Complete the Amazing Bud Powell

~ Release by Bud Powell (see all versions of this release, 1 available)

Tracklist

| |
1CD
#TitleLength
1Bouncin' With Bud (alternate take 1)
piano:
Bud Powell (on 1949-08-08)
recording of:
Bouncing With Bud (on 1949-08-08)
composer:
Bud Powell
3:06
2Bouncin' With Bud (alternate take 2)
piano:
Bud Powell (on 1949-08-08)
recording of:
Bouncing With Bud (on 1949-08-08)
composer:
Bud Powell
3:15
3Bouncin' With Bud
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Bouncing With Bud (on 1949-08-08)
composer:
Bud Powell
3:03
4Wail (alternate take)
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Wail (on 1949-08-08)
composer:
Kenny Dorham and Bud Powell
publisher:
Patricia Music Publishing Corp
2:42
5Wail
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Wail (on 1949-08-08)
composer:
Kenny Dorham and Bud Powell
publisher:
Patricia Music Publishing Corp
3:06
6Dance of the Infidels (alternate take)
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recording of:
Dance of the Infidels (on 1949-08-08)
composer:
Bud Powell
publisher:
EMI Longitude Music
2:50
7Dance of the Infidels
recorded in:
New York, New York, United States (on 1949-08-08)
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Dance of the Infidels (on 1949-08-08)
composer:
Bud Powell
publisher:
EMI Longitude Music
2:53
852nd Street Theme
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
52nd Street Theme (on 1949-08-08)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
2:49
9You Go to My Head3:15
10Ornithology
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Ornithology (on 1949-08-08)
composer:
Benny Harris and Charlie Parker
publisher:
Marada Music Ltd.
2:24
11Ornithology (alternate take)
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Ornithology (on 1949-08-08)
composer:
Benny Harris and Charlie Parker
publisher:
Marada Music Ltd.
3:11
12Un poco loco (alternate take 1)
piano:
Bud Powell (on 1951-05-01)
recording of:
Un poco loco (on 1951-05-01)
composer:
Bud Powell
publisher:
Patricia Music Publishing Corp
3:50
13Un poco loco (alternate take 2)
piano:
Bud Powell (on 1951-05-01)
recording of:
Un poco loco (on 1951-05-01)
composer:
Bud Powell
publisher:
Patricia Music Publishing Corp
4:31
14Un poco loco
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Un poco loco (on 1951-05-01)
composer:
Bud Powell
publisher:
Patricia Music Publishing Corp
4:46
15Over the Rainbow
recording engineer:
Doug Hawkins
producer:
Alfred Lion
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
instrumental recording of:
Over the Rainbow (The Wizard of Oz) (on 1951-05-01)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music, EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
sub-publisher:
香港商百代音樂股份有限公司台灣分公司, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
2:59
16A Night in Tunisia
recording engineer:
Doug Hawkins
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Night in Tunisia (instrumental) (on 1951-05-01)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing
4:16
17A Night in Tunisia (alternate take)
piano:
Bud Powell (on 1951-05-01)
recording of:
Night in Tunisia (instrumental) (on 1951-05-01)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing
3:52
18It Could Happen to You (alternate take)2:24
19It Could Happen to You3:15
20Parisian Thoroughfare
piano:
Bud Powell (on 1951-05-01)
recording of:
Parisian Thoroughfare (on 1951-05-01)
composer:
Bud Powell
3:25
2CD
#TitleLength
1Autumn in New York (alternate take 1)
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
instrumental recording of:
Autumn in New York (1934) (on 1953-08-14)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc.
2:14
2Autumn in New York (alternate take 2)
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
instrumental recording of:
Autumn in New York (1934) (on 1953-08-14)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc.
2:59
3Autumn in New York
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
instrumental recording of:
Autumn in New York (1934) (on 1953-08-14)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc.
2:54
4Reets and I
piano:
Bud Powell (on 1953-08-14)
recording of:
Reets and I (on 1953-08-14)
composer:
Benny Harris
3:22
5Reets and I (alternate take 1)
piano:
Bud Powell (on 1953-08-14)
recording of:
Reets and I (on 1953-08-14)
composer:
Benny Harris
2:34
6Reets and I (alternate take 2)
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
recording of:
Reets and I (on 1953-08-14)
composer:
Benny Harris
3:14
7Sure Thing (alternate take)
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
recording of:
Sure Thing (on 1953-08-14)
composer:
Bud Powell
2:45
8Sure Thing
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
recording of:
Sure Thing (on 1953-08-14)
composer:
Bud Powell
2:41
9Collard Greens and Black-Eye Peas (alternate take)
piano:
Bud Powell (on 1953-08-14)
recording of:
Collard Greens and Black-Eyed Peas (on 1953-08-14)
composer:
Bud Powell
2:13
10Collard Greens and Black-Eye Peas
piano:
Bud Powell (on 1953-08-14)
recording of:
Collard Greens and Black-Eyed Peas (on 1953-08-14)
composer:
Bud Powell
3:05
11Polka Dots and Moonbeams4:04
12I Want to Be Happy
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
instrumental recording of:
I Want to Be Happy (No, No, Nanette) (on 1953-08-14)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
2:54
13Audrey
producer:
Alfred Lion
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
recording of:
Audrey (on 1953-08-14)
composer:
Bud Powell
2:58
14Glass Enclosure
producer:
Alfred Lion
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
recording of:
Glass Enclosure (on 1953-08-14)
composer:
Bud Powell
2:25
15I've Got You Under My Skin
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Art Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
recorded at:
WOR Studios in New York, New York, United States (on 1953-08-14)
instrumental recording of:
I’ve Got You Under My Skin (on 1953-08-14)
lyricist and composer:
Cole Porter (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music, Victoria Music Ltd. and Warner Chappell Music Ltd.
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
2:36

Credits

Release

ASIN:JP: B00005J4WZ [info]