| # | Title | Artist | Length |
|---|
| 1 | The Joker- producer:
- Steve Miller
- acoustic guitar, slide guitar and lead vocals [vocals]:
- Steve Miller
- bass:
- Gerald Johnson
- drums (drum set):
- John King
- phonographic copyright (℗) by:
- Capitol Records (in 1973), Capitol Records, LLC (in 1973) and Capitol Records, Inc. (in 2003)
- recording of:
- The Joker
- writer:
- Eddie Curtis, Ahmet Ertegun and Steve Miller
- publisher:
- Cotillion Music Inc., Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. and Warner Chappell Music, Inc.
| Steve Miller Band | 4:27 |
| 2 | More Than a Feeling- assistant engineer:
- Bruce Hensal, Deni King and Doug Rider
- engineer:
- Warren Dewey and Tom Scholz
- producer:
- John Boylan and Tom Scholz
- assistant mixer:
- Steve Hodge
- acoustic guitar, bass guitar, guitar [lead guitar] and guitar [rhythm guitar]:
- Tom Scholz (from 1975 until 1976)
- drums (drum set) and percussion:
- Sib Hashian (from 1975 until 1976)
- lead vocals and lead vocals [Harmony]:
- Brad Delp (from 1975 until 1976)
- arranger:
- Brad Delp and Tom Scholz
- co-arranger:
- Jim Masdea
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1976), CBS, Inc. (in 1976), Epic Records (in 1976), Sony BMG Music Entertainment (in 1976) and Sony Music Entertainment Inc. (in 1976)
- recorded at:
- Foxglove Studios in Watertown, Massachusetts, United States (in 1975), Capitol Studios in Hollywood, Los Angeles, California, United States (in 1976) and The Record Plant in Hollywood, Los Angeles, California, United States (in 1976)
- mixed at:
- Westlake Audio in Los Angeles, California, United States
- earliest release:
- More Than a Feeling by Boston
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 39), Billboard: The 500 Best Pop Songs (number: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 212) and Rolling Stone: 500 Greatest Songs of All Time (number: 500)
- recording of:
- More Than a Feeling (from 1975 until 1976)
- lyricist and composer:
- Tom Scholz
- publisher:
- Copyright Control, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd., Warner Chappell Music, Warner Chappell Music Ltd., WB Music Corp. and Pure Songs (in 1976)
| Boston | 4:39 |
| 3 | (Don't Fear) The Reaper- recording engineer:
- Andy Abrams (in 1976-03) and Shelly Yakus (in 1976-03)
- engineer:
- Andy Abrams and Shelly Yakus
- producer:
- Murray Krugman, David Lucas and Sandy Pearlman
- mixer:
- Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Sony BMG Music Entertainment (in 1976) and Sony Music Entertainment Inc. (in 1976)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (in 1976-03)
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 55)
- recording of:
- (Don’t Fear) The Reaper (in 1976-03)
- lyricist and composer:
- Donald Roeser
- publisher:
- Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (in 1976)
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部
| Blue Öyster Cult | 5:08 |
| 4 | Fox on the Run- engineer:
- Peter Coleman
- producer:
- Sweet
- arranger:
- Sweet
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1973, in 1974, in 1975) and Chinebridge Ltd. (in 1974)
- recorded at:
- Kingsway Studios in Camden, London, England, United Kingdom
- engineered at:
- Audio International Studios in London, England, United Kingdom
- recording of:
- Fox on the Run
- writer:
- Brian Connolly, Steve Priest, Andy Scott and Mick Tucker
- publisher:
- Maxwood Music Ltd., Sweet Publishing Ltd. and Warner Chappell Music
| The Sweet | 3:25 |
| 5 | Radar Love- recording engineer:
- Pieter Nieboer
- executive producer:
- Fred Haayen
- producer:
- Golden Earring
- mixer:
- Damon Lyon-Shaw
- acoustic guitar and electric guitar:
- George Kooymans
- drums (drum set) and percussion:
- Cesar Zuiderwijk
- electric bass guitar and keyboard:
- Rinus Gerritsen
- slide guitar:
- Eelco Gelling
- vocals:
- Barry Hay and George Kooymans
- arranger:
- Golden Earring
- phonographic copyright (℗) by:
- Dutch Record Company (in 1973), Polydor B.V. (in 1973), Red Bullet Productions B.V. (in 1973), Track Records Ltd. (in 1973) and Geffen Records (in 1974)
- produced for:
- Red Bullet Productions
- recorded at:
- Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands
- mixed at:
- IBC Studios in London, England, United Kingdom
- recording of:
- Radar Love
- lyricist:
- Barry Hay
- composer:
- George Kooymans
- publisher:
- Dayglow Music, Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music and Sony/ATV Music Publishing
| Golden Earring | 6:23 |
| 6 | Go All the Way | The Raspberries | 3:20 |
| 7 | Shambala | Three Dog Night | 3:24 |
| 8 | Hot Child in the City | Nick Gilder | 3:32 |
| 9 | Some Kind of Wonderful | Grand Funk Railroad | 3:22 |
| 10 | Heartbreaker | Pat Benatar | 3:30 |
| 11 | Venus | Shocking Blue | 3:00 |
| 12 | Green-Eyed Lady | Sugarloaf | 6:48 |
