1935-1950: Música para antes y después de una guerra

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Colección "Historia de la música Deutsche Grammophon"

Tracklist

1▼CD
#	Title	Artist	Length
1	Adagio para cuerda. Molto adagio orchestra: Los Angeles Philharmonic Orchestra (on 1982-07-24) conductor: Leonard Bernstein (on 1982-07-24) recorded at: Louise M. Davies Symphony Hall in San Francisco, California, United States (on 1982-07-24) live recording of: Adagio for Strings (on 1982-07-24) orchestrator: Samuel Barber (in 1938) composer: Samuel Barber (in 1936) premiered by: NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (on 1938-11-05) premiered at: [radio broadcast] publisher: Chappell and G. Schirmer Inc. arrangement of: String Quartet, op. 11: II. Molto adagio	Samuel Barber	10:03
2	Quiet City recording engineer: Hans Weber engineer: Klaus Scheibe producer: Hanno Rinke cor anglais: Thomas Stacy (on 1985-12-10) trumpet: Philip Smith (on 1985-12-10) orchestra: New York Philharmonic (on 1985-12-10) conductor: Leonard Bernstein (on 1985-12-10) phonographic copyright (℗) by: Polydor International GmbH (from 1986 to present) recorded at: Avery Fisher Hall in Upper West Side, New York, New York, United States (on 1985-12-10) recording of: Quiet City (suite for English horn, trumpet and string orchestra) (on 1985-12-10) premiered in: New York, New York, United States (on 1941-01-28) composer: Aaron Copland (in 1940) premiered by: Daniel Saidenberg (on 1941-01-28) publisher: Boosey & Hawkes is based on: Quiet City (incidental music)	Aaron Copland	10:35
3	Serenata para tenor, trompa y cuerda, op. 31: 1. Prólogo. Andante recording engineer: Hans‐Peter Schweigmann producer: Günther Breest horn: Dale Clevenger (in 1977-04) tenor vocals: Robert Tear orchestra: Chicago Symphony Orchestra conductor: Carlo Maria Giulini balance engineer: Cord Garben phonographic copyright (℗) by: Polydor International GmbH (in 1979) recorded at: Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04) recording of: Serenade for Tenor, Horn and Strings, op. 31: I. Prologue (for solo horn) (in 1977-04) composer: Benjamin Britten (in 1943) publisher: Boosey & Hawkes Music Publishers, Ltd part of: Serenade for Tenor, Horn and Strings, op. 31	Benjamin Britten	1:31
4	Serenata para tenor, trompa y cuerda, op. 31: 2. Pastoral. Lento recording engineer: Hans‐Peter Schweigmann producer: Günther Breest horn: Dale Clevenger (in 1977-04) tenor vocals: Robert Tear (in 1977-04) orchestra: Chicago Symphony Orchestra (in 1977-04) conductor: Carlo Maria Giulini (in 1977-04) balance engineer: Cord Garben phonographic copyright (℗) by: Polydor International GmbH (in 1979) recorded at: Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04) recording of: Serenade for Tenor, Horn and Strings, op. 31: II. Pastoral (in 1977-04) lyricist: Charles Cotton composer: Benjamin Britten (in 1943) publisher: Boosey & Hawkes Music Publishers, Ltd part of: Serenade for Tenor, Horn and Strings, op. 31	Benjamin Britten	3:21
5	Serenata para tenor, trompa y cuerda, op. 31: 3. Nocturno. Maestoso recording engineer: Hans‐Peter Schweigmann producer: Günther Breest horn: Dale Clevenger (in 1977-04) tenor vocals: Robert Tear (in 1977-04) orchestra: Chicago Symphony Orchestra (in 1977-04) conductor: Carlo Maria Giulini (in 1977-04) balance engineer: Cord Garben phonographic copyright (℗) by: Polydor International GmbH (in 1979) recorded at: Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04) recording of: Serenade for Tenor, Horn and Strings, op. 31: III. Nocturne (in 1977-04) lyricist: Lord Alfred Tennyson composer: Benjamin Britten (in 1943) publisher: Boosey & Hawkes Music Publishers, Ltd part of: Serenade for Tenor, Horn and Strings, op. 31	Benjamin Britten	3:21
6	Serenata para tenor, trompa y cuerda, op. 31: 4. Elegía. Andante appassionato recording engineer: Hans‐Peter Schweigmann producer: Günther Breest horn: Dale Clevenger (in 1977-04) tenor vocals: Robert Tear (in 1977-04) orchestra: Chicago Symphony Orchestra (in 1977-04) conductor: Carlo Maria Giulini (in 1977-04) balance engineer: Cord Garben phonographic copyright (℗) by: Polydor International GmbH (in 1979) recorded at: Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04) recording of: Serenade for Tenor, Horn and Strings, op. 31: IV. Elegy (in 1977-04) lyricist: William Blake composer: Benjamin Britten (in 1943) publisher: Boosey & Hawkes Music Publishers, Ltd part of: Serenade for Tenor, Horn and Strings, op. 31	Benjamin Britten	5:00
7	Serenata para tenor, trompa y cuerda, op. 31: 5. Canto fúnebre. Alla marcia grave recording engineer: Hans‐Peter Schweigmann producer: Günther Breest horn: Dale Clevenger (in 1977-04) tenor vocals: Robert Tear (in 1977-04) orchestra: Chicago Symphony Orchestra (in 1977-04) conductor: Carlo Maria Giulini (in 1977-04) balance engineer: Cord Garben phonographic copyright (℗) by: Polydor International GmbH (in 1979) recorded at: Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04) recording of: Serenade for Tenor, Horn and Strings, op. 31: V. Dirge (in 1977-04) lyricist: [anonymous] composer: Benjamin Britten (in 1943) publisher: Boosey & Hawkes Music Publishers, Ltd part of: Serenade for Tenor, Horn and Strings, op. 31	Benjamin Britten	3:19
8	Serenata para tenor, trompa y cuerda, op. 31: 6. Himno. Presto e leggiero recording engineer: Hans‐Peter Schweigmann producer: Günther Breest horn: Dale Clevenger (in 1977-04) tenor vocals: Robert Tear (in 1977-04) orchestra: Chicago Symphony Orchestra (in 1977-04) conductor: Carlo Maria Giulini (in 1977-04) balance engineer: Cord Garben phonographic copyright (℗) by: Polydor International GmbH (in 1979) recorded at: Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04) recording of: Serenade for Tenor, Horn and Strings, op. 31: VI. Hymn (in 1977-04) lyricist: Ben Jonson composer: Benjamin Britten (in 1943) publisher: Boosey & Hawkes Music Publishers, Ltd part of: Serenade for Tenor, Horn and Strings, op. 31	Benjamin Britten	2:05
9	Serenata para tenor, trompa y cuerda, op. 31: 7. Soneto. Adagio recording engineer: Hans‐Peter Schweigmann producer: Günther Breest horn: Dale Clevenger (in 1977-04) tenor vocals: Robert Tear (in 1977-04) orchestra: Chicago Symphony Orchestra (in 1977-04) conductor: Carlo Maria Giulini (in 1977-04) balance engineer: Cord Garben phonographic copyright (℗) by: Polydor International GmbH (in 1979) recorded at: Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04) recording of: Serenade for Tenor, Horn and Strings, op. 31: VII. Sonnet (in 1977-04) lyricist: John Keats composer: Benjamin Britten (in 1943) publisher: Boosey & Hawkes Music Publishers, Ltd part of: Serenade for Tenor, Horn and Strings, op. 31	Benjamin Britten	3:45
10	Serenata para tenor, trompa y cuerda, op. 31: Epílogo. Andante recording engineer: Hans‐Peter Schweigmann producer: Günther Breest horn: Dale Clevenger (in 1977-04) tenor vocals: Robert Tear orchestra: Chicago Symphony Orchestra conductor: Carlo Maria Giulini balance engineer: Cord Garben phonographic copyright (℗) by: Polydor International GmbH (in 1979) recorded at: Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1977-04) recording of: Serenade for Tenor, Horn and Strings, op. 31: VIII. Epilogue (for solo horn) (in 1977-04) composer: Benjamin Britten (in 1943) publisher: Boosey & Hawkes Music Publishers, Ltd part of: Serenade for Tenor, Horn and Strings, op. 31	Benjamin Britten	1:44
11	Un superviviente de Varsovia, op. 46 producer: Christopher Alder choir vocals: Konzertvereinigung Wiener Staatsopernchor (in 1989-05) spoken vocals [narrator]: Gottfried Hornik (in 1989-05) orchestra: Wiener Philharmoniker (in 1989-05) conductor: Claudio Abbado (in 1989-05) chorus master: Karl Kamper (in 1989-05) balance engineer: Gregor Zielinsky recorded at: Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1989-05) recording of: A Survivor From Warsaw, op. 46 (in 1989-05) composer: Arnold Schönberg premiered by: Kurt Frederick and New Mexico Symphony Orchestra (on 1948-11-04) premiered at: [concert] part of: Works of Arnold Schönberg by opus number (number: op. 46)	Arnold Schönberg	6:51
12	Cuatro últimas canciones: 1. Primavera soprano vocals: Cheryl Studer (in 1993-06) vocals: Cheryl Studer orchestra: Staatskapelle Dresden (in 1993-06) conductor: Giuseppe Sinopoli (in 1993-06) recorded at: Lukaskirche in Dresden, Sachsen, Germany (in 1993-06) recording of: Vier letzte Lieder, AV 150: I. „Frühling“ (Four Last Songs, AV 150: 1. “Spring”) (in 1993-06) lyricist: Hermann Hesse composer: Richard Strauss (on 1948-07-20) publisher: Boosey & Hawkes premiered at: Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1950-05-22) part of: Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)	Richard Strauss	3:21
13	Cuatro últimas canciones: 2. Septiembre soprano vocals: Cheryl Studer (in 1993-06) vocals: Cheryl Studer orchestra: Staatskapelle Dresden (in 1993-06) conductor: Giuseppe Sinopoli (in 1993-06) recorded at: Lukaskirche in Dresden, Sachsen, Germany (in 1993-06) recording of: Vier letzte Lieder, AV 150: II. „September“ (Four Last Songs, AV 150: 2. “September”) (in 1993-06) lyricist: Hermann Hesse composer: Richard Strauss (on 1948-09-20) publisher: Boosey & Hawkes premiered at: Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1950-05-22) part of: Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)	Richard Strauss	4:39
14	Cuatro últimas canciones: 3. Dormir soprano vocals: Cheryl Studer (in 1993-06) vocals: Cheryl Studer orchestra: Staatskapelle Dresden (in 1993-06) conductor: Giuseppe Sinopoli (in 1993-06) recorded at: Lukaskirche in Dresden, Sachsen, Germany (in 1993-06) recording of: Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (Four Last Songs, AV 150: 3. “When You Go to Sleep”) (in 1993-06) lyricist: Hermann Hesse composer: Richard Strauss (on 1948-08-04) publisher: Boosey & Hawkes premiered at: Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1950-05-22) part of: Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)	Richard Strauss	5:12
15	Cuatro últimas canciones: 4. En el crepúsculo morado soprano vocals: Cheryl Studer (in 1993-06) vocals: Cheryl Studer orchestra: Staatskapelle Dresden (in 1993-06) conductor: Giuseppe Sinopoli (in 1993-06) recorded at: Lukaskirche in Dresden, Sachsen, Germany (in 1993-06) recording of: Vier letzte Lieder, AV 150: IV. „Im Abendrot“ (Four Last Songs, AV 150: 4. “In the Afterglow”) (in 1993-06) lyricist: Joseph von Eichendorff composer: Richard Strauss (on 1948-05-06) publisher: Boosey & Hawkes premiered at: Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1950-05-22) part of: Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)	Richard Strauss	7:40