| # | Title | Artist | Length |
|---|
| 1 | Surfin’ (radio version) | Sunshine | 3:46 |
| 2 | Together Baby | Worlds Apart | 4:01 |
| 3 | One Night in Heaven | M People | 3:43 |
| 4 | Freedom (radio edit) | Robbie Williams | 4:26 |
| 5 | You Sexy Thing (remix) | Hot Chocolate | 3:46 |
| 6 | Let’s Stick Together- assistant engineer:
- Nigel Walker and Jon Walls
- engineer:
- Steve Nye and John Punter
- producer:
- Bryan Ferry and Chris Thomas
- bass:
- John Wetton (from 1973 until 1976)
- drums (drum set):
- Paul Thompson (from 1973 until 1976)
- guitar:
- Chris Spedding (from 1973 until 1976)
- harmonica and keyboard:
- Bryan Ferry (from 1973 until 1976)
- percussion:
- Morris Pert (from 1973 until 1976)
- soprano saxophone:
- Mel Collins (from 1973 until 1976)
- synthesizer and violin:
- Eddie Jobson (from 1973 until 1976)
- tenor saxophone:
- Chris Mercer (from 1973 until 1976)
- trumpet:
- Martin Drover (from 1973 until 1976)
- choir vocals:
- Vicki Brown (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (from 1973 until 1976), Martha Walker (from 1973 until 1976) and Paddie McHugh (from 1973 until 1976)
- vocals:
- Bryan Ferry (from 1973 until 1976)
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (in 1976, in 1999)
- recorded at:
- Air Studios in London, England, United Kingdom and Island Studios in Notting Hill, Kensington and Chelsea, London, England, United Kingdom (from 1973 until 1976)
- cover recording of:
- Let’s Stick Together (from 1973 until 1976)
- lyricist and composer:
- Wilbert Harrison
- publisher:
- ABZ Music Corp., Copyright Control, EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. and SBK/U Catalog (in 1969)
| Bryan Ferry | 3:00 |
| 7 | Looking for Clues | Robert Palmer | 4:54 |
| 8 | I Want a New Drug | Huey Lewis and the News | 3:32 |
| 9 | Notbush City Limits- producer:
- Ike Turner
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1973), EMI Records USA (in 1973) and EMI Records Ltd. (in 2004)
- recording of:
- Nutbush City Limits
- lyricist and composer:
- Tina Turner
- publisher:
- Copyright Control, EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing, EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
| Ike & Tina Turner | 2:59 |
| 10 | My Sharona- bass:
- Prescott Niles (in 1979-04)
- drums (drum set):
- Bruce Gary (in 1979-04)
- guitar [lead guitar]:
- Berton Averre (in 1979-04)
- guitar [rhythm guitar] and lead vocals:
- Doug Fieger (in 1979-04)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1979, in 2002) and Capitol Records, LLC (in 1979)
- recording of:
- My Sharona (in 1979-04)
- writer:
- Berton Averre and Douglas Fieger
- publisher:
- Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control, Eighties Music, Music Sales Corporation, Small Hill Music, Universal Music Publishing, Universal Music Publishing MGB Australia and Wise Brothers Music LLC
| The Knack | 4:01 |
| 11 | A Girl Like You | Edwyn Collins | 3:57 |
| 12 | Listen to the Music | The Doobie Brothers | 3:49 |
| 13 | The Way to Your Heart | Soulsister | 3:47 |
| 14 | Don’t Get Me Wrong | Pretenders | 3:48 |
| 15 | Drive- recording engineer:
- Nigel Green
- producer:
- The Cars and Robert John “Mutt” Lange
- mixer:
- Mike Shipley
- bass:
- Benjamin Orr
- drums (drum set):
- David Robinson
- guitar:
- Elliot Easton and Ric Ocasek
- keyboard:
- Greg Hawkes
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
- recorded at:
- Battery Studios in London, England, United Kingdom
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Drive by The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek (in 1983)
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp., Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | 3:55 |
| 16 | Still Got the Blues- assistant engineer and assistant mixer:
- Haydn Bendall, Stuart Day, Markus Dravs, Steve Fitzmaurice, Noel Harris and Greg Muden
- engineer and mixer:
- Ian Taylor
- producer:
- Gary Moore and Ian Taylor
- bass guitar:
- Andy Pyle
- drums (drum set):
- Graham Walker
- guest strings:
- Gavyn Wright
- guitar and lead vocals:
- Gary Moore
- keyboard:
- Don Airey
- piano:
- Nicky Hopkins
- conductor:
- Don Airey
- strings arranger:
- Don Airey and Gary Moore
- phonographic copyright (℗) by:
- Virgin Records Ltd. (in 1990)
- recording of:
- Still Got the Blues (for You)
- lyricist and composer:
- Gary Moore
- publisher:
- BMG 10 Music Ltd., BMG Platinum Songs, BMG VM Music France, Bonuswise Ltd., EMI Music Publishing Ltd., EMI Virgin Music Publishing Scandinavia AB, Gary Moore Songs and Mushroom Music Pty. Ltd.
- sub-publisher:
- フジパシフィックミュージック
| Gary Moore | 4:10 |
| 17 | California Dreamin’- engineer:
- Bones Howe
- producer:
- Lou Adler
- guitar:
- P.F. Sloan (in 1965)
- solo alto flute:
- Bud Shank (in 1965)
- phonographic copyright (℗) by:
- Geffen Records and Dunhill Records (in 1966)
- recorded at:
- Western Recorders in Los Angeles, California, United States (in 1965)
- part of:
- Billboard: The 500 Best Pop Songs (number: 52), Rolling Stone: 500 Greatest Songs of All Time (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
- recording of:
- California Dreamin’ (in 1965)
- writer:
- John Phillips and Michelle Phillips
- publisher:
- American Broadcasting Music, Inc., MCA Music Publishing, Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. and Universal/MCA Music Publishing GmbH
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Mamas & the Papas | 2:40 |
| 18 | Wouldn’t It Be Nice- engineer:
- Larry Levine (on 1966-01-22) and Ralph Valentin (from 1966-03 until 1966-04)
- producer:
- Brian Wilson
- 12 string guitar:
- Jerry Cole (on 1966-01-22)
- accordion:
- Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
- baritone saxophone:
- Jay Migliori (on 1966-01-22)
- bass guitar:
- Lyle Ritz (on 1966-01-22)
- drums (drum set):
- Hal Blaine (on 1966-01-22)
- electric bass guitar:
- Carol Kaye (on 1966-01-22) and Ray Pohlman (on 1966-01-22)
- guitar:
- Bill Pitman (on 1966-01-22)
- mandoguitar:
- Barney Kessel (on 1966-01-22)
- percussion:
- Frank Capp (on 1966-01-22)
- piano:
- Al De Lory (on 1966-01-22)
- piano [track piano]:
- Larry Knechtel (on 1966-01-22)
- tenor saxophone:
- Steve Douglas (on 1966-01-22) and Plas Johnson (on 1966-01-22)
- trumpet:
- Roy Caton (on 1966-01-22)
- background vocals:
- Al Jardine (on 1966-01-22), Bruce Johnston (on 1966-01-22), Carl Wilson (on 1966-01-22) and Dennis Wilson (on 1966-01-22)
- lead vocals:
- Mike Love (on 1966-01-22) and Brian Wilson (on 1966-01-22)
- arranger:
- Brian Wilson
- recorded at:
- Columbia Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22) and Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 297)
- recording of:
- Wouldn’t It Be Nice (on 1966-01-22)
- lyricist:
- Tony Asher, Mike Love and Brian Wilson
- composer:
- Brian Wilson
- publisher:
- Almo Music Corp., Irving Music, ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Beach Boys | 2:24 |
| 19 | Je te donne (radio version) | Worlds Apart | 3:43 |
| 20 | Surfin’ | Smokie | 3:16 |
