Mass in B minor, BWV 232

~ Release by Johann Sebastian Bach; Michel Corboz (see all versions of this release, 2 available)

Tracklist

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1▼Digital Media
#TitleArtistLength
1Mass in B minor, BWV 232: Kyrie eleison I
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach8:23
2Mass in B minor, BWV 232: Christe eleison
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
alto vocals and mezzo-soprano vocals:
Bernarda Fink (from 1996-09-15 until 1996-09-17)
soprano vocals:
Sandrine Piau (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:36
3Mass in B minor, BWV 232: Kyrie eleison II
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:49
4Mass in B minor, BWV 232: Gloria in excelsis
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:43
5Mass in B minor, BWV 232: Et in terra pax
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:53
6Mass in B minor, BWV 232: Laudamus te
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
soprano vocals:
Sandrine Piau (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:17
7Mass in B minor, BWV 232: Gratias agimus tibi
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:48
8Mass in B minor, BWV 232: Domine Deus
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
soprano vocals:
Sandrine Piau (from 1996-09-15 until 1996-09-17)
tenor vocals:
Markus Schäfer (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:20
9Mass in B minor, BWV 232: Qui tollis peccata mundi
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:40
10Mass in B minor, BWV 232: Qui sedes ad dexteram Patris
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
alto vocals and mezzo-soprano vocals:
Bernarda Fink (from 1996-09-15 until 1996-09-17)
soprano vocals:
Sandrine Piau (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:37
11Mass in B minor, BWV 232: Quoniam tu solus sanctus
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
bass vocals:
Marcos Fink (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:23
12Mass in B minor, BWV 232: Cum Sancto Spiritu
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:39
2▼Digital Media
#TitleArtistLength
1Mass in B minor, BWV 232: Credo in unum Deum
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:44
2Mass in B minor, BWV 232: Patrem omnipotentem
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:08
3Mass in B minor, BWV 232: Et in unum Dominum
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
alto vocals and mezzo-soprano vocals:
Bernarda Fink (from 1996-09-15 until 1996-09-17)
soprano vocals:
Sandrine Piau (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:39
4Mass in B minor, BWV 232: Et incarnatus est
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:55
5Mass in B minor, BWV 232: Crucifixus
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:37
6Mass in B minor, BWV 232: Et resurrexit
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:40
7Mass in B minor, BWV 232: Et in Spiritum Sanctum
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
bass vocals:
Marcos Fink (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:33
8Mass in B minor, BWV 232: Confiteor
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:40
9Mass in B minor, BWV 232: Et expecto
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:06
10Mass in B minor, BWV 232: Sanctus
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:52
11Mass in B minor, BWV 232: Osanna in excelsis
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:34
12Mass in B minor, BWV 232: Benedictus
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
tenor vocals:
Markus Schäfer (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:00
13Mass in B minor, BWV 232: Osanna repetatur
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
bass vocals:
Marcos Fink (from 1996-09-15 until 1996-09-17)
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:34
14Mass in B minor, BWV 232: Agnus Dei
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
alto vocals and mezzo-soprano vocals:
Bernarda Fink (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:10
15Mass in B minor, BWV 232: Dona nobis pacem
recording engineer:
Joseph Rotzetter (in 1996-09)
producer:
François Garcin
choir vocals:
Ensemble Vocal de Lausanne (from 1996-09-15 until 1996-09-17)
orchestra:
Ensemble Instrumental de Lausanne (from 1996-09-15 until 1996-09-17)
conductor:
Michel Corboz (from 1996-09-15 until 1996-09-17)
balance engineer:
Joseph Rotzetter
recorded at:
Auditorium Stravinsky in Montreux, Vaud, Switzerland (from 1996-09-15 until 1996-09-17)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 1996-09-15 until 1996-09-17)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:01