Original Album Classics

~ Release by Waylon Jennings (see all versions of this release, 1 available)

Annotation

5 CD box set

Tracklist

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1▼CD: Lonesome, on’Ry and Mean (1973)
#TitleLength
1Lonesome, On'ry And Mean
recording engineer:
Leslie Ladd, Tom Pick and Bill Vandervort
producer:
Waylon Jennings
bass:
Lee Miller (on 1972-12-18)
drums (drum set):
Richie Albright (on 1972-12-18)
guitar:
Waylon Jennings (on 1972-12-18), Billy Ray Reynolds (on 1972-12-18), Randy Scruggs (on 1972-12-18) and Chip Young (on 1972-12-18)
steel guitar:
Ralph Mooney (on 1972-12-18)
lead vocals:
Waylon Jennings (on 1972-12-18)
phonographic copyright (℗) by:
BMG Music (in 1973), RCA Corporation (in 1974, in 1979) and RCA Records (in 1979)
recorded at:
RCA Victor Studios in Nashville, Tennessee, United States (on 1972-12-18)
cover recording of:
Lonesome, On’ry and Mean (on 1972-12-18)
writer:
Steve Young
publisher:
Rich Way Music, Inc. and Sonet Productions Ltd.
3:41
2Freedom to Stay
recording engineer:
Leslie Ladd, Tom Pick and Bill Vandervort
producer:
Waylon Jennings
recorded at:
RCA Victor Studios in Nashville, Tennessee, United States
cover recording of:
Freedom to Stay
lyricist and composer:
Hoover
3:13
3Lay It Down
recording engineer:
Leslie Ladd, Tom Pick and Bill Vandervort
producer:
Ronny Light
recorded at:
RCA Victor Studios in Nashville, Tennessee, United States
cover recording of:
Lay It Down
lyricist and composer:
Gene Thomas
3:19
4Gone to Denver
recording engineer:
Leslie Ladd, Tom Pick and Bill Vandervort
producer:
Danny Davis
phonographic copyright (℗) by:
RCA Records (in 1973)
recorded at:
RCA Victor Studios in Nashville, Tennessee, United States
cover recording of:
Gone to Denver
writer:
Johnny Cash and Red Lane
publisher:
Baron Music and House of Cash, Inc.
2:32
5Good Time Charlie’s Got the Blues
recording engineer:
Leslie Ladd, Tom Pick and Bill Vandervort
producer:
Waylon Jennings
recorded at:
RCA Victor Studios in Nashville, Tennessee, United States
cover recording of:
Good Time Charlie’s Got the Blues
lyricist and composer:
Danny O’Keefe
publisher:
Burlington Music Co., Ltd., Road Canon Music, Inc., Sixteen Stars Music and Warner-Tamerlane Publishing Co.
3:24
6You Can Have Her
recording engineer:
Leslie Ladd, Tom Pick and Bill Vandervort
producer:
Ronny Light
strings arranger:
Glen Spreen
recorded at:
RCA Victor Studios in Nashville, Tennessee, United States
cover recording of:
You Can Have Her (1961 song)
lyricist and composer:
Bill Cook
publisher:
Big Billy Music and Big Billy Music Co.
2:44
7Pretend I Never Happened
recording engineer:
Leslie Ladd, Tom Pick and Bill Vandervort
producer:
Ronny Light
recorded at:
RCA Victor Studios in Nashville, Tennessee, United States
recording of:
Pretend I Never Happened
lyricist and composer:
Willie Nelson
publisher:
Willie Nelson Music, Inc.
3:05
8San Francisco Mabel Joy
recording engineer:
Leslie Ladd, Tom Pick and Bill Vandervort
producer:
Waylon Jennings
recorded at:
RCA Victor Studios in Nashville, Tennessee, United States
cover recording of:
San Francisco Mable Joy
lyricist and composer:
Mickey Newbury
3:51
9Sandy Sends Her Best
recording engineer:
Leslie Ladd, Tom Pick and Bill Vandervort
producer:
Ronny Light
recorded at:
RCA Victor Studios in Nashville, Tennessee, United States
recording of:
Sandy Sends Her Best
writer:
Billy Ray Reynolds
2:37
10Me and Bobby McGee
recording engineer:
Leslie Ladd, Tom Pick and Bill Vandervort
producer:
Ronny Light
recorded at:
RCA Victor Studios in Nashville, Tennessee, United States
cover recording of:
Me and Bobby McGee
lyricist and composer:
Fred Foster and Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control and Keith Prowse Music Publishing Co. Ltd.
4:41
11Laid Back Country Picker
producer:
Danny Davis, Waylon Jennings and Ronny Light
recording of:
Laid Back Country Picker
writer:
Jim Casey and Vince Matthews
3:16
12The Last One to Leave Seattle
producer:
Danny Davis, Waylon Jennings and Ronny Light
recording of:
The Last One to Leave Seattle
writer:
Waylon Jennings and Steve Norman
3:27
13Big, Big Love
producer:
Danny Davis, Waylon Jennings and Ronny Light
cover recording of:
Big Big Love
writer:
Ray Carroll and Wynn Stewart
2:26
2▼CD: This Time (1974)
#TitleLength
1This Time
producer:
Waylon Jennings and Willie Nelson
bass:
Duke Goff (from 1973-10-29 until 1974-01-21)
drums (drum set):
Richie Albright (from 1973-10-29 until 1974-01-21)
guitar:
Waylon Jennings (from 1973-10-29 until 1974-01-21) and Larry Whitmore (from 1973-10-29 until 1974-01-21)
harmonica:
Don Brooks (from 1973-10-29 until 1974-01-21)
organ and piano:
Dee Moeller (from 1973-10-29 until 1974-01-21)
steel guitar:
Ralph Mooney (from 1973-10-29 until 1974-01-21)
trumpet:
Kyle Lehning (from 1973-10-29 until 1974-01-21)
lead vocals:
Waylon Jennings (from 1973-10-29 until 1974-01-21)
arranger:
Waylon Jennings
phonographic copyright (℗) by:
BMG Music (in 1974) and RCA Records (in 1974)
recorded at:
Glaser Sound Studios, Inc. in Nashville, Tennessee, United States (from 1973-10-29 until 1973-10-30, on 1974-01-21)
recording of:
This Time (from 1973-10-29 until 1974-01-21)
lyricist and composer:
Waylon Jennings
publisher:
Baron Music Publishing Co.
2:26
2Louisiana Women
producer:
Waylon Jennings and Willie Nelson
arranger:
Waylon Jennings
cover recording of:
Louisiana Women
lyricist and composer:
J.J. Cale
4:03
3Pick Up the Tempo
producer:
Waylon Jennings and Willie Nelson
arranger:
Waylon Jennings
cover recording of:
Pick Up the Tempo
lyricist and composer:
Willie Nelson
publisher:
Willie Nelson Music
2:33
4Slow Rollin’ Low
producer:
Waylon Jennings and Willie Nelson
arranger:
Waylon Jennings
recording of:
Slow Rollin’ Low
lyricist and composer:
Billy Joe Shaver
2:45
5Heaven or Hell
producer:
Waylon Jennings and Willie Nelson
arranger:
Waylon Jennings
cover recording of:
Heaven or Hell
lyricist and composer:
Willie Nelson
1:39
6It’s Not Supposed to Be That Way
producer:
Waylon Jennings and Willie Nelson
bass:
Duke Goff (from 1973-10-17 until 1973-10-18)
drums (drum set):
Richie Albright (from 1973-10-17 until 1973-10-18)
guitar:
Waylon Jennings (from 1973-10-17 until 1973-10-18), Willie Nelson (from 1973-10-17 until 1973-10-18), Fred Newell (from 1973-10-17 until 1973-10-18), Larry Whitmore (from 1973-10-17 until 1973-10-18) and Reggie Young (from 1973-10-17 until 1973-10-18)
harmonica:
Don Brooks (from 1973-10-17 until 1973-10-18)
organ and piano:
Jessi Colter (from 1973-10-17 until 1973-10-18)
steel guitar:
Ralph Mooney (from 1973-10-17 until 1973-10-18)
lead vocals:
Waylon Jennings (from 1973-10-17 until 1973-10-18)
arranger:
Waylon Jennings
phonographic copyright (℗) by:
BMG Music (in 1974)
recorded at:
Glaser Sound Studios, Inc. in Nashville, Tennessee, United States (from 1973-10-17 until 1973-10-18)
cover recording of:
It’s not Supposed to Be that Way (from 1973-10-17 until 1973-10-18)
lyricist and composer:
Willie Nelson
3:29
7Slow Movin’ Outlaw
producer:
Waylon Jennings and Willie Nelson
arranger:
Waylon Jennings
recording of:
Slow Movin' Outlaw
lyricist and composer:
Dee Moeller
3:41
8Mona
producer:
Waylon Jennings and Willie Nelson
arranger:
Waylon Jennings
phonographic copyright (℗) by:
RCA Records (in 1974)
cover recording of:
Mona
writer:
Jessi Colter
publisher:
Baron Music Publishing Co.
2:48
9Walkin’
producer:
Waylon Jennings and Willie Nelson
arranger:
Waylon Jennings
cover recording of:
Walkin’
lyricist and composer:
Willie Nelson (in 1974)
publisher:
EMI Full Nelson Music
2:28
10If You Could Touch Her at All
producer:
Waylon Jennings and Willie Nelson
arranger:
Waylon Jennings
cover recording of:
If You Could Touch Her at All
lyricist:
Lee Clayton
composer:
L. Clayton
publisher:
Resaca Music Publishing Co.
3:03
11That’ll Be the Day
producer:
Duane Eddy and Waylon Jennings
cover recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly and Norman Petty
publisher:
MPL Communications Inc., Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music, Wren Music Co. and MPL Communications (in 1976)
2:25
12It Doesn’t Matter Anymore
producer:
Duane Eddy and Waylon Jennings
cover recording of:
It Doesn’t Matter Anymore
lyricist and composer:
Paul Anka
publisher:
Copyright Control, EMI Music Publishing Ltd. and Robert Mellin Ltd.
2:56
13Lady in the Harbor
producer:
Duane Eddy and Waylon Jennings
recording of:
Lady in the Harbor
writer:
Jerry Allison, Sonny Curtis, Doug Gilmore and Waylon Jennings
3:42
14Medley: Well All Right / It’s So Easy / Maybe Baby / Peggy Sue
medley including a cover recording of:
It’s So Easy
writer:
Buddy Holly and Norman Petty
publisher:
Melody Lane Publications Inc., Wren Music Co. and MPL Communications Inc. (in 1958)
medley including a cover recording of:
Maybe Baby
lyricist and composer:
Buddy Holly and Norman Petty
publisher:
Melody Lane Pub and MPL Communications Inc.
medley including a cover recording of:
Peggy Sue
writer:
Jerry Allison, Buddy Holly and Norman Petty
publisher:
Copyright Control, McCartney Music, Melody Lane Publications Inc., MPL Communications Inc., Peermusic (UK) Limited, Southern Music and Wren Music Co.
medley including a cover recording of:
Well… All Right
writer:
Jerry Allison, Buddy Holly, Joe B. Mauldin and Norman Petty
publisher:
MPL Communications Inc. and MPL Music Publishing Inc.
6:07
15If You’re Goin’ Girl
producer:
Duane Eddy and Waylon Jennings
cover recording of:
If You’re Goin’ Girl
writer:
Bobby Bond
3:45
3▼CD: The Ramblin’ Man (1974)
#TitleLength
1I’m a Ramblin’ Man
recording engineer:
Al Pachucki (on 1974-02-08)
producer:
Waylon Jennings and Ray Pennington
bass:
Joe Allen (on 1974-02-08) and Leon Rhodes (on 1974-02-08)
drums (drum set):
D.J. Fontana (on 1974-02-08) and Larry Londin (on 1974-02-08)
guitar:
Waylon Jennings (on 1974-02-08), Dave Kirby (on 1974-02-08) and Bobby Thompson (on 1974-02-08)
piano:
Bunky Keels (on 1974-02-08)
background vocals:
Lea Jane Berinati (on 1974-02-08), Ronald B. Drake (on 1974-02-08), Sharon Vaughn (on 1974-02-08) and Ernest West (on 1974-02-08)
lead vocals:
Waylon Jennings (on 1974-02-08)
phonographic copyright (℗) by:
BMG Music (in 1974) and RCA Records (in 1974)
recorded at:
RCA Victor Studios in Nashville, Tennessee, United States (on 1974-02-08)
cover recording of:
I’m a Rambling Man (on 1974-02-08)
lyricist and composer:
Ray Pennington
publisher:
Tree Publishing Co., Inc.
2:49
2Rainy Day Woman
recording engineer:
Kyle Lehning (on 1974-07-15)
producer:
Tompall Glaser and Waylon Jennings
bass:
Duke Goff (on 1974-07-15)
drums (drum set):
Richie Albright (on 1974-07-15)
guitar:
Waylon Jennings (on 1974-07-15), Fred Newell (on 1974-07-15) and Larry Whitmore (on 1974-07-15)
steel guitar:
Ralph Mooney (on 1974-07-15)
lead vocals:
Waylon Jennings (on 1974-07-15)
phonographic copyright (℗) by:
BMG Music (in 1974) and RCA Records (in 1974)
recorded at:
Glaser Sound Studios, Inc. in Nashville, Tennessee, United States (on 1974-07-15)
recording of:
Rainy Day Woman (on 1974-07-15)
lyricist and composer:
Waylon Jennings
publisher:
Baron Music Publishing Co., Hall-Clement Publications, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
2:31
3Cloudy Days
recorded in:
Nashville, Tennessee, United States
recording engineer:
Kyle Lehning
cover recording of:
Cloudy Days
lyricist and composer:
Billy Ray Reynolds
2:41
4Midnight Rider
recorded in:
Nashville, Tennessee, United States
recording engineer:
Kyle Lehning
cover recording of:
Midnight Rider
lyricist and writer:
Gregg Allman and Robert Kim Payne
composer:
Gregg Allman
publisher:
Elijah Blue Music, Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp.
3:24
5Oklahoma Sunshine
recorded in:
Nashville, Tennessee, United States
recording engineer:
Kyle Lehning
cover recording of:
Oklahoma Sunshine
writer:
Hal Bynum and Bud Reneau
3:29
6The Hunger
recorded in:
Nashville, Tennessee, United States
recording engineer:
Kyle Lehning
recording of:
The Hunger
lyricist and composer:
Lee Fry
3:31
7I Can’t Keep My Hands Off You
recorded in:
Nashville, Tennessee, United States
recording engineer:
Kyle Lehning
cover recording of:
I Can't Keep My Hands Off of You
writer:
Bobby Borchers and Mack Vickery
3:38
8Memories of You and I
recorded in:
Nashville, Tennessee, United States
recording engineer:
Kyle Lehning
recording of:
Memories of You and I
lyricist and composer:
Lee Clayton
publisher:
Resaca Music Publishing Co.
4:16
9It’ll Be Her
recorded in:
Nashville, Tennessee, United States
recording engineer:
Kyle Lehning
cover recording of:
It’ll Be Her
writer:
Billy Ray Reynolds
3:03
10Amanda
recording engineer:
Kyle Lehning (from 1974-07-15 until 1979-04-09)
producer:
Waylon Jennings and Ken Mansfield
bass:
Jerry Bridges (from 1974-07-15 until 1979-04-09) and Duke Goff (from 1974-07-15 until 1979-04-09)
drums (drum set):
Richie Albright (from 1974-07-15 until 1979-04-09)
guitar:
Carl Gay (from 1974-07-15 until 1979-04-09), Waylon Jennings (from 1974-07-15 until 1979-04-09), Fred Newell (from 1974-07-15 until 1979-04-09), Billy Ray Reynolds (from 1974-07-15 until 1979-04-09), Larry Whitmore (from 1974-07-15 until 1979-04-09) and John Wilkin (from 1974-07-15 until 1979-04-09)
harmonica:
Roger Crabtree (from 1974-07-15 until 1979-04-09)
keyboard:
Kyle Lehning (from 1974-07-15 until 1979-04-09)
steel guitar:
Ralph Mooney (from 1974-07-15 until 1979-04-09)
lead vocals:
Waylon Jennings (from 1974-07-15 until 1979-04-09)
vocals:
Garth Fundis (from 1974-07-15 until 1979-04-09)
phonographic copyright (℗) by:
BMG Music (in 1974), RCA Corporation (in 1974, in 1979) and RCA Records (in 1979, in 1980)
recorded at:
Glaser Sound Studios, Inc. in Nashville, Tennessee, United States (on 1974-07-15) and American Studios in Nashville, Tennessee, United States (on 1979-04-09)
cover recording of:
Amanda (from 1974-07-15 until 1979-04-09)
lyricist and composer:
Bob McDill
publisher:
Gold Dust Music, Ranger Bob Music and Universal PolyGram International Publishing, Inc.
2:56
11Got a Lot Going for Me
recorded in:
Nashville, Tennessee, United States
recording engineer:
Kyle Lehning
producer:
Waylon Jennings and Ray Pennington
phonographic copyright (℗) by:
RCA Records (in 1974)
recording of:
Got a Lot Going for Me
writer:
Dave Kirby
publisher:
Tree Publishing Co., Inc.
2:32
12The Last Letter
recorded in:
Nashville, Tennessee, United States
recording engineer:
Kyle Lehning
cover recording of:
The Last Letter
lyricist and composer:
Rex Griffin
4:07
13The One I Sing My Love Song To
recorded in:
Nashville, Tennessee, United States
recording engineer:
Kyle Lehning
recording of:
The One I Sing My Love Songs To
lyricist and composer:
Wayland Holyfield
2:49
4▼CD: Ol’ Waylon (1977)
#TitleLength
1Luckenbach, Texas (Back to the Basics of Love)
engineer:
Don Cobb and Neil Wilburn
producer:
Chips Moman
bass:
Sherman Hayes (from 1977-01-07 until 1977-01-08)
drums (drum set):
Richie Albright (from 1977-01-07 until 1977-01-08)
guitar:
Johnny Christopher (from 1977-01-07 until 1977-01-08), Waylon Jennings (from 1977-01-07 until 1977-01-08), Gordon Payne (from 1977-01-07 until 1977-01-08), Rance Wasson (from 1977-01-07 until 1977-01-08) and Reggie Young (from 1977-01-07 until 1977-01-08)
keyboard:
Clifford Barny Robertson (from 1977-01-07 until 1977-01-08)
steel guitar:
Ralph Mooney (from 1977-01-07 until 1977-01-08)
background vocals:
Carter Robertson (from 1977-01-07 until 1977-01-08)
lead vocals:
Waylon Jennings (from 1977-01-07 until 1977-01-08) and Willie Nelson (from 1977-01-07 until 1977-01-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1977), BMG Music (in 1977), RCA Corporation (in 1977) and RCA Records (in 1977)
recorded at:
American Studios in Nashville, Tennessee, United States (from 1977-01-07 until 1977-01-08)
mixed at:
American Studios in Nashville, Tennessee, United States
recording of:
Luckenbach, Texas (Back to the Basics of Love) (from 1977-01-07 until 1977-01-08)
composer:
Bobby Emmons and Chips Moman
publisher:
Baby Chick Music, Baby Chick Music, Inc. and Essex
cover recording of:
Luckenbach, Texas (Back to the Basics of Love)
composer:
Bobby Emmons and Chips Moman
publisher:
Baby Chick Music, Baby Chick Music, Inc. and Essex
3:22
2If You See Me Getting Smaller
engineer:
Don Cobb and Neil Wilburn
producer:
Chips Moman
background vocals:
Larry Keith and Steve Pippin
recorded at and mixed at:
American Studios in Nashville, Tennessee, United States
cover recording of:
If You See Me Getting Smaller I'm Leaving
composer:
Jimmy Webb
3:39
3Lucille
engineer:
Don Cobb and Neil Wilburn
producer:
Chips Moman
recorded at and mixed at:
American Studios in Nashville, Tennessee, United States
cover recording of:
Lucille
writer:
Roger Bowling and Hal Bynum
publisher:
ATV Music Corp., Sony/ATV Music Publishing Australia Pty Ltd., Andite Invasion (in 1976) and Brougham Hall Music Co., Inc. (in 1976)
4:07
4Sweet Caroline
engineer:
Don Cobb and Neil Wilburn
producer:
Chips Moman
recorded at and mixed at:
American Studios in Nashville, Tennessee, United States
cover recording of:
Sweet Caroline
lyricist:
Neil Diamond
composer:
Neil Diamond (in 1969)
publisher:
Ahab Music Co., Inc., EMI Music Publishing Ltd., Sony Tunes, Inc., Stone Bridge Music Co., Tree Publishing and MCA Records (in 1969)
3:10
5I Think I’m Gonna Kill Myself
engineer:
Don Cobb and Neil Wilburn
producer:
Chips Moman
recorded at and mixed at:
American Studios in Nashville, Tennessee, United States
cover recording of:
I Think I'm Gonna Kill Myself
lyricist and composer:
Buddy Knox
2:23
6Belle of the Ball
engineer:
Don Cobb and Neil Wilburn
producer:
Chips Moman
phonographic copyright (℗) by:
RCA Corporation (in 1977) and RCA Records (in 1977)
recorded at and mixed at:
American Studios in Nashville, Tennessee, United States
recording of:
Belle of the Ball
composer:
Waylon Jennings
publisher:
Copyright Control and Waylon Jennings Music
3:26
7Medley of Elvis Hits: That’s All Right / My Baby Left Me
engineer:
Don Cobb and Neil Wilburn
producer:
Chips Moman
recorded at and mixed at:
American Studios in Nashville, Tennessee, United States
recording of:
Medley of Elvis Hits: That's All Right / My Baby Left Me
composer:
Arthur “Big Boy” Crudup
medley of:
That’s All Right
medley of:
My Baby Left Me
2:37
8Till I Gain Control Again
engineer:
Don Cobb and Neil Wilburn
producer:
Chips Moman
recorded at and mixed at:
American Studios in Nashville, Tennessee, United States
cover recording of:
Till I Gain Control Again
lyricist and composer:
Rodney Crowell
publisher:
Tessa Publishing Co.
4:18
9Brand New Goodbye Song
engineer:
Don Cobb and Neil Wilburn
producer:
Chips Moman
recorded at and mixed at:
American Studios in Nashville, Tennessee, United States
cover recording of:
Brand New Goodbye Song
composer:
Chips Moman and Reggie Young
2:54
10Satin Sheets
engineer:
Don Cobb and Neil Wilburn
producer:
Chips Moman
background vocals:
Jessi Colter and Toni Wine
recorded at and mixed at:
American Studios in Nashville, Tennessee, United States
cover recording of:
Satin Sheets
lyricist and composer:
Willis Alan Ramsey
2:43
11This Is Getting Funny (But There Ain’t Nobody Laughing)
engineer:
Don Cobb and Neil Wilburn
producer:
Chips Moman
recorded at and mixed at:
American Studios in Nashville, Tennessee, United States
cover recording of:
This Is Getting Funny (But There Ain't Nobody Laughing)
composer:
Micheal Smotherman
2:48
5▼CD: Waylon & Willie (1978)
#TitleLength
1Mammas Don’t Let Your Babies Grow Up to Be Cowboys
bass:
Sherman Hayes (in 1977-11)
drums (drum set):
Richie Albright (in 1977-11)
guitar:
John Hug (in 1977-11), Waylon Jennings (in 1977-11), Chips Moman (in 1977-11), Gordon Payne (in 1977-11), Rance Wasson (in 1977-11) and Reggie Young (in 1977-11)
guitar [guitar harmony] and harmonica:
Gordon Payne (in 1977-11)
keyboard and organ:
Barny Robertson (in 1977-11)
steel guitar:
Sherman Hayes (in 1977-11) and Ralph Mooney (in 1977-11)
background vocals:
Barny Robertson (in 1977-11), Gordon Payne (in 1977-11), Carter Robertson (in 1977-11), Rance Wasson (in 1977-11) and Becky Williams (in 1977-11)
lead vocals:
Waylon Jennings (in 1977-11) and Willie Nelson (in 1977-11)
vocals:
Waylon Jennings (in 1977-11) and Willie Nelson (in 1977-11)
performer:
Waylon Jennings
phonographic copyright (℗) by:
BMG Music (in 1977), RCA Records (in 1978) and Sony Music Entertainment Inc. (in 2003)
recorded at:
American Studios in Nashville, Tennessee, United States (in 1977-11)
cover recording of:
Mammas Don’t Let Your Babies Grow Up to Be Cowboys (in 1977-11)
writer:
Ed Bruce and Patsy Bruce
publisher:
Tree Publishing Inc.
version of:
Mama Don't Let Your Cowboys Grow Up to Be Babies
2:34
2The Year 2003 Minus 25
bass:
Sherman Hayes (in 1977-11)
drums (drum set):
Richie Albright (in 1977-11)
guitar:
John Hug (in 1977-11), Waylon Jennings (in 1977-11), Chips Moman (in 1977-11), Gordon Payne (in 1977-11), Rance Wasson (in 1977-11) and Reggie Young (in 1977-11)
harmonica:
Gordon Payne (in 1977-11)
steel guitar:
Ralph Mooney (in 1977-11)
background vocals:
Gordon Payne (in 1977-11), Carter Robertson (in 1977-11), Rance Wasson (in 1977-11) and Becky Williams (in 1977-11)
vocals:
Waylon Jennings (in 1977-11) and Willie Nelson (in 1977-11)
recorded at:
American Studios in Nashville, Tennessee, United States (in 1977-11)
cover recording of:
The Year 2000 Minus 25 (in 1977-11)
lyricist and composer:
Kris Kristofferson
3:04
3Pick Up the Tempo
producer:
Waylon Jennings and Willie Nelson
bass:
Duke Goff (from 1973-10-16 until 1973-10-17)
drums (drum set):
Richie Albright (from 1973-10-16 until 1973-10-17)
electric guitar:
Reggie Young (from 1973-10-16 until 1973-10-17)
guitar:
Waylon Jennings (from 1973-10-16 until 1973-10-17), Willie Nelson (from 1973-10-16 until 1973-10-17) and Larry Whitmore (from 1973-10-16 until 1973-10-17)
organ and piano:
Kyle Lehning (from 1973-10-16 until 1973-10-17)
vocals:
Waylon Jennings (in 1977-11) and Willie Nelson (in 1977-11)
recorded at:
American Studios in Nashville, Tennessee, United States (from 1976-10-16 until 1976-10-17, in 1977-11)
cover recording of:
Pick Up the Tempo (from 1973-10-16 until 1977-11)
lyricist and composer:
Willie Nelson
publisher:
Willie Nelson Music
2:32
4If You Can Touch Her at All
producer:
Waylon Jennings and Willie Nelson
bass:
Duke Goff (from 1973-10-29 until 1973-10-30)
drums (drum set):
Richie Albright (from 1973-10-29 until 1973-10-30)
guitar:
Waylon Jennings (from 1973-10-29 until 1973-10-30)
organ and piano:
Dee Moeller (from 1973-10-29 until 1973-10-30)
trumpet:
Kyle Lehning (from 1973-10-29 until 1973-10-30)
vocals:
Waylon Jennings (in 1977-11) and Willie Nelson (in 1977-11)
recorded at:
American Studios in Nashville, Tennessee, United States (from 1973-10-29 until 1973-10-30, in 1977-11)
recording of:
If You Could Touch Her at All (from 1973-10-29 until 1977-11)
lyricist:
Lee Clayton
composer:
L. Clayton
publisher:
Resaca Music Publishing Co.
3:04
5Lookin’ for a Feeling
producer:
Chips Moman
acoustic guitar:
Gordon Payne (from 1977-08-14 until 1977-08-15) and Rance Wasson (from 1977-08-14 until 1977-08-15)
bass:
Sherman Hayes (from 1977-08-14 until 1977-08-15)
drums (drum set):
Richie Albright (from 1977-08-14 until 1977-08-15) and Eddy Anderson (from 1977-08-14 until 1977-08-15)
guitar:
Waylon Jennings (from 1977-08-14 until 1977-08-15)
keyboard:
Barny Robertson (from 1977-08-14 until 1977-08-15)
steel guitar:
Buddy Emmons (from 1977-08-14 until 1977-08-15) and Ralph Mooney (from 1977-08-14 until 1977-08-15)
background vocals:
Gordon Payne (from 1977-08-14 until 1977-08-15) and Carter Robertson (from 1977-08-14 until 1977-08-15)
vocals:
Waylon Jennings (from 1977-08-14 until 1977-08-15)
recorded at:
American Studios in Nashville, Tennessee, United States (from 1977-08-14 until 1977-08-15)
recording of:
Lookin’ for a Feeling (from 1977-08-14 until 1977-08-15)
writer:
Waylon Jennings
publisher:
Waylon Jennings Music
2:38
6It’s Not Supposed to Be That Way
producer:
Waylon Jennings and Willie Nelson
bass:
Duke Goff (from 1973-10-17 until 1973-10-18)
drums (drum set):
Richie Albright (from 1973-10-17 until 1973-10-18)
electric guitar:
Reggie Young (from 1973-10-17 until 1973-10-18)
guitar:
Waylon Jennings (from 1973-10-17 until 1973-10-18), Willie Nelson (from 1973-10-17 until 1973-10-18), Fred Newell (from 1973-10-17 until 1973-10-18) and Larry Whitmore (from 1973-10-17 until 1973-10-18)
harmonica:
Don Brooks (from 1973-10-17 until 1973-10-18)
organ and piano:
Jessi Colter (from 1973-10-17 until 1973-10-18)
steel guitar:
Ralph Mooney (from 1973-10-17 until 1973-10-18)
vocals:
Willie Nelson (in 1977-11)
recorded at:
American Studios in Nashville, Tennessee, United States (from 1973-10-17 until 1973-10-18, in 1977-11)
cover recording of:
It’s not Supposed to Be that Way (from 1973-10-17 until 1977-11)
lyricist and composer:
Willie Nelson
3:20
7I Can Get Off on You
producer:
Waylon Jennings (in 1977-11) and Willie Nelson (in 1977-11)
bass:
Sherman Hayes (in 1977-11)
drums (drum set):
Richie Albright (in 1977-11)
guitar:
John Hug (in 1977-11), Waylon Jennings (in 1977-11), Chips Moman (in 1977-11), Gordon Payne (in 1977-11) and Reggie Young (in 1977-11)
harmonica:
Gordon Payne (in 1977-11)
keyboard and organ:
Barny Robertson (in 1977-11)
steel guitar:
Ralph Mooney (in 1977-11)
background vocals [vocal harmony]:
Barny Robertson (in 1977-11), Gordon Payne (in 1977-11), Carter Robertson (in 1977-11), Rance Wasson (in 1977-11) and Becky Williams (in 1977-11)
vocals:
Waylon Jennings (in 1977-11) and Willie Nelson (in 1977-11)
phonographic copyright (℗) by:
RCA Records (in 1978)
recording of:
I Can Get Off on You (in 1977-11)
writer:
Waylon Jennings and Willie Nelson
publisher:
EMI Full Nelson Music, Nelson-Willie-Music Inc., Waylon Jennings Music and Willie Nelson Music
2:24
8Don’t Cuss the Fiddle
bass:
Sherman Hayes (in 1977-11)
drums (drum set):
Richie Albright (in 1977-11)
guitar:
John Hug (in 1977-11), Waylon Jennings (in 1977-11), Chips Moman (in 1977-11), Gordon Payne (in 1977-11), Rance Wasson (in 1977-11) and Reggie Young (in 1977-11)
harmonica:
Gordon Payne (in 1977-11)
keyboard and organ:
Barny Robertson (in 1977-11) and Carter Robertson (in 1977-11)
steel guitar:
Ralph Mooney (in 1977-11)
background vocals:
Barny Robertson (in 1977-11), Gordon Payne (in 1977-11), Carter Robertson (in 1977-11), Rance Wasson (in 1977-11) and Becky Williams (in 1977-11)
vocals:
Waylon Jennings (in 1977-11) and Willie Nelson (in 1977-11)
recorded at:
American Studios in Nashville, Tennessee, United States (in 1977-11)
cover recording of:
Don't Cuss the Fiddle (in 1977-11)
lyricist and composer:
Kris Kristofferson
3:04
9Gold Dust Woman
bass:
Sherman Hayes (in 1977-11)
drums (drum set):
Richie Albright (in 1977-11)
guitar:
John Hug (in 1977-11), Waylon Jennings (in 1977-11), Chips Moman (in 1977-11), Gordon Payne (in 1977-11), Rance Wasson (in 1977-11) and Reggie Young (in 1977-11)
harmonica:
Gordon Payne (in 1977-11)
keyboard and organ:
Barny Robertson (in 1977-11)
steel guitar:
Ralph Mooney (in 1977-11)
background vocals:
Barny Robertson (in 1977-11), Gordon Payne (in 1977-11), Carter Robertson (in 1977-11), Rance Wasson (in 1977-11) and Becky Williams (in 1977-11)
vocals:
Waylon Jennings (in 1977-11)
recorded at:
American Studios in Nashville, Tennessee, United States (in 1977-11)
cover recording of:
Gold Dust Woman (in 1977-11)
lyricist and composer:
Stevie Nicks
publisher:
Sony/ATV Songs LLC, Warner Bros. Music Ltd., Gentoo Music, Inc. (in 1977) and Welsh Witch Music (in 1977)
4:00
10A Couple More Years
producer:
Waylon Jennings and Willie Nelson
bass:
Sherman Hayes (from 1976-03-24 until 1976-03-25)
bass guitar:
Duke Goff (from 1976-03-24 until 1976-03-25)
drums (drum set):
Richie Albright (from 1976-03-24 until 1976-03-25)
guitar:
John Hug (from 1976-03-24 until 1976-03-25) and Waylon Jennings (from 1976-03-24 until 1976-03-25)
piano:
Barny Robertson (from 1976-03-24 until 1976-03-25)
steel guitar:
Ralph Mooney (from 1976-03-24 until 1976-03-25)
background vocals:
Carter Robertson (from 1976-03-24 until 1976-03-25)
vocals:
Willie Nelson (in 1977-11)
recorded at:
American Studios in Nashville, Tennessee, United States (from 1976-03-24 until 1976-03-25, in 1977-11)
cover recording of:
A Couple More Years (from 1976-03-24 until 1977-11)
writer and composer:
Dennis Locorriere and Shel Silverstein
publisher:
Evil Eye Music Inc. and Horse Hairs Music, Inc.
4:02
11The Wurlitzer Prize (I Don’t Want to Get Over You)
producer:
Chips Moman
acoustic guitar:
Gordon Payne (from 1977-08-14 until 1977-08-15) and Rance Wasson (from 1977-08-14 until 1977-08-15)
bass:
Sherman Hayes (from 1977-08-14 until 1977-08-15)
drums (drum set):
Richie Albright (from 1977-08-14 until 1977-08-15) and Eddy Anderson (from 1977-08-14 until 1977-08-15)
guitar:
Waylon Jennings (from 1977-08-14 until 1977-08-15)
keyboard:
Barny Robertson (from 1977-08-14 until 1977-08-15)
steel guitar:
Buddy Emmons (from 1977-08-14 until 1977-08-15) and Ralph Mooney (from 1977-08-14 until 1977-08-15)
background vocals:
Gordon Payne (from 1977-08-14 until 1977-08-15) and Carter Robertson (from 1977-08-14 until 1977-08-15)
vocals:
Waylon Jennings (from 1977-08-14 until 1977-08-15)
recorded at:
American Studios in Nashville, Tennessee, United States (from 1977-08-14 until 1977-08-15)
cover recording of:
The Wurlitzer Prize (I Don’t Want to Get Over You) (from 1977-08-14 until 1977-08-15)
writer:
Bobby Emmons and Chips Moman
publisher:
Baby Chick Music, Baby Chick Music, Inc. and RCA
2:08

Credits

Release

manufactured in:Europe
art direction:Herb Burnette
photography:John Donegan
Bob Jones
Marshall Fallwell, Jr.
Melinda Wickman
liner notes:Chet Flippo
John L. Smith
horn arranger:The Muscle Shoals Horns
acoustic guitar:Gordon Payne
Rance Wasson
bass:Joe Allen
Bobby Dyson
Duke Goff
Sherman Hayes
Lee Miller
Norbert Putnam
Roy Huskey
Don Smith
Henry Strzelecki
bass guitar:Leon Rhodes
cello:Byron T. Bach
David Vanderkooi
drums (drum set):Willie Ackerman
Richie Albright
Jerry Carrigan
Buddy Harman
Larrie Londin
electric bass guitar:Bobby Dyson
electric guitar:Fred Carter
Dave Kirby
Billy Sanford
Dale Sellers
fiddle:Thomas Jackson
guitar:Jimmy Capps
Carl Gay
Duke Goff
Waylon Jennings
Jerry Stembridge
John Christopher
Charlie McCoy
Willie Nelson
Alfred Newell
Fred Newell
Billy Ray Reynolds
Randy Scruggs
Bobby Thompson
Larry Whitmore
John Wilkin
Reggie Young
harmonica:Don Brooks
Roger Crabtree
Charlie McCoy
keyboard:Clifford Robertson
organ:Jessi Colter
Kyle Lehning
Dee Moeller
Billy Sanford
piano:David Briggs
Jessi Colter
Hargus Robbins
Bunky Keels
Kyle Lehning
Dee Moeller
Henry Strzelecki
resonator guitar [dobro] and steel guitar:Ralph Mooney
steel guitar:Pete Drake
trumpet:Kyle Lehning
viola:Gary Van Osdale
Marvin D. Chantry
violin:Brenton Banks
George Binkley III
Lennie Haight
Sheldon Kurland
background vocals:Gordon Payne
Carter Robertson
Rance Wasson
vocals:Waylon Jennings
manufactured by and distributed by:Sony BMG Music Entertainment
copyrighted (©) by:RCA Records (in 1974, in 1977)
Sony BMG Music Entertainment (in 2008)
phonographic copyright (℗) by:Sony BMG Music Entertainment (in 2007)
Discogs:https://www.discogs.com/release/2642746 [info]