In a Word

~ Release by Yes (see all versions of this release, 5 available)

Tracklist

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1▼CD
#TitleLength
1Every Little Thing
engineer:
Gerald Chevin
producer:
Paul Clay and Yes
drums (drum set) and vibraphone:
Bill Bruford (in 1969)
electric bass guitar:
Chris Squire (in 1969)
guitar:
Peter Banks (in 1969)
organ and piano:
Tony Kaye (in 1969)
percussion [incidental percussion] and lead vocals:
Jon Anderson (in 1969)
background vocals:
Peter Banks (in 1969) and Chris Squire (in 1969)
cover recording of:
Every Little Thing (in 1969)
writer:
John Lennon and Paul McCartney
publisher:
Blackwood Music Inc., Northern Songs Ltd., Sony/ATV Music Publishing LLC and Sony/ATV Tunes LLC
recording of:
Every Little Thing
writer:
John Lennon and Paul McCartney
publisher:
Blackwood Music Inc., Northern Songs Ltd., Sony/ATV Music Publishing LLC and Sony/ATV Tunes LLC
5:47
2Sweetness
engineer:
Gerald Chevin
producer:
Paul Clay and Yes
drums (drum set) and vibraphone:
Bill Bruford (in 1969)
electric bass guitar:
Chris Squire (in 1969)
guitar:
Peter Banks (in 1969)
organ and piano:
Tony Kaye (in 1969)
percussion [incidental percussion] and lead vocals:
Jon Anderson (in 1969)
background vocals:
Peter Banks (in 1969) and Chris Squire (in 1969)
recording of:
Sweetness (in 1969)
writer:
Jon Anderson and Chris Squire
publisher:
Cotillion Music Inc., Topographic Music, Ltd. and Yessongs Ltd.
4:35
3Survival
engineer:
Gerald Chevin
producer:
Paul Clay and Yes
drums (drum set):
Bill Bruford (in 1969)
electric bass guitar:
Chris Squire (in 1969)
guitar:
Peter Banks (in 1969)
keyboard and organ:
Tony Kaye (in 1969)
background vocals:
Peter Banks (in 1969), Steve Howe (in 1969) and Chris Squire (in 1969)
lead vocals:
Jon Anderson (in 1969)
arranger:
Yes
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom (in 1969) and Trident Studios in Soho, Westminster, London, England, United Kingdom (in 1969)
recording of:
Survival (in 1969)
lyricist and composer:
Jon Anderson
publisher:
Cotillion, Cotillion Music Inc., Topographic Music, Ltd. and Yessongs Ltd.
6:21
4Then
recording of:
Then
lyricist and composer:
Jon Anderson
publisher:
Cotillion and Topographic Music, Ltd.
5:48
5Sweet Dreams
engineer:
Eddy Offord
producer:
Tony Colton
bass:
Chris Squire (from 1969-12 until 1970-02)
drums (drum set):
Bill Bruford (from 1969-12 until 1970-02)
guitar:
Peter Banks (from 1969-12 until 1970-02)
keyboard [hammond organ, piano]:
Tony Kaye (from 1969-12 until 1970-02)
vocals:
Jon Anderson (from 1969-12 until 1970-02) and David Foster (from 1969-12 until 1970-02)
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom (from 1969-12 until 1970-02)
recording of:
Sweet Dreams (from 1969-12 until 1970-02)
writer:
Jon Anderson and David Foster
publisher:
Cotillion and Topographic Music, Ltd.
3:51
6Astral Traveller
engineer:
Eddy Offord
producer:
Tony Colton and Yes
bass guitar:
Chris Squire (from 1969-12 until 1970-02)
drums (drum set):
Bill Bruford (from 1969-12 until 1970-02)
guitar:
Peter Banks (from 1969-12 until 1970-02)
organ:
Tony Kaye (from 1969-12 until 1970-02)
background vocals:
Peter Banks (from 1969-12 until 1970-02) and Chris Squire (from 1969-12 until 1970-02)
lead vocals:
Jon Anderson (from 1969-12 until 1970-02)
arranger:
Yes
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom (from 1969-12 until 1970-02)
recording of:
Astral Traveller (from 1969-12 until 1970-02)
lyricist and composer:
Jon Anderson
publisher:
Cotillion and Topographic Music, Ltd.
5:57
7Time and a Word
engineer:
Eddy Offord
producer:
Tony Colton and Yes
acoustic guitar:
David Foster (from 1969-12 until 1970-02)
bass guitar:
Chris Squire (from 1969-12 until 1970-02)
drums (drum set):
Bill Bruford (from 1969-12 until 1970-02)
guitar:
Peter Banks (from 1969-12 until 1970-02)
keyboard and organ:
Tony Kaye (from 1969-12 until 1970-02)
background vocals:
Peter Banks (from 1969-12 until 1970-02) and Chris Squire (from 1969-12 until 1970-02)
lead vocals:
Jon Anderson (from 1969-12 until 1970-02)
arranger:
Yes
orchestrator:
Tony Cox
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom (from 1969-12 until 1970-02)
recording of:
Time and a Word (from 1969-12 until 1970-02)
writer:
Jon Anderson and David Foster
publisher:
Cotillion, Cotillion Music Inc., Rondor Music (London) Ltd., Universal Music Publishing, Warner Chappell Music, Inc., Yessongs Ltd. and Topographic Music, Ltd. (in 1970)
4:35
8Dear Father
recording of:
Dear Father
writer:
Jon Anderson and Chris Squire
publisher:
Cotillion
4:14
9Yours Is No Disgrace
engineer:
Eddy Offord
producer:
Eddy Offord and Yes
drums (drum set) and percussion:
Bill Bruford (in 1970)
electric bass guitar:
Chris Squire (in 1970)
guitar:
Steve Howe (in 1970)
keyboard [piano, organ, synthesizer]:
Tony Kaye (in 1970)
lead vocals:
Jon Anderson (in 1970)
phonographic copyright (℗) by:
WEA International Inc. (in 1971)
recorded at:
IBC Studios in London, England, United Kingdom (in 1970)
recording of:
Yours Is No Disgrace (in 1970)
writer:
Jon Anderson, Bill Bruford, Steve Howe, Tony Kaye and Chris Squire
publisher:
Topographic Music, Ltd. and Universal Music Publishing Ltd.
9:43
10Clap
recording of:
Clap
composer:
Steve Howe
publisher:
Universal Music Publishing Ltd., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3:24
11Perpetual Change
engineer:
Eddy Offord
producer:
Eddy Offord and Yes
drums (drum set) and percussion:
Bill Bruford (in 1970)
electric bass guitar:
Chris Squire (in 1970)
guitar:
Steve Howe (in 1970)
keyboard [piano, organ, synthesizer]:
Tony Kaye (in 1970)
lead vocals:
Jon Anderson (in 1970)
recorded at:
IBC Studios in London, England, United Kingdom (in 1970)
recording of:
Perpetual Change (in 1970)
writer:
Jon Anderson and Chris Squire
publisher:
Topographic Music, Ltd. and Universal Music Publishing Ltd.
8:53
12Starship Trooper: a. Life Seeker / b. Disillusion / c. Würm
engineer:
Eddy Offord
producer:
Eddy Offord and Yes
bass guitar:
Chris Squire (from 1970-10 until 1970-11)
drums (drum set):
Bill Bruford (in 1970, from 1970-10 until 1970-11)
electric bass guitar:
Chris Squire (in 1970)
guitar:
Steve Howe (in 1970, from 1970-10 until 1970-11)
keyboard:
Tony Kaye (from 1970-10 until 1970-11)
keyboard [piano, organ, synthesizer]:
Tony Kaye (in 1970)
percussion:
Bill Bruford (in 1970)
lead vocals:
Jon Anderson (in 1970, from 1970-10 until 1970-11)
phonographic copyright (℗) by:
WEA International Inc. (in 1973)
recorded at:
IBC Studios in London, England, United Kingdom (in 1970) and Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom (from 1970-10 until 1970-11)
recording of:
Starship Trooper (from 1970-10 until 1970-11)
lyricist:
Jon Anderson and Chris Squire
composer:
Jon Anderson, Steve Howe and Chris Squire
publisher:
Cotillion Music Inc., Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing Ltd., Warner Bros. Music and Yessongs Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
9:28
13I’ve Seen All Good People: a. Your Move / b. All Good People
engineer:
Eddy Offord
producer:
Eddy Offord and Yes
bass pedals and electric bass guitar:
Chris Squire (from 1970-10 until 1970-11)
drums (drum set):
Bill Bruford (from 1970-10 until 1970-11)
electric guitar and Portuguese guitar [vachalia]:
Steve Howe (from 1970-10 until 1970-11)
guest recorder:
Colin Goldring (from 1970-10 until 1970-11)
Hammond organ and piano:
Tony Kaye (from 1970-10 until 1970-11)
percussion:
Jon Anderson (from 1970-10 until 1970-11) and Bill Bruford (from 1970-10 until 1970-11)
background vocals:
Jon Anderson (from 1970-10 until 1970-11), Steve Howe (from 1970-10 until 1970-11) and Chris Squire (from 1970-10 until 1970-11)
lead vocals:
Jon Anderson (from 1970-10 until 1970-11)
phonographic copyright (℗) by:
WEA International Inc. (in 1971)
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom (from 1970-10 until 1970-11)
recording of:
I’ve Seen All Good People (from 1970-10 until 1970-11)
writer:
Jon Anderson and Chris Squire
publisher:
Cotillion Music Inc., Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing Ltd. and Yessongs Ltd.
quotes lyrics from:
Give Peace a Chance
6:56
2▼CD
#TitleLength
1Roundabout
assistant engineer:
Gary Martin
engineer:
Eddy Offord
producer:
Eddy Offord and Yes
bass guitar:
Chris Squire (in 1971-09)
drums (drum set):
Bill Bruford (in 1971-09)
guitar:
Steve Howe (in 1971-09)
keyboard:
Rick Wakeman (in 1971-09)
lead vocals:
Jon Anderson (in 1971-09)
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1971) and WEA International Inc. (in 1972)
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom (in 1971-09)
recording of:
Roundabout (in 1971-09)
writer:
Jon Anderson and Steve Howe
publisher:
Cotillion Music Inc., Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing Ltd., Warner Bros., Warner Chappell Music, Inc., Yessongs Ltd., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
8:33
2South Side of the Sky
assistant engineer:
Gary Martin
engineer:
Eddy Offord
producer:
Eddy Offord and Yes
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom (in 1971-09)
recording of:
South Side of the Sky (in 1971-09)
composer:
Jon Anderson and Chris Squire
publisher:
Topographic Music, Ltd., Universal Music Publishing and WB Music Corp.
7:56
3Heart of the Sunrise
assistant engineer:
Gary Martin
engineer:
Eddy Offord
producer:
Eddy Offord and Yes
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1971, in 1972) and WEA International Inc. (in 1972)
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom (in 1971-09)
recording of:
Heart of the Sunrise (in 1971-09)
writer:
Jon Anderson, Bill Bruford and Chris Squire
publisher:
Cotillion Music Inc., Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing Ltd. and WB Music Corp.
10:37
4America
engineer:
Eddy Offord
producer:
Eddy Offord and Yes
bass guitar:
Chris Squire
drums (drum set):
Bill Bruford
guitar:
Steve Howe
keyboard:
Rick Wakeman
background vocals:
Steve Howe and Chris Squire
lead vocals:
Jon Anderson
arranger:
Yes
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1972)
cover recording of:
America
lyricist and composer:
Paul Simon
publisher:
Pattern Music Ltd, Paul Simon Music and Universal/MCA Music Ltd.
10:31
5Close to the Edge: I. The Solid Time of Change / II. Total Mass Retain / III. I Get Up I Get Down / IV. Seasons of Man
engineer:
Eddy Offord
producer:
Eddy Offord and Yes
arranger:
Yes
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1972) and WEA International Inc. (in 1973)
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom (in 1972)
recording of:
Close to the Edge (from 1972-04 until 1972-06)
lyricist and composer:
Jon Anderson and Steve Howe
publisher:
Imagem Songs Ltd., Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing Ltd. and Yessongs Ltd.
18:39
6The Revealing Science of God, Dance of the Dawn
recording of:
The Revealing Science of God: Dance of the Dawn
lyricist:
Jon Anderson and Steve Howe
composer:
Jon Anderson, Steve Howe, Chris Squire, Rick Wakeman and Alan White
publisher:
Rondor Music (London) Ltd., Topographic Music, Ltd. and Yessongs Ltd.
22:01
3▼CD
#TitleLength
1Siberian Khatru
producer:
Eddy Offord and Yes
arranger:
Yes
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1972) and WEA International Inc. (in 1972)
recording of:
Siberian Khatru (from 1972-04 until 1972-06)
lyricist:
Jon Anderson
composer:
Jon Anderson, Steve Howe and Rick Wakeman
publisher:
Copyright Control, Imagem Songs Ltd., Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing Ltd., WB Music Corp. and Yessongs Ltd.
8:56
2Long Distance Runaround
assistant engineer:
Gary Martin
engineer:
Eddy Offord
producer:
Eddy Offord and Yes
bass guitar:
Chris Squire (in 1971-09)
drums (drum set):
Bill Bruford (in 1971-09)
guitar:
Steve Howe (in 1971-09)
keyboard:
Rick Wakeman (in 1971-09)
lead vocals:
Jon Anderson (in 1971-09)
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1971, in 1972) and WEA International Inc. (in 1972)
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom (from 1971-08 until 1971-09, in 1971-09)
recording of:
Long Distance Runaround (in 1971-09)
lyricist and composer:
Jon Anderson
publisher:
Cotillion Music Inc., Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing, Universal Music Publishing Ltd., WB Music Corp. and Yessongs Ltd.
3:33
3The Gates of Delirium
recording of:
The Gates of Delirium
lyricist and composer:
Jon Anderson, Steve Howe, Patrick Moraz, Chris Squire and Alan White
publisher:
Warner Bros. Music, Warner Chappell North America and Topographic Music, Ltd. (in 1974)
21:50
4To Be Over
recording of:
To Be Over
lyricist and composer:
Jon Anderson, Steve Howe, Patrick Moraz, Chris Squire and Alan White
publisher:
Warner Bros. Music, Warner Chappell North America and Topographic Music, Ltd. (in 1974)
9:08
5Going for the One
assistant engineer:
David Richards
engineer:
John Timperley
executive producer:
Brian Lane
producer:
Brian Lane and Yes
bass guitar:
Chris Squire (from 1976 until 1977)
drums (drum set):
Alan White (from 1976 until 1977)
keyboard [electric keyboards] and piano:
Rick Wakeman (from 1976 until 1977)
steel guitar:
Steve Howe (from 1976 until 1977)
background vocals:
Steve Howe (from 1976 until 1977) and Chris Squire (from 1976 until 1977)
lead vocals:
Jon Anderson (from 1976 until 1977)
arranger:
Yes
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1977) and WEA International Inc. (in 1977)
recorded at:
Mountain Recording Studios in Montreux, Vaud, Switzerland (from 1976 until 1977)
recording of:
Going for the One (from 1976 until 1977)
lyricist and composer:
Jon Anderson
publisher:
Warner Bros. Music, Warner Chappell Ltd., Warner/Chappell North America Limited and Topographic Music, Ltd. (in 1977)
5:32
6Turn of the Century
recording of:
Turn of the Century
lyricist and composer:
Jon Anderson, Steve Howe and Alan White
publisher:
Warner Bros. Music, Warner Chappell Ltd. and Topographic Music, Ltd. (in 1977)
7:42
7Wonderous Stories
assistant engineer:
David Richards
engineer:
John Timperley
executive producer:
Brian Lane
producer:
Yes
bass guitar:
Chris Squire (from 1976 until 1977)
drums (drum set) and percussion:
Alan White (from 1976 until 1977)
Moog [Polymoog]:
Rick Wakeman (from 1976 until 1977)
Portuguese guitar [Vachalia] and electric guitar:
Steve Howe (from 1976 until 1977)
background vocals:
Steve Howe (from 1976 until 1977) and Chris Squire (from 1976 until 1977)
lead vocals:
Jon Anderson (from 1976 until 1977)
arranger:
Yes
phonographic copyright (℗) by:
Atlantic (in 1977), Atlantic Recording Corporation (in 1977) and WEA International Inc. (in 1977)
recorded at:
Mountain Recording Studios in Montreux, Vaud, Switzerland (from 1976 until 1977)
partial recording of:
Wonderous Stories (from 1976 until 1977)
lyricist and composer:
Jon Anderson
publisher:
Rondor Music (London) Ltd., Topographic Music, Warner Bros. Music, Warner Bros. Music Ltd., Warner Chappell Music, Warner Chappell Music Ltd., Warner Chappell Music, Inc., Warner/Chappell North America Limited and Topographic Music, Ltd. (in 1977)
3:49
8Don’t Kill the Whale
assistant recording engineer:
Pete Schwier and Peter Woolliscroft
recording engineer:
Nigel Luby and Geoff Young
producer:
Yes
bass and piano:
Chris Squire
drums (drum set):
Alan White
guitar:
Steve Howe
Moog [Polymoog]:
Rick Wakeman
vocals:
Jon Anderson and Chris Squire
arranger:
Yes
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1978)
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom
mixed at:
RAK Studios in London, England, United Kingdom
recording of:
Don’t Kill the Whale (in 1978)
writer:
Jon Anderson and Chris Squire
publisher:
Rondor Music (London) Ltd., Topographic Music, Warner Bros. Music and Topographic Music, Ltd. (in 1978)
3:57
9Release, Release
assistant recording engineer:
Pete Schwier and Peter Woolliscroft
recording engineer:
Nigel Luby and Geoff Young
producer:
Yes
bass:
Chris Squire
drums (drum set) and percussion:
Alan White
guitar:
Steve Howe
Hammond organ and Moog [Polymoog]:
Rick Wakeman
vocals:
Jon Anderson, Steve Howe, Chris Squire and Alan White
arranger:
Yes
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom
mixed at:
RAK Studios in London, England, United Kingdom
recording of:
Release, Release
writer:
Jon Anderson, Chris Squire and Alan White
publisher:
Topographic Music, Ltd.
5:47
10Arriving UFO
assistant recording engineer:
Pete Schwier and Peter Woolliscroft
recording engineer:
Nigel Luby and Geoff Young
producer:
Yes
bass and bass pedals:
Chris Squire
drums (drum set) and gong:
Alan White
guitar:
Jon Anderson and Steve Howe
Moog [Polymoog] and piano:
Rick Wakeman
vocals:
Jon Anderson, Steve Howe and Chris Squire
arranger:
Yes
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London, England, United Kingdom
mixed at:
RAK Studios in London, England, United Kingdom
recording of:
Arriving UFO
writer:
Jon Anderson, Steve Howe and Rick Wakeman
publisher:
Topographic Music, Ltd.
6:03
11Richard
recording of:
Richard
writer:
Jon Anderson, Steve Howe, Chris Squire, Rick Wakeman and Alan White
3:34
4▼CD
#TitleLength
1Tango
recording of:
Tango
writer:
Jon Anderson and Rick Wakeman
3:49
2Never Done Before
recording of:
Never Done Before
writer:
Jon Anderson, Steve Howe, Chris Squire, Rick Wakeman and Alan White
2:10
3Crossfire
recording of:
Crossfire
writer:
Steve Howe and Chris Squire
2:42
4Machine Messiah
additional engineer:
George Chambers
engineer:
Hugh Padgham
producer:
Eddie Offord and Yes
bass guitar:
Chris Squire
drums (drum set) and percussion:
Alan White
electric guitar [Gibson The Les Paul]:
Steve Howe
keyboard:
Geoff Downes
background vocals:
Geoff Downes, Steve Howe, Chris Squire and Alan White
lead vocals:
Trevor Horn
arranger:
Yes
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London, England, United Kingdom
mixed at:
Sarm Studios in Aldgate, Tower Hamlets, London, England, United Kingdom
recording of:
Machine Messiah
writer:
Geoff Downes, Trevor Horn, Steve Howe, Chris Squire and Alan White
publisher:
Universal/Island Music Ltd. and Topographic Music, Ltd. (in 1980)
10:24
5Tempus Fugit
additional engineer:
George Chambers
engineer:
Hugh Padgham
producer:
Eddie Offord and Yes
bass guitar:
Chris Squire
drums (drum set) and percussion:
Alan White
electric guitar [Fender Stratocaster]:
Steve Howe
keyboard:
Geoff Downes
background vocals:
Geoff Downes, Steve Howe, Chris Squire and Alan White
lead vocals:
Trevor Horn
arranger:
Yes
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1980) and WEA International Inc. (in 1980)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London, England, United Kingdom
mixed at:
Sarm Studios in Aldgate, Tower Hamlets, London, England, United Kingdom
recording of:
Tempus Fugit (in 1980)
writer:
Geoff Downes, Trevor Horn, Steve Howe, Chris Squire and Alan White
publisher:
Universal/Island Music Ltd., Warner Bros., Warner Chappell Music Ltd. and Topographic Music, Ltd. (in 1980)
5:17
6Owner of a Lonely Heart
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Chris Squire (in 1983)
drums (drum set):
Alan White (in 1983)
guitar:
Trevor Rabin (in 1983)
keyboard:
Tony Kaye (in 1983)
lead vocals:
Jon Anderson (in 1983)
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1983, in 2003) and WEA International Inc. (in 1983, in 2003)
recorded at:
Sarm Studios in Aldgate, Tower Hamlets, London, England, United Kingdom (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
writer:
Jon Anderson, Trevor Horn, Trevor Rabin and Chris Squire
publisher:
Affirmative Music, BMG Chrysalis Scandinavia AB, BMG Rights Management (UK) Ltd., Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC, Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc., Tremander Songs, Unforgettable Songs, Unforgettable Songs Ltd., Warner Bros. Music, Warner Bros. Music Ltd., Warner Chappell Music, Warner Chappell Music Ltd., Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp., Warner/Chappell and Warner/Chappell North America Limited
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部, ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
4:29
7It Can Happen
engineer:
Gary Langan
producer:
Trevor Horn
recording of:
It Can Happen (in 1983)
composer:
Jon Anderson, Trevor Rabin and Chris Squire
publisher:
Affirmative Music, Carbert Music Inc., Tremander Songs, Warner Bros. Music Ltd. and Warner–Tamerlane Publishing Corp.
5:30
8Leave It
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Chris Squire (in 1983)
drums (drum set):
Alan White (in 1983)
guitar:
Trevor Rabin (in 1983)
keyboard:
Tony Kaye (in 1983)
lead vocals:
Jon Anderson (in 1983)
recorded at:
Sarm Studios in Aldgate, Tower Hamlets, London, England, United Kingdom (in 1983)
recording of:
Leave It (in 1983)
composer:
Trevor Horn, Trevor Rabin and Chris Squire
publisher:
Carbert Music Inc., Carlin Music Corporation, Tremander Songs, Warner Bros. Music Ltd., Warner/Chappell North America Limited, WB Music Corp., Affirmative Music (in 1984), Unforgettable Songs (in 1984) and Warner–Tamerlane Publishing Corp. (in 1984)
4:14
9Hold On
engineer:
Gary Langan
producer:
Trevor Horn and Yes
recording of:
Hold On (in 1983)
composer:
Jon Anderson, Trevor Rabin and Chris Squire
publisher:
Affirmative Music, Carbert Music Inc., Carlin Music Corporation, Downtown Music Publishing LLC, Tremander Songs, Warner Bros. Music Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell
5:17
10Rhythm of Love
engineer:
David Glover, Allan Goldberg, John Jacobs, Paul Massey, Dave Meegan, Paul De Villiers and Trevor Rabin
producer:
Trevor Horn, Paul De Villiers, Trevor Rabin and Yes
mixer:
Trevor Rabin
bass guitar:
Chris Squire
drums (drum set):
Alan White
guitar:
Trevor Rabin
keyboard:
Tony Kaye
lead vocals:
Jon Anderson
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1987)
recorded at:
AIR Studios in Hampstead, Camden, London, England, United Kingdom, Lark Recording Studios in Como, Como, Lombardia, Italy, Sarm Studios in Aldgate, Tower Hamlets, London, England, United Kingdom, Southcombe Recording Studios in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
recording of:
Rhythm of Love
composer:
Jon Anderson, Tony Kaye, Trevor Rabin and Chris Squire
publisher:
Affirmative Music, Carlin Music Corporation, Downtown Music Publishing LLC, Tremander Songs and Warner/Chappell
4:53
11Love Will Find a Way
producer:
Paul DeVilliers, Trevor Rabin and Yes
mixer:
Trevor Rabin
harmonica:
James Zavala
recording of:
Love Will Find a Way
lyricist and composer:
Trevor Rabin
publisher:
Affirmative Music
4:51
12Holy Lamb (Song for Harmonic Convergence)
recording of:
Holy Lamb (Song for Harmonic Convergence)
lyricist and composer:
Jon Anderson
publisher:
Affirmative Music
3:23
13Brother of Mine: I. The Big Dream / II. Nothing Can Come Between Us / III. Long Lost Brother of Mine
assistant engineer:
George Cowan
engineer:
Christopher Marc Potter and Chris Kimsey
producer:
Jon Anderson and Chris Kimsey
mixer:
Michael Barbiero and Steve Thompson
phonographic copyright (℗) by:
Arista Records, Inc. (in 1989)
mixed at:
Bearsville Studios in Bearsville, New York, United States
recording of:
Brother of Mine
writer:
Jon Anderson, Bill Bruford, Geoff Downes, Steve Howe and Rick Wakeman
publisher:
Warners
10:19
14Fist of Fire (alternate version)
phonographic copyright (℗) by:
Arista Records, Inc. (in 1989)
recording of:
Fist of Fire
writer:
Jon Anderson, Bill Bruford, Steve Howe and Rick Wakeman
3:28
15I Would Have Waited Forever
phonographic copyright (℗) by:
Arista Records, Inc. (in 1991)
recording of:
I Would Have Waited Forever
writer:
Jon Anderson, Jonathan Elias and Steve Howe
publisher:
Fizz Music Ltd., MCA Music Publishing, POW Music and WB Music Corp.
7:02
5▼CD
#TitleLength
1Lift Me Up
programming:
Mark Mancina
assistant engineer:
Steve Harrison
engineer and producer:
Trevor Rabin
mixer:
Paul Fox and Ed Thacker
bass guitar:
Chris Squire
drums (drum set):
Alan White
guitar:
Trevor Rabin
keyboard:
Tony Kaye
lead vocals:
Jon Anderson
phonographic copyright (℗) by:
Arista Records, Inc. (in 1991)
recorded at:
The Jacaranda Room in Los Angeles, California, United States
mixed at:
Grey Room in United Kingdom and One on One Studios in North Hollywood, Los Angeles, California, United States
recording of:
Lift Me Up
writer:
Trevor Rabin and Chris Squire
publisher:
Affirmative Music, Carlin Music Corporation, Downtown Music Publishing LLC and Tremander Songs
6:31
2The Calling
programming and producer:
Trevor Rabin
engineer:
Michael Jay and Trevor Rabin
bass guitar:
Chris Squire
drums (drum set):
Alan White
guitar and keyboard:
Trevor Rabin
Hammond organ:
Tony Kaye
background vocals:
Trevor Rabin and Chris Squire
lead vocals:
Jon Anderson
phonographic copyright (℗) by:
JVC Victor International Inc. (in 1994) and Victory Music, Inc. (in 1994)
recorded at and mixed at:
The Jacaranda Room in Los Angeles, California, United States
recording of:
The Calling
writer:
Jon Anderson, Trevor Rabin and Chris Squire
publisher:
Chris Squire Songs, Fizz Music Ltd., Tremander Songs and WB Music Corp.
6:56
3I Am Waiting
programming and producer:
Trevor Rabin
engineer:
Michael Jay and Trevor Rabin
bass guitar:
Chris Squire
drums (drum set):
Alan White
guitar and keyboard:
Trevor Rabin
Hammond organ:
Tony Kaye
background vocals:
Trevor Rabin and Chris Squire
lead vocals:
Jon Anderson
phonographic copyright (℗) by:
JVC Victor International Inc. (in 1994) and Victory Music, Inc. (in 1994)
recorded at and mixed at:
The Jacaranda Room in Los Angeles, California, United States
recording of:
I Am Waiting
writer:
Jon Anderson and Trevor Rabin
publisher:
Fizz Music Ltd., Tremander Songs and WB Music Corp.
7:26
4Mind Drive
recording engineer and mixer:
Billy Sherwood
producer:
Billy Sherwood and Yes
engineered at:
Yesworld Studios in San Luis Obispo, California, United States (from 1995 until 1996)
recording of:
Mind Drive (from 1995 until 1996)
writer:
Jon Anderson, Steve Howe, Chris Squire, Rick Wakeman and Alan White
publisher:
Basedown Ltd., EMI Music GmbH, PXM Publishing and Warner Chappell Ltd.
18:38
5Open Your Eyes
recording engineer:
Billy Sherwood
producer:
Yes
mixer:
Randy Niklaus and Billy Sherwood
additional keyboard:
Steve Porcaro
lead vocals:
Jon Anderson
phonographic copyright (℗) by:
Beyond Music (in 1997) and Eagle Rock Entertainment PLC (in 1997)
mixed at:
The Office in Van Nuys, California, United States
recording of:
Open Your Eyes
writer:
Jon Anderson, Steve Howe, Billy Sherwood, Chris Squire and Alan White
publisher:
Backyard Levitation Inc., Basedown Ltd. and Opio Publishing
5:14
6Universal Garden
recording engineer:
Billy Sherwood
producer:
Yes
mixer:
Randy Niklaus and Billy Sherwood
lead vocals:
Jon Anderson
phonographic copyright (℗) by:
Beyond Music (in 1997)
mixed at:
The Office in Van Nuys, California, United States
recording of:
Universal Garden
writer:
Jon Anderson, Steve Howe, Billy Sherwood, Chris Squire and Alan White
publisher:
Backyard Levitation Inc., Basedown Ltd. and Opio Publishing
6:17
7Homeworld (The Ladder)
additional engineer:
Paul Silveria
engineer and mixer:
Mike Plotnikoff
producer:
Bruce Fairbairn
bass guitar:
Chris Squire (from 1999-02 until 1999-05)
drums (drum set) and percussion:
Alan White (from 1999-02 until 1999-05)
guitar:
Steve Howe (from 1999-02 until 1999-05) and Billy Sherwood (from 1999-02 until 1999-05)
keyboard:
Igor Khoroshev (from 1999-02 until 1999-05)
lead vocals:
Jon Anderson (from 1999-02 until 1999-05)
phonographic copyright (℗) by:
Beyond Music (in 1999) and Eagle Records (in 1999)
recorded at and mixed at:
Armoury Studios in Vancouver, British Columbia, Canada (from 1999-02 until 1999-05)
live recording of:
Homeworld (The Ladder) (from 1999-02 until 1999-05)
lyricist:
Jon Anderson
composer:
Jon Anderson, Steve Howe, Igor Khoroshev, Billy Sherwood, Chris Squire and Alan White
publisher:
Backyard Levitation Inc., Boundmere Ltd. and Opio Publishing
9:35
8The Messenger
additional engineer:
Paul Silveria
engineer and mixer:
Mike Plotnikoff
producer:
Bruce Fairbairn
bass guitar:
Chris Squire (from 1999-02 until 1999-05)
drums (drum set) and percussion:
Alan White (from 1999-02 until 1999-05)
guitar:
Steve Howe (from 1999-02 until 1999-05) and Billy Sherwood (from 1999-02 until 1999-05)
keyboard:
Igor Khoroshev (from 1999-02 until 1999-05)
lead vocals:
Jon Anderson (from 1999-02 until 1999-05)
phonographic copyright (℗) by:
Beyond Music (in 1999) and Eagle Records (in 1999)
recorded at and mixed at:
Armoury Studios in Vancouver, British Columbia, Canada (from 1999-02 until 1999-05)
recording of:
The Messenger (Yes) (from 1999-02 until 1999-05)
lyricist:
Jon Anderson
composer:
Jon Anderson, Steve Howe, Igor Khoroshev, Billy Sherwood, Chris Squire and Alan White
publisher:
Backyard Levitation Inc., Boundmere Ltd. and Opio Publishing
5:15
9Last Train
phonographic copyright (℗) by:
Beyond Music (in 2001)
recording of:
Last Train
writer:
Jon Anderson, Steve Howe, Chris Squire and Alan White
2:24
10In the Presence Of: I. Deeper / II. Death of Ego / III. True Beginner / IV. Turn Around and Remember
phonographic copyright (℗) by:
Beyond Music (in 2001)
recording of:
In the Presence Of
writer:
Jon Anderson, Steve Howe, Chris Squire and Alan White
publisher:
Bug Music, Opio Publishing and Warner–Tamerlane Publishing Corp.
10:25