| # | Title | Artist | Length |
|---|
| 1 | Cruel to Be Kind | Nick Lowe | 3:27 |
| 2 | In the Flesh- recording engineer:
- Rob Freeman (from 1976-08 until 1976-09)
- assistant engineer:
- Don Hünerberg
- engineer:
- Rob Freeman and Craig Leon
- producer:
- Richard Gottehrer
- bass guitar:
- Gary Valentine (from 1976-08 until 1976-09)
- drums (drum set):
- Clem Burke (from 1976-08 until 1976-09)
- farfisa, grand piano, piano and synthesizer [roland]:
- Jimmy Destri (from 1976-08 until 1976-09)
- guitar:
- Chris Stein (from 1976-08 until 1976-09)
- background vocals:
- Ellie Greenwich (from 1976-08 until 1976-09), Hilda Harris (from 1976-08 until 1976-09) and Micki Harris (from 1976-08 until 1976-09)
- lead vocals:
- Deborah Harry (from 1976-08 until 1976-09)
- remixer:
- Craig Leon
- phonographic copyright (℗) by:
- Chrysalis Records (in 1976), Private Stock Records, Ltd. (in 1976), Chrysalis Records, Inc. (in 1977, in 2001), Capitol Records (in 2001) and Capitol Records, Inc. (in 2001)
- recorded at:
- Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
- recording of:
- In the Flesh (from 1976-08 until 1976-09)
- writer:
- Deborah Harry and Chris Stein
- publisher:
- Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), Copyright Control, EMI Music, EMI Music Publishing Ltd. and Jiru Music, Inc.
| Blondie | 2:30 |
| 3 | Just What I Needed | The Cars | 3:45 |
| 4 | Save It for Later | Harvey Danger | 3:52 |
| 5 | Our Lips Are Sealed- additional assistant recording engineer:
- James Ball, Eric Kortee and Darroll Gustamachio
- assistant recording engineer:
- Ted Blechta and John Terelle
- recording engineer and mixer:
- Rob Freeman
- producer:
- Rob Freeman and Richard Gottehrer
- assistant mixer:
- Gray Russell
- bass guitar and guitar:
- Kathy Valentine
- drums (drum set) and percussion:
- Gina Schock
- guitar [lead guitar] and keyboard:
- Charlotte Caffey
- guitar [rhythm guitar]:
- Jane Wiedlin
- lead vocals:
- Belinda Carlisle
- vocals:
- Charlotte Caffey and Jane Wiedlin
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1981) and I.R.S., Inc. (in 1981)
- additionally recorded at:
- Sound Mixers Studio in New York, New York, United States and The Record Plant in Midtown Manhattan, New York, New York, United States
- recorded at:
- Pennylane Studios in New York, New York, United States
- mixed at:
- Sound Mixers Studio in New York, New York, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 25), Billboard: The 500 Best Pop Songs (number: 317) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 477)
- recording of:
- Our Lips Are Sealed
- writer:
- Go‐Go’s, Terence Edward Hall and Jane Wiedlin
- publisher:
- Copyright Control, Gotown Music and Plangent Visions Music
| Go‐Go’s | 2:45 |
| 6 | I Want Candy | Bow Wow Wow | 2:43 |
| 7 | I Don’t Care | Ramones | 1:39 |
| 8 | Boogie Wonderland | Girls Against Boys | 3:22 |
| 9 | Ladies Night (single version) | Kool & the Gang | 3:28 |
| 10 | It’s Different for Girls | Joe Jackson | 3:44 |
| 11 | Nowhere Girl | B. Movie | 3:43 |
| 12 | More Than This | Roxy Music | 4:10 |
| 13 | Romeo and Juliet | Dire Straits | 6:01 |
| 14 | Peace, Love and Understanding | Elvis Costello & The Attractions | 3:31 |
| 15 | Blondie Medley: Rapture | Blondie | 5:20 |
