13 Classic Albums: 1954 - 1960

~ Release by Clifford Brown (see all versions of this release, 1 available)

Tracklist

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1▼CD: Gigi Gryce Clifford Brown Sextet / Clifford Brown Quartet / Brown and Roach Incorporated (Disc 1)
#TitleArtistLength
1Minority
recorded in:
Paris, Île-de-France, France (on 1953-10-08)
alto saxophone:
Gigi Gryce (on 1953-10-08)
bass:
Pierre Michelot (on 1953-10-08)
drums (drum set):
Jean‐Louis Viale (on 1953-10-08)
guitar:
Jimmy Gourley (on 1953-10-08)
piano:
Henri Renaud (on 1953-10-08)
trumpet:
Clifford Brown (on 1953-10-08)
recording of:
Minority (on 1953-10-08)
composer:
Gigi Gryce
publisher:
Jacogg Publications and Twenty-Eighth Street Music
Gigi Gryce Clifford Brown Sextet5:29
2Salute to the Bandbox
recorded in:
Paris, Île-de-France, France (on 1953-10-08)
alto saxophone:
Gigi Gryce (on 1953-10-08)
bass:
Pierre Michelot (on 1953-10-08)
drums (drum set):
Jean‐Louis Viale (on 1953-10-08)
guitar:
Jimmy Gourley (on 1953-10-08)
piano:
Henri Renaud (on 1953-10-08)
trumpet:
Clifford Brown (on 1953-10-08)
recording of:
Salute to the Band Box (on 1953-10-08)
composer:
Basheer Qusim
Gigi Gryce Clifford Brown Sextet5:38
3Strictly Romantic
recorded in:
Paris, Île-de-France, France (on 1953-10-08)
alto saxophone:
Gigi Gryce (on 1953-10-08)
bass:
Pierre Michelot (on 1953-10-08)
drums (drum set):
Jean‐Louis Viale (on 1953-10-08)
guitar:
Jimmy Gourley (on 1953-10-08)
piano:
Henri Renaud (on 1953-10-08)
trumpet:
Clifford Brown (on 1953-10-08)
recording of:
Strictly Romantic (on 1953-10-08)
composer:
Gigi Gryce
publisher:
EMI Mills Music Inc.
Gigi Gryce Clifford Brown Sextet4:13
4Baby
recorded in:
Paris, Île-de-France, France (on 1953-10-08)
alto saxophone:
Gigi Gryce (on 1953-10-08)
bass:
Pierre Michelot (on 1953-10-08)
drums (drum set):
Jean‐Louis Viale (on 1953-10-08)
guitar:
Jimmy Gourley (on 1953-10-08)
piano:
Henri Renaud (on 1953-10-08)
trumpet:
Clifford Brown (on 1953-10-08)
recording of:
Baby (on 1953-10-08)
composer:
Gigi Gryce
publisher:
Twenty-Eighth Street Music
Gigi Gryce Clifford Brown Sextet5:43
5Come Rain or Come Shine
recorded in:
Paris, Île-de-France, France (on 1953-10-15)
double bass:
Pierre Michelot (on 1953-10-15)
drums (drum set):
Benny Bennet (on 1953-10-15)
piano:
Henri Renaud (on 1953-10-15)
trumpet:
Clifford Brown (on 1953-10-15)
instrumental recording of:
Come Rain or Come Shine (on 1953-10-15)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc., S.A. Music Co. and Warner/Chappell Music Scandinavia AB
Clifford Brown Quartet4:08
6I Can Dream, Can’t I
recorded in:
Paris, Île-de-France, France (on 1953-10-15)
double bass:
Pierre Michelot (on 1953-10-15)
drums (drum set):
Benny Bennet (on 1953-10-15)
piano:
Henri Renaud (on 1953-10-15)
trumpet:
Clifford Brown (on 1953-10-15)
performer:
Clifford Brown Quartet (on 1953-10-15)
instrumental recording of:
I Can Dream, Can’t I (on 1953-10-15)
orchestrator:
Billy May
lyricist:
Irving Kahal
composer:
Sammy Fain
publisher:
Chappell & Co., Inc., Fain Music Company, Redwood Music Ltd., The New Irving Kahal Music Company and Mario Music Corp. (on 1937-11-13)
Clifford Brown Quartet2:57
7Blue and Brown
recorded in:
Paris, Île-de-France, France (on 1953-10-15)
double bass:
Pierre Michelot (on 1953-10-15)
drums (drum set):
Benny Bennet (on 1953-10-15)
piano:
Henri Renaud (on 1953-10-15)
trumpet:
Clifford Brown (on 1953-10-15)
recording of:
Blue and Brown (on 1953-10-15)
composer:
Clifford Brown
publisher:
Second Floor Music
Clifford Brown Quartet3:08
8The Song Is You
recorded in:
Paris, Île-de-France, France (on 1953-10-15)
double bass:
Pierre Michelot (on 1953-10-15)
drums (drum set):
Benny Bennet (on 1953-10-15)
piano:
Henri Renaud (on 1953-10-15)
trumpet:
Clifford Brown (on 1953-10-15)
instrumental recording of:
The Song Is You (on 1953-10-15)
lyricist:
Oscar Hammerstein II
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. and T.B. Harms Co.
Clifford Brown Quartet2:49
9You’re a Lucky Guy
recorded in:
Paris, Île-de-France, France (on 1953-10-15)
double bass:
Pierre Michelot (on 1953-10-15)
drums (drum set):
Benny Bennet (on 1953-10-15)
piano:
Henri Renaud (on 1953-10-15)
trumpet:
Clifford Brown (on 1953-10-15)
instrumental recording of:
You're a Lucky Guy (on 1953-10-15)
lyricist:
Sammy Cahn
composer:
Saul Chaplin
Clifford Brown Quartet2:43
10It Might as Well Be Spring
recorded in:
Paris, Île-de-France, France (on 1953-10-15)
double bass:
Pierre Michelot (on 1953-10-15)
drums (drum set):
Benny Bennet (on 1953-10-15)
piano:
Henri Renaud (on 1953-10-15)
trumpet:
Clifford Brown (on 1953-10-15)
performer:
Clifford Brown Quartet (on 1953-10-15)
instrumental recording of:
It Might as Well Be Spring (State Fair) (on 1953-10-15)
lyricist:
Oscar Hammerstein II (in 1945)
composer:
Richard Rodgers (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc., Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
Clifford Brown Quartet4:56
11Sweet Clifford
Brown and Roach Incorporated6:38
12I Don’t Stand a Ghost of a Chance With You
Brown and Roach Incorporated7:18
13Stompin’ at the Savoy
Brown and Roach Incorporated6:23
14I’ll String Along With You
Brown and Roach Incorporated4:09
15Mildama
Brown and Roach Incorporated4:29
16Darn That Dream
Brown and Roach Incorporated4:00
17I Get a Kick Out of You
Brown and Roach Incorporated7:36
2▼CD: Jam Session / Clifford Brown and Max Roach (Disc 2)
#TitleArtistLength
1What Is This Thing Called Love
recorded in:
Los Angeles, California, United States (on 1954-08-14)
alto saxophone:
Herb Geller (on 1954-08-14)
bass:
Keter Betts (on 1954-08-14) and George Morrow (on 1954-08-14)
drums (drum set):
Max Roach (on 1954-08-14)
piano:
Junior Mance (on 1954-08-14)
tenor saxophone:
Harold Land (on 1954-08-14)
trumpet:
Clifford Brown (on 1954-08-14), Maynard Ferguson (on 1954-08-14) and Clark Terry (on 1954-08-14)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1954-08-14)
lyricist and composer:
Cole Porter (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
Clifford Brown, Max Roach, Harold Land, Richie Powell, George Morrow, Herb Geller, Keter Betts, Junior Mance, Clark Terry, Maynard Ferguson, Dinah Washington15:08
2Darn That Dream
cover recording of:
Darn That Dream
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp.
part of:
Swingin’ the Dream
Clifford Brown, Max Roach, Harold Land, Richie Powell, George Morrow, Herb Geller, Keter Betts, Junior Mance, Clark Terry, Maynard Ferguson, Dinah Washington5:18
3Medley: My Funny Valentine / Don’t Worry ’Bout Me / Bess, You Is My Woman Now / It Might as Well Be Spring
recorded in:
Los Angeles, California, United States (on 1954-08-14)
alto saxophone:
Herb Geller (on 1954-08-14)
bass:
Keter Betts (on 1954-08-14) and George Morrow (on 1954-08-14)
drums (drum set):
Max Roach (on 1954-08-14)
piano:
Junior Mance (on 1954-08-14)
tenor saxophone:
Harold Land (on 1954-08-14)
trumpet:
Clifford Brown (on 1954-08-14), Maynard Ferguson (on 1954-08-14) and Clark Terry (on 1954-08-14)
medley including a recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances) (on 1954-08-14)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
publisher:
Chappell & Co., Inc. and Gershwin Publishing Corp
is based on:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
medley including a recording of:
Don’t Worry ’Bout Me (on 1954-08-14)
lyricist:
Ted Koehler (in 1939)
writer:
Rube Bloom and Ted Koehler
composer:
Rube Bloom (in 1939)
publisher:
Cinephonic Music Co., Ltd. and Redwood Music Ltd.
medley including a recording of:
It Might as Well Be Spring (State Fair) (on 1954-08-14)
lyricist:
Oscar Hammerstein II (in 1945)
composer:
Richard Rodgers (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc., Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
medley including a recording of:
My Funny Valentine (from “Babes in Arms”) (on 1954-08-14)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc., Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd., Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Clifford Brown, Max Roach, Harold Land, Richie Powell, George Morrow, Herb Geller, Keter Betts, Junior Mance, Clark Terry, Maynard Ferguson, Dinah Washington11:36
4Delilah
producer:
Robert A. Shad
double bass:
George Morrow (on 1954-08-02)
drums (drum set):
Max Roach (on 1954-08-02)
piano:
Richie Powell (on 1954-08-02)
tenor saxophone:
Harold Land (on 1954-08-02)
trumpet:
Clifford Brown (on 1954-08-02)
cover recording of:
Delilah (on 1954-08-02)
composer:
Victor Young
part of:
Samson and Delilah
Clifford Brown and Max Roach8:02
5Parisian Thoroughfare
producer:
Robert A. Shad
double bass:
George Morrow (on 1954-08-02)
drums (drum set):
Max Roach (on 1954-08-02)
piano:
Richie Powell (on 1954-08-02)
tenor saxophone:
Harold Land (on 1954-08-02)
trumpet:
Clifford Brown (on 1954-08-02)
cover recording of:
Parisian Thoroughfare (on 1954-08-02)
composer:
Bud Powell
Clifford Brown and Max Roach7:14
6Daahoud
producer:
Robert A. Shad
double bass:
George Morrow (on 1954-08-06)
drums (drum set):
Max Roach (on 1954-08-06)
piano:
Richie Powell (on 1954-08-06)
tenor saxophone:
Harold Land (on 1954-08-06)
trumpet:
Clifford Brown (on 1954-08-06)
recording of:
Daahoud (on 1954-08-06)
composer:
Clifford Brown
Clifford Brown and Max Roach4:01
7Joy Spring
producer:
Robert A. Shad
double bass:
George Morrow (on 1954-08-06)
drums (drum set):
Max Roach (on 1954-08-06)
piano:
Richie Powell (on 1954-08-06)
tenor saxophone:
Harold Land (on 1954-08-06)
trumpet:
Clifford Brown (on 1954-08-06)
recording of:
Joy Spring (on 1954-08-06)
composer:
Clifford Brown
Clifford Brown and Max Roach6:47
8Jordu
Clifford Brown and Max Roach7:42
9The Blues Walk
producer:
Robert A. Shad
double bass:
George Morrow (on 1955-02-24)
drums (drum set):
Max Roach (on 1955-02-24)
piano:
Richie Powell (on 1955-02-24)
tenor saxophone:
Harold Land (on 1955-02-24)
trumpet:
Clifford Brown (on 1955-02-24)
recording of:
The Blues Walk (on 1955-02-24)
composer:
Clifford Brown and Chris Woods (in 1952)
Clifford Brown and Max Roach6:43
10What Am I Here For
producer:
Robert A. Shad
double bass:
George Morrow (on 1955-02-24)
drums (drum set):
Max Roach (on 1955-02-24)
piano:
Richie Powell (on 1955-02-24)
tenor saxophone:
Harold Land (on 1955-02-24)
trumpet:
Clifford Brown (on 1955-02-24)
cover recording of:
What Am I Here For (on 1955-02-24)
composer:
Duke Ellington
Clifford Brown and Max Roach3:08
3▼CD: Study in Brown / With Strings (Disc 3)
#TitleArtistLength
1Cherokee
double bass:
George Morrow (on 1955-02-25)
drums (drum set):
Max Roach (on 1955-02-25)
piano:
Richie Powell (on 1955-02-25)
tenor saxophone:
Harold Land (on 1955-02-25)
trumpet:
Clifford Brown (on 1955-02-25)
recorded at:
Capitol Studios in New York, New York, United States (on 1955-02-25)
instrumental recording of:
Cherokee (on 1955-02-25)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. and Shapiro, Bernstein & Co., Inc.
Clifford Brown and Max Roach5:42
2Jacqui
double bass:
George Morrow (on 1955-02-25)
drums (drum set):
Max Roach (on 1955-02-25)
piano:
Richie Powell (on 1955-02-25)
tenor saxophone:
Harold Land (on 1955-02-25)
trumpet:
Clifford Brown (on 1955-02-25)
recorded at:
Capitol Studios in New York, New York, United States (on 1955-02-25)
recording of:
Jacqui (on 1955-02-25)
composer:
Richard Powell
publisher:
Rockland Music and You Look Good Music Publishing
Clifford Brown and Max Roach5:07
3Swingin’
double bass:
George Morrow (on 1955-02-23)
drums (drum set):
Max Roach (on 1955-02-23)
piano:
Richie Powell (on 1955-02-23)
tenor saxophone:
Harold Land (on 1955-02-23)
trumpet:
Clifford Brown (on 1955-02-23)
recorded at:
Capitol Studios in New York, New York, United States (on 1955-02-23)
recording of:
Swingin' (on 1955-02-23)
composer:
Clifford Brown
Clifford Brown and Max Roach2:51
4Land’s End
double bass:
George Morrow (on 1955-02-23)
drums (drum set):
Max Roach (on 1955-02-23)
piano:
Richie Powell (on 1955-02-23)
tenor saxophone:
Harold Land (on 1955-02-23)
trumpet:
Clifford Brown (on 1955-02-23)
recorded at:
Capitol Studios in New York, New York, United States (on 1955-02-23)
Clifford Brown and Max Roach4:53
5George’s Dilemma
double bass:
George Morrow (on 1955-02-24)
drums (drum set):
Max Roach (on 1955-02-24)
piano:
Richie Powell (on 1955-02-24)
tenor saxophone:
Harold Land (on 1955-02-24)
trumpet:
Clifford Brown (on 1955-02-24)
recorded at:
Capitol Studios in New York, New York, United States (on 1955-02-24)
recording of:
George’s Dilemma (on 1955-02-24)
composer:
Clifford Brown
Clifford Brown and Max Roach5:33
6Sandu
double bass:
George Morrow (on 1955-02-25)
drums (drum set):
Max Roach (on 1955-02-25)
piano:
Richie Powell (on 1955-02-25)
tenor saxophone:
Harold Land (on 1955-02-25)
trumpet:
Clifford Brown (on 1955-02-25)
recorded at:
Capitol Studios in New York, New York, United States (on 1955-02-25)
recording of:
Sandu (on 1955-02-25)
composer:
Clifford Brown
publisher:
Second Floor Music
Clifford Brown and Max Roach4:52
7Gerkin for Perkin
double bass:
George Morrow (on 1955-02-23)
drums (drum set):
Max Roach (on 1955-02-23)
piano:
Richie Powell (on 1955-02-23)
tenor saxophone:
Harold Land (on 1955-02-23)
trumpet:
Clifford Brown (on 1955-02-23)
recorded at:
Capitol Studios in New York, New York, United States (on 1955-02-23)
Clifford Brown and Max Roach2:54
8If I Love Again
double bass:
George Morrow (on 1955-02-24)
drums (drum set):
Max Roach (on 1955-02-24)
piano:
Richie Powell (on 1955-02-24)
tenor saxophone:
Harold Land (on 1955-02-24)
trumpet:
Clifford Brown (on 1955-02-24)
recorded at:
Capitol Studios in New York, New York, United States (on 1955-02-24)
instrumental recording of:
If I Love Again (on 1955-04-24)
lyricist:
Jack Murray
composer:
Ben Oakland
publisher:
Warner Bros., Inc. (Warner Bros. Music Division)
Clifford Brown and Max Roach3:21
9Take the a Train
double bass:
George Morrow (on 1955-02-23)
drums (drum set):
Max Roach (on 1955-02-23)
piano:
Richie Powell (on 1955-02-23)
tenor saxophone:
Harold Land (on 1955-02-23)
trumpet:
Clifford Brown (on 1955-02-23)
recorded at:
Capitol Studios in New York, New York, United States (on 1955-02-23)
recording of:
Take the “A” Train (original instrumental version) (on 1955-02-23)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, Volume I)
Clifford Brown and Max Roach4:15
10Yesterdays
double bass:
George Morrow (on 1955-01-18)
drums (drum set):
Max Roach (on 1955-01-18)
guitar:
Barry Galbraith (on 1955-01-18)
piano:
Richie Powell (on 1955-01-18)
trumpet:
Clifford Brown (on 1955-01-18)
arranger:
Neal Hefti
recorded at:
Fine Sound Studios in New York, New York, United States (on 1955-01-18)
instrumental recording of:
Yesterdays (on 1955-01-18)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
part of:
Roberta
Clifford Brown2:57
11Laura
double bass:
George Morrow (on 1955-01-18)
drums (drum set):
Max Roach (on 1955-01-18)
guitar:
Barry Galbraith (on 1955-01-18)
piano:
Richie Powell (on 1955-01-18)
trumpet:
Clifford Brown (on 1955-01-18)
arranger:
Neal Hefti
recorded at:
Fine Sound Studios in New York, New York, United States (on 1955-01-18)
recording of:
Laura (1945 song) (on 1955-01-18)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc., EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
Clifford Brown3:24
12What’s New
double bass:
George Morrow (on 1955-01-18)
drums (drum set):
Max Roach (on 1955-01-18)
guitar:
Barry Galbraith (on 1955-01-18)
piano:
Richie Powell (on 1955-01-18)
trumpet:
Clifford Brown (on 1955-01-18)
arranger:
Neal Hefti
recorded at:
Fine Sound Studios in New York, New York, United States (on 1955-01-18)
Clifford Brown3:22
13Blue Moon
double bass:
George Morrow (on 1955-01-20)
drums (drum set):
Max Roach (on 1955-01-20)
guitar:
Barry Galbraith (on 1955-01-20)
piano:
Richie Powell (on 1955-01-20)
trumpet:
Clifford Brown (on 1955-01-20)
arranger:
Neal Hefti
recorded at:
Fine Sound Studios in New York, New York, United States (on 1955-01-20)
instrumental recording of:
Blue Moon (on 1955-01-20)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing, EMI Robbins Catalog Inc., EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions
part of:
New York, New York (1977 musical film soundtrack)
Clifford Brown3:11
14Can’t Help Lovin’ Dat Man
double bass:
George Morrow (on 1955-01-18)
drums (drum set):
Max Roach (on 1955-01-18)
guitar:
Barry Galbraith (on 1955-01-18)
piano:
Richie Powell (on 1955-01-18)
trumpet:
Clifford Brown (on 1955-01-18)
arranger:
Neal Hefti
recorded at:
Fine Sound Studios in New York, New York, United States (on 1955-01-18)
recording of:
Can’t Help Lovin’ Dat Man (Show Boat) (on 1955-01-18)
lyricist:
Oscar Hammerstein II (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
part of:
The Real Book (compilation of jazz standards, Volume I)
Clifford Brown3:42
15Embraceable You
double bass:
George Morrow (on 1955-01-20)
drums (drum set):
Max Roach (on 1955-01-20)
guitar:
Barry Galbraith (on 1955-01-20)
piano:
Richie Powell (on 1955-01-20)
trumpet:
Clifford Brown (on 1955-01-20)
arranger:
Neal Hefti
recorded at:
Fine Sound Studios in New York, New York, United States (on 1955-01-20)
instrumental recording of:
Embraceable You (on 1955-01-20)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Clifford Brown2:59
16Willow Weep for Me
double bass:
George Morrow (on 1955-01-20)
drums (drum set):
Max Roach (on 1955-01-20)
guitar:
Barry Galbraith (on 1955-01-20)
piano:
Richie Powell (on 1955-01-20)
trumpet:
Clifford Brown (on 1955-01-20)
arranger:
Neal Hefti
recorded at:
Fine Sound Studios in New York, New York, United States (on 1955-01-20)
instrumental recording of:
Willow Weep for Me (on 1955-01-20)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co.
sub-publisher:
日音 Synch事業部
Clifford Brown3:21
17Memories of You
double bass:
George Morrow (on 1955-01-18)
drums (drum set):
Max Roach (on 1955-01-18)
guitar:
Barry Galbraith (on 1955-01-18)
piano:
Richie Powell (on 1955-01-18)
trumpet:
Clifford Brown (on 1955-01-18)
arranger:
Neal Hefti
recorded at:
Fine Sound Studios in New York, New York, United States (on 1955-01-18)
instrumental recording of:
Memories of You (on 1955-01-18)
lyricist:
Andy Razaf (in 1930)
composer:
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
Clifford Brown3:30
18Smoke Gets in Your Eyes
double bass:
George Morrow (on 1955-01-18)
drums (drum set):
Max Roach (on 1955-01-18)
guitar:
Barry Galbraith (on 1955-01-18)
piano:
Richie Powell (on 1955-01-18)
trumpet:
Clifford Brown (on 1955-01-18)
arranger:
Neal Hefti
recorded at:
Fine Sound Studios in New York, New York, United States (on 1955-01-18)
instrumental recording of:
Smoke Gets in Your Eyes
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music, Chappell Music Ltd., PolyGram International Publishing, Inc., PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
part of:
Roberta
Clifford Brown3:11
19Portrait of Jenny
double bass:
George Morrow (on 1955-01-18)
drums (drum set):
Max Roach (on 1955-01-18)
guitar:
Barry Galbraith (on 1955-01-18)
piano:
Richie Powell (on 1955-01-18)
trumpet:
Clifford Brown (on 1955-01-18)
arranger:
Neal Hefti
recorded at:
Fine Sound Studios in New York, New York, United States (on 1955-01-18)
recording of:
Portrait of Jennie (on 1955-01-18)
lyricist:
Gordon Burdge
composer:
J. Russel Robinson
Clifford Brown3:23
20Where or When
double bass:
George Morrow (on 1955-01-18)
drums (drum set):
Max Roach (on 1955-01-18)
guitar:
Barry Galbraith (on 1955-01-18)
piano:
Richie Powell (on 1955-01-18)
trumpet:
Clifford Brown (on 1955-01-18)
arranger:
Neal Hefti
recorded at:
Fine Sound Studios in New York, New York, United States (on 1955-01-18)
instrumental recording of:
Where or When (from “Babes in Arms”) (on 1955-01-18)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Warner/Chappell, Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
Clifford Brown3:26
21Stardust
double bass:
George Morrow (on 1955-01-20)
drums (drum set):
Max Roach (on 1955-01-20)
guitar:
Barry Galbraith (on 1955-01-20)
piano:
Richie Powell (on 1955-01-20)
trumpet:
Clifford Brown (on 1955-01-20)
arranger:
Neal Hefti
recorded at:
Fine Sound Studios in New York, New York, United States (on 1955-01-20)
recording of:
Stardust (the jazz standard) (on 1955-01-20)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc., EMI Music Publishing Ltd., Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
part of:
American Splendor
Clifford Brown3:23
4▼CD: Gene Norman Presents Max Roach and Clifford Brown in Concert / Memorial Album (Disc 4)
#TitleArtistLength
1All God’s Chillun Got Rhythm
Max Roach and Clifford Brown6:19
2Tenderly
Max Roach and Clifford Brown5:26
3Sunset Eyes
Max Roach and Clifford Brown6:41
4Clifford’s Axe
Max Roach and Clifford Brown7:14
5Hymn of the Orient
alto saxophone and flute:
Gigi Gryce (on 1953-08-28)
double bass:
Percy Heath (on 1953-08-28)
drums (drum set):
Art Blakey (on 1953-08-28)
piano:
John Lewis (on 1953-08-28)
tenor saxophone:
Charlie Rouse (on 1953-08-28)
trumpet:
Clifford Brown (on 1953-08-28)
recording of:
Hymn of the Orient (on 1953-08-28)
composer:
Gigi Gryce
Clifford Brown4:03
6Easy Living
alto saxophone and flute:
Gigi Gryce (on 1953-08-28)
double bass:
Percy Heath (on 1953-08-28)
drums (drum set):
Art Blakey (on 1953-08-28)
piano:
John Lewis (on 1953-08-28)
tenor saxophone:
Charlie Rouse (on 1953-08-28)
trumpet:
Clifford Brown (on 1953-08-28)
instrumental recording of:
Easy Living (on 1953-08-28)
lyricist:
Leo Robin
writer:
Ralph Rainger (in 1937) and Leo Robin (in 1937)
composer:
Ralph Rainger and Leo Robin
publisher:
Famous Music Corporation (in 1937, in 1964)
Clifford Brown3:41
7Minor Mood
alto saxophone and flute:
Gigi Gryce (on 1953-08-28)
double bass:
Percy Heath (on 1953-08-28)
drums (drum set):
Art Blakey (on 1953-08-28)
piano:
John Lewis (on 1953-08-28)
tenor saxophone:
Charlie Rouse (on 1953-08-28)
trumpet:
Clifford Brown (on 1953-08-28)
Clifford Brown4:31
8Cherokee
Clifford Brown3:23
9Wail Bait
alto saxophone and flute:
Gigi Gryce (on 1953-08-28)
bass:
Percy Heath (on 1953-08-28)
drums (drum set):
Art Blakey (on 1953-08-28)
piano:
John Lewis (on 1953-08-28)
tenor saxophone:
Charlie Rouse (on 1953-08-28)
trumpet:
Clifford Brown (on 1953-08-28)
recording of:
Wail Bait (on 1953-08-28)
composer:
Quincy Jones
Clifford Brown3:59
10Brownie Speaks
alto saxophone:
Lou Donaldson (on 1953-06-09)
double bass:
Percy Heath (on 1953-06-09)
drums (drum set):
Philly Joe Jones (on 1953-06-09)
piano:
Elmo Hope (on 1953-06-09)
trumpet:
Clifford Brown (on 1953-06-09)
recording of:
Brownie Speaks (on 1953-06-09)
composer:
Clifford Brown
Clifford Brown3:43
11De‐Dah
alto saxophone:
Lou Donaldson (on 1953-06-09)
double bass:
Percy Heath (on 1953-06-09)
drums (drum set):
Philly Joe Jones
piano:
Elmo Hope (on 1953-06-09)
trumpet:
Clifford Brown (on 1953-06-09)
Clifford Brown4:47
12Cookin’
alto saxophone:
Lou Donaldson (on 1953-06-09)
double bass:
Percy Heath (on 1953-06-09)
drums (drum set):
Philly Joe Jones (on 1953-06-09)
piano:
Elmo Hope (on 1953-06-09)
trumpet:
Clifford Brown (on 1953-06-09)
recording of:
Cookin’ (on 1953-06-09)
composer:
Lou Donaldson
Clifford Brown3:11
13You Go to My Head
alto saxophone:
Lou Donaldson (on 1953-06-09)
double bass:
Percy Heath (on 1953-06-09)
drums (drum set):
Philly Joe Jones (on 1953-06-09)
piano:
Elmo Hope (on 1953-06-09)
trumpet:
Clifford Brown (on 1953-06-09)
instrumental recording of:
You Go to My Head (on 1953-06-09)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co., B. Feldman & Co. Ltd., EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros., Warner Bros. Music and Warner Bros. Music Corp.
Clifford Brown4:16
14Carving the Rock
alto saxophone:
Lou Donaldson (on 1953-06-09)
double bass:
Percy Heath (on 1953-06-09)
drums (drum set):
Philly Joe Jones (on 1953-06-09)
piano:
Elmo Hope (on 1953-06-09)
trumpet:
Clifford Brown (on 1953-06-09)
recording of:
Carvin' the Rock (on 1953-06-09)
composer:
Elmo Hope and Sonny Rollins
Clifford Brown3:53
15Brownie Eyes
Clifford Brown3:53
16Bellarosa
Clifford Brown4:12
5▼CD: Memorial / Clifford Brown All Stars (Disc 5)
#TitleArtistLength
1Stockholm Sweetnin’
Clifford Brown5:26
2’Scuse These Blues
Clifford Brown4:24
3Falling in Love With Love
Clifford Brown5:20
4Lover Come Back to Me
Clifford Brown5:18
5Philly J.J.
Clifford Brown5:10
6Dial B for Beauty
recording of:
Dial B for Beauty
composer:
Tadd Dameron
Clifford Brown4:33
7Theme of No Repeat
recording of:
Theme of No Repeat
composer:
Tadd Dameron
Clifford Brown5:20
8Choose Now
Clifford Brown4:53
9Caravan
Clifford Brown All Stars15:09
10Autumn in New York
Clifford Brown All Stars21:34
6▼CD: At Basin Street / Jazz Immortal (Disc 6)
#TitleArtistLength
1What Is This Thing Called Love
recorded in:
New York, New York, United States (on 1956-02-16)
producer:
Bob Shad
double bass:
George Morrow (on 1956-02-16)
drums (drum set):
Max Roach (on 1956-02-16)
piano:
Richie Powell (on 1956-02-16)
tenor saxophone:
Sonny Rollins (on 1956-02-16)
trumpet:
Clifford Brown (on 1956-02-16)
recorded at:
Capital Studios in New York, New York, United States (on 1956-02-16)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1956-02-16)
lyricist and composer:
Cole Porter (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
Clifford Brown and Max Roach7:34
2Love Is a Many Splendored Thing
recorded in:
New York, New York, United States (on 1956-02-16)
producer:
Bob Shad
double bass:
George Morrow (on 1956-02-16)
drums (drum set):
Max Roach (on 1956-02-16)
piano:
Richie Powell (on 1956-02-16)
tenor saxophone:
Sonny Rollins (on 1956-02-16)
trumpet:
Clifford Brown (on 1956-02-16)
recorded at:
Capital Studios in New York, New York, United States (on 1956-02-16)
instrumental recording of:
Love Is a Many‐Splendored Thing (on 1956-02-16)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music and WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
The 28th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1955 winner)
Clifford Brown and Max Roach4:14
3I’ll Remember April
recorded in:
New York, New York, United States (on 1956-02-17)
producer:
Bob Shad
double bass:
George Morrow (on 1956-02-17)
drums (drum set):
Max Roach (on 1956-02-17)
piano:
Richie Powell (on 1956-02-17)
tenor saxophone:
Sonny Rollins (on 1956-02-17)
trumpet:
Clifford Brown (on 1956-02-17)
recorded at:
Capital Studios in New York, New York, United States (on 1956-02-17)
instrumental recording of:
I’ll Remember April (on 1956-02-17)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. and Universal Music Corp.
Clifford Brown and Max Roach9:11
4Step Lightly
producer:
Bob Shad
double bass:
George Morrow (on 1956-01-04)
drums (drum set):
Max Roach (on 1956-01-04)
piano:
Richie Powell (on 1956-01-04)
tenor saxophone:
Sonny Rollins (on 1956-01-04)
trumpet:
Clifford Brown (on 1956-01-04)
recorded at:
Capital Studios in New York, New York, United States (on 1956-01-04)
recording of:
Step Lightly (Junior's Arrival) (on 1956-01-04)
writer:
Benny Golson
Clifford Brown and Max Roach3:32
5Powell’s Prances
recorded in:
New York, New York, United States (on 1956-01-04)
producer:
Bob Shad
double bass:
George Morrow (on 1956-01-04)
drums (drum set):
Max Roach (on 1956-01-04)
piano:
Richie Powell (on 1956-01-04)
tenor saxophone:
Sonny Rollins (on 1956-01-04)
trumpet:
Clifford Brown (on 1956-01-04)
recorded at:
Capital Studios in New York, New York, United States (on 1956-01-04)
recording of:
Powell's Prances (on 1956-01-04)
writer:
Richie Powell
Clifford Brown and Max Roach3:27
6Time
recorded in:
New York, New York, United States (on 1956-02-17)
producer:
Bob Shad
celesta and piano:
Richie Powell (on 1956-02-17)
double bass:
George Morrow (on 1956-02-17)
drums (drum set):
Max Roach (on 1956-02-17)
tenor saxophone:
Sonny Rollins (on 1956-02-17)
trumpet:
Clifford Brown (on 1956-02-17)
recorded at:
Capital Studios in New York, New York, United States (on 1956-02-17)
recording of:
Time (on 1956-02-17)
writer:
Richie Powell
Clifford Brown and Max Roach5:03
7The Scene Is Clean
recorded in:
New York, New York, United States (on 1956-02-17)
producer:
Bob Shad
double bass:
George Morrow (on 1956-02-17)
drums (drum set):
Max Roach (on 1956-02-17)
piano:
Richie Powell (on 1956-02-17)
tenor saxophone:
Sonny Rollins (on 1956-02-17)
trumpet:
Clifford Brown (on 1956-02-17)
recorded at:
Capital Studios in New York, New York, United States (on 1956-02-17)
recording of:
The Scene Is Clean (on 1956-02-17)
composer:
Tadd Dameron
arranger:
Joe Lovano
publisher:
Bregman, Vocco & Conn, Inc.
Clifford Brown and Max Roach6:04
8Dahoud
Clifford Brown with Zoot Sims4:11
9Finders Keepers
recording of:
Finders Keepers
composer:
Jack Montrose
Clifford Brown with Zoot Sims3:48
10Joy Spring
Clifford Brown with Zoot Sims3:13
11Gone With the Wind
Clifford Brown with Zoot Sims3:37
12Bones for Jones
Clifford Brown with Zoot Sims4:12
13Blueberry Hill
Clifford Brown with Zoot Sims3:13
14Tiny Capers
Clifford Brown with Zoot Sims4:13

Credits

Release

ASIN:US: B00PCWGAFU [info]