineer:
Jack Higgins
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass:
Oscar Pettiford (from 1957-03-12 until 1957-03-15)
drums (drum set):
Jo Jones (from 1957-03-12 until 1957-03-15)
guitar:
Barry Galbraith (from 1957-03-12 until 1957-03-15)
piano:
Hank Jones (from 1957-03-12 until 1957-03-15)
tenor saxophone:
Coleman Hawkins (from 1957-03-12 until 1957-03-15)
trombone:
J.J. Johnson (from 1957-03-12 until 1957-03-15)
trumpet:
Idrees Sulieman (from 1957-03-12 until 1957-03-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1957-03-12 until 1957-03-15)
recording of:
Sancticity (in 1957-03)
composer:
Coleman Hawkins
9:11
2▼CD: The Hawk in Paris (1956) & The Hawk in Hi-Fi (1956)
#TitleLength
1April in Paris
cello:
Pete Makis (on 1956-07-11), George Ricci (on 1956-07-11) and Lucien Schmidt (on 1956-07-11)
drums (drum set):
Osie Johnson (on 1956-07-11)
flute and saxophone:
Ray Beckenstein (on 1956-07-11), Al Epstein (on 1956-07-11) and Romeo Penque (on 1956-07-11)
guitar:
Barry Galbraith (on 1956-07-11)
harp:
Janet Putnam (on 1956-07-11)
piano:
Hank Jones (on 1956-07-11)
tenor saxophone:
Coleman Hawkins (on 1956-07-11)
trombone:
Urbie Green (on 1956-07-11)
vibraphone:
Marty Wilson (on 1956-07-11)
violin:
Max Cahn (on 1956-07-11), Paul Gershman (on 1956-07-11), Leo Kruczek (on 1956-07-11), Alvin Rudintsky (on 1956-07-11), Tosha Samaroff (on 1956-07-11) and Jack Zayde (on 1956-07-11)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-07-11)
instrumental recording of:
April in Paris (on 1956-07-11)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:58
2Mon Homme
cello:
Pete Makis (on 1956-07-11), George Ricci (on 1956-07-11) and Lucien Schmidt (on 1956-07-11)
drums (drum set):
Osie Johnson (on 1956-07-11)
flute and saxophone:
Ray Beckenstein (on 1956-07-11), Al Epstein (on 1956-07-11) and Romeo Penque (on 1956-07-11)
guitar:
Barry Galbraith (on 1956-07-11)
harp:
Janet Putnam (on 1956-07-11)
piano:
Hank Jones (on 1956-07-11)
tenor saxophone:
Coleman Hawkins (on 1956-07-11)
trombone:
Urbie Green (on 1956-07-11)
vibraphone:
Marty Wilson (on 1956-07-11)
violin:
Max Cahn (on 1956-07-11), Paul Gershman (on 1956-07-11), Leo Kruczek (on 1956-07-11), Alvin Rudintsky (on 1956-07-11), Tosha Samaroff (on 1956-07-11) and Jack Zayde (on 1956-07-11)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-07-11)
3:24
3Under Paris Skies (Sous Le Ciel De Paris)
drums (drum set):
Osie Johnson (on 1956-07-09)
flute and saxophone:
Ray Beckenstein (on 1956-07-09), Al Epstein (on 1956-07-09) and Romeo Penque (on 1956-07-09)
guitar:
Barry Galbraith (on 1956-07-09)
piano:
Hank Jones (on 1956-07-09)
tenor saxophone:
Coleman Hawkins (on 1956-07-09)
trombone:
Chauncey Welsch (on 1956-07-09)
trumpet:
Nick Travis (on 1956-07-09)
vibraphone:
Marty Wilson (on 1956-07-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-07-09)
instrumental recording of:
Under Paris Skies (English version of “Sous le ciel de Paris”) (on 1956-07-09)
lyricist:
Jean Dréjac
composer:
Hubert Giraud
translator:
Kim Gannon
publisher:
Choudens Paul (DE)
translated version of:
Sous le ciel de Paris (Under Paris Skies, original French version)
2:48
4Mimi
drums (drum set):
Osie Johnson (on 1956-07-09)
flute and saxophone:
Ray Beckenstein (on 1956-07-09), Al Epstein (on 1956-07-09) and Romeo Penque (on 1956-07-09)
guitar:
Barry Galbraith (on 1956-07-09)
piano:
Hank Jones (on 1956-07-09)
tenor saxophone:
Coleman Hawkins (on 1956-07-09)
trombone:
Chauncey Welsch (on 1956-07-09)
trumpet:
Nick Travis (on 1956-07-09)
vibraphone:
Marty Wilson (on 1956-07-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-07-09)
instrumental cover recording of:
Mimi (from 1932 film "Love Me Tonight") (on 1956-07-09)
lyricist:
Lorenz Hart
composer:
Richard Rodgers
3:12
5La Chnouf
cello:
Pete Makis (on 1956-07-13), George Ricci (on 1956-07-13) and Lucien Schmidt (on 1956-07-13)
drums (drum set):
Osie Johnson (on 1956-07-13)
flute and saxophone:
Ray Beckenstein (on 1956-07-13), Al Epstein (on 1956-07-13) and Romeo Penque (on 1956-07-13)
guitar:
Barry Galbraith (on 1956-07-13)
harp:
Janet Putnam (on 1956-07-13)
piano:
Hank Jones (on 1956-07-13)
tenor saxophone:
Coleman Hawkins (on 1956-07-13)
trumpet:
Nick Travis (on 1956-07-13)
vibraphone:
Marty Wilson (on 1956-07-13)
violin:
Max Cahn (on 1956-07-13), Paul Gershman (on 1956-07-13), Leo Kruczek (on 1956-07-13), Alvin Rudintsky (on 1956-07-13), Tosha Samaroff (on 1956-07-13) and Jack Zayde (on 1956-07-13)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-07-13)
3:12
6La Vie En Rose
cello:
Pete Makis (on 1956-07-11), George Ricci (on 1956-07-11) and Lucien Schmidt (on 1956-07-11)
drums (drum set):
Osie Johnson (on 1956-07-11)
flute and saxophone:
Ray Beckenstein (on 1956-07-11), Al Epstein (on 1956-07-11) and Romeo Penque (on 1956-07-11)
guitar:
Barry Galbraith (on 1956-07-11)
harp:
Janet Putnam (on 1956-07-11)
piano:
Hank Jones (on 1956-07-11)
tenor saxophone:
Coleman Hawkins (on 1956-07-11)
trombone:
Urbie Green (on 1956-07-11)
vibraphone:
Marty Wilson (on 1956-07-11)
violin:
Max Cahn (on 1956-07-11), Paul Gershman (on 1956-07-11), Leo Kruczek (on 1956-07-11), Alvin Rudintsky (on 1956-07-11), Tosha Samaroff (on 1956-07-11) and Jack Zayde (on 1956-07-11)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-07-11)
instrumental recording of:
La Vie en rose (French original) (on 1956-07-11)
lyricist:
Édith Piaf
composer:
Louiguy and Édith Piaf
publisher:
Éditions Beuscher Arpège and ピアーミュージック
2:41
7La Mer (Beyond The Sea)
cello:
Pete Makis (on 1956-07-11), George Ricci (on 1956-07-11) and Lucien Schmidt (on 1956-07-11)
drums (drum set):
Osie Johnson (on 1956-07-11)
flute and saxophone:
Ray Beckenstein (on 1956-07-11), Al Epstein (on 1956-07-11) and Romeo Penque (on 1956-07-11)
guitar:
Barry Galbraith (on 1956-07-11)
harp:
Janet Putnam (on 1956-07-11)
piano:
Hank Jones (on 1956-07-11)
tenor saxophone:
Coleman Hawkins (on 1956-07-11)
trombone:
Urbie Green (on 1956-07-11)
vibraphone:
Marty Wilson (on 1956-07-11)
violin:
Max Cahn (on 1956-07-11), Paul Gershman (on 1956-07-11), Leo Kruczek (on 1956-07-11), Alvin Rudintsky (on 1956-07-11), Tosha Samaroff (on 1956-07-11) and Jack Zayde (on 1956-07-11)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-07-11)
instrumental recording of:
Beyond the Sea (on 1956-07-11)
lyricist:
Jack Lawrence
composer:
Charles Trenet
publisher:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., Warner/Chappell Music International, ワーナー・チャペル音楽出版 Synch事業部 and 日音 Synch事業部
translated version of:
La Mer
3:38
8Paris in the Spring
cello:
Pete Makis (on 1956-07-13), George Ricci (on 1956-07-13) and Lucien Schmidt (on 1956-07-13)
drums (drum set):
Osie Johnson (on 1956-07-13)
flute and saxophone:
Ray Beckenstein (on 1956-07-13), Al Epstein (on 1956-07-13) and Romeo Penque (on 1956-07-13)
guitar:
Barry Galbraith (on 1956-07-13)
harp:
Janet Putnam (on 1956-07-13)
piano:
Hank Jones (on 1956-07-13)
tenor saxophone:
Coleman Hawkins (on 1956-07-13)
trumpet:
Nick Travis (on 1956-07-13)
vibraphone:
Marty Wilson (on 1956-07-13)
violin:
Max Cahn (on 1956-07-13), Paul Gershman (on 1956-07-13), Leo Kruczek (on 1956-07-13), Alvin Rudintsky (on 1956-07-13), Tosha Samaroff (on 1956-07-13) and Jack Zayde (on 1956-07-13)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-07-13)
instrumental recording of:
Paris in the Spring (on 1956-07-13)
writer:
Mack Gordon and Harry Revel
3:19
9I Love Paris
drums (drum set):
Osie Johnson (on 1956-07-09)
flute and saxophone:
Ray Beckenstein (on 1956-07-09), Al Epstein (on 1956-07-09) and Romeo Penque (on 1956-07-09)
guitar:
Barry Galbraith (on 1956-07-09)
piano:
Hank Jones (on 1956-07-09)
tenor saxophone:
Coleman Hawkins (on 1956-07-09)
trombone:
Urbie Green (on 1956-07-09) and Chauncey Welsch (on 1956-07-09)
trumpet:
Nick Travis (on 1956-07-09)
vibraphone:
Marty Wilson (on 1956-07-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-07-09)
recording of:
I Love Paris (Can-Can [Pistache, Company]) (on 1956-07-09)
lyricist and composer:
Cole Porter (in 1953)
publisher:
Chappell, Chappell & Co., Inc. and Warner/Chappell North America Limited
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
3:33
10Mademoiselle De Paris
drums (drum set):
Osie Johnson (on 1956-07-09)
flute and saxophone:
Ray Beckenstein (on 1956-07-09), Al Epstein (on 1956-07-09) and Romeo Penque (on 1956-07-09)
guitar:
Barry Galbraith (on 1956-07-09)
piano:
Hank Jones (on 1956-07-09)
tenor saxophone:
Coleman Hawkins (on 1956-07-09)
trombone:
Urbie Green (on 1956-07-09) and Chauncey Welsch (on 1956-07-09)
trumpet:
Nick Travis (on 1956-07-09)
vibraphone:
Marty Wilson (on 1956-07-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-07-09)
instrumental recording of:
Mademoiselle de Paris (on 1956-07-09)
lyricist:
Henri Contet
composer:
Paul Durand
3:24
11Chien Perdu Sans Collier
cello:
Pete Makis (on 1956-07-13), George Ricci (on 1956-07-13) and Lucien Schmidt (on 1956-07-13)
drums (drum set):
Osie Johnson (on 1956-07-13)
flute and saxophone:
Ray Beckenstein (on 1956-07-13), Al Epstein (on 1956-07-13) and Romeo Penque (on 1956-07-13)
guitar:
Barry Galbraith (on 1956-07-13)
harp:
Janet Putnam (on 1956-07-13)
piano:
Hank Jones (on 1956-07-13)
tenor saxophone:
Coleman Hawkins (on 1956-07-13)
trumpet:
Nick Travis (on 1956-07-13)
vibraphone:
Marty Wilson (on 1956-07-13)
violin:
Max Cahn (on 1956-07-13), Paul Gershman (on 1956-07-13), Leo Kruczek (on 1956-07-13), Alvin Rudintsky (on 1956-07-13), Tosha Samaroff (on 1956-07-13) and Jack Zayde (on 1956-07-13)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-07-13)
3:07
12Tu N'peux Pas T'figurer
cello:
Pete Makis (on 1956-07-13), George Ricci (on 1956-07-13) and Lucien Schmidt (on 1956-07-13)
drums (drum set):
Osie Johnson (on 1956-07-13)
flute and saxophone:
Ray Beckenstein (on 1956-07-13), Al Epstein (on 1956-07-13) and Romeo Penque (on 1956-07-13)
guitar:
Barry Galbraith (on 1956-07-13)
harp:
Janet Putnam (on 1956-07-13)
piano:
Hank Jones (on 1956-07-13)
tenor saxophone:
Coleman Hawkins (on 1956-07-13)
trombone:
Urbie Green (on 1956-07-13) and Chauncey Welsch (on 1956-07-13)
trumpet:
Nick Travis (on 1956-07-13)
vibraphone:
Marty Wilson (on 1956-07-13)
violin:
Max Cahn (on 1956-07-13), Paul Gershman (on 1956-07-13), Leo Kruczek (on 1956-07-13), Alvin Rudintsky (on 1956-07-13), Tosha Samaroff (on 1956-07-13) and Jack Zayde (on 1956-07-13)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-07-13)
2:26
13Body and Soul
bass:
Jack Lesberg (on 1956-01-20)
bell:
Phil Kraus (on 1956-01-20)
celesta and piano:
Hank Jones (on 1956-01-20)
cello:
Eduardo Sodero (on 1956-01-20), Bernie Greenhouse (on 1956-01-20) and George Ricci (on 1956-01-20)
clarinet:
Sid Jekowsky (on 1956-01-20)
drums (drum set):
Osie Johnson (on 1956-01-20)
French horn:
Jimmy Buffington (on 1956-01-20)
glockenspiel and xylophone:
Marty Wilson (on 1956-01-20)
tenor saxophone:
Coleman Hawkins (on 1956-01-20)
viola:
Bert Fisch (on 1956-01-20)
violin:
Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20) and Dave Sarser (on 1956-01-20)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-20)
instrumental recording of:
Body and Soul (on 1956-01-20)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
5:01
14Little Girl Blue
3:06
15I Never Knew
3:09
16Dinner for One Please, James
3:13
17The Bean Stalks Again
alto saxophone:
Sam Marowitz (on 1956-01-18) and Hal McKusick (on 1956-01-18)
baritone saxophone:
Sol Schlinger (on 1956-01-18)
bass:
Milt Hinton (on 1956-01-18)
drums (drum set):
Osie Johnson (on 1956-01-18)
guitar:
Barry Galbraith (on 1956-01-18)
piano:
Hank Jones (on 1956-01-18)
tenor saxophone:
Al Cohn (on 1956-01-18), Coleman Hawkins (on 1956-01-18) and Zoot Sims (on 1956-01-18)
trombone:
Urbie Green (on 1956-01-18), Fred Ohms (on 1956-01-18), Jack Satterfield (on 1956-01-18) and Chauncey Welsch (on 1956-01-18)
trumpet:
Bernie Glow (on 1956-01-18), Lou Oles (on 1956-01-18), Ernie Royal (on 1956-01-18), Charlie Shavers (on 1956-01-18) and Nick Travis (on 1956-01-18)
vibraphone:
Marty Wilson (on 1956-01-18)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-18)
3:27
18His Very Own Blues
alto saxophone:
Sam Marowitz (on 1956-01-18) and Hal McKusick (on 1956-01-18)
baritone saxophone:
Sol Schlinger (on 1956-01-18)
double bass:
Milt Hinton (on 1956-01-18)
drums (drum set):
Osie Johnson (on 1956-01-18)
guitar:
Barry Galbraith (on 1956-01-18)
piano:
Hank Jones (on 1956-01-18)
tenor saxophone:
Al Cohn (on 1956-01-18), Coleman Hawkins (on 1956-01-18) and Zoot Sims (on 1956-01-18)
trombone:
Urbie Green (on 1956-01-18), Fred Ohms (on 1956-01-18), Jack Satterfield (on 1956-01-18) and Chauncey Welsch (on 1956-01-18)
trumpet:
Bernie Glow (on 1956-01-18), Lou Oles (on 1956-01-18), Ernie Royal (on 1956-01-18), Charlie Shavers (on 1956-01-18) and Nick Travis (on 1956-01-18)
vibraphone:
Marty Wilson (on 1956-01-18)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-18)
3:04
19The Day You Came Along
bass:
Jack Lesberg (on 1956-01-20)
bell:
Phil Kraus (on 1956-01-20)
celesta and piano:
Hank Jones (on 1956-01-20)
cello:
Eduardo Sodero (on 1956-01-20), Bernie Greenhouse (on 1956-01-20) and George Ricci (on 1956-01-20)
clarinet:
Sid Jekowsky (on 1956-01-20)
drums (drum set):
Osie Johnson (on 1956-01-20)
French horn:
Jimmy Buffington (on 1956-01-20)
glockenspiel and xylophone:
Marty Wilson (on 1956-01-20)
tenor saxophone:
Coleman Hawkins (on 1956-01-20)
viola:
Bert Fisch (on 1956-01-20)
violin:
Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20) and Dave Sarser (on 1956-01-20)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-20)
4:12
20Have You Met Miss Jones
3:08
21The Essence of You
bell and tubular bells [bells]:
Phil Kraus (on 1956-01-20)
celesta and piano:
Hank Jones (on 1956-01-20)
cello:
Eduardo Sodero (on 1956-01-20), Bernie Greenhouse (on 1956-01-20), George Ricci (on 1956-01-20) and Edgardo Sodero (on 1956-01-20)
clarinet:
Sid Jekowsky (on 1956-01-20)
double bass:
Jack Lesberg (on 1956-01-20)
drums (drum set):
Osie Johnson (on 1956-01-20)
flute:
Julius Baker (on 1956-01-20)
French horn:
Jimmy Buffington (on 1956-01-20)
glockenspiel and vibraphone:
Marty Wilson (on 1956-01-20)
oboe:
Phil Bodner (on 1956-01-20)
tenor saxophone:
Coleman Hawkins (on 1956-01-20)
viola:
Bert Fisch (on 1956-01-20)
violin:
Max Cahn (on 1956-01-20), Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Max Hollander (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20) and Dave Sarser (on 1956-01-20)
orchestra:
Billy Byers & His Orchestra (on 1956-01-20)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-20)
3:32
22There Will Never Be Another You
bass:
Milt Hinton (on 1956-01-17)
cello:
Alan Shulman (on 1956-01-17)
drums (drum set):
Osie Johnson (on 1956-01-17)
flute:
Sid Jekowsky (on 1956-01-17)
guitar:
Barry Galbraith (on 1956-01-17)
piano:
Hank Jones (on 1956-01-17)
tenor saxophone:
Coleman Hawkins (on 1956-01-17)
trombone:
Urbie Green (on 1956-01-17), Fred Ohms (on 1956-01-17), Jack Satterfield (on 1956-01-17) and Thommy Mitchell (on 1956-01-17)
trumpet:
Jimmy Nottingham (on 1956-01-17)
tuba:
Don Butterfield (on 1956-01-17)
vibraphone:
Marty Wilson (on 1956-01-17)
viola:
Izzy Zir (on 1956-01-17)
violin:
Leo Kruczek (on 1956-01-17) and Harry Lookofsky (on 1956-01-17)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-17)
recording of:
There Will Never Be Another You (on 1956-01-17)
lyricist:
Mack Gordon
composer:
Harry Warren
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:02
23I'm Shooting High
alto saxophone:
Sam Marowitz (on 1956-01-18) and Hal McKusick (on 1956-01-18)
baritone saxophone:
Sol Schlinger (on 1956-01-18)
bass:
Milt Hinton (on 1956-01-18)
drums (drum set):
Osie Johnson (on 1956-01-18)
guitar:
Barry Galbraith (on 1956-01-18)
piano:
Hank Jones (on 1956-01-18)
tenor saxophone:
Al Cohn (on 1956-01-18), Coleman Hawkins (on 1956-01-18) and Zoot Sims (on 1956-01-18)
trombone:
Urbie Green (on 1956-01-18), Fred Ohms (on 1956-01-18), Jack Satterfield (on 1956-01-18) and Chauncey Welsch (on 1956-01-18)
trumpet:
Bernie Glow (on 1956-01-18), Lou Oles (on 1956-01-18), Ernie Royal (on 1956-01-18), Charlie Shavers (on 1956-01-18) and Nick Travis (on 1956-01-18)
vibraphone:
Marty Wilson (on 1956-01-18)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-18)
instrumental recording of:
I’m Shooting High (on 1956-01-18)
writer:
Ted Koehler and Jimmy McHugh
2:38
24Bean and the Boys (Issued as "39-25-39")
alto saxophone:
Sam Marowitz (on 1956-01-18) and Hal McKusick (on 1956-01-18)
baritone saxophone:
Sol Schlinger (on 1956-01-18)
bass:
Milt Hinton (on 1956-01-18)
drums (drum set):
Osie Johnson (on 1956-01-18)
guitar:
Barry Galbraith (on 1956-01-18)
piano:
Hank Jones (on 1956-01-18)
tenor saxophone:
Al Cohn (on 1956-01-18), Coleman Hawkins (on 1956-01-18) and Zoot Sims (on 1956-01-18)
trombone:
Urbie Green (on 1956-01-18), Fred Ohms (on 1956-01-18), Jack Satterfield (on 1956-01-18) and Chauncey Welsch (on 1956-01-18)
trumpet:
Bernie Glow (on 1956-01-18), Lou Oles (on 1956-01-18), Ernie Royal (on 1956-01-18), Charlie Shavers (on 1956-01-18) and Nick Travis (on 1956-01-18)
vibraphone:
Marty Wilson (on 1956-01-18)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-18)
recording of:
Bean and the Boys (on 1956-01-18)
composer:
Coleman Hawkins
2:45
3▼CD: Hawk Eyes (1959) & Sir Charles Thompson and His Band Starring Coleman Hawkins (1954)
#TitleArtistLength
1Hawk Eyes
recording engineer:
Rudy van Gelder (on 1959-04-03)
producer:
Bob Weinstock
double bass [bass]:
George Duvivier (on 1959-04-03)
drums (drum set):
Osie Johnson (on 1959-04-03)
guitar:
Tiny Grimes (on 1959-04-03)
tenor saxophone:
Coleman Hawkins (on 1959-04-03)
trumpet:
Charlie Shavers (on 1959-04-03)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-04-03)
Coleman Hawkins10:21
2C'mon In
recording engineer:
Rudy van Gelder (on 1959-04-03)
producer:
Bob Weinstock
double bass [bass]:
George Duvivier (on 1959-04-03)
drums (drum set):
Osie Johnson (on 1959-04-03)
guitar:
Tiny Grimes (on 1959-04-03)
tenor saxophone:
Coleman Hawkins (on 1959-04-03)
trumpet:
Charlie Shavers (on 1959-04-03)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-04-03)
Coleman Hawkins13:16
3Through for the Night
recording engineer:
Rudy van Gelder (on 1959-04-03)
producer:
Bob Weinstock
double bass [bass]:
George Duvivier (on 1959-04-03)
drums (drum set):
Osie Johnson (on 1959-04-03)
guitar:
Tiny Grimes (on 1959-04-03)
tenor saxophone:
Coleman Hawkins (on 1959-04-03)
trumpet:
Charlie Shavers (on 1959-04-03)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-04-03)
recording of:
Through for the Night (on 1959-04-03)
writer:
Trummy Young
Coleman Hawkins5:10
4I Never Knew
recording engineer:
Rudy van Gelder (on 1959-04-03)
producer:
Bob Weinstock
double bass [bass]:
George Duvivier (on 1959-04-03)
drums (drum set):
Osie Johnson (on 1959-04-03)
guitar:
Tiny Grimes (on 1959-04-03)
tenor saxophone:
Coleman Hawkins (on 1959-04-03)
trumpet:
Charlie Shavers (on 1959-04-03)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-04-03)
instrumental recording of:
I Never Knew (on 1959-04-03)
lyricist:
Gus Kahn
composer:
Ted Fio Rito
publisher:
Bourne Co. and Gilbert Keyes Music Company
Coleman Hawkins5:46
5La Rosita
recording engineer:
Rudy van Gelder (on 1959-04-03)
producer:
Bob Weinstock
double bass [bass]:
George Duvivier (on 1959-04-03)
drums (drum set):
Osie Johnson (on 1959-04-03)
tenor saxophone:
Coleman Hawkins (on 1959-04-03)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-04-03)
recording of:
La Rosita (on 1959-04-03)
composer:
Paul Dupont
Coleman Hawkins6:13
6Stealin' the Bean
recording engineer:
Rudy van Gelder (on 1959-04-03)
producer:
Bob Weinstock
double bass [bass]:
George Duvivier (on 1959-04-03)
drums (drum set):
Osie Johnson (on 1959-04-03)
guitar:
Tiny Grimes (on 1959-04-03)
tenor saxophone:
Coleman Hawkins (on 1959-04-03)
trumpet:
Charlie Shavers (on 1959-04-03)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-04-03)
Coleman Hawkins4:32
7It's the Talk of the Town
alto saxophone:
Earle Warren
double bass:
Aaron Bell
drums (drum set):
Osie Johnson
guitar:
Steve Jordan
piano:
Sir Charles Thompson
tenor saxophone:
Coleman Hawkins
trombone:
Benny Morton
trumpet:
Emmett Berry
instrumental recording of:
It’s the Talk of the Town
lyricist:
Al J. Neiburg and Marty Symes
composer:
Jerry Livingston
arranger:
Ib Glindemann
Coleman Hawkins & Sir Charles Thompson And His Band4:39
8Fore!
alto saxophone:
Earle Warren
double bass:
Aaron Bell
drums (drum set):
Osie Johnson
guitar:
Steve Jordan
piano:
Sir Charles Thompson
tenor saxophone:
Coleman Hawkins
trombone:
Benny Morton
trumpet:
Emmett Berry
Coleman Hawkins & Sir Charles Thompson And His Band6:55
9Dynaflow
alto saxophone:
Earle Warren
double bass:
Aaron Bell
drums (drum set):
Osie Johnson
guitar:
Steve Jordan
piano:
Sir Charles Thompson
tenor saxophone:
Coleman Hawkins
trombone:
Benny Morton
trumpet:
Emmett Berry
Coleman Hawkins & Sir Charles Thompson And His Band4:53
10Under the Sweetheart Tree
alto saxophone:
Earle Warren
double bass:
Aaron Bell
drums (drum set):
Osie Johnson
guitar:
Steve Jordan
piano:
Sir Charles Thompson
tenor saxophone:
Coleman Hawkins
trombone:
Benny Morton
trumpet:
Emmett Berry
Coleman Hawkins & Sir Charles Thompson And His Band5:27
11Ready for Freddie
alto saxophone:
Earle Warren
double bass:
Aaron Bell
drums (drum set):
Osie Johnson
guitar:
Steve Jordan
piano:
Sir Charles Thompson
tenor saxophone:
Coleman Hawkins
trombone:
Benny Morton
trumpet:
Emmett Berry
Coleman Hawkins & Sir Charles Thompson And His Band2:59
4▼CD: Soul (1958) & The Hawk Relaxes (1961)
#TitleLength
1Soul Blues
drums (drum set):
Osie Johnson (on 1958-11-07)
guitar:
Kenny Burrell (on 1958-11-07)
piano:
Ray Bryant (on 1958-11-07)
tenor saxophone:
Coleman Hawkins (on 1958-11-07)
9:56
2I Hadn't Anyone Till You
drums (drum set):
Osie Johnson (on 1958-11-07)
guitar:
Kenny Burrell (on 1958-11-07)
piano:
Ray Bryant (in 1958)
tenor saxophone:
Coleman Hawkins (in 1958)
instrumental recording of:
I Hadn’t Anyone Till You (on 1958-11-07)
lyricist and composer:
Ray Noble
publisher:
Bourne Co.
4:37
3Groovin'
drums (drum set):
Osie Johnson (on 1958-11-07)
guitar:
Kenny Burrell (on 1958-11-07)
piano:
Ray Bryant (on 1958-11-07)
tenor saxophone:
Coleman Hawkins (on 1958-11-07)
5:47
4Greensleeves
drums (drum set):
Osie Johnson (on 1958-11-07)
guitar:
Kenny Burrell (on 1958-11-07)
piano:
Ray Bryant (on 1958-11-07)
tenor saxophone:
Coleman Hawkins (on 1958-11-07)
3:15
5Sunday Mornin'
drums (drum set):
Osie Johnson (on 1958-11-07)
guitar:
Kenny Burrell (on 1958-11-07)
piano:
Ray Bryant (on 1958-11-07)
tenor saxophone:
Coleman Hawkins (on 1958-11-07)
6:33
6Until the Real Thing Comes Along
drums (drum set):
Osie Johnson (on 1958-11-07)
guitar:
Kenny Burrell (on 1958-11-07)
piano:
Ray Bryant (on 1958-11-07)
tenor saxophone:
Coleman Hawkins (on 1958-11-07)
instrumental recording of:
Until the Real Thing Comes Along (on 1958-11-07)
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. and WB Music Corp.
4:45
7Sweetnin'
drums (drum set):
Osie Johnson (on 1958-11-07)
guitar:
Kenny Burrell (on 1958-11-07)
piano:
Ray Bryant (on 1958-11-07)
tenor saxophone:
Coleman Hawkins (on 1958-11-07)
6:53
8I'll Never Be the Same
recording engineer:
Rudy van Gelder (on 1961-02-28)
double bass:
Ron Carter (on 1961-02-28)
drums (drum set):
Andrew Cyrille (on 1961-02-28)
guitar:
Kenny Burrell (on 1961-02-28)
piano:
Ronnell Bright (on 1961-02-28)
tenor saxophone:
Coleman Hawkins (on 1961-02-28)
phonographic copyright (℗) by:
Concord Music Group, Inc.
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1961-02-28)
recording of:
I’ll Never Be the Same (on 1961-02-28)
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. and France Mélodie
6:11
9When Day Is Done
recording engineer:
Rudy van Gelder (on 1961-02-28)
double bass:
Ron Carter (on 1961-02-28)
drums (drum set):
Andrew Cyrille (on 1961-02-28)
guitar:
Kenny Burrell (on 1961-02-28)
piano:
Ronnell Bright (on 1961-02-28)
tenor saxophone:
Coleman Hawkins (on 1961-02-28)
phonographic copyright (℗) by:
Concord Music Group, Inc.
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1961-02-28)
instrumental recording of:
When Day Is Done (on 1961-02-28)
lyricist:
Buddy DeSylva (in 1926)
composer:
Robert Katscher (in 1926)
publisher:
B. Feldman & Co. Ltd. and Redwood Music Ltd.
is based on:
Madonna, du bist schöner als der Sonnenschein
4:28
10Under a Blanket of Blue
recording engineer:
Rudy van Gelder (on 1961-02-28)
double bass:
Ron Carter (on 1961-02-28)
drums (drum set):
Andrew Cyrille (on 1961-02-28)
guitar:
Kenny Burrell (on 1961-02-28)
piano:
Ronnell Bright (on 1961-02-28)
tenor saxophone:
Coleman Hawkins (on 1961-02-28)
phonographic copyright (℗) by:
Concord Music Group, Inc.
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1961-02-28)
instrumental recording of:
Under a Blanket of Blue (on 1961-02-28)
additional lyricist:
Al J. Neiburg (in 1933)
lyricist:
Marty Symes (in 1933)
composer:
Jerry Livingston (in 1933)
4:39
11More Than You Know
recording engineer:
Rudy van Gelder (on 1961-02-28)
double bass:
Ron Carter (on 1961-02-28)
drums (drum set):
Andrew Cyrille (on 1961-02-28)
guitar:
Kenny Burrell (on 1961-02-28)
piano:
Ronnell Bright (on 1961-02-28)
tenor saxophone:
Coleman Hawkins (on 1961-02-28)
phonographic copyright (℗) by:
Concord Music Group, Inc.
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1961-02-28)
instrumental recording of:
More Than You Know (on 1961-02-28)
lyricist:
Edward Eliscu and Billy Rose
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
4:13
12Moonglow
recording engineer:
Rudy van Gelder (on 1961-02-28)
double bass:
Ron Carter (on 1961-02-28)
drums (drum set):
Andrew Cyrille (on 1961-02-28)
guitar:
Kenny Burrell (on 1961-02-28)
piano:
Ronnell Bright (on 1961-02-28)
tenor saxophone:
Coleman Hawkins (on 1961-02-28)
phonographic copyright (℗) by:
Concord Music Group, Inc.
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1961-02-28)
instrumental recording of:
Moonglow (on 1961-02-28)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
5:59
13Just a Gigolo
recording engineer:
Rudy van Gelder (on 1961-02-28)
double bass:
Ron Carter (on 1961-02-28)
drums (drum set):
Andrew Cyrille (on 1961-02-28)
guitar:
Kenny Burrell (on 1961-02-28)
piano:
Ronnell Bright (on 1961-02-28)
tenor saxophone:
Coleman Hawkins (on 1961-02-28)
phonographic copyright (℗) by:
Concord Music Group, Inc.
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1961-02-28)
instrumental recording of:
Just a Gigolo (English version) (on 1961-02-28)
lyricist:
Julius Brammer
composer:
Leonello Casucci
translator:
Irving Caesar
translated version of:
Schöner Gigolo
5:07
14Speak Low
recording engineer:
Rudy van Gelder (on 1961-02-28)
double bass:
Ron Carter (on 1961-02-28)
drums (drum set):
Andrew Cyrille (on 1961-02-28)
guitar:
Kenny Burrell (on 1961-02-28)
piano:
Ronnell Bright (on 1961-02-28)
tenor saxophone:
Coleman Hawkins (on 1961-02-28)
phonographic copyright (℗) by:
Concord Music Group, Inc.
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1961-02-28)
instrumental recording of:
Speak Low (One Touch of Venus) (on 1961-02-28)
lyricist:
Ogden Nash
composer:
Kurt Weill
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
6:41
5▼CD: Coleman hawkins with the Red Garland Trio (1959) & Coleman Hawkins All Stars Featuring Joe Thomas & Vic Dickenson (1960)
#TitleArtistLength
1It's a Blue World
recording engineer:
Rudy van Gelder (on 1959-08-12)
double bass [bass]:
Doug Watkins (on 1959-08-12)
drums (drum set):
"Specks" Wright (on 1959-08-12)
piano:
Red Garland (on 1959-08-12)
tenor saxophone:
Coleman Hawkins (on 1959-08-12)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1959-08-12)
instrumental recording of:
It’s a Blue World (on 1959-08-12)
writer:
George Forrest and Robert Wright
publisher:
Bourne Co.
part of:
The 13th Academy Award for Best Original Song (number: 2)
Coleman Hawkins & Red Garland Trio8:03
2I Want to Be Loved
recording engineer:
Rudy van Gelder (on 1959-08-12)
double bass [bass]:
Doug Watkins (on 1959-08-12)
drums (drum set):
"Specks" Wright (on 1959-08-12)
piano:
Red Garland (on 1959-08-12)
tenor saxophone:
Coleman Hawkins (on 1959-08-12)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1959-08-12)
instrumental recording of:
I Want to Be Loved (on 1959-08-12)
writer:
Savannah Churchill
Coleman Hawkins & Red Garland Trio5:58
3Red Beans
recording engineer:
Rudy van Gelder (on 1959-08-12)
double bass [bass]:
Doug Watkins (on 1959-08-12)
drums (drum set):
"Specks" Wright (on 1959-08-12)
piano:
Red Garland (on 1959-08-12)
tenor saxophone:
Coleman Hawkins (on 1959-08-12)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1959-08-12)
Coleman Hawkins & Red Garland Trio4:16
4Bean's Blues
recording engineer:
Rudy van Gelder (on 1959-08-12)
double bass [bass]:
Doug Watkins (on 1959-08-12)
drums (drum set):
"Specks" Wright (on 1959-08-12)
piano:
Red Garland (on 1959-08-12)
tenor saxophone:
Coleman Hawkins (on 1959-08-12)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1959-08-12)
Coleman Hawkins & Red Garland Trio11:54
5Blues for Ron
recording engineer:
Rudy van Gelder (on 1959-08-12)
double bass [bass]:
Doug Watkins (on 1959-08-12)
drums (drum set):
"Specks" Wright (on 1959-08-12)
piano:
Red Garland (on 1959-08-12)
tenor saxophone:
Coleman Hawkins (on 1959-08-12)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1959-08-12)
Coleman Hawkins & Red Garland Trio6:18
6You Blew out the Flame in My Heart
double bass:
Wendell Marshall (on 1960-01-08)
drums (drum set):
Osie Johnson (on 1960-01-08)
piano:
Tommy Flanagan (on 1960-01-08)
tenor saxophone:
Coleman Hawkins (on 1960-01-08)
trombone:
Vic Dickenson (on 1960-01-08)
trumpet:
Joe Thomas (on 1960-01-08)
instrumental recording of:
You Blew Out the Flame (In My Heart) (on 1960-01-08)
writer:
Ervin Drake, Johnny Hodges and Jimmy Shirl
Coleman Hawkins All Stars featuring Joe Thomas & Vic Dickenson6:02
7More Bounce to the Vonce
double bass:
Wendell Marshall (on 1960-01-08)
drums (drum set):
Osie Johnson (on 1960-01-08)
piano:
Tommy Flanagan (on 1960-01-08)
tenor saxophone:
Coleman Hawkins (on 1960-01-08)
trombone:
Vic Dickenson (on 1960-01-08)
trumpet:
Joe Thomas (on 1960-01-08)
Coleman Hawkins All Stars featuring Joe Thomas & Vic Dickenson9:04
8I'm Beginning to See the Light
double bass:
Wendell Marshall (on 1960-01-08)
drums (drum set) and additional performer:
Osie Johnson (on 1960-01-08)
piano:
Tommy Flanagan (on 1960-01-08)
tenor saxophone:
Coleman Hawkins (on 1960-01-08)
trombone:
Vic Dickenson (on 1960-01-08)
trumpet:
Joe Thomas (on 1960-01-08)
instrumental recording of:
I’m Beginning to See the Light (on 1960-01-08)
lyricist:
Don George (in 1944)
writer:
Duke Ellington
composer:
Duke Ellington (in 1944), Johnny Hodges (in 1944) and Harry James (in 1944)
publisher:
Anne-Rachel Music Corp.
Coleman Hawkins All Stars featuring Joe Thomas & Vic Dickenson6:59
9Cool Blue
double bass:
Wendell Marshall (on 1960-01-08)
drums (drum set):
Osie Johnson (on 1960-01-08)
piano:
Tommy Flanagan (on 1960-01-08)
tenor saxophone:
Coleman Hawkins (on 1960-01-08)
trombone:
Vic Dickenson (on 1960-01-08)
trumpet:
Joe Thomas (on 1960-01-08)
Coleman Hawkins All Stars featuring Joe Thomas & Vic Dickenson8:13
10Some Stretching
double bass:
Wendell Marshall (on 1960-01-08)
drums (drum set):
Osie Johnson (on 1960-01-08)
piano:
Tommy Flanagan (on 1960-01-08)
tenor saxophone:
Coleman Hawkins (on 1960-01-08)
trombone:
Vic Dickenson (on 1960-01-08)
trumpet:
Joe Thomas (on 1960-01-08)
Coleman Hawkins All Stars featuring Joe Thomas & Vic Dickenson12:18
6▼CD: The Genius of Coleman Hawkins (1957)
#TitleLength
1I'll Never Be the Same
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Ray Brown (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (on 1957-10-16)
piano:
Oscar Peterson (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-10-16)
instrumental recording of:
I’ll Never Be the Same (on 1957-10-16)
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. and France Mélodie
3:28
2You're Blasé
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Ray Brown (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (on 1957-10-16)
piano:
Oscar Peterson (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-10-16)
instrumental recording of:
You’re Blasé (on 1957-10-16)
lyricist:
Bruce Sievier
composer:
Ord Hamilton
3:45
3I Wished on the Moon
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Ray Brown (on 1957-10-16)
drums (drum set):
Alvin Stoller (on 1957-10-16)
guitar:
Herb Ellis (on 1957-10-16)
piano:
Oscar Peterson (on 1957-10-16)
tenor saxophone:
Coleman Hawkins (on 1957-10-16)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-10-16)
instrumental recording of:
I Wished on the Moon (on 1957-10-16)
lyricist:
Dorothy Parker
composer:
Ralph Rainger
publisher:
Famous Music Corporation
3:48
4How Long Has This Been Going On?
3:02
5Like Someone in Love
3:33
6My Melancholy Baby
3:37
7Ill Wind (You're Blowin' Me No Good)
3:52
8In A Mellow Tone
3:54
9There's No You
4:06
10The World Is Waiting for the Sunrise
5:30
11Somebody Loves Me
4:43
12Blues for Rene
3:18
7▼CD: Hawkins!Eldridge! Hodges! Alive! At the Village Gate (1962) & Bean Bags (1958)
#TitleArtistLength
1Satin Doll
alto saxophone:
Johnny Hodges (on 1962-08-15)
double bass:
Major Holley (on 1962-08-15)
drums (drum set):
Eddie Locke (on 1962-08-15)
piano:
Tommy Flanagan (on 1962-08-15)
tenor saxophone:
Coleman Hawkins (on 1962-08-15)
trumpet:
Roy Eldridge (on 1962-08-15)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (on 1962-08-15)
live instrumental recording of:
Satin Doll (on 1962-08-15)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. and WB Music Corp.
Coleman Hawkins11:18
2Perdido
alto saxophone:
Johnny Hodges (on 1962-08-15)
double bass:
Major Holley (on 1962-08-15)
drums (drum set):
Eddie Locke (on 1962-08-15)
piano:
Tommy Flanagan (on 1962-08-15)
tenor saxophone:
Coleman Hawkins (on 1962-08-15)
trumpet:
Roy Eldridge (on 1962-08-15)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (on 1962-08-15)
live recording of:
Perdido (original instrumental version) (on 1962-08-15)
composer:
Juan Tizol
Coleman Hawkins11:39
3The Rabbit in Jazz
alto saxophone:
Johnny Hodges (on 1962-08-15)
double bass:
Major Holley (on 1962-08-15)
drums (drum set):
Eddie Locke (on 1962-08-15)
piano:
Tommy Flanagan (on 1962-08-15)
tenor saxophone:
Coleman Hawkins (on 1962-08-15)
trumpet:
Roy Eldridge (on 1962-08-15)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (on 1962-08-15)
Coleman Hawkins16:52
4Close Your Eyes
recorded in:
New York, New York, United States (on 1958-09-12)
bass:
Eddie Jones (on 1958-09-12)
drums (drum set):
Connie Kay (on 1958-09-12)
guitar:
Kenny Burrell (on 1958-09-12)
piano:
Tommy Flanagan (on 1958-09-12)
tenor saxophone:
Coleman Hawkins (on 1958-09-12)
vibraphone:
Milt Jackson (on 1958-09-12)
instrumental recording of:
Close Your Eyes (on 1958-09-12)
lyricist and composer:
Bernice Petkere (in 1933)
publisher:
Bernice Petkere Music Company, CBS Miller Catalog, Inc. and Sherman, Clay & Co. (in 1933)
Milt Jackson & Coleman Hawkins6:52
5Stuffy
recorded in:
New York, New York, United States (on 1958-09-12)
bass:
Eddie Jones (on 1958-09-12)
drums (drum set):
Connie Kay (on 1958-09-12)
guitar:
Kenny Burrell (on 1958-09-12)
piano:
Tommy Flanagan (on 1958-09-12)
tenor saxophone:
Coleman Hawkins (on 1958-09-12)
vibraphone:
Milt Jackson (on 1958-09-12)
recording of:
Stuffy (on 1958-09-12)
composer:
Coleman Hawkins
Milt Jackson & Coleman Hawkins5:44
6Don't Take Your Love from Me
recorded in:
New York, New York, United States (on 1958-09-12)
bass:
Eddie Jones (on 1958-09-12)
drums (drum set):
Connie Kay (on 1958-09-12)
guitar:
Kenny Burrell (on 1958-09-12)
piano:
Tommy Flanagan (on 1958-09-12)
tenor saxophone:
Coleman Hawkins (on 1958-09-12)
vibraphone:
Milt Jackson (on 1958-09-12)
instrumental recording of:
Don’t Take Your Love From Me (on 1958-09-12)
lyricist and composer:
Henry Nemo
publisher:
Indano Music Co.
Milt Jackson & Coleman Hawkins4:51
7Get Happy
recorded in:
New York, New York, United States (on 1958-09-12)
bass:
Eddie Jones (on 1958-09-12)
drums (drum set):
Connie Kay (on 1958-09-12)
guitar:
Kenny Burrell (on 1958-09-12)
piano:
Tommy Flanagan (on 1958-09-12)
tenor saxophone:
Coleman Hawkins (on 1958-09-12)
vibraphone:
Milt Jackson (on 1958-09-12)
instrumental recording of:
Get Happy (on 1958-09-12)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc., Francis, Day & Hunter Ltd., Redwood Music Ltd., Remick Music Corp., S.A. Music Co. and Warner Bros. Music
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
Milt Jackson & Coleman Hawkins5:31
8Sandra's Blues
recorded in:
New York, New York, United States (on 1958-09-12)
bass:
Eddie Jones (on 1958-09-12)
drums (drum set):
Connie Kay (on 1958-09-12)
guitar:
Kenny Burrell (on 1958-09-12)
piano:
Tommy Flanagan (on 1958-09-12)
tenor saxophone:
Coleman Hawkins (on 1958-09-12)
vibraphone:
Milt Jackson (on 1958-09-12)
recording of:
Sandra’s Blues (on 1958-09-12)
composer:
Milt Jackson
Milt Jackson & Coleman Hawkins6:41
9Indian Blues
recorded in:
New York, New York, United States (on 1958-09-12)
bass:
Eddie Jones (on 1958-09-12)
drums (drum set):
Connie Kay (on 1958-09-12)
guitar:
Kenny Burrell (on 1958-09-12)
piano:
Tommy Flanagan (on 1958-09-12)
tenor saxophone:
Coleman Hawkins (on 1958-09-12)
vibraphone:
Milt Jackson (on 1958-09-12)
recording of:
Indian Blues (on 1958-09-12)
composer:
Milt Jackson
Milt Jackson & Coleman Hawkins6:06
8▼CD: Night Hawk (1960)
#TitleArtistLength
1Night Hawk
recording engineer:
Rudy van Gelder (on 1960-12-30)
producer:
Esmond Edwards
double bass [bass]:
Ron Carter (on 1960-12-30)
drums (drum set):
Gus Johnson (on 1960-12-30)
piano:
Tommy Flanagan (on 1960-12-30)
tenor saxophone:
Eddie “Lockjaw” Davis (on 1960-12-30) and Coleman Hawkins (on 1960-12-30)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1960-12-30)
Coleman Hawkins & Eddie “Lockjaw” Davis10:31
2There Is No Greater Love
recording engineer:
Rudy van Gelder (on 1960-12-30)
producer:
Esmond Edwards
double bass [bass]:
Ron Carter (on 1960-12-30)
drums (drum set):
Gus Johnson (on 1960-12-30)
piano:
Tommy Flanagan (on 1960-12-30)
tenor saxophone:
Eddie “Lockjaw” Davis (on 1960-12-30) and Coleman Hawkins (on 1960-12-30)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1960-12-30)
instrumental recording of:
There Is No Greater Love (on 1960-12-30)
lyricist:
Marty Symes
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation and World Music, Inc.
Coleman Hawkins & Eddie “Lockjaw” Davis8:17
3In a Mellow Tone
recording engineer:
Rudy van Gelder (on 1960-12-30)
producer:
Esmond Edwards
double bass [bass]:
Ron Carter (on 1960-12-30)
drums (drum set):
Gus Johnson (on 1960-12-30)
piano:
Tommy Flanagan (on 1960-12-30)
tenor saxophone:
Eddie “Lockjaw” Davis (on 1960-12-30) and Coleman Hawkins (on 1960-12-30)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1960-12-30)
instrumental recording of:
In a Mellow Tone (on 1960-12-30)
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (in 1939)
publisher:
EMI Robbins and Robbins Music
Coleman Hawkins & Eddie “Lockjaw” Davis6:48
4Don't Take Your Love from Me
recording engineer:
Rudy van Gelder (on 1960-12-30)
producer:
Esmond Edwards
double bass [bass]:
Ron Carter (on 1960-12-30)
drums (drum set):
Gus Johnson (on 1960-12-30)
piano:
Tommy Flanagan (on 1960-12-30)
tenor saxophone:
Eddie “Lockjaw” Davis (on 1960-12-30) and Coleman Hawkins (on 1960-12-30)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1960-12-30)
instrumental recording of:
Don’t Take Your Love From Me (on 1960-12-30)
lyricist and composer:
Henry Nemo
publisher:
Indano Music Co.
Coleman Hawkins & Eddie “Lockjaw” Davis8:38
5Pedalin'
recording engineer:
Rudy van Gelder (on 1960-12-30)
producer:
Esmond Edwards
double bass [bass]:
Ron Carter (on 1960-12-30)
drums (drum set):
Gus Johnson (on 1960-12-30)
piano:
Tommy Flanagan (on 1960-12-30)
tenor saxophone:
Eddie “Lockjaw” Davis (on 1960-12-30) and Coleman Hawkins (on 1960-12-30)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1960-12-30)
Coleman Hawkins & Eddie “Lockjaw” Davis6:37
9▶CD: At Ease With Coleman Hawkins (1960) & Bluesy Burrell (1962)
10▶CD: Jazz Reunion (1961)