Broadway: The Music of Richard Rodgers (club edition)

~ Release by Julie Andrews (see all versions of this release, 2 available)

Tracklist

1CD
#TitleLength
1The Sound of Music
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (in 1994-05)
producer:
Jay David Saks
mixer and editor:
Ken Hahn and Jay David Saks
vocals:
Julie Andrews
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser
arranger:
Ian Fraser
orchestrator:
Angela Morley
phonographic copyright (℗) by:
Philips Classics Productions (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London, England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
The Sound of Music (The Sound of Music)
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
publisher:
EMI Music Publishing and Williamson Music Company
part of:
The Sound of Music (Rodgers & Hammerstein musical)
5:09
2I Have Dreamed
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (in 1994-05)
producer:
Jay David Saks
mixer and editor:
Ken Hahn and Jay David Saks
vocals:
Julie Andrews
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser
arranger:
Ian Fraser
orchestrator:
Eddie Karam
phonographic copyright (℗) by:
Philips Classics Productions (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London, England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
I Have Dreamed (The King and I)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
publisher:
EMI Music Publishing Ltd., Sony Music Publishing (Japan) Inc. and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス
part of:
The King and I (Rodgers & Hammerstein musical)
4:38
3I Wish I Were in Love Again
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (in 1994-05)
producer:
Jay David Saks
mixer and editor:
Ken Hahn and Jay David Saks
vocals:
Julie Andrews
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser
arranger:
Ian Fraser
orchestrator:
Bill Byers
phonographic copyright (℗) by:
Philips Classics Productions (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London, England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
cover recording of:
I Wish I Were in Love Again
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell Music
part of:
Babes in Arms (full musical)
recording of:
I Wish I Were in Love Again
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell Music
part of:
Babes in Arms (full musical)
3:34
4Where or When
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (in 1994-05)
producer:
Jay David Saks
mixer and editor:
Ken Hahn and Jay David Saks
vocals:
Julie Andrews
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser
arranger:
Ian Fraser
orchestrator:
Bill Byers
phonographic copyright (℗) by:
Philips Classics Productions (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London, England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
Where or When (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Warner/Chappell, Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
5:09
5A Waltz Carousel
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (in 1994-05)
producer:
Jay David Saks
mixer and editor:
Ken Hahn and Jay David Saks
vocals:
Julie Andrews
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser
arranger:
Ian Fraser
orchestrator:
Bill Byers
phonographic copyright (℗) by:
Philips Classics Productions (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London, England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
A Waltz Carousel (medley)
lyricist:
Oscar Hammerstein II and Stephen Sondheim
composer:
Richard Rodgers
medley of:
The Carousel Waltz (Carousel)
medley of:
It’s a Grand Night for Singing (State Fair)
medley of:
I’m in Love With a Wonderful Guy (South Pacific)
medley of:
Oh, What a Beautiful Mornin’ (Oklahoma!)
medley of:
This Nearly Was Mine (South Pacific)
medley of:
Do I Hear a Waltz? (Do I Hear a Waltz?)
medley of:
Out of My Dreams
medley including a recording of:
Do I Hear a Waltz? (Do I Hear a Waltz?)
lyricist:
Stephen Sondheim
composer:
Richard Rodgers
part of:
Do I Hear a Waltz? (Rodgers/Sondheim musical)
medley including a recording of:
I’m in Love With a Wonderful Guy (South Pacific)
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
publisher:
EMI Music Publishing Ltd. and Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
medley including a recording of:
It’s a Grand Night for Singing (State Fair)
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
medley including a recording of:
Oh, What a Beautiful Mornin’ (Oklahoma!)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
publisher:
EMI Music, EMI Music Publishing Ltd., Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
medley including a recording of:
Out of My Dreams
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
publisher:
Williamson Music Company
part of:
Oklahoma! (Rodgers & Hammerstein musical)
medley including a recording of:
The Carousel Waltz (Carousel)
composer:
Richard Rodgers
part of:
Carousel (Rodgers & Hammerstein musical)
medley including a recording of:
This Nearly Was Mine (South Pacific)
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
publisher:
Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
15:00
6Nobody Told Me
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (in 1994-05)
producer:
Jay David Saks
mixer and editor:
Ken Hahn and Jay David Saks
vocals:
Julie Andrews
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser
arranger:
Ian Fraser
orchestrator:
Eddie Karam
phonographic copyright (℗) by:
Philips Classics Productions (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London, England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
Nobody Told Me
lyricist and composer:
Richard Rodgers
4:12
7This Can't Be Love / Thou Swell
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (in 1994-05)
producer:
Jay David Saks
mixer and editor:
Ken Hahn and Jay David Saks
vocals:
Julie Andrews
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser
arranger:
Ian Fraser
orchestrator:
Bob Florence
phonographic copyright (℗) by:
Philips Classics Productions (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London, England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
medley including a recording of:
This Can’t Be Love
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (in 1938)
publisher:
Warner/Chappell
medley including a recording of:
Thou Swell
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (in 1927)
publisher:
Marlin Enterprises and Warner Bros.
2:34
8My Funny Valentine
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (in 1994-05)
producer:
Jay David Saks
mixer and editor:
Ken Hahn and Jay David Saks
vocals:
Julie Andrews
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser
arranger and orchestrator:
Ian Fraser
phonographic copyright (℗) by:
Philips Classics Productions (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London, England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
cover recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc., Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd., Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc., Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd., Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
3:34
9It Never Entered My Mind / Spring Is Here
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (in 1994-05)
producer:
Jay David Saks
mixer and editor:
Ken Hahn and Jay David Saks
vocals:
Julie Andrews
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser
arranger:
Ian Fraser
orchestrator:
Bill Byers
phonographic copyright (℗) by:
Philips Classics Productions (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London, England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
medley including a recording of:
It Never Entered My Mind
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (in 1940)
publisher:
Chappell & Co., Inc. and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
medley including a recording of:
Spring Is Here
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (in 1938)
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp. and United Partnership Ltd.
4:39
10Bewitched
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (in 1994-05)
producer:
Jay David Saks
mixer and editor:
Ken Hahn and Jay David Saks
vocals:
Julie Andrews
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser
arranger:
Ian Fraser
orchestrator:
Eddie Karam
phonographic copyright (℗) by:
Philips Classics Productions (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London, England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc., Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited and Williamson Music Company
part of:
Pal Joey
4:59
11If I Loved You
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (in 1994-05)
producer:
Jay David Saks
mixer and editor:
Ken Hahn and Jay David Saks
vocals:
Julie Andrews
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser
arranger:
Ian Fraser
orchestrator:
Angela Morley
phonographic copyright (℗) by:
Philips Classics Productions (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London, England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
cover recording of:
If I Loved You (Carousel)
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
publisher:
Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
recording of:
If I Loved You (Carousel)
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
publisher:
Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
4:01
12Edelweiss
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (in 1994-05)
producer:
Jay David Saks
mixer and editor:
Ken Hahn and Jay David Saks
vocals:
Julie Andrews
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser
arranger:
Ian Fraser
orchestrator:
Angela Morley
phonographic copyright (℗) by:
Philips Classics Productions (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London, England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
Edelweiss (The Sound of Music)
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
publisher:
EMI Music Publishing, EMI Music Publishing Ltd., Williamson Music Company and Williamson Music Ltd.
part of:
The Sound of Music (Rodgers & Hammerstein musical)
3:54
13A Cock-Eyed Optimist
recording engineer:
Dick Lewzey (in 1994-03) and Rick Winquest (in 1994-05)
assistant engineer:
Toby Wood (in 1994-03) and Dan Thompson (in 1994-05)
producer:
Jay David Saks
mixer and editor:
Ken Hahn and Jay David Saks
vocals:
Julie Andrews
orchestra:
The London Musicians Orchestra
conductor:
Ian Fraser
arranger:
Ian Fraser
orchestrator:
Bill Byers
phonographic copyright (℗) by:
Philips Classics Productions (in 1994)
recorded at:
CTS Studios in Wembley, Brent, London, England, United Kingdom (in 1994-03) and Group IV Studios in Hollywood, Los Angeles, California, United States (in 1994-05)
mixed at and edited at:
Sync Sound in New York, New York, United States
recording of:
A Cockeyed Optimist (South Pacific)
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
publisher:
Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
4:29

Credits

Release

manufactured in:U.S.A.
printed in:U.S.A.
art direction:Margery Greenspan
photography:Catherine Ashmore
John Swannell
design:Isabelle Wong
rights society:BIEM
STEMRA
manufactured by and marketed by:PolyGram Classics & Jazz
copyrighted (©) by:Philips Classics Productions (in 1994)
licensed to:BMG Direct Marketing, Inc.
manufactured for:BMG Direct Marketing, Inc.
Discogs:https://www.discogs.com/release/1754780 [info]
ASIN:UK: B0000041AM [info]