The Seven Deadly Sins

~ Release by Kurt Weill; Sir Simon Rattle, London Symphony Orchestra, Magdalena Kožená, Andrew Staples, Florian Boesch (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistLength
1The Seven Deadly Sins: I. Prologue
engineer:
Neil Hutchinson (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall
soprano vocals [Anna]:
Magdalena Kožená (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 1. Prolog. Andante sostenuto (Anna) (from 2022-04-26 until 2022-04-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (in 1933)
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:48
2The Seven Deadly Sins: II. Sloth
engineer:
Neil Hutchinson (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall
baritone vocals [Brother]:
Ross Ramgobin (from 2022-04-26 until 2022-04-28)
baritone vocals [Mother]:
Florian Boesch (from 2022-04-26 until 2022-04-28)
tenor vocals [Brother]:
Alessandro Fisher (from 2022-04-26 until 2022-04-28)
tenor vocals [Father]:
Andrew Staples (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 2. Faulheit. Allegro vivace (Familie) (from 2022-04-26 until 2022-04-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:50
3The Seven Deadly Sins: III. Pride
engineer:
Neil Hutchinson (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall
baritone vocals [Brother]:
Ross Ramgobin (from 2022-04-26 until 2022-04-28)
baritone vocals [Mother]:
Florian Boesch (from 2022-04-26 until 2022-04-28)
soprano vocals [Anna]:
Magdalena Kožená (from 2022-04-26 until 2022-04-28)
tenor vocals [Brother]:
Alessandro Fisher (from 2022-04-26 until 2022-04-28)
tenor vocals [Father]:
Andrew Staples (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 3. Stolz. Allegretto, quasi Andantino (Anna) (from 2022-04-26 until 2022-04-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill4:45
4The Seven Deadly Sins: IV. Wrath
engineer:
Neil Hutchinson (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall
baritone vocals [Brother]:
Ross Ramgobin (from 2022-04-26 until 2022-04-28)
baritone vocals [Mother]:
Florian Boesch (from 2022-04-26 until 2022-04-28)
soprano vocals [Anna]:
Magdalena Kožená (from 2022-04-26 until 2022-04-28)
tenor vocals [Brother]:
Alessandro Fisher (from 2022-04-26 until 2022-04-28)
tenor vocals [Father]:
Andrew Staples (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 4. Zorn. Molto agitato (Familie, Anna) (from 2022-04-26 until 2022-04-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill4:31
5The Seven Deadly Sins: V. Gluttony
engineer:
Neil Hutchinson (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall
baritone vocals [Brother]:
Ross Ramgobin (from 2022-04-26 until 2022-04-28)
baritone vocals [Mother]:
Florian Boesch (from 2022-04-26 until 2022-04-28)
tenor vocals [Brother]:
Alessandro Fisher (from 2022-04-26 until 2022-04-28)
tenor vocals [Father]:
Andrew Staples (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 5. Völlerei. Largo (Familie) (from 2022-04-26 until 2022-04-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:03
6The Seven Deadly Sins: VI. Lust
engineer:
Neil Hutchinson (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall
baritone vocals [Brother]:
Ross Ramgobin (from 2022-04-26 until 2022-04-28)
baritone vocals [Mother]:
Florian Boesch (from 2022-04-26 until 2022-04-28)
soprano vocals [Anna]:
Magdalena Kožená (from 2022-04-26 until 2022-04-28)
tenor vocals [Brother]:
Alessandro Fisher (from 2022-04-26 until 2022-04-28)
tenor vocals [Father]:
Andrew Staples (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 6. Unzucht. Moderato (Anna) (from 2022-04-26 until 2022-04-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill5:47
7The Seven Deadly Sins: VII. Greed
engineer:
Neil Hutchinson (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall
baritone vocals [Brother]:
Ross Ramgobin (from 2022-04-26 until 2022-04-28)
baritone vocals [Mother]:
Florian Boesch (from 2022-04-26 until 2022-04-28)
tenor vocals [Brother]:
Alessandro Fisher (from 2022-04-26 until 2022-04-28)
tenor vocals [Father]:
Andrew Staples (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 7. Habsucht. Allegro giusto (Familie) (from 2022-04-26 until 2022-04-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill3:16
8The Seven Deadly Sins: VIII. Envy
engineer:
Neil Hutchinson (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall
baritone vocals [Brother]:
Ross Ramgobin (from 2022-04-26 until 2022-04-28)
baritone vocals [Mother]:
Florian Boesch (from 2022-04-26 until 2022-04-28)
soprano vocals [Anna]:
Magdalena Kožená (from 2022-04-26 until 2022-04-28)
tenor vocals [Brother]:
Alessandro Fisher (from 2022-04-26 until 2022-04-28)
tenor vocals [Father]:
Andrew Staples (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 8. Neid. Allegro non troppo (Anna) (from 2022-04-26 until 2022-04-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill5:15
9The Seven Deadly Sins: IX. Epilogue
engineer:
Neil Hutchinson (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall
soprano vocals [Anna]:
Magdalena Kožená (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 9. Epilog. Andante sostenuto (Anna) (from 2022-04-26 until 2022-04-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
part of:
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen
Kurt Weill1:42
10Death in the Forest, op. 23
engineer:
Neil Hutchinson (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall
bass-baritone vocals:
Florian Boesch (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Vom Tod im Wald, op. 23 (Kantate für Baß und zehn Blasinstrumente) (from 2022-04-26 until 2022-04-28)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (in 1927)
Kurt Weill8:18
11Street Scene: Act I: Lonely House
engineer:
Neil Hutchinson (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall
tenor vocals:
Andrew Staples (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Street Scene: Act I. No. 10 "Lonely House" (Sam Kaplan) (from 2022-04-26 until 2022-04-28)
lyricist:
Langston Hughes
composer:
Kurt Weill
librettist:
Elmer Rice
part of:
Street Scene: Act I.
Kurt Weill3:56
12Four Walt Whitman Songs: No. 1, Beat! Beat! Drums!
engineer:
Neil Hutchinson (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall
baritone vocals:
Ross Ramgobin (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Beat! Beat! Drums! (from 2022-04-26 until 2022-04-28)
lyricist:
Walt Whitman
composer:
Kurt Weill (in 1942)
part of:
Four Walt Whitman Songs
Kurt Weill3:12
13Four Walt Whitman Songs: No. 4, Dirge for Two Veterans
engineer:
Neil Hutchinson (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall
tenor vocals:
Andrew Staples (from 2022-04-26 until 2022-04-28)
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Dirge for Two Veterans (from 2022-04-26 until 2022-04-28)
lyricist:
Walt Whitman
composer:
Kurt Weill
part of:
Four Walt Whitman Songs
Kurt Weill4:36
14Little Threepenny Music: I. Overture
engineer:
Neil Hutchinson (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Kleine Dreigroschenmusik: I. Ouvertüre: Maestoso (from 2022-04-26 until 2022-04-28)
composer:
Kurt Weill
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill1:55
15Little Threepenny Music: II. The Ballad of Mack the Knife
engineer:
Neil Hutchinson (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer: Moderato assai (from 2022-04-26 until 2022-04-28)
composer:
Kurt Weill
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill2:13
16Little Threepenny Music: III. Instead of...
engineer:
Neil Hutchinson (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Kleine Dreigroschenmusik: III. Anstatt-dass-Song: Moderato (from 2022-04-26 until 2022-04-28)
composer:
Kurt Weill
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill1:55
17Little Threepenny Music: IV. Ballad of the Pleasant Life
engineer:
Neil Hutchinson (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Kleine Dreigroschenmusik: IV. Die Ballade vom angenehmen Leben: Foxtrott (from 2022-04-26 until 2022-04-28)
composer:
Kurt Weill
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill2:44
18Little Threepenny Music: V. Polly's Song
engineer:
Neil Hutchinson (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Kleine Dreigroschenmusik: V. Pollys Lied: Andante con moto (from 2022-04-26 until 2022-04-28)
composer:
Kurt Weill
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill2:14
19Little Threepenny Music: VI. Tango Ballad
engineer:
Neil Hutchinson (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Kleine Dreigroschenmusik: VI. Tango-Ballade (from 2022-04-26 until 2022-04-28)
composer:
Kurt Weill
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill2:52
20Little Threepenny Music: VII. Cannon Song
engineer:
Neil Hutchinson (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Kleine Dreigroschenmusik: VII. Kanonen-Song: Charleston-Tempo (from 2022-04-26 until 2022-04-28)
composer:
Kurt Weill
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill2:24
21Little Threepenny Music: VIII. Threepenny Finale
engineer:
Neil Hutchinson (from 2022-04-26 until 2022-04-28) and Jonathan Stokes (from 2022-04-26 until 2022-04-28)
producer:
Andrew Cornall
orchestra:
London Symphony Orchestra (from 2022-04-26 until 2022-04-28)
conductor:
Sir Simon Rattle (from 2022-04-26 until 2022-04-28)
phonographic copyright (℗) by:
London Symphony Orchestra Ltd (in 2025)
recorded at:
Barbican Centre: Barbican Hall in London, England, United Kingdom (from 2022-04-26 until 2022-04-28)
recording of:
Kleine Dreigroschenmusik: VIII. Dreigroschen-Finale (from 2022-04-26 until 2022-04-28)
composer:
Kurt Weill
part of:
Kleine Dreigroschenmusik (Suite für Blasorchester)
Kurt Weill4:21