Spanish Guitar Music

~ Release by John Williams (see all versions of this release, 6 available)

Tracklist

1▼CD
#TitleArtistLength
1Asturias
engineer:
Michael Hall (in 1969) and Mark Sutton (in 1969)
producer:
Paul Myers (in 1969)
classical guitar:
John Williams (in 1969)
guitar:
John Williams
arranger:
Andrés Segovia
recorded at:
Bishopsgate Institute in London, England, United Kingdom (in 1969)
recording of:
Suite española No. 1, B 7, Op. 47 No. 5 "Asturias": Leyenda in G minor (for guitar, Segovia) (in 1969)
composer:
Isaac Albéniz
arranger:
Andrés Segovia
arrangement of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)
recording of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (catch-all for arrangements)
composer:
Isaac Albéniz
arrangement of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)
Isaac Albéniz6:20
2Tango
engineer:
Michael Hall (in 1969) and Mark Sutton (in 1969)
producer:
Paul Myers (in 1969)
classical guitar:
John Williams (in 1969)
arranger:
Andrés Segovia
recorded at:
Bishopsgate Institute in London, England, United Kingdom (in 1969)
recording of:
España, seis hojas de álbum, op. 165: II. Tango (catch-all for arrangements) (in 1969)
composer:
Isaac Albéniz (in 1890)
arrangement of:
España, seis hojas de álbum, op. 165: II. Tango
Isaac Albéniz2:49
3Canarios
engineer:
Michael Hall (in 1969) and Mark Sutton (in 1969)
producer:
Paul Myers (in 1969)
classical guitar:
John Williams (in 1969)
arranger:
John Williams
recording of:
Canarios (in 1969)
composer:
Gaspar Sanz
part of:
Instrucción de música sobre la guitarra española, volumen 1
Gaspar Sanz1:23
4Fandango
engineer:
Michael Hall (in 1969) and Mark Sutton (in 1969)
producer:
Paul Myers (in 1969)
classical guitar:
John Williams (in 1969)
recorded at:
Bishopsgate Institute in London, England, United Kingdom (in 1969)
recording of:
Tres piezas españolas, nº 1: Fandango (in 1969)
composer:
Joaquín Rodrigo (in 1954)
publisher:
Schott Musik
part of:
Tres piezas españolas
Joaquín Rodrigo3:45
5Nocturno
engineer:
Michael Hall (in 1969) and Mark Sutton (in 1969)
producer:
Paul Myers (in 1969)
classical guitar:
John Williams (in 1969)
recording of:
Nocturno (in 1969)
composer:
Federico Moreno Torroba (in 1926)
Federico Moreno Torróba3:32
6El Colibri
recorded in:
New York, New York, United States (in 1964-05)
producer:
Paul Myers (in 1964-05)
classical guitar:
John Williams (in 1964-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
El colibrí (in 1964-05)
composer:
Julio Salvador Sagreras
Julio Salvador Sagreras1:14
7Sonata in D
engineer:
Michael Hall (in 1969) and Mark Sutton (in 1969)
producer:
Paul Myers (in 1969)
classical guitar:
John Williams (in 1969)
arranger:
John Williams
recorded at:
Bishopsgate Institute in London, England, United Kingdom (in 1969)
recording of:
Sonata in D major (catch-all for arrangements) (in 1969)
composer:
Mateo Albéniz
arrangement of:
Sonata in D major
Mateo Albéniz3:13
8The Corregidor's Dance
engineer:
Michael Hall (in 1969) and Mark Sutton (in 1969)
producer:
Paul Myers (in 1969)
classical guitar:
John Williams (in 1969)
arranger:
John Williams
recording of:
El sombrero de tres picos: Parte II. Danza del corregidor (catch-all for arrangements) (in 1969)
composer:
Manuel de Falla
arrangement of:
El sombrero de tres picos: Parte II. Danza del corregidor
Manuel de Falla1:49
9Fisherman’s Song
engineer:
Michael Hall (in 1969) and Mark Sutton (in 1969)
producer:
Paul Myers (in 1969)
classical guitar:
John Williams (in 1969)
arranger:
John Williams
recorded at:
Bishopsgate Institute in London, England, United Kingdom (in 1969)
recording of:
El amor brujo: VI. El círculo mágico (Romance del pescador) (catch-all for arrangements) (in 1969)
composer:
Manuel de Falla
arrangement of:
El amor brujo: VI. El círculo mágico (Romance del pescador)
Manuel de Falla2:29
10The Miller’s Dance
engineer:
Michael Hall (in 1969) and Mark Sutton (in 1969)
producer:
Paul Myers (in 1969)
classical guitar:
John Williams (in 1969)
arranger:
John Williams
recorded at:
Bishopsgate Institute in London, England, United Kingdom (in 1969)
recording of:
El sombrero de tres picos: Parte II. Danza del molinero (Farruca) (in 1969)
lyricist:
Gregorio Martínez Sierra
composer:
Manuel de Falla
part of:
El sombrero de tres picos (ballet)
Manuel de Falla2:21
11Madroños
engineer:
Michael Hall (in 1969) and Mark Sutton (in 1969)
producer:
Paul Myers (in 1969)
classical guitar:
John Williams (in 1969)
recording of:
Madroños (in 1969)
composer:
Federico Moreno Torroba
Federico Moreno Torróba2:47
12La Nit de Nadal
engineer:
Michael Hall (in 1969) and Mark Sutton (in 1969)
producer:
Paul Myers (in 1969)
classical guitar:
John Williams (in 1969)
recording of:
La nit de Nadal (El desembre congelat) (for guitar, Llobet) (in 1969)
composer:
[traditional]
arranger:
Miguel Llobet Solés
arrangement of:
La nit de Nadal
Traditional Catalan Folksong1:11
13El Noy de la Mare
engineer:
Michael Hall (in 1969) and Mark Sutton (in 1969)
producer:
Paul Myers (in 1969)
classical guitar:
John Williams (in 1969)
recorded at:
Bishopsgate Institute in London, England, United Kingdom (in 1969)
recording of:
El noi de la mare (Miguel Llobet guitar arrangement) (in 1969)
composer:
[traditional]
arranger:
Miguel Llobet Solés
arrangement of:
El noi de la mare
Traditional Catalan Folksong2:27
14La Maja de Goya
engineer:
Michael Hall (in 1969) and Mark Sutton (in 1969)
producer:
Paul Myers (in 1969)
classical guitar:
John Williams (in 1969)
recorded at:
Bishopsgate Institute in London, England, United Kingdom (in 1969)
recording of:
La maja de Goya (catch-all for arrangements) (in 1969)
composer:
Enrique Granados
publisher:
Unión Musical Española
arrangement of:
12 tonadillas al estilo antiguo, H.136: No. 8: La maja de Goya (song)
Enrique Granados3:43
15Cordoba
engineer:
Michael Hall (in 1969) and Mark Sutton (in 1969)
producer:
Paul Myers (in 1969)
classical guitar:
John Williams (in 1969)
arranger:
John Williams
recording of:
Cantos de España, op. 232, n.º 4: Córdoba (catch-all for arrangements) (in 1969)
composer:
Isaac Albéniz
arrangement of:
Cantos de España, op. 232, n.º 4: Córdoba
Isaac Albéniz6:43
16Recuerdos de la Alhambra
recorded in:
New York, New York, United States (in 1964-05)
producer:
Michael Stavrou
classical guitar:
John Williams (in 1964-05)
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra) (in 1964-05)
composer:
Francisco Tárrega
Francisco Tárrega3:33
17Spanish Dance no. 5
producer:
Paul Myers (in 1964-05)
classical guitar:
John Williams (in 1964-05)
arranger:
John Williams
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (catch-all for arrangements) (in 1964-05)
composer:
Enrique Granados
arrangement of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera)
part of:
12 danzas españolas, op. 37 (catch-all for arrangements)
recording of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera)
composer:
Enrique Granados
part of:
12 danzas españolas, op. 37 (original for piano)
Enrique Granados4:21
18El Testamen de Amelia
recorded in:
New York, New York, United States (in 1964-05)
producer:
Paul Myers (in 1964-05)
classical guitar:
John Williams (in 1964-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
El testament d’Amèlia (Miguel Llobet guitar arrangement) (in 1964-05)
composer:
[traditional]
arranger:
Miguel Llobet Solés
arrangement of:
El testament d’Amèlia
Traditional Catalan Folksong2:13
19Prelude no. 4 in E minor
recorded in:
New York, New York, United States (in 1966)
producer:
Paul Myers (in 1966)
classical guitar:
John Williams (in 1966)
recording of:
Cinco prelúdios, W419, nº 4: Lento (in 1966)
composer:
Heitor Villa‐Lobos (in 1940)
part of:
Cinco prelúdios, W419 (Five Preludes, W419, for guitar)
Heitor Villa‐Lobos3:26
20Sevilla
recorded in:
New York, New York, United States (in 1964-05)
producer:
Paul Myers (in 1964-05)
classical guitar:
John Williams (in 1964-05)
arranger:
Andrés Segovia
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (catch-all for arrangements) (in 1964-05)
composer:
Isaac Albéniz
arrangement of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (for solo piano)
Isaac Albéniz4:32
21Homanaje
recorded in:
New York, New York, United States (in 1964-05)
producer:
Paul Myers (in 1964-05)
classical guitar:
John Williams (in 1964-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
Homenaje, pour le tombeau de Claude Debussy, G. 56 (for guitar) (in 1964-05)
composer:
Manuel de Falla (in 1920-08)
dedicated to:
Claude Debussy
is based on:
Estampes, L. 100: II. La Soirée dans Grenade. Mouvement de Habanera
Manuel de Falla3:32
22Fantasía
recorded in:
New York, New York, United States (in 1966)
producer:
Paul Myers (in 1966)
classical guitar:
John Williams (in 1966)
arranger:
John Williams
recording of:
Tres libros de música en cifras para virhuela: Fantasia No.X (IAM 2) (in 1966)
composer:
Alonso Mudarra (in 1546)
Alonso Mudarra1:43
23Fandanguillo, op.36
recorded in:
New York, New York, United States (in 1964-05)
producer:
Paul Myers (in 1964-05)
classical guitar:
John Williams (in 1964-05)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1964-05)
recording of:
Fandanguillo, op. 36 (in 1964-05)
composer:
Joaquín Turina (from 1925-05-25 until 1925-06-04)
Joaquín Turina4:40

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