12 Classic Albums 1953-1962

~ Release by Horace Silver (see all versions of this release, 1 available)

Annotation

Disc 1
Tracks 1-8 originally from "New Faces New Sounds", BlueNote BLP 5018 (1952)
Tracks 9-16 originally from "Horace Silver & Jazz Messengers", BlueNote BLP 1518 (1955)

Disc 2
Tracks 1-8 originally from "Horace Silver Trio" BlueNote BLP 1520 (1956)
Tracks 9-16 originally from "Silver's Blue" BlueNote BLP 1518 (1958)

Disc 3
Tracks 1-6 originally from "Stylings Of Silver" BlueNote BLP 1562 (1957)
Tracks 7-13 originally from "6 Pieces Of Silver" BlueNote BLP 1539 (1957)

Disc 4
Tracks 1-5 originally from "Further Explorations" BlueNote BLP 1589 (1958)
Tracks 6-13 originally from "Blowin' The Blues Away" BlueNote BLP 4017 (1959)

Disc 5
Tracks 1-8 originally from "Finger Poppin'" BlueNote BLP 4008 (1959)
Tracks 9-15 originally from "Horace-Scope" BlueNote BLP 4042 (1960)

Disc 6
Tracks 1-5 originally from "Doin' The Thing'" BlueNote BLP 4076 (1961)
Tracks 6-9 originally from "Tokyo Blues" BlueNote BLP 4110 (1962)

Tracklist

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1CD: Disc One
#TitleLength
1Safari
engineer:
Doug Hawkins
producer:
Alfred Lion
drums (drum set):
Art Blakey (on 1952-10-09)
piano:
Horace Silver (on 1952-10-09)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
WOR Studios in New York, New York, United States (on 1952-10-09)
2:53
2Ecaroh
engineer:
Doug Hawkins (on 1952-10-20)
producer:
Alfred Lion (on 1952-10-20)
double bass [bass]:
Curley Russell (on 1952-10-20)
drums (drum set):
Art Blakey (on 1952-10-20)
piano:
Horace Silver (on 1952-10-20)
recorded at:
WOR Studios in New York, New York, United States (on 1952-10-20)
recording of:
Ecaroh (on 1952-10-20)
writer:
Horace Silver
3:13
3Prelude to a Kiss
engineer:
Doug Hawkins (on 1952-10-20)
producer:
Alfred Lion (on 1952-10-20)
bass:
Curley Russell (on 1952-10-20)
drums (drum set):
Art Blakey (on 1952-10-20)
piano:
Horace Silver (on 1952-10-20)
recorded at:
WOR Studios in New York, New York, United States (on 1952-10-20)
instrumental recording of:
Prelude to a Kiss (on 1952-10-20)
lyricist:
Irving Gordon (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
2:52
4Thou Swell
engineer:
Doug Hawkins (on 1952-10-09)
producer:
Alfred Lion (on 1952-10-09)
double bass [bass]:
Gene Ramey (on 1952-10-09)
drums (drum set):
Art Blakey (on 1952-10-09)
piano:
Horace Silver (on 1952-10-09)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
WOR Studios in New York, New York, United States (on 1952-10-09)
recording of:
Thou Swell (on 1952-10-09)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (in 1927)
publisher:
Marlin Enterprises and Warner Bros.
2:54
5Quicksilver
engineer:
Doug Hawkins (on 1952-10-20)
producer:
Alfred Lion (on 1952-10-20)
bass:
Gene Ramey (on 1952-10-20) and Curley Russell (on 1952-10-20)
drums (drum set):
Art Blakey (on 1952-10-20)
piano:
Horace Silver (on 1952-10-20)
recorded at:
WOR Studios in New York, New York, United States (on 1952-10-20)
recording of:
Quicksilver (on 1952-10-20)
composer:
Horace Silver
3:02
6Horoscope
engineer:
Doug Hawkins (on 1952-10-09)
producer:
Alfred Lion (on 1952-10-20)
double bass [bass]:
Gene Ramey (on 1952-10-09)
drums (drum set):
Art Blakey (on 1952-10-09)
piano:
Horace Silver (on 1952-10-09)
recorded at:
WOR Studios in New York, New York, United States (on 1952-10-09)
instrumental recording of:
Horoscope (on 1952-10-09)
composer:
Horace Silver
3:51
7Yeah
engineer:
Doug Hawkins (on 1952-10-20)
producer:
Alfred Lion (on 1952-10-20)
bass:
Gene Ramey (on 1952-10-20)
drums (drum set):
Art Blakey (on 1952-10-20)
piano:
Horace Silver (on 1952-10-20)
recorded at:
WOR Studios in New York, New York, United States (on 1952-10-20)
instrumental recording of:
Yeah (on 1952-10-20)
composer:
Horace Silver
2:53
8Knowledge Box
engineer:
Doug Hawkins (on 1952-10-20)
producer:
Alfred Lion (on 1952-10-20)
bass:
Curley Russell (on 1952-10-20)
drums (drum set):
Art Blakey (on 1952-10-20)
piano:
Horace Silver (on 1952-10-20)
recorded at:
WOR Studios in New York, New York, United States (on 1952-10-20)
instrumental recording of:
Knowledge Box (on 1952-10-20)
composer:
Horace Silver
2:49
9Room 608
double bass [bass]:
Doug Watkins (on 1954-11-13)
drums (drum set):
Art Blakey (on 1954-11-13)
piano:
Horace Silver (on 1954-11-13)
tenor saxophone:
Hank Mobley (on 1954-11-13)
trumpet:
Kenny Dorham (on 1954-11-13)
recording of:
Room 608 (on 1954-11-13)
composer:
Horace Silver
5:20
10Creepin’ In
double bass [bass]:
Doug Watkins (on 1954-11-13)
drums (drum set):
Art Blakey (on 1954-11-13)
piano:
Horace Silver (on 1954-11-13)
tenor saxophone:
Hank Mobley (on 1954-11-13)
trumpet:
Kenny Dorham (on 1954-11-13)
recording of:
Creepin' In (on 1954-11-13)
composer:
Horace Silver
7:24
11Stop Time
double bass [bass]:
Doug Watkins (on 1954-11-13)
drums (drum set):
Art Blakey (on 1954-11-13)
piano:
Horace Silver (on 1954-11-13)
tenor saxophone:
Hank Mobley (on 1954-11-13)
trumpet:
Kenny Dorham (on 1954-11-13)
recording of:
Stop Time (on 1954-11-13)
composer:
Horace Silver
4:05
12To Whom It May Concern
double bass [bass]:
Doug Watkins (on 1955-02-06)
drums (drum set):
Art Blakey (on 1955-02-06)
piano:
Horace Silver (on 1955-02-06)
tenor saxophone:
Hank Mobley (on 1955-02-06)
trumpet:
Kenny Dorham (on 1955-02-06)
recording of:
To Whom It May Concern (on 1955-02-06)
composer:
Horace Silver
5:08
13Hippy
double bass [bass]:
Doug Watkins (on 1955-02-06)
drums (drum set):
Art Blakey (on 1955-02-06)
piano:
Horace Silver (on 1955-02-06)
tenor saxophone:
Hank Mobley (on 1955-02-06)
trumpet:
Kenny Dorham (on 1955-02-06)
recording of:
Hippy (on 1955-02-06)
composer:
Horace Silver
5:22
14The Preacher
double bass [bass]:
Doug Watkins (on 1955-02-06)
drums (drum set):
Art Blakey (on 1955-02-06)
piano:
Horace Silver (on 1955-02-06)
tenor saxophone:
Hank Mobley (on 1955-02-06)
trumpet:
Kenny Dorham (on 1955-02-06)
instrumental recording of:
The Preacher (on 1955-02-06)
lyricist:
Babs Gonzales
composer:
Horace Silver
publisher:
Silhouette Music
4:16
15Hankerin’
double bass [bass]:
Doug Watkins (on 1955-02-06)
drums (drum set):
Art Blakey (on 1955-02-06)
piano:
Horace Silver (on 1955-02-06)
tenor saxophone:
Hank Mobley (on 1955-02-06)
trumpet:
Kenny Dorham (on 1955-02-06)
recording of:
Hankerin' (on 1955-02-06)
composer:
Hank Mobley
5:16
16Doodlin’
double bass [bass]:
Doug Watkins (on 1954-11-13)
drums (drum set):
Art Blakey (on 1954-11-13)
piano:
Horace Silver (on 1954-11-13)
tenor saxophone:
Hank Mobley (on 1954-11-13)
trumpet:
Kenny Dorham (on 1954-11-13)
recording of:
Doodlin’ (original instrumental version) (on 1954-11-13)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc.
6:46
2CD: Disc Two
#TitleLength
1Day in Day Out
engineer:
Doug Hawkins (on 1953-11-23)
producer:
Alfred Lion (on 1953-11-23)
bass:
Percy Heath (on 1953-11-23)
drums (drum set):
Art Blakey (on 1953-11-23)
piano:
Horace Silver (on 1953-11-23)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-23)
instrumental recording of:
Day In, Day Out (on 1953-11-23)
lyricist:
Johnny Mercer (in 1939)
composer:
Rube Bloom (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
3:01
2How About You3:45
3I Remember You
engineer:
Doug Hawkins (on 1953-11-23)
producer:
Alfred Lion (on 1953-11-23)
bass:
Percy Heath (on 1953-11-23)
drums (drum set):
Art Blakey (on 1953-11-23)
piano:
Horace Silver (on 1953-11-23)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-23)
3:56
4Silverware
engineer:
Doug Hawkins
producer:
Alfred Lion
bass:
Percy Heath (on 1953-11-23)
drums (drum set):
Art Blakey (on 1953-11-23)
piano:
Horace Silver (on 1953-11-23)
phonographic copyright (℗) by:
Capitol Records, Inc.
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-23)
2:38
5Message From Kenya
engineer:
Doug Hawkins (on 1953-11-23)
congas:
Sabu Martinez (on 1953-11-23)
drums (drum set):
Art Blakey (on 1953-11-23)
vocals:
Sabu Martinez (on 1953-11-23)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-23)
4:35
6Opus de Funk
engineer:
Doug Hawkins (on 1953-11-23)
producer:
Alfred Lion (on 1953-11-23)
bass:
Percy Heath (on 1953-11-23)
drums (drum set):
Art Blakey (on 1953-11-23)
piano:
Horace Silver (on 1953-11-23)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-23)
recording of:
Opus de Funk (on 1953-11-23)
composer:
Horace Silver
3:27
7Nothing but the Soul
engineer:
Doug Hawkins (on 1953-11-23)
drums (drum set):
Art Blakey (on 1953-11-23)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-23)
instrumental recording of:
Nothing but the Soul (on 1953-11-23)
composer:
Art Blakey
4:09
8Buhaina
engineer:
Doug Hawkins (on 1953-11-23)
producer:
Alfred Lion (on 1953-11-23)
double bass:
Percy Heath (on 1953-11-23)
drums (drum set):
Art Blakey (on 1953-11-23)
piano:
Horace Silver (on 1953-11-23)
recorded at:
WOR Studios in New York, New York, United States (on 1953-11-23)
recording of:
Buhaina (on 1953-11-23)
composer:
Horace Silver
3:06
9Silver’s Blue
recorded in:
New York, New York, United States (on 1956-06-17)
bass:
Doug Watkins (on 1956-06-17)
drums (drum set):
Art Taylor (on 1956-06-17)
piano:
Horace Silver (on 1956-06-17)
tenor saxophone:
Hank Mobley (on 1956-06-17)
trumpet:
Donald Byrd (on 1956-06-17)
7:47
10To Beat or Not to Beat
recorded in:
New York, New York, United States (on 1956-06-02)
bass:
Doug Watkins (on 1956-06-02)
drums (drum set):
Kenny Clarke (on 1956-06-02)
piano:
Horace Silver (on 1956-06-02)
tenor saxophone:
Hank Mobley (on 1956-06-02)
trumpet:
Joe Gordon (on 1956-06-02)
4:05
11How Long Has This Been Going On?
recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
4:20
12I’ll Know
recorded in:
New York, New York, United States (on 1956-06-17)
bass:
Doug Watkins (on 1956-06-17)
drums (drum set):
Art Taylor (on 1956-06-17)
piano:
Horace Silver (on 1956-06-17)
tenor saxophone:
Hank Mobley (on 1956-06-17)
trumpet:
Donald Byrd (on 1956-06-17)
instrumental recording of:
I’ll Know (from “Guys and Dolls”) (on 1956-06-17)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
7:27
13Shoutin’ Out
recorded in:
New York, New York, United States (on 1956-06-02)
bass:
Doug Watkins (on 1956-06-02)
drums (drum set):
Kenny Clarke (on 1956-06-02)
piano:
Horace Silver (on 1956-06-02)
tenor saxophone:
Hank Mobley (on 1956-06-02)
trumpet:
Joe Gordon (on 1956-06-02)
6:36
14Hank’s Tune
recorded in:
New York, New York, United States (on 1956-06-18)
bass:
Doug Watkins (on 1956-06-18)
drums (drum set):
Art Taylor (on 1956-06-18)
piano:
Horace Silver (on 1956-06-18)
tenor saxophone:
Hank Mobley (on 1956-06-18)
trumpet:
Donald Byrd (on 1956-06-18)
recording of:
Hank's Tune (on 1956-06-18)
writer:
Hank Mobley
5:28
15The Night Has a Thousand Eyes
recorded in:
New York, New York, United States (on 1956-06-18)
double bass [bass]:
Doug Watkins (on 1956-06-18)
drums (drum set):
Art Taylor (on 1956-06-18)
piano:
Horace Silver (on 1956-06-18)
tenor saxophone:
Hank Mobley (on 1956-06-18)
trumpet:
Donald Byrd (on 1956-06-18)
instrumental recording of:
The Night Has a Thousand Eyes (on 1956-06-18)
lyricist:
Buddy Bernier
composer:
Buddy Bernier and Jerry Brainin
part of:
The Real Book (compilation of jazz standards, Volume I)
9:00
3CD: Disc Three
#TitleLength
1No Smokin’
bass:
Teddy Kotick (on 1957-05-08)
drums (drum set):
Louis Hayes (on 1957-05-08)
piano:
Horace Silver (on 1957-05-08)
tenor saxophone:
Hank Mobley (on 1957-05-08)
trumpet:
Art Farmer (on 1957-05-08)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1957-05-08)
recording of:
No Smokin’ (on 1957-05-08)
composer:
Horace Silver
5:34
2The Back Beat
bass:
Teddy Kotick (on 1957-05-08)
drums (drum set):
Louis Hayes (on 1957-05-08)
piano:
Horace Silver (on 1957-05-08)
tenor saxophone:
Hank Mobley (on 1957-05-08)
trumpet:
Art Farmer (on 1957-05-08)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1957-05-08)
recording of:
The Back Beat (on 1957-05-08)
composer:
Horace Silver
6:23
3Soulville
bass:
Teddy Kotick (on 1957-05-08)
drums (drum set):
Louis Hayes (on 1957-05-08)
piano:
Horace Silver (on 1957-05-08)
tenor saxophone:
Hank Mobley (on 1957-05-08)
trumpet:
Art Farmer (on 1957-05-08)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1957-05-08)
recording of:
Soulville (on 1957-05-08)
writer:
Horace Silver
6:16
4Home Cookin’
bass:
Teddy Kotick (on 1957-05-08)
drums (drum set):
Louis Hayes (on 1957-05-08)
piano:
Horace Silver (on 1957-05-08)
tenor saxophone:
Hank Mobley (on 1957-05-08)
trumpet:
Art Farmer (on 1957-05-08)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1957-05-08)
recording of:
Home Cookin’ (on 1957-05-08)
composer:
Horace Silver
6:28
5Metamorphosis
7:18
6My One and Only Love
6:58
7Cool Eyes
recording engineer:
Rudy van Gelder (on 1956-11-10)
bass:
Doug Watkins (on 1956-11-10)
drums (drum set):
Louis Hayes (on 1956-11-10)
piano:
Horace Silver (on 1956-11-10)
tenor saxophone:
Hank Mobley (on 1956-11-10)
trumpet:
Donald Byrd (on 1956-11-10)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-11-10)
recording of:
Cool Eyes (on 1956-11-10)
composer:
Horace Silver
5:54
8Shirl
recording engineer:
Rudy van Gelder (on 1956-11-10)
bass:
Doug Watkins (on 1956-11-10)
drums (drum set):
Louis Hayes (on 1956-11-10)
piano:
Horace Silver (on 1956-11-10)
tenor saxophone:
Hank Mobley (on 1956-11-10)
trumpet:
Donald Byrd (on 1956-11-10)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-11-10)
recording of:
Shirl (on 1956-11-10)
composer:
Horace Silver
4:16
9Camouflage
recording engineer:
Rudy van Gelder (on 1956-11-10)
bass:
Doug Watkins (on 1956-11-10)
drums (drum set):
Louis Hayes (on 1956-11-10)
piano:
Horace Silver (on 1956-11-10)
tenor saxophone:
Hank Mobley (on 1956-11-10)
trumpet:
Donald Byrd (on 1956-11-10)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-11-10)
recording of:
Camouflage
composer:
Horace Silver
4:25
10Enchantment
recording engineer:
Rudy van Gelder (on 1956-11-10)
bass:
Doug Watkins (on 1956-11-10)
drums (drum set):
Louis Hayes (on 1956-11-10)
piano:
Horace Silver (on 1956-11-10)
tenor saxophone:
Hank Mobley (on 1956-11-10)
trumpet:
Donald Byrd (on 1956-11-10)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-11-10)
recording of:
Enchantment (on 1956-11-10)
composer:
Horace Silver
6:22
11Señor Blues
recording engineer:
Rudy van Gelder (on 1956-11-10)
bass:
Doug Watkins (on 1956-11-10)
drums (drum set):
Louis Hayes (on 1956-11-10)
piano:
Horace Silver (on 1956-11-10)
tenor saxophone:
Hank Mobley (on 1956-11-10)
trumpet:
Donald Byrd (on 1956-11-10)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-11-10)
recording of:
Señor Blues (on 1956-11-10)
writer:
Horace Silver
7:01
12Virgo
recording engineer:
Rudy van Gelder (on 1956-11-10)
bass:
Doug Watkins (on 1956-11-10)
drums (drum set):
Louis Hayes (on 1956-11-10)
piano:
Horace Silver (on 1956-11-10)
tenor saxophone:
Hank Mobley (on 1956-11-10)
trumpet:
Donald Byrd (on 1956-11-10)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-11-10)
recording of:
Virgo
composer:
Horace Silver
5:48
13For Heaven’s Sake
recording engineer:
Rudy van Gelder (on 1956-11-10)
bass:
Doug Watkins (on 1956-11-10)
drums (drum set):
Louis Hayes (on 1956-11-10)
piano:
Horace Silver (on 1956-11-10)
tenor saxophone:
Hank Mobley (on 1956-11-10)
trumpet:
Donald Byrd (on 1956-11-10)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-11-10)
recording of:
For Heaven’s Sake (on 1956-11-10)
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc.
5:10
4CD: Disc Four
#TitleLength
1The Outlaw
recording engineer:
Rudy van Gelder (on 1958-01-13)
producer:
Alfred Lion
double bass [bass]:
Teddy Kotick (on 1958-01-13)
drums (drum set):
Louis Hayes (on 1958-01-13)
piano:
Horace Silver (on 1958-01-13)
tenor saxophone:
Clifford Jordan (on 1958-01-13)
trumpet:
Art Farmer (on 1958-01-13)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1958-01-13)
recording of:
The Outlaw (on 1958-01-13)
writer:
Horace Silver
6:07
2Melancholy Mood
recording engineer:
Rudy van Gelder (on 1958-01-13)
producer:
Alfred Lion
double bass [bass]:
Teddy Kotick (on 1958-01-13)
drums (drum set):
Louis Hayes (on 1958-01-13)
piano:
Horace Silver (on 1958-01-13)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1958-01-13)
recording of:
Melancholy Mood (on 1958-01-13)
writer:
Horace Silver
6:36
3Pyramid
recording engineer:
Rudy van Gelder (on 1958-01-13)
producer:
Alfred Lion
double bass [bass]:
Teddy Kotick (on 1958-01-13)
drums (drum set):
Louis Hayes (on 1958-01-13)
piano:
Horace Silver (on 1958-01-13)
tenor saxophone:
Clifford Jordan (on 1958-01-13)
trumpet:
Art Farmer (on 1958-01-13)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1958-01-13)
recording of:
Pyramid (on 1958-01-13)
writer:
Horace Silver
6:38
4Moon Rays
recording engineer:
Rudy van Gelder (on 1958-01-13)
producer:
Alfred Lion
double bass [bass]:
Teddy Kotick (on 1958-01-13)
drums (drum set):
Louis Hayes (on 1958-01-13)
piano:
Horace Silver (on 1958-01-13)
tenor saxophone:
Clifford Jordan (on 1958-01-13)
trumpet:
Art Farmer (on 1958-01-13)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1958-01-13)
recording of:
Moon Rays (on 1958-01-13)
writer:
Horace Silver
10:56
5Safari
5:11
6Blowin’ the Blues Away
recording engineer:
Rudy van Gelder (on 1959-08-29)
producer:
Alfred Lion
double bass:
Gene Taylor (on 1959-08-29)
drums (drum set):
Louis Hayes (on 1959-08-29)
piano:
Horace Silver (on 1959-08-29)
tenor saxophone:
Junior Cook (on 1959-08-29)
trumpet:
Blue Mitchell (on 1959-08-29)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1959-08-29)
recording of:
Blowin' the Blues Away (on 1959-08-29)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc.
4:44
7The St. Vitus Dance
double bass:
Eugene Taylor (on 1959-09-13)
drums (drum set):
Louis Hayes (on 1959-09-13)
piano:
Horace Silver (on 1959-09-13)
recording of:
The St. Vitus Dance (on 1959-09-13)
writer:
Horace Silver
4:09
8Break City
double bass:
Eugene Taylor (on 1959-08-30)
drums (drum set):
Louis Hayes (on 1959-08-30)
piano:
Horace Silver (on 1959-08-30)
tenor saxophone:
Junior Cook (on 1959-08-30)
trumpet:
Blue Mitchell (on 1959-08-30)
4:57
9Peace
recording engineer:
Rudy van Gelder (on 1959-09-13)
producer:
Alfred Lion
double bass:
Gene Taylor (on 1959-08-30)
drums (drum set):
Louis Hayes (on 1959-08-30)
piano:
Horace Silver (on 1959-08-30)
tenor saxophone:
Junior Cook (on 1959-08-30)
trumpet:
Blue Mitchell (on 1959-08-30)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1959-08-30)
recording of:
Peace (on 1959-08-30)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc. (in 1970)
6:02
10Sister Sadie
double bass:
Eugene Taylor (on 1959-08-30)
drums (drum set):
Louis Hayes (on 1959-08-30)
piano:
Horace Silver (on 1959-08-30)
tenor saxophone:
Junior Cook (on 1959-08-30)
trumpet:
Blue Mitchell (on 1959-08-30)
recording of:
Sister Sadie (on 1959-08-30)
composer:
Horace Silver
6:19
11The Baghdad Blues
double bass:
Eugene Taylor (on 1959-08-29)
drums (drum set):
Louis Hayes (on 1959-08-29)
piano:
Horace Silver (on 1959-08-29)
tenor saxophone:
Junior Cook (on 1959-08-29)
trumpet:
Blue Mitchell (on 1959-08-29)
4:53
12Melancholy Mood
double bass:
Eugene Taylor (on 1959-09-13)
drums (drum set):
Louis Hayes (on 1959-09-13)
piano:
Horace Silver (on 1959-09-13)
7:08
13How Did It Happen4:45
5CD: Disc Five
#TitleLength
1Finger Poppin’
recording engineer:
Rudy van Gelder (on 1959-01-31)
producer:
Alfred Lion
double bass:
Gene Taylor (on 1959-01-31)
drums (drum set):
Louis Hayes (on 1959-01-31)
piano:
Horace Silver (on 1959-01-31)
tenor saxophone:
Junior Cook (on 1959-01-31)
trumpet:
Blue Mitchell (on 1959-01-31)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-01-31)
recording of:
Finger Poppin' (on 1959-01-31)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc.
4:49
2Juicy Lucy
recording engineer:
Rudy van Gelder (on 1959-01-31)
producer:
Alfred Lion
double bass:
Gene Taylor (on 1959-01-31)
drums (drum set):
Louis Hayes (on 1959-01-31)
piano:
Horace Silver (on 1959-01-31)
tenor saxophone:
Junior Cook (on 1959-01-31)
trumpet:
Blue Mitchell (on 1959-01-31)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-01-31)
recording of:
Juicy Lucy (on 1959-01-31)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc.
5:46
3Swingin’ the Samba
recording engineer:
Rudy van Gelder (on 1959-01-31)
producer:
Alfred Lion
double bass:
Gene Taylor (on 1959-01-31)
drums (drum set):
Louis Hayes (on 1959-01-31)
piano:
Horace Silver (on 1959-01-31)
tenor saxophone:
Junior Cook (on 1959-01-31)
trumpet:
Blue Mitchell (on 1959-01-31)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-01-31)
recording of:
Swingin' the Samba (on 1959-01-31)
composer:
Horace Silver
5:18
4Sweet Stuff
recording engineer:
Rudy van Gelder (on 1959-01-31)
producer:
Alfred Lion
double bass:
Gene Taylor (on 1959-01-31)
drums (drum set):
Louis Hayes (on 1959-01-31)
piano:
Horace Silver (on 1959-01-31)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-01-31)
recording of:
Sweet Stuff (on 1959-01-31)
composer:
Horace Silver
5:33
5Cookin’ at the Continental
recording engineer:
Rudy van Gelder (on 1959-01-31)
producer:
Alfred Lion
double bass:
Gene Taylor (on 1959-01-31)
drums (drum set):
Louis Hayes (on 1959-01-31)
piano:
Horace Silver (on 1959-01-31)
tenor saxophone:
Junior Cook (on 1959-01-31)
trumpet:
Blue Mitchell (on 1959-01-31)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-01-31)
recording of:
Cookin' at the Continental (on 1959-01-31)
composer:
Horace Silver
4:54
6Come on Home
5:31
7You Happened My Way
recording engineer:
Rudy van Gelder (on 1959-01-31)
producer:
Alfred Lion
double bass:
Gene Taylor (on 1959-01-31)
drums (drum set):
Louis Hayes (on 1959-01-31)
piano:
Horace Silver (on 1959-01-31)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-01-31)
recording of:
You Happened My Way (on 1959-01-31)
composer:
Horace Silver
5:29
8Mellow D
recording engineer:
Rudy van Gelder (on 1959-01-31)
producer:
Alfred Lion
double bass:
Gene Taylor (on 1959-01-31)
drums (drum set):
Louis Hayes (on 1959-01-31)
piano:
Horace Silver (on 1959-01-31)
tenor saxophone:
Junior Cook (on 1959-01-31)
trumpet:
Blue Mitchell (on 1959-01-31)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1959-01-31)
recording of:
Mellow D (on 1959-01-31)
composer:
Horace Silver
5:38
9Strollin’
recording engineer:
Rudy van Gelder (on 1960-07-08)
producer:
Alfred Lion
double bass [bass]:
Gene Taylor (on 1960-07-08)
drums (drum set):
Roy Brooks (on 1960-07-08)
piano:
Horace Silver (on 1960-07-08)
tenor saxophone:
Junior Cook (on 1960-07-08)
trumpet:
Blue Mitchell (on 1960-07-08)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1960-07-08)
recording of:
Strollin' (on 1960-07-08)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc.
4:59
10Where You At
5:37
11Without You
4:50
12Horace-Scope
recording engineer:
Rudy van Gelder (on 1960-07-09)
producer:
Alfred Lion
double bass [bass]:
Gene Taylor (on 1960-07-09)
drums (drum set):
Roy Brooks (on 1960-07-09)
piano:
Horace Silver (on 1960-07-09)
tenor saxophone:
Junior Cook (on 1960-07-09)
trumpet:
Blue Mitchell (on 1960-07-09)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1960-07-09)
4:43
13Yeah!
6:28
14Me and My Baby
recording engineer:
Rudy van Gelder (on 1960-07-09)
producer:
Alfred Lion
double bass [bass]:
Gene Taylor (on 1960-07-09)
drums (drum set):
Roy Brooks (on 1960-07-09)
piano:
Horace Silver (on 1960-07-09)
tenor saxophone:
Junior Cook (on 1960-07-09)
trumpet:
Blue Mitchell (on 1960-07-09)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1960-07-09)
recording of:
Me & My Baby (on 1960-07-09)
composer:
Horace Silver
5:58
15Nica’s Dream
recording engineer:
Rudy van Gelder (on 1960-07-09)
producer:
Alfred Lion
double bass [bass]:
Gene Taylor (on 1960-07-09)
drums (drum set):
Roy Brooks (on 1960-07-09)
piano:
Horace Silver (on 1960-07-09)
tenor saxophone:
Junior Cook (on 1960-07-09)
trumpet:
Blue Mitchell (on 1960-07-09)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1960-07-09)
recording of:
Nica’s Dream (on 1960-07-09)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc., Universal Music Publishing MGB France and フジパシフィックミュージック
6:50
6CD: Disc Six
#TitleLength
1Filthy McNasty
producer:
Alfred Lion
bass:
Gene Taylor (from 1961-05-19 until 1961-05-20)
drums (drum set):
Roy Brooks (from 1961-05-19 until 1961-05-20)
piano:
Horace Silver (from 1961-05-19 until 1961-05-20)
tenor saxophone:
Junior Cook (from 1961-05-19 until 1961-05-20)
trumpet:
Blue Mitchell (from 1961-05-19 until 1961-05-20)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1961-05-19 until 1961-05-20)
live instrumental recording of:
Filthy McNasty (from 1961-05-19 until 1961-05-20)
lyricist:
Ira Gitler
composer:
Horace Silver
publisher:
Ecaroh Music, Inc.
11:02
2Doin’ the Thing
producer:
Alfred Lion
bass:
Gene Taylor (from 1961-05-19 until 1961-05-20)
drums (drum set):
Roy Brooks (from 1961-05-19 until 1961-05-20)
piano:
Horace Silver (from 1961-05-19 until 1961-05-20)
tenor saxophone:
Junior Cook (from 1961-05-19 until 1961-05-20)
trumpet:
Blue Mitchell (from 1961-05-19 until 1961-05-20)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1961-05-19 until 1961-05-20)
live recording of:
Doin' the Thing (from 1961-05-19 until 1961-05-20)
composer:
Horace Silver
11:16
3Kiss Me Right
producer:
Alfred Lion
double bass:
Gene Taylor (from 1961-05-19 until 1961-05-20)
drums (drum set):
Roy Brooks (from 1961-05-19 until 1961-05-20)
piano:
Horace Silver (from 1961-05-19 until 1961-05-20)
tenor saxophone:
Junior Cook (from 1961-05-19 until 1961-05-20)
trumpet:
Blue Mitchell (from 1961-05-19 until 1961-05-20)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (from 1961-05-19 until 1961-05-20)
live recording of:
Kiss Me Right (from 1961-05-19 until 1961-05-20)
composer:
Horace Silver
9:18
4The Gringo
10:54
5The Theme
1:08
6Too Much Sake
recording engineer:
Rudy van Gelder (on 1962-07-14)
producer:
Alfred Lion
bass:
Gene Taylor (on 1962-07-14)
membranophone:
John Harris, Jr. (on 1962-07-14)
piano:
Horace Silver (on 1962-07-14)
tenor saxophone:
Junior Cook (on 1962-07-14)
trumpet:
Blue Mitchell (on 1962-07-14)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1962-07-14)
6:43
7Sayonara Blues
recording engineer:
Rudy van Gelder (on 1962-07-13)
producer:
Alfred Lion
bass:
Gene Taylor (on 1962-07-13)
membranophone:
John Harris, Jr. (on 1962-07-13)
piano:
Horace Silver (on 1962-07-13)
tenor saxophone:
Junior Cook (on 1962-07-13)
trumpet:
Blue Mitchell (on 1962-07-13)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1962-07-13)
12:13
8The Tokyo Blues
recording engineer:
Rudy van Gelder (on 1962-07-13)
producer:
Alfred Lion
bass:
Gene Taylor (on 1962-07-13)
membranophone:
John Harris, Jr. (on 1962-07-13)
piano:
Horace Silver (on 1962-07-13)
tenor saxophone:
Junior Cook (on 1962-07-13)
trumpet:
Blue Mitchell (on 1962-07-13)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1962-07-13)
7:43
9Ah So
recording engineer:
Rudy van Gelder (on 1962-07-14)
producer:
Alfred Lion
bass:
Gene Taylor (on 1962-07-14)
membranophone:
John Harris, Jr. (on 1962-07-14)
piano:
Horace Silver (on 1962-07-14)
tenor saxophone:
Junior Cook (on 1962-07-14)
trumpet:
Blue Mitchell (on 1962-07-14)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1962-07-14)
7:12