The Complete Sony Recordings

~ Release by Esa‐Pekka Salonen (see all versions of this release, 1 available)

Tracklist

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1▼CD: Bach Transcriptions
#	Title	Artist	Length
1	Toccata & Fugue in D minor, BWV 565: Toccata assistant engineer: Jen Wyler (from 1999-10-06 until 1999-10-07) engineer: Richard King (from 1999-10-06 until 1999-10-07) producer: David Mottley orchestra: Los Angeles Philharmonic (from 1999-10-06 until 1999-10-07) conductor: Esa‐Pekka Salonen (from 1999-10-06 until 1999-10-07) recorded at: Dorothy Chandler Pavilion in Los Angeles, California, United States (from 1999-10-06 until 1999-10-07) recording of: Toccata and Fugue in D minor, BWV 565: Toccata (Stokowski orchestration) (from 1999-10-06 until 1999-10-07) orchestrator: Leopold Stokowski composer: Johann Sebastian Bach orchestration of: Toccata und Fuge d-Moll, BWV 565: I. Toccata part of: Toccata and Fugue in D minor, BWV 565 (Stokowski orchestration)	Johann Sebastian Bach	3:56
2	Toccata & Fugue in D minor, BWV 565: Fugue assistant engineer: Jen Wyler (from 1999-10-06 until 1999-10-07) engineer: Richard King (from 1999-10-06 until 1999-10-07) producer: David Mottley orchestra: Los Angeles Philharmonic (from 1999-10-06 until 1999-10-07) conductor: Esa‐Pekka Salonen (from 1999-10-06 until 1999-10-07) recorded at: Dorothy Chandler Pavilion in Los Angeles, California, United States (from 1999-10-06 until 1999-10-07) recording of: Toccata and Fugue in D minor, BWV 565: Fugue (Stokowski orchestration) (from 1999-10-06 until 1999-10-07) orchestrator: Leopold Stokowski composer: Johann Sebastian Bach orchestration of: Toccata und Fuge d-Moll, BWV 565: II. Fuge part of: Toccata and Fugue in D minor, BWV 565 (Stokowski orchestration)	Johann Sebastian Bach	6:11
3	Fantasy & Fugue in C minor, BWV 537: Fantasy assistant engineer: Jen Wyler (from 1999-10-06 until 1999-10-07) engineer: Richard King (from 1999-10-06 until 1999-10-07) producer: David Mottley orchestra: Los Angeles Philharmonic (in 1999-10, from 1999-10-06 until 1999-10-07) conductor: Esa‐Pekka Salonen (in 1999-10, from 1999-10-06 until 1999-10-07) recorded at: Dorothy Chandler Pavilion in Los Angeles, California, United States (from 1999-10-06 until 1999-10-07) recording of: Fantasia and Fugue in C minor, op. 86, BWV 537: Fantasia (Elgar orchestration) (from 1999-10-06 until 1999-10-07) orchestrator: Edward Elgar composer: Johann Sebastian Bach orchestration of: Fantasie und Fuge C-moll, BWV 537: I. Fantasie part of: Fantasia and Fugue in C minor, op. 86, BWV 537 (Elgar orchestration)	Johann Sebastian Bach	5:13
4	Fantasy & Fugue in C minor, BWV 537: Fugue assistant engineer: Jen Wyler (from 1999-10-06 until 1999-10-07) engineer: Richard King (from 1999-10-06 until 1999-10-07) producer: David Mottley orchestra: Los Angeles Philharmonic (in 1999-10, from 1999-10-06 until 1999-10-07) conductor: Esa‐Pekka Salonen (in 1999-10, from 1999-10-06 until 1999-10-07) recorded at: Dorothy Chandler Pavilion in Los Angeles, California, United States (from 1999-10-06 until 1999-10-07) recording of: Fantasia and Fugue in C minor, op. 86, BWV 537: Fugue (Elgar orchestration) (from 1999-10-06 until 1999-10-07) orchestrator: Edward Elgar composer: Johann Sebastian Bach orchestration of: Fantasie und Fuge C-moll, BWV 537: II. Fuge part of: Fantasia and Fugue in C minor, op. 86, BWV 537 (Elgar orchestration)	Johann Sebastian Bach	3:57
5	The Musical Offering: BWV 1079: Ricercare no. 2 assistant engineer: Jen Wyler (from 1999-10-06 until 1999-10-07) engineer: Richard King (from 1999-10-06 until 1999-10-07) producer: David Mottley orchestra: Los Angeles Philharmonic (from 1999-10-06 until 1999-10-07) conductor: Esa‐Pekka Salonen (from 1999-10-06 until 1999-10-07) recorded at: Dorothy Chandler Pavilion in Los Angeles, California, United States (from 1999-10-06 until 1999-10-07) recording of: The Musical Offering, BWV 1079: V. Ricercar a 6 voci (orch. Webern) (from 1999-10-06 until 1999-10-07) orchestrator: Anton Webern composer: Johann Sebastian Bach orchestration of: Musikalisches Opfer, BWV 1079: V. Ricercare a 6	Johann Sebastian Bach	8:39
6	Prelude & Fugue in E‐flat major, BWV 522 “St. Anne”: Prelude assistant engineer: Jen Wyler (from 1999-10-06 until 1999-10-07) engineer: Richard King (from 1999-10-06 until 1999-10-07) producer: David Mottley orchestra: Los Angeles Philharmonic (from 1999-10-06 until 1999-10-07) conductor: Esa‐Pekka Salonen (from 1999-10-06 until 1999-10-07) recorded at: Dorothy Chandler Pavilion in Los Angeles, California, United States (from 1999-10-06 until 1999-10-07) recording of: Prelude and Fugue in E-flat major, BWV 552: I. Prelude (Schönberg orchestration) (from 1999-10-06 until 1999-10-07) orchestrator: Arnold Schönberg composer: Johann Sebastian Bach orchestration of: Präludium und Fuge Es-Dur, BWV 552: I. Präludium part of: Prelude and Fugue in E-flat major, BWV 552 (Schönberg orchestration)	Johann Sebastian Bach	9:22
7	Prelude & Fugue in E‐flat major, BWV 522 “St. Anne”: Fugue assistant engineer: Jen Wyler (from 1999-10-06 until 1999-10-07) engineer: Richard King (from 1999-10-06 until 1999-10-07) producer: David Mottley orchestra: Los Angeles Philharmonic (from 1999-10-06 until 1999-10-07) conductor: Esa‐Pekka Salonen (from 1999-10-06 until 1999-10-07) recorded at: Dorothy Chandler Pavilion in Los Angeles, California, United States (from 1999-10-06 until 1999-10-07) recording of: Prelude and Fugue in E-flat major, BWV 552: II. Fugue (Schönberg orchestration) (from 1999-10-06 until 1999-10-07) orchestrator: Arnold Schönberg composer: Johann Sebastian Bach orchestration of: Präludium und Fuge Es-Dur, BWV 552: II. Fuge part of: Prelude and Fugue in E-flat major, BWV 552 (Schönberg orchestration)	Johann Sebastian Bach	6:02
8	Fugue in G minor, BWV 578 “Little”: Fugue assistant engineer: Jen Wyler (from 1999-10-06 until 1999-10-07) engineer: Richard King (from 1999-10-06 until 1999-10-07) producer: David Mottley orchestra: Los Angeles Philharmonic (from 1999-10-06 until 1999-10-07) conductor: Esa‐Pekka Salonen (from 1999-10-06 until 1999-10-07) recorded at: Dorothy Chandler Pavilion in Los Angeles, California, United States (from 1999-10-06 until 1999-10-07) recording of: Fugue in G minor, BWV 578 ("Little") (Stokowski orchestration) (from 1999-10-06 until 1999-10-07) orchestrator: Leopold Stokowski composer: Johann Sebastian Bach orchestration of: Fugue in G minor, BWV 578 ("Little")	Johann Sebastian Bach	3:57
9	Suite For Organ, Harpsichord & Orchestra: I. Ouverture assistant engineer: Jen Wyler (from 1999-10-06 until 1999-10-07) engineer: Richard King (from 1999-10-06 until 1999-10-07) producer: David Mottley orchestra: Los Angeles Philharmonic (from 1999-10-06 until 1999-10-07) conductor: Esa‐Pekka Salonen (from 1999-10-06 until 1999-10-07) recorded at: Dorothy Chandler Pavilion in Los Angeles, California, United States (from 1999-10-06 until 1999-10-07) recording of: Orchestral Suite no. 2 in B minor, BWV 1067: Ouverture (orch. Mahler) (from 1999-10-06 until 1999-10-07) orchestrator: Gustav Mahler composer: Johann Sebastian Bach orchestration of: Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture (Orchestral Suite no. 2 in B minor, BWV 1067: I. Overture) part of: Suite from Orchestral Works of Bach (orch. Mahler)	Johann Sebastian Bach	7:46
10	Suite For Organ, Harpsichord & Orchestra: II. Rondeau - assistant engineer: Jen Wyler (from 1999-10-06 until 1999-10-07) engineer: Richard King (from 1999-10-06 until 1999-10-07) producer: David Mottley orchestra: Los Angeles Philharmonic (from 1999-10-06 until 1999-10-07) conductor: Esa‐Pekka Salonen (from 1999-10-06 until 1999-10-07) recorded at: Dorothy Chandler Pavilion in Los Angeles, California, United States (from 1999-10-06 until 1999-10-07) recording of: Orchestral Suite no. 2 in B minor, BWV 1067: Rondeau (orch. Mahler) (from 1999-10-06 until 1999-10-07) orchestrator: Gustav Mahler composer: Johann Sebastian Bach orchestration of: Orchestersuite Nr. 2 h-Moll, BWV 1067: II. Rondeau (Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau) part of: Suite from Orchestral Works of Bach (orch. Mahler)	Johann Sebastian Bach	1:19
11	Suite For Organ, Harpsichord & Orchestra: Badinerie assistant engineer: Jen Wyler (from 1999-10-06 until 1999-10-07) engineer: Richard King (from 1999-10-06 until 1999-10-07) producer: David Mottley orchestra: Los Angeles Philharmonic (from 1999-10-06 until 1999-10-07) conductor: Esa‐Pekka Salonen (from 1999-10-06 until 1999-10-07) recorded at: Dorothy Chandler Pavilion in Los Angeles, California, United States (from 1999-10-06 until 1999-10-07) recording of: Orchestral Suite no. 2 in B minor, BWV 1067: Badinerie (orch. Mahler) (from 1999-10-06 until 1999-10-07) orchestrator: Gustav Mahler composer: Johann Sebastian Bach orchestration of: Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) part of: Suite from Orchestral Works of Bach (orch. Mahler)	Johann Sebastian Bach	2:01
12	Suite For Organ, Harpsichord & Orchestra: III. Air assistant engineer: Jen Wyler (from 1999-10-06 until 1999-10-07) engineer: Richard King (from 1999-10-06 until 1999-10-07) producer: David Mottley orchestra: Los Angeles Philharmonic (from 1999-10-06 until 1999-10-07) conductor: Esa‐Pekka Salonen (from 1999-10-06 until 1999-10-07) recorded at: Dorothy Chandler Pavilion in Los Angeles, California, United States (from 1999-10-06 until 1999-10-07) recording of: Orchestral Suite no. 3 in D major, BWV 1068: Air (orch. Mahler) (from 1999-10-06 until 1999-10-07) orchestrator: Gustav Mahler composer: Johann Sebastian Bach orchestration of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) part of: Suite from Orchestral Works of Bach (orch. Mahler)	Johann Sebastian Bach	5:31
13	Suite For Organ, Harpsichord & Orchestra: IV. Gavotte I - assistant engineer: Jen Wyler (from 1999-10-06 until 1999-10-07) engineer: Richard King (from 1999-10-06 until 1999-10-07) producer: David Mottley orchestra: Los Angeles Philharmonic (from 1999-10-06 until 1999-10-07) conductor: Esa‐Pekka Salonen (from 1999-10-06 until 1999-10-07) recorded at: Dorothy Chandler Pavilion in Los Angeles, California, United States (from 1999-10-06 until 1999-10-07) partial recording of: Orchestral Suite no. 3 in D major, BWV 1068: Gavotte 1 & 2 (orch. Mahler) (from 1999-10-06 until 1999-10-07) orchestrator: Gustav Mahler composer: Johann Sebastian Bach orchestration of: Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II part of: Suite from Orchestral Works of Bach (orch. Mahler)	Johann Sebastian Bach	1:25
14	Suite For Organ, Harpsichord & Orchestra: Gavotte II assistant engineer: Jen Wyler (from 1999-10-06 until 1999-10-07) engineer: Richard King (from 1999-10-06 until 1999-10-07) producer: David Mottley orchestra: Los Angeles Philharmonic (from 1999-10-06 until 1999-10-07) conductor: Esa‐Pekka Salonen (from 1999-10-06 until 1999-10-07) recorded at: Dorothy Chandler Pavilion in Los Angeles, California, United States (from 1999-10-06 until 1999-10-07) partial recording of: Orchestral Suite no. 3 in D major, BWV 1068: Gavotte 1 & 2 (orch. Mahler) (from 1999-10-06 until 1999-10-07) orchestrator: Gustav Mahler composer: Johann Sebastian Bach orchestration of: Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II part of: Suite from Orchestral Works of Bach (orch. Mahler)	Johann Sebastian Bach	2:19

2▼CD: Bartók: Concerto for Orchestra / Music for Strings, Percussion and Celesta
#	Title	Artist	Length
1	Concerto for Orchestra, Sz. 116: I. (Introduzione). Andante non troppo recording of: Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione. Andante non troppo – Allegro vivace composer: Béla Bartók (in 1943) part of: Concerto for Orchestra, Sz. 116, BB 123	Béla Bartók	10:45
2	Concerto for Orchestra, Sz. 116: II. (Giuco delle coppie). Allegro scherzando recording of: Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie. Allegretto scherzando composer: Béla Bartók (in 1943) part of: Concerto for Orchestra, Sz. 116, BB 123	Béla Bartók	6:25
3	Concerto for Orchestra, Sz. 116: III. (Elegia). Andante, non troppo recording of: Concerto for Orchestra, Sz. 116, BB 123: III. Elegia. Andante non troppo composer: Béla Bartók (in 1943) part of: Concerto for Orchestra, Sz. 116, BB 123	Béla Bartók	7:47
4	Concerto for Orchestra, Sz. 116: (Intermezzo interrotto). Allegretto recording of: Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto composer: Béla Bartók (in 1943) part of: Concerto for Orchestra, Sz. 116, BB 123	Béla Bartók	4:20
5	Concerto for Orchestra, Sz. 116: V. (Finale). Pesante – Presto recording of: Concerto for Orchestra, Sz. 116, BB 123: V. Finale. Pesante – Presto composer: Béla Bartók (in 1943) part of: Concerto for Orchestra, Sz. 116, BB 123	Béla Bartók	9:18
6	Music for Strings, Percussion, and Celesta, Sz. 106: I. Andante tranquillo recording of: Music for Strings, Percussion and Celesta, Sz. 106, BB 114: I. Andante tranquillo composer: Béla Bartók (in 1936) part of: Music for Strings, Percussion and Celesta, Sz. 106, BB 114	Béla Bartók	8:22
7	Music for Strings, Percussion, and Celesta, Sz. 106: II. Allegro recording of: Music for Strings, Percussion and Celesta, Sz. 106, BB 114: II. Allegro composer: Béla Bartók (in 1936) part of: Music for Strings, Percussion and Celesta, Sz. 106, BB 114	Béla Bartók	7:15
8	Music for Strings, Percussion, and Celesta, Sz. 106: III. Adagio recording of: Music for Strings, Percussion and Celesta, Sz. 106, BB 114: III. Adagio composer: Béla Bartók (in 1936) part of: Music for Strings, Percussion and Celesta, Sz. 106, BB 114	Béla Bartók	7:20
9	Music for Strings, Percussion, and Celesta, Sz. 106: IV. Allegro molto recording of: Music for Strings, Percussion and Celesta, Sz. 106, BB 114: IV. Allegro molto composer: Béla Bartók (in 1936) part of: Music for Strings, Percussion and Celesta, Sz. 106, BB 114	Béla Bartók	7:29

3▼CD: Bartók: The Three Piano Concertos
#	Title	Artist	Length
1	Piano Concerto No. 2 in G major, Sz. 95: I. Allegro recording engineer: Charles Harbutt assistant engineer: Richard King producer: Gary Schultz editor: Ellen Fitton, Todd Whitelock and Robert Wolff piano: Yefim Bronfman orchestra: Los Angeles Philharmonic conductor: Esa‐Pekka Salonen recorded at: Royce Hall in Los Angeles, California, United States (from 1993-05-03 until 1993-05-04) recording of: Piano Concerto no. 2 in G major, Sz. 95, BB 101: I. Allegro composer: Béla Bartók (from 1930 until 1931) part of: Piano Concerto no. 2 in G major, Sz. 95, BB 101	Béla Bartók	9:19
2	Piano Concerto No. 2 in G major, Sz. 95: II. Adagio – Presto – Adagio recording engineer: Charles Harbutt assistant engineer: Richard King producer: Gary Schultz editor: Ellen Fitton, Todd Whitelock and Robert Wolff piano: Yefim Bronfman orchestra: Los Angeles Philharmonic conductor: Esa‐Pekka Salonen recorded at: Royce Hall in Los Angeles, California, United States (from 1993-05-03 until 1993-05-04) recording of: Piano Concerto no. 2 in G major, Sz. 95, BB 101: II. Adagio - Più adagio - Presto composer: Béla Bartók (from 1930 until 1931) part of: Piano Concerto no. 2 in G major, Sz. 95, BB 101	Béla Bartók	12:42
3	Piano Concerto No. 2 in G major, Sz. 95: III. Allegro molto recording engineer: Charles Harbutt assistant engineer: Richard King producer: Gary Schultz editor: Ellen Fitton, Todd Whitelock and Robert Wolff piano: Yefim Bronfman orchestra: Los Angeles Philharmonic conductor: Esa‐Pekka Salonen recorded at: Royce Hall in Los Angeles, California, United States (from 1993-05-03 until 1993-05-04) recording of: Piano Concerto no. 2 in G major, Sz. 95, BB 101: III. Allegro molto composer: Béla Bartók (from 1930 until 1931) part of: Piano Concerto no. 2 in G major, Sz. 95, BB 101	Béla Bartók	5:55
4	Piano Concerto No. 3 in E major (completed by Tibor Serly), Sz. 119: I. Allegretto recording engineer: Charles Harbutt assistant engineer: Darcy Proper producer: Gary Schultz editor: Ellen Fitton, Todd Whitelock and Robert Wolff piano: Yefim Bronfman orchestra: Los Angeles Philharmonic conductor: Esa‐Pekka Salonen recorded at: Long Beach Terrace Theater in Long Beach, California, United States (from 1994-10-17 until 1994-10-18) recording of: Piano Concerto no. 3 in E major, Sz. 119, BB 127: I. Allegretto composer: Béla Bartók (in 1945) part of: Piano Concerto no. 3 in E major, Sz. 119, BB 127	Béla Bartók	7:19
5	Piano Concerto No. 3 in E major (completed by Tibor Serly), Sz. 119: II. Adagio religioso – Poco più mosso – Tempo I recording engineer: Charles Harbutt assistant engineer: Darcy Proper producer: Gary Schultz editor: Ellen Fitton, Todd Whitelock and Robert Wolff piano: Yefim Bronfman orchestra: Los Angeles Philharmonic conductor: Esa‐Pekka Salonen recorded at: Long Beach Terrace Theater in Long Beach, California, United States (from 1994-10-17 until 1994-10-18) recording of: Piano Concerto no. 3 in E major, Sz. 119, BB 127: II. Adagio religioso composer: Béla Bartók (in 1945) part of: Piano Concerto no. 3 in E major, Sz. 119, BB 127	Béla Bartók	10:15
6	Piano Concerto No. 3 in E major (completed by Tibor Serly), Sz. 119: III. Allegro vivace recording engineer: Charles Harbutt assistant engineer: Darcy Proper producer: Gary Schultz editor: Ellen Fitton, Todd Whitelock and Robert Wolff piano: Yefim Bronfman orchestra: Los Angeles Philharmonic conductor: Esa‐Pekka Salonen recorded at: Long Beach Terrace Theater in Long Beach, California, United States (from 1994-10-17 until 1994-10-18) recording of: Piano Concerto no. 3 in E major, Sz. 119, BB 127: III. Allegro vivace composer: Béla Bartók (in 1945) part of: Piano Concerto no. 3 in E major, Sz. 119, BB 127	Béla Bartók	7:03
7	Piano Concerto No. 1 in A major, Sz. 83: I. Allegro moderato – Allegro – Allegro moderato recording engineer: Charles Harbutt assistant engineer: Darcy Proper producer: Gary Schultz editor: Ellen Fitton, Todd Whitelock and Robert Wolff piano: Yefim Bronfman orchestra: Los Angeles Philharmonic conductor: Esa‐Pekka Salonen recorded at: Long Beach Terrace Theater in Long Beach, California, United States (from 1994-10-17 until 1994-10-18) recording of: Piano Concerto no. 1, Sz. 83, BB 91: I. Allegro moderato composer: Béla Bartók (in 1926) part of: Piano Concerto no. 1, Sz. 83, BB 91	Béla Bartók	9:03
8	Piano Concerto No. 1 in A major, Sz. 83: II. Andante recording engineer: Charles Harbutt assistant engineer: Darcy Proper producer: Gary Schultz editor: Ellen Fitton, Todd Whitelock and Robert Wolff piano: Yefim Bronfman orchestra: Los Angeles Philharmonic conductor: Esa‐Pekka Salonen recorded at: Long Beach Terrace Theater in Long Beach, California, United States (from 1994-10-17 until 1994-10-18) recording of: Piano Concerto no. 1, Sz. 83, BB 91: II. Andante composer: Béla Bartók (in 1926) part of: Piano Concerto no. 1, Sz. 83, BB 91	Béla Bartók	7:39
9	Piano Concerto No. 1 in A major, Sz. 83: III. Allegro molto recording engineer: Charles Harbutt assistant engineer: Darcy Proper producer: Gary Schultz editor: Ellen Fitton, Todd Whitelock and Robert Wolff piano: Yefim Bronfman orchestra: Los Angeles Philharmonic conductor: Esa‐Pekka Salonen recorded at: Long Beach Terrace Theater in Long Beach, California, United States (from 1994-10-17 until 1994-10-18) recording of: Piano Concerto no. 1, Sz. 83, BB 91: III. Allegro molto composer: Béla Bartók (in 1926) part of: Piano Concerto no. 1, Sz. 83, BB 91	Béla Bartók	6:25

4▼CD: Bruckner: Symphony no. 4 in E‐flat major “Romantic”
#	Title	Artist	Length
1	Symphony no. 4 in E‐flat major “Romantic”: I. Bewegt, nicht zu schnell orchestra: Los Angeles Philharmonic (from 1997-05-12 until 1997-05-13) conductor: Esa‐Pekka Salonen (from 1997-05-12 until 1997-05-13) recorded at: Dorothy Chandler Pavilion in Los Angeles, California, United States (from 1997-05-12 until 1997-05-13) recording of: Symphony no. 4 in E-flat major, WAB 104 “Romantische”: I. Bewegt, nicht zu schnell (1878/1880 version with 1886 revisions, ed. Nowak, 1953) (from 1997-05-12 until 1997-05-13) composer: Anton Bruckner (from 1873 until 1874) revised by: Anton Bruckner (from 1878 until 1880) part of: Symphony no. 4 in E-flat major, WAB 104 “Romantische” (Symphony No. 4 in E flat major, WAB 104 "Romantic", 1878/1880 version with 1886 revisions, ed. Nowak, 1953)	Anton Bruckner	20:11
2	Symphony no. 4 in E‐flat major “Romantic”: II. Andante quasi allegretto orchestra: Los Angeles Philharmonic (from 1997-05-12 until 1997-05-13) conductor: Esa‐Pekka Salonen (from 1997-05-12 until 1997-05-13) recorded at: Dorothy Chandler Pavilion in Los Angeles, California, United States (from 1997-05-12 until 1997-05-13) recording of: Symphony no. 4 in E-flat major, WAB 104 “Romantische”: II. Andante, quasi allegretto (1878/1880 version with 1886 revisions, ed. Nowak, 1953) (from 1997-05-12 until 1997-05-13) composer: Anton Bruckner (from 1873 until 1874) revised by: Anton Bruckner (from 1878 until 1880) part of: Symphony no. 4 in E-flat major, WAB 104 “Romantische” (Symphony No. 4 in E flat major, WAB 104 "Romantic", 1878/1880 version with 1886 revisions, ed. Nowak, 1953)	Anton Bruckner	17:01
3	Symphony no. 4 in E‐flat major “Romantic”: III. Scherzo. Bewegt – Trio. Nicht zu schnell. Keinesfalls schleppend orchestra: Los Angeles Philharmonic (from 1997-05-12 until 1997-05-13) conductor: Esa‐Pekka Salonen (from 1997-05-12 until 1997-05-13) recorded at: Dorothy Chandler Pavilion in Los Angeles, California, United States (from 1997-05-12 until 1997-05-13) recording of: Symphony no. 4 in E-flat major, WAB 104 "Romantische": III. Scherzo (Bewegt) - Trio (Nicht zu schnell, Keinesfalls schleppend) (1881 revision, ed. Haas, 1936) (from 1997-05-12 until 1997-05-13) composer: Anton Bruckner part of: Symphony no. 4 in E-flat major, WAB 104 "Romantische" (Symphony no. 4 in E flat major, WAB 104 "Romantic", 1881 revision, ed. Haas, 1936)	Anton Bruckner	11:01
4	Symphony no. 4 in E‐flat major “Romantic”: IV. Finale. Bewegt, doch nicht zu schnell orchestra: Los Angeles Philharmonic (from 1997-05-12 until 1997-05-13) conductor: Esa‐Pekka Salonen (from 1997-05-12 until 1997-05-13) recorded at: Dorothy Chandler Pavilion in Los Angeles, California, United States (from 1997-05-12 until 1997-05-13) recording of: Symphony no. 4 in E-flat major, WAB 104 “Romantische”: IV. Finale. Bewegt, doch nicht zu schnell (1878/1880 version with 1886 revisions, ed. Nowak, 1953) (from 1997-05-12 until 1997-05-13) composer: Anton Bruckner (from 1873 until 1874) revised by: Anton Bruckner (from 1878 until 1880) part of: Symphony no. 4 in E-flat major, WAB 104 “Romantische” (Symphony No. 4 in E flat major, WAB 104 "Romantic", 1878/1880 version with 1886 revisions, ed. Nowak, 1953)	Anton Bruckner	21:34

5▼CD: Corigliano: The Red Violin
#	Title	Artist	Length
1	Anna’s Theme recording engineer: Joel Iwataki (from 1997-12-27 until 1998-01-04) producer: Matthias Gohl mixer: Joel Iwataki solo violin: Joshua Bell (from 1997-12-27 until 1998-01-04) vocals: Alexys Schwartz orchestra: Philharmonia Orchestra (from 1997-12-27 until 1998-01-04) conductor: Esa‐Pekka Salonen (from 1997-12-27 until 1998-01-04) orchestrator: John Corigliano phonographic copyright (℗) by: Sony Music Entertainment Inc. (in 1998) recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1997-12-27 until 1998-01-04) recording of: Anna's Theme (from 1997-12-27 until 1998-01-04) composer: John Corigliano part of: The Red Violin	John Corigliano	2:50
2	I. Cremona: Main Title recording engineer: Joel Iwataki (from 1997-12-27 until 1998-01-04) producer: Matthias Gohl mixer: Joel Iwataki solo violin: Joshua Bell (from 1997-12-27 until 1998-01-04) orchestra: Philharmonia Orchestra (from 1997-12-27 until 1998-01-04) conductor: Esa‐Pekka Salonen (from 1997-12-27 until 1998-01-04) orchestrator: John Corigliano phonographic copyright (℗) by: Sony Music Entertainment Inc. (in 1998) recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1997-12-27 until 1998-01-04) recording of: The Red Violin: I. Cremona: Main Title (from 1997-12-27 until 1998-01-04) composer: John Corigliano part of: The Red Violin	John Corigliano	2:46
3	I. Cremona: Death of Anna recording engineer: Joel Iwataki (from 1997-12-27 until 1998-01-04) producer: Matthias Gohl mixer: Joel Iwataki solo violin: Joshua Bell (from 1997-12-27 until 1998-01-04) orchestra: Philharmonia Orchestra (from 1997-12-27 until 1998-01-04) conductor: Esa‐Pekka Salonen (from 1997-12-27 until 1998-01-04) orchestrator: John Corigliano phonographic copyright (℗) by: Sony Music Entertainment Inc. (in 1998) recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1997-12-27 until 1998-01-04) recording of: The Red Violin: I. Cremona: Death of Anna (from 1997-12-27 until 1998-01-04) composer: John Corigliano part of: The Red Violin	John Corigliano	1:47
4	I. Cremona: Birth of the Red Violin recording engineer: Joel Iwataki (from 1997-12-27 until 1998-01-04) producer: Matthias Gohl mixer: Joel Iwataki solo violin: Joshua Bell (from 1997-12-27 until 1998-01-04) orchestra: Philharmonia Orchestra (from 1997-12-27 until 1998-01-04) conductor: Esa‐Pekka Salonen (from 1997-12-27 until 1998-01-04) orchestrator: John Corigliano phonographic copyright (℗) by: Sony Music Entertainment Inc. (in 1998) recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1997-12-27 until 1998-01-04) recording of: The Red Violin: I. Cremona: Birth of the Red Violin (from 1997-12-27 until 1998-01-04) composer: John Corigliano part of: The Red Violin	John Corigliano	3:05
5	I. Cremona: The Red Violin recording engineer: Joel Iwataki (from 1997-12-27 until 1998-01-04) producer: Matthias Gohl mixer: Joel Iwataki solo violin: Joshua Bell (from 1997-12-27 until 1998-01-04) orchestra: Philharmonia Orchestra (from 1997-12-27 until 1998-01-04) conductor: Esa‐Pekka Salonen (from 1997-12-27 until 1998-01-04) orchestrator: John Corigliano phonographic copyright (℗) by: Sony Music Entertainment Inc. (in 1998) recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1997-12-27 until 1998-01-04) recording of: The Red Violin: I. Cremona: The Red Violin (from 1997-12-27 until 1998-01-04) composer: John Corigliano part of: The Red Violin	John Corigliano	1:34
6	II. Vienna: The Monastery recording engineer: Joel Iwataki (from 1997-12-27 until 1998-01-04) producer: Matthias Gohl mixer: Joel Iwataki solo violin: Joshua Bell (from 1997-12-27 until 1998-01-04) orchestra: Philharmonia Orchestra (from 1997-12-27 until 1998-01-04) conductor: Esa‐Pekka Salonen (from 1997-12-27 until 1998-01-04) orchestrator: John Corigliano phonographic copyright (℗) by: Sony Music Entertainment Inc. (in 1998) recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1997-12-27 until 1998-01-04) recording of: The Red Violin: II. Vienna: The Monastery (from 1997-12-27 until 1998-01-04) composer: John Corigliano part of: The Red Violin	John Corigliano	1:07
7	II. Vienna: Kaspar’s Audition / Journey to Vienna recording engineer: Joel Iwataki (from 1997-12-27 until 1998-01-04) producer: Matthias Gohl mixer: Joel Iwataki solo violin: Joshua Bell (from 1997-12-27 until 1998-01-04) orchestra: Philharmonia Orchestra (from 1997-12-27 until 1998-01-04) conductor: Esa‐Pekka Salonen (from 1997-12-27 until 1998-01-04) orchestrator: John Corigliano phonographic copyright (℗) by: Sony Music Entertainment Inc. (in 1998) recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1997-12-27 until 1998-01-04) recording of: The Red Violin: II. Vienna: Kaspar's Audition / Journey to Vienna (from 1997-12-27 until 1998-01-04) composer: John Corigliano part of: The Red Violin	John Corigliano	2:40
8	II. Vienna: Etudes recording engineer and mixer: Joel Iwataki producer: Matthias Gohl solo violin: Joshua Bell (from 1997-12-27 until 1998-01-04) orchestra: Philharmonia Orchestra (from 1997-12-27 until 1998-01-04) conductor: Esa‐Pekka Salonen (from 1997-12-27 until 1998-01-04) orchestrator: John Corigliano phonographic copyright (℗) by: Sony Music Entertainment Inc. (in 1998) recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1997-12-27 until 1998-01-04) partial recording of: The Red Violin: II. Vienna: Etudes / Death of Kaspar (from 1997-12-27 until 1998-01-04) composer: John Corigliano part of: The Red Violin	John Corigliano	1:18
9	II. Vienna: Death of Kaspar / III. Oxford: The Gypsies / Journey Across Europe recording engineer and mixer: Joel Iwataki producer: Matthias Gohl solo violin: Joshua Bell (from 1997-12-27 until 1998-01-04) orchestra: Philharmonia Orchestra (from 1997-12-27 until 1998-01-04) conductor: Esa‐Pekka Salonen (from 1997-12-27 until 1998-01-04) orchestrator: John Corigliano phonographic copyright (℗) by: Sony Music Entertainment Inc. (in 1998) recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1997-12-27 until 1998-01-04) partial recording of: The Red Violin: II. Vienna: Etudes / Death of Kaspar (from 1997-12-27 until 1998-01-04) composer: John Corigliano part of: The Red Violin recording of: The Red Violin: III. Oxford: The Gypsies / Journey Across Europe (from 1997-12-27 until 1998-01-04) composer: John Corigliano part of: The Red Violin	John Corigliano	3:37
10	III. Oxford: Pope’s Gypsy Cadenza recording engineer: Joel Iwataki (from 1997-12-27 until 1998-01-04) producer: Matthias Gohl mixer: Joel Iwataki solo violin: Joshua Bell (from 1997-12-27 until 1998-01-04) orchestra: Philharmonia Orchestra (from 1997-12-27 until 1998-01-04) conductor: Esa‐Pekka Salonen (from 1997-12-27 until 1998-01-04) orchestrator: John Corigliano phonographic copyright (℗) by: Sony Music Entertainment Inc. (in 1998) recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1997-12-27 until 1998-01-04) recording of: The Red Violin: III. Oxford: Pope's Gypsy Cadenza (from 1997-12-27 until 1998-01-04) composer: John Corigliano part of: The Red Violin	John Corigliano	1:39
11	III. Oxford: Coitus Musicalis / Victoria’s Departure recording engineer: Joel Iwataki (from 1997-12-27 until 1998-01-04) producer: Matthias Gohl mixer: Joel Iwataki solo violin: Joshua Bell (from 1997-12-27 until 1998-01-04) orchestra: Philharmonia Orchestra (from 1997-12-27 until 1998-01-04) conductor: Esa‐Pekka Salonen (from 1997-12-27 until 1998-01-04) orchestrator: John Corigliano phonographic copyright (℗) by: Sony Music Entertainment Inc. (in 1998) recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1997-12-27 until 1998-01-04) recording of: The Red Violin: III. Oxford: Coitus Musicalis / Victoria's Departure (from 1997-12-27 until 1998-01-04) composer: John Corigliano part of: The Red Violin	John Corigliano	4:39
12	III. Oxford: Pope’s Concert recording engineer: Joel Iwataki (from 1997-12-27 until 1998-01-04) producer: Matthias Gohl mixer: Joel Iwataki solo violin: Joshua Bell (from 1997-12-27 until 1998-01-04) orchestra: Philharmonia Orchestra (from 1997-12-27 until 1998-01-04) conductor: Esa‐Pekka Salonen (from 1997-12-27 until 1998-01-04) orchestrator: John Corigliano phonographic copyright (℗) by: Sony Music Entertainment Inc. (in 1998) recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1997-12-27 until 1998-01-04) recording of: The Red Violin: III. Oxford: Pope's Concert (from 1997-12-27 until 1998-01-04) composer: John Corigliano part of: The Red Violin	John Corigliano	1:22
13	III. Oxford: Pope’s Betrayal recording engineer: Joel Iwataki (from 1997-12-27 until 1998-01-04) producer: Matthias Gohl mixer: Joel Iwataki solo violin: Joshua Bell (from 1997-12-27 until 1998-01-04) orchestra: Philharmonia Orchestra (from 1997-12-27 until 1998-01-04) conductor: Esa‐Pekka Salonen (from 1997-12-27 until 1998-01-04) orchestrator: John Corigliano phonographic copyright (℗) by: Sony Music Entertainment Inc. (in 1998) recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1997-12-27 until 1998-01-04) recording of: The Red Violin: III. Oxford: Pope's Betrayal (from 1997-12-27 until 1998-01-04) composer: John Corigliano part of: The Red Violin	John Corigliano	3:01
14	IV. Shanghai: Journey to China recording engineer: Joel Iwataki (from 1997-12-27 until 1998-01-04) producer: Matthias Gohl mixer: Joel Iwataki solo violin: Joshua Bell (from 1997-12-27 until 1998-01-04) orchestra: Philharmonia Orchestra (from 1997-12-27 until 1998-01-04) conductor: Esa‐Pekka Salonen (from 1997-12-27 until 1998-01-04) orchestrator: John Corigliano phonographic copyright (℗) by: Sony Music Entertainment Inc. (in 1998) recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1997-12-27 until 1998-01-04) recording of: The Red Violin: IV. Shanghai: Journey to China (from 1997-12-27 until 1998-01-04) composer: John Corigliano part of: The Red Violin	John Corigliano	4:10
15	IV. Shanghai: People’s Revolution / Death of Chou Yuan recording engineer: Joel Iwataki (from 1997-12-27 until 1998-01-04) producer: Matthias Gohl mixer: Joel Iwataki solo violin: Joshua Bell (from 1997-12-27 until 1998-01-04) choir vocals: Children's Chorus of Shanghai Film Studio orchestra: Philharmonia Orchestra (from 1997-12-27 until 1998-01-04) conductor: Esa‐Pekka Salonen (from 1997-12-27 until 1998-01-04) orchestrator: John Corigliano phonographic copyright (℗) by: Sony Music Entertainment Inc. (in 1998) recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1997-12-27 until 1998-01-04) recording of: The Red Violin: IV. Shanghai: People's Revolution / Death of Chou Yuan (from 1997-12-27 until 1998-01-04) composer: John Corigliano part of: The Red Violin	John Corigliano	3:18
16	V. Montréal: Morritz Discovers the Red Violin recording engineer: Joel Iwataki (from 1997-12-27 until 1998-01-04) producer: Matthias Gohl mixer: Joel Iwataki solo violin: Joshua Bell (from 1997-12-27 until 1998-01-04) orchestra: Philharmonia Orchestra (from 1997-12-27 until 1998-01-04) conductor: Esa‐Pekka Salonen (from 1997-12-27 until 1998-01-04) orchestrator: John Corigliano phonographic copyright (℗) by: Sony Music Entertainment Inc. (in 1998) recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1997-12-27 until 1998-01-04) recording of: The Red Violin: V. Montreal: Morritz discovers the Red Violin (from 1997-12-27 until 1998-01-04) composer: John Corigliano part of: The Red Violin	John Corigliano	3:38
17	V. Montréal: Morritz’s Theme recording engineer: Joel Iwataki (from 1997-12-27 until 1998-01-04) producer: Matthias Gohl mixer: Joel Iwataki solo violin: Joshua Bell (from 1997-12-27 until 1998-01-04) orchestra: Philharmonia Orchestra (from 1997-12-27 until 1998-01-04) conductor: Esa‐Pekka Salonen (from 1997-12-27 until 1998-01-04) orchestrator: John Corigliano phonographic copyright (℗) by: Sony Music Entertainment Inc. (in 1998) recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1997-12-27 until 1998-01-04) recording of: The Red Violin: V. Montreal: Morritz's Theme (from 1997-12-27 until 1998-01-04) composer: John Corigliano part of: The Red Violin	John Corigliano	1:54
18	V. Montréal: The Theft recording engineer: Joel Iwataki (from 1997-12-27 until 1998-01-04) producer: Matthias Gohl mixer: Joel Iwataki solo violin: Joshua Bell (from 1997-12-27 until 1998-01-04) orchestra: Philharmonia Orchestra (from 1997-12-27 until 1998-01-04) conductor: Esa‐Pekka Salonen (from 1997-12-27 until 1998-01-04) orchestrator: John Corigliano phonographic copyright (℗) by: Sony Music Entertainment Inc. (in 1998) recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1997-12-27 until 1998-01-04) recording of: The Red Violin: V. Montreal: The Theft (from 1997-12-27 until 1998-01-04) composer: John Corigliano part of: The Red Violin	John Corigliano	2:12
19	V. Montréal: End Titles recording engineer: Joel Iwataki (from 1997-12-27 until 1998-01-04) producer: Matthias Gohl mixer: Joel Iwataki solo violin: Joshua Bell (from 1997-12-27 until 1998-01-04) vocals: Alexys Schwartz orchestra: Philharmonia Orchestra (from 1997-12-27 until 1998-01-04) conductor: Esa‐Pekka Salonen (from 1997-12-27 until 1998-01-04) orchestrator: John Corigliano phonographic copyright (℗) by: Sony Music Entertainment Inc. (in 1998) recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1997-12-27 until 1998-01-04) recording of: The Red Violin: V. Montreal: End Titles (from 1997-12-27 until 1998-01-04) composer: John Corigliano part of: The Red Violin	John Corigliano	1:55
20	“The Red Violin”: Chaconne for Violin and Orchestra recording engineer: Joel Iwataki (from 1997-12-27 until 1998-01-04) producer: Matthias Gohl mixer: Joel Iwataki solo violin: Joshua Bell (from 1997-12-27 until 1998-01-04) orchestra: Philharmonia Orchestra (from 1997-12-27 until 1998-01-04) conductor: Esa‐Pekka Salonen (from 1997-12-27 until 1998-01-04) orchestrator: John Corigliano phonographic copyright (℗) by: Sony Music Entertainment Inc. (in 1998) recorded at: Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (from 1997-12-27 until 1998-01-04) recording of: Concerto for Violin and Orchestra ("The Red Violin"): I. Chaconne (from 1997-12-27 until 1998-01-04) composer: John Corigliano (in 2003) part of: Concerto for Violin and Orchestra ("The Red Violin")	John Corigliano	17:37

6▼CD: Dallapiccola: Il prigioniero / Canti di prigionia
#	Title	Artist	Length
1	Il prigioniero: Prologue. “Ti rivedrò, mio figlio!” (La madre) soprano vocals [La madre]: Phyllis Bryn‐Julson (from 1995-03-24 until 1995-03-25) orchestra: Swedish Radio Symphony Orchestra (from 1995-03-24 until 1995-03-25) conductor: Esa‐Pekka Salonen (from 1995-03-24 until 1995-03-25) recorded at: Berwaldhallen in Stockholm, Stockholms län, Sweden (from 1995-03-24 until 1995-03-25) live partial recording of: Il prigioniero: Prologo (from 1995-03-24 until 1995-03-25) composer: Luigi Dallapiccola (from 1944 until 1948) librettist: Luigi Dallapiccola part of: Il prigioniero	Luigi Dallapiccola	3:07
2	Il prigioniero: Prologue. Ballata “Vedo! Lo riconosco!” (La madre) soprano vocals [La madre]: Phyllis Bryn‐Julson (from 1995-03-24 until 1995-03-25) orchestra: Swedish Radio Symphony Orchestra (from 1995-03-24 until 1995-03-25) conductor: Esa‐Pekka Salonen (from 1995-03-24 until 1995-03-25) recorded at: Berwaldhallen in Stockholm, Stockholms län, Sweden (from 1995-03-24 until 1995-03-25) live partial recording of: Il prigioniero: Prologo (from 1995-03-24 until 1995-03-25) composer: Luigi Dallapiccola (from 1944 until 1948) librettist: Luigi Dallapiccola part of: Il prigioniero	Luigi Dallapiccola	3:36
3	Il prigioniero: Prologue. Primo intermezzo corale “Fiat misericordia tua” (Chorus) choir vocals: Swedish Radio Choir (from 1995-03-24 until 1995-03-25) orchestra: Swedish Radio Symphony Orchestra (from 1995-03-24 until 1995-03-25) conductor: Esa‐Pekka Salonen (from 1995-03-24 until 1995-03-25) chorus master: Mats Nilsson (from 1995-03-24 until 1995-03-25) recorded at: Berwaldhallen in Stockholm, Stockholms län, Sweden (from 1995-03-24 until 1995-03-25) live partial recording of: Il prigioniero: Prologo (from 1995-03-24 until 1995-03-25) composer: Luigi Dallapiccola (from 1944 until 1948) librettist: Luigi Dallapiccola part of: Il prigioniero	Luigi Dallapiccola	1:39
4	Il prigioniero: Act I, Scene 1. “Ero solo. Tutt’era bulio” (Il prigioniero, la madre) baritone vocals [Il prigioniero]: Jorma Hynninen (from 1995-03-24 until 1995-03-25) soprano vocals [La madre]: Phyllis Bryn‐Julson (from 1995-03-24 until 1995-03-25) orchestra: Swedish Radio Symphony Orchestra (from 1995-03-24 until 1995-03-25) conductor: Esa‐Pekka Salonen (from 1995-03-24 until 1995-03-25) recorded at: Berwaldhallen in Stockholm, Stockholms län, Sweden (from 1995-03-24 until 1995-03-25) live partial recording of: Il prigioniero: Atto unico (from 1995-03-24 until 1995-03-25) composer: Luigi Dallapiccola (from 1944 until 1948) librettist: Luigi Dallapiccola part of: Il prigioniero	Luigi Dallapiccola	5:55
5	Il prigioniero: Act I, Scene 2. “Solo. Son solo un’altra volta” (Il prigioniero, il carceriere) baritone vocals [Il prigioniero]: Jorma Hynninen (from 1995-03-24 until 1995-03-25) tenor vocals [Il carceriere]: Howard Haskin (from 1995-03-24 until 1995-03-25) orchestra: Swedish Radio Symphony Orchestra (from 1995-03-24 until 1995-03-25) conductor: Esa‐Pekka Salonen (from 1995-03-24 until 1995-03-25) recorded at: Berwaldhallen in Stockholm, Stockholms län, Sweden (from 1995-03-24 until 1995-03-25) live partial recording of: Il prigioniero: Atto unico (from 1995-03-24 until 1995-03-25) composer: Luigi Dallapiccola (from 1944 until 1948) librettist: Luigi Dallapiccola part of: Il prigioniero	Luigi Dallapiccola	4:33
6	Il prigioniero: Act I, Scene 2. Aria “Sull’Oceano, sulla Schelda” (Il carceriere, il prigioniero) baritone vocals [Il prigioniero]: Jorma Hynninen (from 1995-03-24 until 1995-03-25) tenor vocals [Il carceriere]: Howard Haskin (from 1995-03-24 until 1995-03-25) orchestra: Swedish Radio Symphony Orchestra (from 1995-03-24 until 1995-03-25) conductor: Esa‐Pekka Salonen (from 1995-03-24 until 1995-03-25) recorded at: Berwaldhallen in Stockholm, Stockholms län, Sweden (from 1995-03-24 until 1995-03-25) live partial recording of: Il prigioniero: Atto unico (from 1995-03-24 until 1995-03-25) composer: Luigi Dallapiccola (from 1944 until 1948) librettist: Luigi Dallapiccola part of: Il prigioniero	Luigi Dallapiccola	2:28
7	Il prigioniero: Act I, Scene 2. “Torna, sole, sulle città liberate!” (Il carceriere, il prigioniero) baritone vocals [Il prigioniero]: Jorma Hynninen (from 1995-03-24 until 1995-03-25) tenor vocals [Il carceriere]: Howard Haskin (from 1995-03-24 until 1995-03-25) orchestra: Swedish Radio Symphony Orchestra (from 1995-03-24 until 1995-03-25) conductor: Esa‐Pekka Salonen (from 1995-03-24 until 1995-03-25) recorded at: Berwaldhallen in Stockholm, Stockholms län, Sweden (from 1995-03-24 until 1995-03-25) live partial recording of: Il prigioniero: Atto unico (from 1995-03-24 until 1995-03-25) composer: Luigi Dallapiccola (from 1944 until 1948) librettist: Luigi Dallapiccola part of: Il prigioniero	Luigi Dallapiccola	2:33
8	Il prigioniero: Act I, Scene 2. “No, no… vaneggio” (Il carceriere, il prigioniero) baritone vocals [Il prigioniero]: Jorma Hynninen (from 1995-03-24 until 1995-03-25) tenor vocals [Il carceriere]: Howard Haskin (from 1995-03-24 until 1995-03-25) orchestra: Swedish Radio Symphony Orchestra (from 1995-03-24 until 1995-03-25) conductor: Esa‐Pekka Salonen (from 1995-03-24 until 1995-03-25) recorded at: Berwaldhallen in Stockholm, Stockholms län, Sweden (from 1995-03-24 until 1995-03-25) live partial recording of: Il prigioniero: Atto unico (from 1995-03-24 until 1995-03-25) composer: Luigi Dallapiccola (from 1944 until 1948) librettist: Luigi Dallapiccola part of: Il prigioniero	Luigi Dallapiccola	3:58
9	Il prigioniero: Act I, Scene 3. “Signore, aiutami a camminare” (Il prigioniero) baritone vocals [Il prigioniero]: Jorma Hynninen (from 1995-03-24 until 1995-03-25) orchestra: Swedish Radio Symphony Orchestra (from 1995-03-24 until 1995-03-25) conductor: Esa‐Pekka Salonen (from 1995-03-24 until 1995-03-25) recorded at: Berwaldhallen in Stockholm, Stockholms län, Sweden (from 1995-03-24 until 1995-03-25) live partial recording of: Il prigioniero: Atto unico (from 1995-03-24 until 1995-03-25) composer: Luigi Dallapiccola (from 1944 until 1948) librettist: Luigi Dallapiccola part of: Il prigioniero	Luigi Dallapiccola	2:04
10	Il prigioniero: Act I, Scene 3. Ricercare primo super “Signore, aiutami a camminare”. “Bulo, Silenzio” (Il prigioniero) baritone vocals [Il prigioniero]: Jorma Hynninen (from 1995-03-24 until 1995-03-25) orchestra: Swedish Radio Symphony Orchestra (from 1995-03-24 until 1995-03-25) conductor: Esa‐Pekka Salonen (from 1995-03-24 until 1995-03-25) recorded at: Berwaldhallen in Stockholm, Stockholms län, Sweden (from 1995-03-24 until 1995-03-25) live partial recording of: Il prigioniero: Atto unico (from 1995-03-24 until 1995-03-25) composer: Luigi Dallapiccola (from 1944 until 1948) librettist: Luigi Dallapiccola part of: Il prigioniero	Luigi Dallapiccola	1:59
11	Il prigioniero: Act I, Scene 3. Ricercare secondo super “Fratello”. “Non reggo” (Il prigioniero, due sacerdoti) baritone vocals [Il prigioniero]: Jorma Hynninen (from 1995-03-24 until 1995-03-25) baritone vocals [Sacerdote]: Lage Wedin (from 1995-03-24 until 1995-03-25) tenor vocals [Sacerdote]: Sven-Erik Alexandersson (from 1995-03-24 until 1995-03-25) orchestra: Swedish Radio Symphony Orchestra (from 1995-03-24 until 1995-03-25) conductor: Esa‐Pekka Salonen (from 1995-03-24 until 1995-03-25) recorded at: Berwaldhallen in Stockholm, Stockholms län, Sweden (from 1995-03-24 until 1995-03-25) live partial recording of: Il prigioniero: Atto unico (from 1995-03-24 until 1995-03-25) composer: Luigi Dallapiccola (from 1944 until 1948) librettist: Luigi Dallapiccola part of: Il prigioniero	Luigi Dallapiccola	3:08
12	Il prigioniero: Act I, Scene 3. Ricercare terzo super Roelandt. “Quegli occhi mi guardavano” (Il prigioniero) baritone vocals [Il prigioniero]: Jorma Hynninen (from 1995-03-24 until 1995-03-25) orchestra: Swedish Radio Symphony Orchestra (from 1995-03-24 until 1995-03-25) conductor: Esa‐Pekka Salonen (from 1995-03-24 until 1995-03-25) recorded at: Berwaldhallen in Stockholm, Stockholms län, Sweden (from 1995-03-24 until 1995-03-25) live partial recording of: Il prigioniero: Atto unico (from 1995-03-24 until 1995-03-25) composer: Luigi Dallapiccola (from 1944 until 1948) librettist: Luigi Dallapiccola part of: Il prigioniero	Luigi Dallapiccola	3:03
13	Il prigioniero: Act I. Secondo intermezzo corale “Domine, labia mea aperies” (Chorus) choir vocals: Swedish Radio Choir (from 1995-03-24 until 1995-03-25) orchestra: Swedish Radio Symphony Orchestra (from 1995-03-24 until 1995-03-25) conductor: Esa‐Pekka Salonen (from 1995-03-24 until 1995-03-25) chorus master: Mats Nilsson (from 1995-03-24 until 1995-03-25) recorded at: Berwaldhallen in Stockholm, Stockholms län, Sweden (from 1995-03-24 until 1995-03-25) live partial recording of: Il prigioniero: Atto unico (from 1995-03-24 until 1995-03-25) composer: Luigi Dallapiccola (from 1944 until 1948) librettist: Luigi Dallapiccola part of: Il prigioniero	Luigi Dallapiccola	1:53
14	Il prigioniero: Act I, Scene 4. “Alleluja!” (Il prigioniero, chorus, il grande inquisitore) baritone vocals [Il prigioniero]: Jorma Hynninen (from 1995-03-24 until 1995-03-25) choir vocals: Swedish Radio Choir (from 1995-03-24 until 1995-03-25) tenor vocals [Il grande inquisitore]: Howard Haskin (from 1995-03-24 until 1995-03-25) orchestra: Swedish Radio Symphony Orchestra (from 1995-03-24 until 1995-03-25) conductor: Esa‐Pekka Salonen (from 1995-03-24 until 1995-03-25) chorus master: Mats Nilsson (from 1995-03-24 until 1995-03-25) recorded at: Berwaldhallen in Stockholm, Stockholms län, Sweden (from 1995-03-24 until 1995-03-25) live partial recording of: Il prigioniero: Atto unico (from 1995-03-24 until 1995-03-25) composer: Luigi Dallapiccola (from 1944 until 1948) librettist: Luigi Dallapiccola part of: Il prigioniero	Luigi Dallapiccola	6:00
15	Canti di prigionia: I. Preghiera di Maria Stuarda instruments: Members of the Swedish Radio Symphony Orchestra (on 1995-03-27) choir vocals: Eric Ericson Chamber Choir (on 1995-03-27) conductor: Esa‐Pekka Salonen (on 1995-03-27) recorded at: Berwaldhallen in Stockholm, Stockholms län, Sweden (on 1995-03-27) recording of: Canti di prigionia: No. 1. Preghiera di Maria Stuarda (on 1995-03-27) lyricist: Mary Stuart, Queen of Scots composer: Luigi Dallapiccola (from 1938 until 1941) is based on: Dies Irae (plainchant) part of: Canti di prigionia	Luigi Dallapiccola	10:01
16	Canti di prigionia: II. Invocazione di Boezio instruments: Members of the Swedish Radio Symphony Orchestra (on 1995-03-27) choir vocals: Eric Ericson Chamber Choir (on 1995-03-27) conductor: Esa‐Pekka Salonen (on 1995-03-27) recorded at: Berwaldhallen in Stockholm, Stockholms län, Sweden (on 1995-03-27) recording of: Canti di prigionia: No. 2. Invocazione di Boezio (on 1995-03-27) lyricist: Anicius Manlius Severinus Boëthius composer: Luigi Dallapiccola (from 1938 until 1941) is based on: Dies Irae (plainchant) part of: Canti di prigionia	Luigi Dallapiccola	4:48
17	Canti di prigionia: III. Congedo di Girolamo Savonarola instruments: Members of the Swedish Radio Symphony Orchestra (on 1995-03-27) choir vocals: Eric Ericson Chamber Choir (on 1995-03-27) conductor: Esa‐Pekka Salonen (on 1995-03-27) recorded at: Berwaldhallen in Stockholm, Stockholms län, Sweden (on 1995-03-27) recording of: Canti di prigionia: No. 3. Congedo di Girolamo Savonarola (on 1995-03-27) lyricist: Girolamo Savonarola composer: Luigi Dallapiccola (from 1938 until 1941) is based on: Dies Irae (plainchant) part of: Canti di prigionia	Luigi Dallapiccola	8:32

7▼CD: Debussy: Images / Prélude à l’après‐midi d’un faune / La Mer
#	Title	Artist	Length
1	Images pour orchestre: I. Gigues producer: David Mottley orchestra: Los Angeles Philharmonic (from 1996-02-05 until 1996-02-06) conductor: Esa‐Pekka Salonen (from 1996-02-05 until 1996-02-06) recorded at: Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1996-02-05 until 1996-02-06) recording of: Images pour orchestre, L. 122, CD 118: I. Gigues (from 1996-02-05 until 1996-02-06) composer: Claude Debussy (in 1912) publisher: Durand et Cie (in 1913-12) part of: Images pour orchestre, L. 122, CD 118	Claude Debussy	8:21
2	Images pour orchestre: II. Iberia: Par les rues et par les chemins producer: David Mottley orchestra: Los Angeles Philharmonic (from 1996-02-05 until 1996-02-06) conductor: Esa‐Pekka Salonen (from 1996-02-05 until 1996-02-06) recorded at: Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1996-02-05 until 1996-02-06) recording of: Images pour orchestre, L 122: IIa. Ibéria - Par les rues et par les chemins (from 1996-02-05 until 1996-02-06) composer: Claude Debussy (from 1905 until 1908) part of: Images pour orchestre, L. 122, CD 118: II. Ibéria	Claude Debussy	7:03
3	Images pour orchestre: II. Iberia: Les parfums de la nuit producer: David Mottley orchestra: Los Angeles Philharmonic (from 1996-02-05 until 1996-02-06) conductor: Esa‐Pekka Salonen (from 1996-02-05 until 1996-02-06) recorded at: Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1996-02-05 until 1996-02-06) recording of: Images pour orchestre, L 122: IIb. Ibéria - Les Parfums de la nuit (from 1996-02-05 until 1996-02-06) composer: Claude Debussy (from 1905 until 1908) part of: Images pour orchestre, L. 122, CD 118: II. Ibéria	Claude Debussy	9:25
4	Images pour orchestre: II. Iberia: Le Matin d’un jour de fête producer: David Mottley orchestra: Los Angeles Philharmonic (from 1996-02-05 until 1996-02-06) conductor: Esa‐Pekka Salonen (from 1996-02-05 until 1996-02-06) recorded at: Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1996-02-05 until 1996-02-06) recording of: Images pour orchestre, L 122: IIc. Ibéria - Le Matin d'un jour de fête (from 1996-02-05 until 1996-02-06) composer: Claude Debussy (from 1905 until 1908) part of: Images pour orchestre, L. 122, CD 118: II. Ibéria	Claude Debussy	4:40
5	Images pour orchestre: III. Rondes de printemps producer: David Mottley orchestra: Los Angeles Philharmonic (from 1996-02-05 until 1996-02-06) conductor: Esa‐Pekka Salonen (from 1996-02-05 until 1996-02-06) recorded at: Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1996-02-05 until 1996-02-06) recording of: Images pour orchestre, L. 122, CD 118: III. Rondes de printemps (from 1996-02-05 until 1996-02-06) composer: Claude Debussy (from 1905 until 1909) premiered at: [concert] publisher: Durand et Cie (in 1910-04) premiered at: Salle Gaveau in Paris, Île-de-France, France (on 1910-03-02) part of: Images pour orchestre, L. 122, CD 118	Claude Debussy	8:14
6	Prélude à l’après‐midi d’un faune producer: David Mottley solo flute: Janet Ferguson (from 1996-02-05 until 1996-02-06) orchestra: Los Angeles Philharmonic (from 1996-02-05 until 1996-02-06) conductor: Esa‐Pekka Salonen (from 1996-02-05 until 1996-02-06) recorded at: Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1996-02-05 until 1996-02-06) recording of: Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (from 1996-02-05 until 1996-02-06) composer: Claude Debussy (from 1891 until 1894-09) dedicated to: Raymond Bonheur premiered at: [concert] publisher: Eugène Fromont (in 1895-10) part of: Classic 100: Music of France (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (number: CD 87)	Claude Debussy	10:17
7	La Mer, trois esquisses symphoniques: I. De l’aube à midi sur la mer producer: David Mottley orchestra: Los Angeles Philharmonic (from 1996-02-05 until 1996-02-06) conductor: Esa‐Pekka Salonen (from 1996-02-05 until 1996-02-06) recorded at: Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1996-02-05 until 1996-02-06) recording of: La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (from 1996-02-05 until 1996-02-06) composer: Claude Debussy (from 1903 until 1905) part of: La Mer, trois esquisses symphoniques pour orchestre, L. 109	Claude Debussy	8:50
8	La Mer, trois esquisses symphoniques: II. Jeux de vagues producer: David Mottley orchestra: Los Angeles Philharmonic (from 1996-02-05 until 1996-02-06) conductor: Esa‐Pekka Salonen (from 1996-02-05 until 1996-02-06) recorded at: Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1996-02-05 until 1996-02-06) recording of: La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (from 1996-02-05 until 1996-02-06) composer: Claude Debussy (from 1903 until 1905) part of: La Mer, trois esquisses symphoniques pour orchestre, L. 109	Claude Debussy	7:02
9	La Mer, trois esquisses symphoniques: III. Dialogue du vent et de la mer producer: David Mottley orchestra: Los Angeles Philharmonic (from 1996-02-05 until 1996-02-06) conductor: Esa‐Pekka Salonen (from 1996-02-05 until 1996-02-06) recorded at: Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States (from 1996-02-05 until 1996-02-06) recording of: La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” (from 1996-02-05 until 1996-02-06) composer: Claude Debussy (from 1903 until 1905) part of: La Mer, trois esquisses symphoniques pour orchestre, L. 109	Claude Debussy	8:31

8▼CD: Debussy: Nocturnes / La Damoiselle élue / Le Martyre de Saint Sebastien
#	Title	Artist	Length
1	Nocturnes: I. Nuages orchestra: Los Angeles Philharmonic conductor: Esa‐Pekka Salonen recorded at: Royce Hall in Los Angeles, California, United States recording of: Nocturnes, L. 91, CD 98 : I. Nuages composer: Claude Debussy (from 1897-12 until 1899-12) premiered at: [concert] part of: Nocturnes, L. 91, CD 98 (for orchestra)	Claude Debussy	7:15
2	Nocturnes: II. Fêtes orchestra: Los Angeles Philharmonic conductor: Esa‐Pekka Salonen recorded at: Royce Hall in Los Angeles, California, United States recording of: Nocturnes, L. 91, CD 98 : II. Fêtes composer: Claude Debussy (from 1897-12 until 1899-12) premiered at: [concert] part of: Nocturnes, L. 91, CD 98 (for orchestra)	Claude Debussy	6:33
3	Nocturnes: III. Sirènes orchestra: Los Angeles Philharmonic conductor: Esa‐Pekka Salonen recorded at: Royce Hall in Los Angeles, California, United States recording of: Nocturnes, L. 91, CD 98 : III. Sirènes composer: Claude Debussy (from 1897-12 until 1899-12) premiered at: [concert] part of: Nocturnes, L. 91, CD 98 (for orchestra)	Claude Debussy	10:55
4	La Damoiselle élue choir vocals: Women of the Los Angeles Master Chorale mezzo-soprano vocals: Paula Rasmussen soprano vocals: Dawn Upshaw orchestra: Los Angeles Philharmonic conductor: Esa‐Pekka Salonen recorded at: Royce Hall in Los Angeles, California, United States recording of: La Damoiselle élue, L. 62, CD 69 (for solo female voices, female chorus and orchestra) lyricist: Dante Gabriel Rossetti composer: Claude Debussy (from 1887 until 1888) dedicated to: Paul Dukas translator: Gabriel Sarrazin premiered at: [concert] publisher: A. Durand et Fils (in 1903-02) part of: Catalogue François Lesure des œuvres de Claude Debussy (number: L. 62) and Catalogue François Lesure des œuvres de Claude Debussy (number: CD 69)	Claude Debussy	20:22
5	Le Martyre de Saint Sébastien: I. La Cour des lys. Prélude orchestra: Los Angeles Philharmonic conductor: Esa‐Pekka Salonen recorded at: Royce Hall in Los Angeles, California, United States recording of: Le Martyre de Saint-Sébastien: I. La cour des lys: N°1 composer: Claude Debussy (from 1911-02 until 1911-05) part of: Le Martyre de Saint-Sébastien, L. 124: Acte I "La Cour de lys"	Claude Debussy	3:51
6	Le Martyre de Saint Sébastien: II. Danse extatique et Final du 1er Acte orchestra: Los Angeles Philharmonic conductor: Esa‐Pekka Salonen recorded at: Royce Hall in Los Angeles, California, United States recording of: Le Martyre de Saint-Sébastien, fragments symphoniques: I. La Cour des lys: Danse extatique composer: Claude Debussy (in 1911) arranger: André Caplet part of: Le Martyre de Saint-Sébastien, fragments symphoniques	Claude Debussy	6:22
7	Le Martyre de Saint Sébastien: III. La Passion orchestra: Los Angeles Philharmonic conductor: Esa‐Pekka Salonen recorded at: Royce Hall in Los Angeles, California, United States recording of: Le Martyre de Saint-Sébastien, fragments symphoniques: III. Le Concile des faux dieux: La Passion composer: Claude Debussy (in 1911) part of: Le Martyre de Saint-Sébastien, fragments symphoniques	Claude Debussy	5:52
8	Le Martyre de Saint Sébastien: IV. Le Bon Pasteur orchestra: Los Angeles Philharmonic conductor: Esa‐Pekka Salonen recorded at: Royce Hall in Los Angeles, California, United States recording of: Le Martyre de Saint-Sébastien, fragments symphoniques: IV. Le Laurier blessé: Le Bon Pasteur composer: Claude Debussy (in 1911) part of: Le Martyre de Saint-Sébastien, fragments symphoniques	Claude Debussy	6:53

9▶CD: Grieg: Peer Gynt

10▶CD: Haydn: Symphonies no. 22 “Der Philosoph”, no. 78 & no. 82 “L’Ours”

11▶CD: Herrmann: The Film Scores

12▶CD: Dahlgren: Jag vill se min älskade komma från det vilda

13▶CD: Hindemith: Sinfoniche metamorphosen / Die vier temperamente / Mathis der maler

14▶CD: Larsson: Förklädd gud / Pastoral Suite / Violin Concerto

15▶CD: Ligeti: Le Grand Macabre(1)

16▶CD: Ligeti: Le Grand Macabre(2)

17▶CD: Ligeti: Vocal Works: Madrigals / Mysteries / Aventures / Songs

18▶CD: Lindberg: Cantigas / Cello Concerto / Parada / Fresco

19▶CD: Schoenberg: Piano Concerto / Liszt: Piano Concertos Nos. 1 & 2

20▶CD: Lutosławski: Symphony no. 2 / Chantefleurs et chantefables / Piano Concerto

21▶CD: Lutosławski: Fanfare / Symphonies nos. 1 & 2

22▶CD: Lutosławski: Symphonies nos. 3 & 4 / Les Espaces Du Sommeil

23▶CD: Mahler: Symphony no. 3(1)

24▶CD: Mahler: Symphony no. 3(2)

25▶CD: Mahler: Symphony no. 4

26▶CD: Mahler: Das Lied von der Erde

27▶CD: Marsalis: All Rise(1)

28▶CD: Marsalis: All Rise(2)

29▶CD: Messiaen: Turangalîla‐Symphonie

30▶CD: Messiaen: Des Canyons aux étoiles(I–IX)

31▶CD: Messiaen: Des Canyons aux étoiles (X–XII) / Oiseaux exotiques / Couleurs de la cité céleste

32▶CD: Nielsen: Symphony No.1 / Little Suite, Op.1

33▶CD: Nielsen: Symphony no. 2 “Four Temperaments” / Pan & Syrinx, op. 49 / Aladdin Suite

34▶CD: Nielsen: Symphonies No. 3 & 6

35▶CD: Nielsen: Symphony No. 4 / Helios Overture

36▶CD: Nielsen: Symphony no. 5 / Masquerade: Overture, Prelude, Dance

37▶CD: Sibelius & Nielsen: Violin Concertos

38▶CD: Nielsen: Flute Concerto / Clarinet Concerto / Springtime on Funen / Rhapsodic Overture / Prelude to Act II of “Saul and David”

39▶CD: Prokofiev: Romeo and Juliet – Highlights

40▶CD: Prokofiev, Stravinsky: Violin Concertos

41▶CD: Rachmaninoff: Piano Concertos nos. 2 & 3

42▶CD: Sensemayá: The Music of Silvestre Revueltas

43▶CD: Saariaho: Château de l’âme / Graal théâtre / Amers

44▶CD: Salonen: LA Variations / Five Images after Sappho / Mania / Gambit / Giro

45▶CD: Schönberg: Transfigured Night

46▶CD: Shostakovich: Piano Concertos No. 1 Op. 35 & No. 2 Op. 102 / Quintet for Piano & Strings

47▶CD: Sibelius: Symphony no. 5 / Pohjola’s Daughter

48▶CD: Sibelius: Lemminkäinen Legends, op. 22 / En saga, op. 9

49▶CD: Sibelius: Kullervo

50▶CD: Sibelius, Goldmark: Violin Concertos

51▶CD: Strauss: Metamorphosen / Duet‐Concertino for Clarinet & Bassoon with String Orchestra and Harp / Prelude to Capriccio

52▶CD: Stravinsky: Petrouchka / Orpheus

53▶CD: Stravinsky: The Firebird / Jeu De Cartes

54▶CD: Stravinsky: Le Sacre du printemps / Symphony in Three Movements

55▶CD: Stravinsky: Pulcinella / Octet / Renard / Rag‐Time

56▶CD: Stravinsky: Works for Piano and Orchestra

57▶CD: Stravinsky: Apollon musagète / Concerto in D / Cantata

58▶CD: Stravinsky: Oedipus Rex

59▶CD: Takemitsu Played by John Williams

60▶CD: Tomasi: Concerto for Trumpet and Orchestra / Jolivet: Concerto no. 2 for Trumpet / Concertino for Trumpet, String Orchestra and Piano

61▶CD: A Nordic Festival

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The Complete Sony Recordings

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