Centenary Collection 1948-1957

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Ravel: Piano Concerto in G minor / Le Tombeau de Couperin / Stravinsky: Capriccio
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1Piano Concerto in G major, M. 83: I. Allegramente
recorded in:
Hamburg, Germany (on 1948-11-30)
producer:
Fred Hamel
piano:
Monique Haas (on 1948-11-30)
orchestra:
Sinfonie-Orchester des Nordwestdeutschen Rundfunks (on 1948-11-30)
conductor:
Hans Schmidt‐Isserstedt (on 1948-11-30)
recording of:
Piano Concerto in G major: I. Allegramente (on 1948-11-30)
composer:
Maurice Ravel (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel7:43
2Piano Concerto in G major, M. 83: II. Adagio assai
recorded in:
Hamburg, Germany (on 1948-11-30)
producer:
Fred Hamel
piano:
Monique Haas (on 1948-11-30)
orchestra:
Sinfonie-Orchester des Nordwestdeutschen Rundfunks (on 1948-11-30)
conductor:
Hans Schmidt‐Isserstedt (on 1948-11-30)
recording of:
Piano Concerto in G major: II. Adagio assai (on 1948-11-30)
composer:
Maurice Ravel (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel8:44
3Piano Concerto in G major, M. 83: III. Presto
recorded in:
Hamburg, Germany (on 1948-11-30)
producer:
Fred Hamel
piano:
Monique Haas (on 1948-11-30)
orchestra:
Sinfonie-Orchester des Nordwestdeutschen Rundfunks (on 1948-11-30)
conductor:
Hans Schmidt‐Isserstedt (on 1948-11-30)
recording of:
Piano Concerto in G major: III. Presto (on 1948-11-30)
composer:
Maurice Ravel (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel4:03
4Capriccio for Piano and Orchestra, K50: I. Presto
producer:
Dr. Fred Hamel
piano:
Monique Haas (from 1950-09-26 until 1950-09-27)
orchestra:
RIAS-Symphonie-Orchester Berlin (from 1950-09-26 until 1950-09-27)
conductor:
Ferenc Fricsay (from 1950-09-26 until 1950-09-27)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1950-09-26 until 1950-09-27)
recording of:
Capriccio for Piano and Orchestra: I. Presto (from 1950-09-26 until 1950-09-27)
composer:
Игорь Фёдорович Стравинский (from 1926 until 1929)
part of:
Capriccio for Piano and Orchestra
Igor Stravinsky6:59
5Capriccio for Piano and Orchestra, K50: II. Andante rapsodico
producer:
Dr. Fred Hamel
piano:
Monique Haas (from 1950-09-26 until 1950-09-27)
orchestra:
RIAS-Symphonie-Orchester Berlin (from 1950-09-26 until 1950-09-27)
conductor:
Ferenc Fricsay (from 1950-09-26 until 1950-09-27)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1950-09-26 until 1950-09-27)
recording of:
Capriccio for Piano and Orchestra: II. Andante rapsodico (from 1950-09-26 until 1950-09-27)
composer:
Игорь Фёдорович Стравинский (from 1926 until 1929)
part of:
Capriccio for Piano and Orchestra
Igor Stravinsky5:00
6Capriccio for Piano and Orchestra, K50: III. Allegro capriccioso ma tempo giusto
producer:
Dr. Fred Hamel
piano:
Monique Haas (from 1950-09-26 until 1950-09-27)
orchestra:
RIAS-Symphonie-Orchester Berlin (from 1950-09-26 until 1950-09-27)
conductor:
Ferenc Fricsay (from 1950-09-26 until 1950-09-27)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1950-09-26 until 1950-09-27)
recording of:
Capriccio for Piano and Orchestra: III. Allegro capriccioso ma tempo giusto (from 1950-09-26 until 1950-09-27)
composer:
Игорь Фёдорович Стравинский (from 1926 until 1929)
part of:
Capriccio for Piano and Orchestra
Igor Stravinsky5:31
7Le Tombeau de Couperin, M. 68: 1. Prélude
piano:
Monique Haas
recorded at:
Beethovensaal in Hannover, Niedersachsen, Germany (in 1955-01)
recording of:
Le tombeau de Couperin: I. Prélude (for solo piano)
composer:
Maurice Ravel
part of:
Le tombeau de Couperin (for solo piano)
Maurice Ravel2:59
8Le Tombeau de Couperin, M. 68: 2. Fugue
piano:
Monique Haas
recorded at:
Beethovensaal in Hannover, Niedersachsen, Germany (in 1955-01)
recording of:
Le tombeau de Couperin: II. Fugue (for solo piano)
composer:
Maurice Ravel
part of:
Le tombeau de Couperin (for solo piano)
Maurice Ravel3:17
9Le Tombeau de Couperin, M. 68: 3. Forlane
piano:
Monique Haas
recorded at:
Beethovensaal in Hannover, Niedersachsen, Germany (in 1955-01)
recording of:
Le tombeau de Couperin: III. Forlane (for solo piano)
composer:
Maurice Ravel
part of:
Le tombeau de Couperin (for solo piano)
Maurice Ravel4:50
10Le Tombeau de Couperin, M. 68: 4. Rigaudon
piano:
Monique Haas
recorded at:
Beethovensaal in Hannover, Niedersachsen, Germany (in 1955-01)
recording of:
Le tombeau de Couperin: IV. Rigaudon (for solo piano)
composer:
Maurice Ravel
part of:
Le tombeau de Couperin (for solo piano)
Maurice Ravel2:33
11Le Tombeau de Couperin, M. 68: 5. Menuet
piano:
Monique Haas
recorded at:
Beethovensaal in Hannover, Niedersachsen, Germany (in 1955-01)
recording of:
Le tombeau de Couperin: V. Menuet (for solo piano)
composer:
Maurice Ravel
part of:
Le tombeau de Couperin (for solo piano)
Maurice Ravel3:59
12Le Tombeau de Couperin, M. 68: 6. Toccata
piano:
Monique Haas
recorded at:
Beethovensaal in Hannover, Niedersachsen, Germany (in 1955-01)
recording of:
Le tombeau de Couperin: VI. Toccata (for solo piano)
composer:
Maurice Ravel
dedicated to:
Joseph de Marliave
part of:
Le tombeau de Couperin (for solo piano)
Maurice Ravel3:59
2▼CD: Tchaikovsky: Symphony no. 5 / Borodin: In the Steppes of Central Asia / Polovtsian Dances
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1Symphony no. 5 in E minor, op. 64: I. Andante. Allegro con anima
producer:
Sigrid Hesse
orchestra:
Berliner Philharmoniker (from 1949-09-12 until 1949-09-14)
conductor:
Ferenc Fricsay (from 1949-09-12 until 1949-09-14)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1949-09-12 until 1949-09-14)
recording of:
Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima (from 1949-09-12 until 1949-09-14)
composer:
Пётр Ильич Чайковский (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Pyotr Ilyich Tchaikovsky13:46
2Symphony no. 5 in E minor, op. 64: II. Andante cantabile con alcuna licenza
producer:
Sigrid Hesse
orchestra:
Berliner Philharmoniker (from 1949-09-12 until 1949-09-14)
conductor:
Ferenc Fricsay (from 1949-09-12 until 1949-09-14)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1949-09-12 until 1949-09-14)
recording of:
Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza (from 1949-09-12 until 1949-09-14)
composer:
Pyotr Ilyich Tchaikovsky (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Pyotr Ilyich Tchaikovsky12:01
3Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
producer:
Sigrid Hesse
orchestra:
Berliner Philharmoniker (from 1949-09-12 until 1949-09-14)
conductor:
Ferenc Fricsay (from 1949-09-12 until 1949-09-14)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1949-09-12 until 1949-09-14)
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato (from 1949-09-12 until 1949-09-14)
composer:
Пётр Ильич Чайковский (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Pyotr Ilyich Tchaikovsky6:00
4Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso
producer:
Sigrid Hesse
orchestra:
Berliner Philharmoniker (from 1949-09-12 until 1949-09-14)
conductor:
Ferenc Fricsay (from 1949-09-12 until 1949-09-14)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1949-09-12 until 1949-09-14)
recording of:
Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso (Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace) (from 1949-09-12 until 1949-09-14)
composer:
Пётр Ильич Чайковский (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Pyotr Ilyich Tchaikovsky11:31
5In the Steppes of Central Asia
producer:
Erna Elchlepp and Fred Hamel
orchestra:
RIAS-Symphonie‐Orchester Berlin (on 1952-03-23)
conductor:
Ferenc Fricsay (on 1952-03-23)
balance engineer:
Karl-Heinz Westphal
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (on 1952-03-23)
recording of:
In the Steppes of Central Asia (orch. Glazunov) (on 1952-03-23)
orchestrator:
Александр Константинович Глазунов
composer:
Александр Порфирьевич Бородин
orchestration of:
В Средней Азии (In the Steppes of Central Asia)
Alexander Borodin6:10
6Polovtsian Dances (Incl. Dance of the Polovtsian Maidens) [Without Chorus]
producer:
Erna Elchlepp
orchestra:
RIAS-Symphonie‐Orchester Berlin (from 1950-04-04 until 1950-04-05)
conductor:
Ferenc Fricsay (from 1950-04-04 until 1950-04-05)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1950-04-04 until 1950-04-05)
recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890) (from 1950-04-04 until 1950-04-05)
composer:
Александр Порфирьевич Бородин
arranger:
Александр Константинович Глазунов and Николай Андреевич Римский‐Корсаков
Alexander Borodin14:47
3▼CD: Brahms: Vier ernste Gesänge / Schumann: Dichterliebe / Wolf: Italienisches Liederbuch (selection)
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1Vier ernste Gesänge, Op. 121 No. 1: Denn es gehet dem Menschen wie dem Vieh
producer:
Heinrich Keilholz
piano:
Hertha Klust (in 1949-09)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1949-09)
recorded at:
Kleistsaal in Berlin, Germany (in 1949-09)
recording of:
4 ernste Gesänge, op. 121: Nr. 1. Denn es gehet dem Menschen wie dem Vieh (in 1949-09)
lyricist:
[anonymous]
composer:
Johannes Brahms
translator:
Martin Luther
part of:
4 ernste Gesänge, op. 121
Johannes Brahms4:43
2Vier ernste Gesänge, Op. 121 No. 2: Ich wandte mich und sahe an alle
producer:
Heinrich Keilholz
piano:
Hertha Klust (in 1949-09)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1949-09)
recorded at:
Kleistsaal in Berlin, Germany (in 1949-09)
recording of:
4 ernste Gesänge, op. 121: Nr. 2. Ich wandte mich und sahe an alle (in 1949-09)
lyricist:
[anonymous]
composer:
Johannes Brahms
translator:
Martin Luther
part of:
4 ernste Gesänge, op. 121
Johannes Brahms4:28
3Vier ernste Gesänge, Op. 121 No. 3: O Tod, wie bitter bist Du
producer:
Heinrich Keilholz
piano:
Hertha Klust (in 1949-09)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1949-09)
recorded at:
Kleistsaal in Berlin, Germany (in 1949-09)
recording of:
4 ernste Gesänge, op. 121: Nr. 3. O Tod, wie bitter bist du (in 1949-09)
lyricist:
[anonymous]
composer:
Johannes Brahms
translator:
Martin Luther
part of:
4 ernste Gesänge, op. 121
Johannes Brahms4:26
4Vier ernste Gesänge, Op. 121 No. 4: Wenn ich mit Menschen und Engelszungen redete
producer:
Heinrich Keilholz
piano:
Hertha Klust (in 1949-09)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1949-09)
recorded at:
Kleistsaal in Berlin, Germany (in 1949-09)
recording of:
4 ernste Gesänge, op. 121: Nr. 4. Wenn ich mit Menschen- und mit Engelszungen redete (in 1949-09)
lyricist:
[anonymous]
composer:
Johannes Brahms
translator:
Martin Luther
part of:
4 ernste Gesänge, op. 121
Johannes Brahms4:59
5Italienisches Liederbuch I: No. 4. Gesegnet sei, durch den die Welt entstund
producer:
Dr. Fred Hamel
piano:
Hertha Klust (in 1950-04)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1950-04)
balance engineer:
Heinrich Keilholz
recorded at:
Kleistsaal in Berlin, Germany (in 1950-04)
recording of:
Italienisches Liederbuch: No. 4. Gesegnet sei, durch den die Welt entstund (for male voice) (in 1950-04)
composer:
Hugo Wolf
librettist:
Paul Johann Ludwig von Heyse
part of:
Italienisches Liederbuch
Hugo Wolf1:54
6Italienisches Liederbuch I: No. 5. Selig ihr Blinden
producer:
Dr. Fred Hamel
piano:
Hertha Klust (in 1951-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1951-01)
balance engineer:
Heinrich Keilholz
recorded at:
Kleistsaal in Berlin, Germany (in 1951-01)
recording of:
Italienisches Liederbuch: No. 5. Selig ihr Blinden (for male voice) (in 1951-01)
composer:
Hugo Wolf
librettist:
Paul Johann Ludwig von Heyse
part of:
Italienisches Liederbuch
Hugo Wolf2:11
7Italienisches Liederbuch I: No. 7. Der Mond hat eine schwere Klag’ erhoben
producer:
Dr. Fred Hamel
piano:
Hertha Klust (in 1950-04)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1950-04)
balance engineer:
Heinrich Keilholz
recorded at:
Kleistsaal in Berlin, Germany (in 1950-04)
recording of:
Italienisches Liederbuch: No. 7. Der Mond hat eine schwere Klag' erhoben (for male voice) (in 1950-04)
composer:
Hugo Wolf
librettist:
Paul Johann Ludwig von Heyse
part of:
Italienisches Liederbuch
Hugo Wolf2:33
8Italienisches Liederbuch I: No. 8. Nun laß uns Frieden schließen
producer:
Dr. Fred Hamel
piano:
Hertha Klust (in 1950-04)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1950-04)
balance engineer:
Heinrich Keilholz
recorded at:
Kleistsaal in Berlin, Germany (in 1950-04)
recording of:
Italienisches Liederbuch: No. 8. Nun laß uns Frieden schließen (for male voice) (in 1950-04)
composer:
Hugo Wolf
librettist:
Paul Johann Ludwig von Heyse
part of:
Italienisches Liederbuch
Hugo Wolf2:10
9Italienisches Liederbuch I: No. 13. Hoffärtig seid Ihr, schönes Kind
producer:
Dr. Fred Hamel
piano:
Hertha Klust (in 1950-04)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1950-04)
balance engineer:
Heinrich Keilholz
recorded at:
Kleistsaal in Berlin, Germany (in 1950-04)
recording of:
Italienisches Liederbuch: No. 13. Hoffärtig seid Ihr, schönes Kind (for male voice) (in 1950-04)
composer:
Hugo Wolf
librettist:
Paul Johann Ludwig von Heyse
part of:
Italienisches Liederbuch
Hugo Wolf0:45
10Italienisches Liederbuch I: No. 14. Geselle, woll’n wir uns in Kutten hüllen
producer:
Dr. Fred Hamel
piano:
Hertha Klust (in 1950-04)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1950-04)
balance engineer:
Heinrich Keilholz
recorded at:
Kleistsaal in Berlin, Germany (in 1950-04)
recording of:
Italienisches Liederbuch: No. 14. Geselle, woll'n wir uns in Kutten hüllen (for male voice) (in 1950-04)
composer:
Hugo Wolf
librettist:
Paul Johann Ludwig von Heyse
part of:
Italienisches Liederbuch
Hugo Wolf2:23
11Italienisches Liederbuch I: No. 17. Und willst Du Deinen Liebsten sterben sehen’
producer:
Dr. Fred Hamel
piano:
Hertha Klust (in 1951-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1951-01)
balance engineer:
Heinrich Keilholz
recorded at:
Kleistsaal in Berlin, Germany (in 1951-01)
recording of:
Italienisches Liederbuch: No. 17. Und willst du deinen Liebsten sterben sehen (for male voice) (in 1951-01)
composer:
Hugo Wolf
librettist:
Paul Johann Ludwig von Heyse
part of:
Italienisches Liederbuch
Hugo Wolf2:08
12Italienisches Liederbuch I: No. 18. Heb auf dein blondes Haupt
producer:
Dr. Fred Hamel
piano:
Hertha Klust (in 1951-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1951-01)
balance engineer:
Heinrich Keilholz
recorded at:
Kleistsaal in Berlin, Germany (in 1951-01)
recording of:
Italienisches Liederbuch: No. 18. Heb auf dein blondes Haupt (for male voice) (in 1951-01)
composer:
Hugo Wolf
librettist:
Paul Johann Ludwig von Heyse
part of:
Italienisches Liederbuch
Hugo Wolf2:15
13Italienisches Liederbuch II: No. 33. Sterb’ ich, so hüllt in Blumen
producer:
Dr. Fred Hamel
piano:
Hertha Klust (in 1951-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1951-01)
balance engineer:
Heinrich Keilholz
recorded at:
Kleistsaal in Berlin, Germany (in 1951-01)
recording of:
Italienisches Liederbuch: No. 33. Sterb' ich, so hüllt in Blumen meine Glieder (for male voice) (in 1951-01)
lyricist:
Paul Johann Ludwig von Heyse
composer:
Hugo Wolf
part of:
Italienisches Liederbuch
Hugo Wolf2:58
14Italienisches Liederbuch II: No. 34. Und steht Ihr früh am Morgen auf
producer:
Dr. Fred Hamel
piano:
Hertha Klust (in 1951-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1951-01)
balance engineer:
Heinrich Keilholz
recorded at:
Kleistsaal in Berlin, Germany (in 1951-01)
recording of:
Italienisches Liederbuch: No. 34. Und steht Ihr früh am Morgen auf vom Bette (for male voice) (in 1951-01)
composer:
Hugo Wolf
librettist:
Paul Johann Ludwig von Heyse
part of:
Italienisches Liederbuch
Hugo Wolf3:10
15Italienisches Liederbuch II: No. 35. Benedeit die sel’ge Mutter
producer:
Dr. Fred Hamel
piano:
Hertha Klust (in 1951-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1951-01)
balance engineer:
Heinrich Keilholz
recorded at:
Kleistsaal in Berlin, Germany (in 1951-01)
recording of:
Italienisches Liederbuch: No. 35. Benedeit die sel'ge Mutter (for male voice) (in 1951-01)
composer:
Hugo Wolf
librettist:
Paul Johann Ludwig von Heyse
part of:
Italienisches Liederbuch
Hugo Wolf4:24
16Italienisches Liederbuch II: No. 37. Wie viele Zeit verlor ich
producer:
Dr. Fred Hamel
piano:
Hertha Klust (in 1951-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1951-01)
balance engineer:
Heinrich Keilholz
recorded at:
Kleistsaal in Berlin, Germany (in 1951-01)
recording of:
Italienisches Liederbuch: No. 37. Wie viele Zeit verlor ich, dich zu lieben! (for male voice) (in 1951-01)
composer:
Hugo Wolf
librettist:
Paul Johann Ludwig von Heyse
part of:
Italienisches Liederbuch
Hugo Wolf1:43
17Italienisches Liederbuch II: No. 41. Heut Nacht erhob ich mich
producer:
Dr. Fred Hamel
piano:
Hertha Klust (in 1951-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1951-01)
balance engineer:
Heinrich Keilholz
recorded at:
Kleistsaal in Berlin, Germany (in 1951-01)
recording of:
Italienisches Liederbuch: No. 41. Heut' Nacht erhob ich mich um Mitternacht (for male voice) (in 1951-01)
composer:
Hugo Wolf
librettist:
Paul Johann Ludwig von Heyse
part of:
Italienisches Liederbuch
Hugo Wolf1:45
18Italienisches Liederbuch II: No. 42. Nicht länger kann ich singen
producer:
Dr. Fred Hamel
piano:
Hertha Klust (in 1951-01)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1951-01)
balance engineer:
Heinrich Keilholz
recorded at:
Kleistsaal in Berlin, Germany (in 1951-01)
recording of:
Italienisches Liederbuch: No. 42. Nicht länger kann ich singen (for male voice) (in 1951-01)
composer:
Hugo Wolf
librettist:
Paul Johann Ludwig von Heyse
part of:
Italienisches Liederbuch
Hugo Wolf1:31
19Dichterliebe, op. 48: No. 1. Im wunderschönen Monat Mai
producer:
Hans Ritter
piano:
Jörg Demus (from 1957-02-07 until 1957-02-08)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1957-02-07 until 1957-02-08)
balance engineer:
Harald Baudis
recorded at:
Hugo-Wolf-Saal in Landstraße, Wien, Austria (from 1957-02-07 until 1957-02-08)
recording of:
Dichterliebe, op. 48: I. Im wunderschönen Monat Mai (from 1957-02-07 until 1957-02-08)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:38
20Dichterliebe, op. 48: No. 2. Aus meinen Tränen spriessen
producer:
Hans Ritter
piano:
Jörg Demus (from 1957-02-07 until 1957-02-08)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1957-02-07 until 1957-02-08)
balance engineer:
Harald Baudis
recorded at:
Hugo-Wolf-Saal in Landstraße, Wien, Austria (from 1957-02-07 until 1957-02-08)
recording of:
Dichterliebe, op. 48: II. Aus meinen Tränen sprießen (from 1957-02-07 until 1957-02-08)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
version of:
Aus meinen Thränen sprießen
part of:
Dichterliebe, op. 48
Robert Schumann0:59
21Dichterliebe, op. 48: No. 3. Die Rose, die Lilie, die Taube, die Sonne
producer:
Hans Ritter
piano:
Jörg Demus (from 1957-02-07 until 1957-02-08)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1957-02-07 until 1957-02-08)
balance engineer:
Harald Baudis
recorded at:
Hugo-Wolf-Saal in Landstraße, Wien, Austria (from 1957-02-07 until 1957-02-08)
recording of:
Dichterliebe, op. 48: III. Die Rose, die Lilie, die Taube, die Sonne (from 1957-02-07 until 1957-02-08)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann0:30
22Dichterliebe, op. 48: No. 4. Wenn ich in deine Augen seh’
producer:
Hans Ritter
piano:
Jörg Demus (from 1957-02-07 until 1957-02-08)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1957-02-07 until 1957-02-08)
balance engineer:
Harald Baudis
recorded at:
Hugo-Wolf-Saal in Landstraße, Wien, Austria (from 1957-02-07 until 1957-02-08)
recording of:
Dichterliebe, op. 48: IV. Wenn ich in deine Augen seh’ (from 1957-02-07 until 1957-02-08)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:40
23Dichterliebe, op. 48: No. 5. Ich will meine Seele tauchen
producer:
Hans Ritter
piano:
Jörg Demus (from 1957-02-07 until 1957-02-08)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1957-02-07 until 1957-02-08)
balance engineer:
Harald Baudis
recorded at:
Hugo-Wolf-Saal in Landstraße, Wien, Austria (from 1957-02-07 until 1957-02-08)
recording of:
Dichterliebe, op. 48: V. Ich will meine Seele tauchen (from 1957-02-07 until 1957-02-08)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:00
24Dichterliebe, op. 48: No. 6. Im Rhein, im heiligen Strome
producer:
Hans Ritter
piano:
Jörg Demus (from 1957-02-07 until 1957-02-08)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1957-02-07 until 1957-02-08)
balance engineer:
Harald Baudis
recorded at:
Hugo-Wolf-Saal in Landstraße, Wien, Austria (from 1957-02-07 until 1957-02-08)
recording of:
Dichterliebe, op. 48: VI. Im Rhein, im heiligen Strome (from 1957-02-07 until 1957-02-08)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann2:29
25Dichterliebe, op. 48: No. 7. Ich grolle nicht
executive producer:
Otto Gerdes
producer:
Karl Faust and Hans Ritter
piano:
Jörg Demus (from 1957-02-07 until 1957-02-08, in 1965-05)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1957-02-07 until 1957-02-08, in 1965-05)
balance engineer:
Harald Baudis and Hans‐Peter Schweigmann
recorded at:
Hugo-Wolf-Saal in Landstraße, Wien, Austria (from 1957-02-07 until 1957-02-08) and UFA-Tonstudio in Berlin, Germany (in 1965-05)
recording of:
Dichterliebe, op. 48: VII. Ich grolle nicht (from 1957-02-07 until 1957-02-08)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
recording of:
Dichterliebe, op. 48: VII. Ich grolle nicht (in 1965-05)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:43
26Dichterliebe, op. 48: No. 8. Und wüssten’s die Blumen, die kleinen
producer:
Hans Ritter
piano:
Jörg Demus (from 1957-02-07 until 1957-02-08)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1957-02-07 until 1957-02-08)
balance engineer:
Harald Baudis
recorded at:
Hugo-Wolf-Saal in Landstraße, Wien, Austria (from 1957-02-07 until 1957-02-08)
recording of:
Dichterliebe, op. 48: VIII. Und wüßten's die Blumen, die kleinen (from 1957-02-07 until 1957-02-08)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:12
27Dichterliebe, op. 48: No. 9. Das ist ein Flöten und Geigen
producer:
Hans Ritter
piano:
Jörg Demus (from 1957-02-07 until 1957-02-08)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1957-02-07 until 1957-02-08)
balance engineer:
Harald Baudis
recorded at:
Hugo-Wolf-Saal in Landstraße, Wien, Austria (from 1957-02-07 until 1957-02-08)
recording of:
Dichterliebe, op. 48: IX. Das ist ein Flöten und Geigen (from 1957-02-07 until 1957-02-08)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:23
28Dichterliebe, op. 48: No. 10. Hör’ ich das Liedchen klingen
producer:
Hans Ritter
piano:
Jörg Demus (from 1957-02-07 until 1957-02-08)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1957-02-07 until 1957-02-08)
balance engineer:
Harald Baudis
recorded at:
Hugo-Wolf-Saal in Landstraße, Wien, Austria (from 1957-02-07 until 1957-02-08)
recording of:
Dichterliebe, op. 48: X. Hör' ich das Liedchen klingen (from 1957-02-07 until 1957-02-08)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:51
29Dichterliebe, op. 48: No. 11. Ein Jüngling liebt ein Mädchen
producer:
Hans Ritter
piano:
Jörg Demus (from 1957-02-07 until 1957-02-08)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1957-02-07 until 1957-02-08)
balance engineer:
Harald Baudis
recorded at:
Hugo-Wolf-Saal in Landstraße, Wien, Austria (from 1957-02-07 until 1957-02-08)
recording of:
Dichterliebe, op. 48: XI. Ein Jüngling liebt ein Mädchen (from 1957-02-07 until 1957-02-08)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
is based on:
Ein Jüngling liebt ein Mädchen
part of:
Dichterliebe, op. 48
Robert Schumann1:03
30Dichterliebe, op. 48: No. 12. Am leuchtenden Sommermorgen
producer:
Hans Ritter
piano:
Jörg Demus (from 1957-02-07 until 1957-02-08)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1957-02-07 until 1957-02-08)
balance engineer:
Harald Baudis
recorded at:
Hugo-Wolf-Saal in Landstraße, Wien, Austria (from 1957-02-07 until 1957-02-08)
recording of:
Dichterliebe, op. 48: XII. Am leuchtenden Sommermorgen (from 1957-02-07 until 1957-02-08)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann2:19
31Dichterliebe, op. 48: No. 13. Ich hab’ im Traum geweinet
producer:
Hans Ritter
piano:
Jörg Demus (from 1957-02-07 until 1957-02-08)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1957-02-07 until 1957-02-08)
balance engineer:
Harald Baudis
recorded at:
Hugo-Wolf-Saal in Landstraße, Wien, Austria (from 1957-02-07 until 1957-02-08)
recording of:
Dichterliebe, op. 48: XIII. Ich hab' im Traum geweinet (from 1957-02-07 until 1957-02-08)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann2:35
32Dichterliebe, op. 48: No. 14. Allnächtlich im Traume
producer:
Hans Ritter
piano:
Jörg Demus (from 1957-02-07 until 1957-02-08)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1957-02-07 until 1957-02-08)
balance engineer:
Harald Baudis
recorded at:
Hugo-Wolf-Saal in Landstraße, Wien, Austria (from 1957-02-07 until 1957-02-08)
recording of:
Dichterliebe, op. 48: XIV. Allnächtlich im Traume (from 1957-02-07 until 1957-02-08)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:43
33Dichterliebe, op. 48: No. 15. Aus alten Märchen
producer:
Hans Ritter
piano:
Jörg Demus (from 1957-02-07 until 1957-02-08)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1957-02-07 until 1957-02-08)
balance engineer:
Harald Baudis
recorded at:
Hugo-Wolf-Saal in Landstraße, Wien, Austria (from 1957-02-07 until 1957-02-08)
recording of:
Dichterliebe, op. 48: XV. Aus alten Märchen winkt es (from 1957-02-07 until 1957-02-08)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann2:31
34Dichterliebe, op. 48: No. 16. Die alten, bösen Lieder
producer:
Hans Ritter
piano:
Jörg Demus (from 1957-02-07 until 1957-02-08)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1957-02-07 until 1957-02-08)
balance engineer:
Harald Baudis
recorded at:
Hugo-Wolf-Saal in Landstraße, Wien, Austria (from 1957-02-07 until 1957-02-08)
recording of:
Dichterliebe, op. 48: XVI. Die alten, bösen Lieder (from 1957-02-07 until 1957-02-08)
lyricist:
Heinrich Heine
composer:
Robert Schumann (in 1840)
is based on:
Die alten, bösen Lieder
part of:
Dichterliebe, op. 48
Robert Schumann4:50
4▼CD: Schubert: String Quartets nos. 13 & 15
#TitleArtistLength
1String Quartet no. 15 in G major, D.887: I. Allegro molto moderato
producer:
Dr. Fred Hamel
cello:
Martin Lovett (in 1951-09)
string quartet:
Amadeus Quartet (in 1951-09)
viola:
Peter Schidlof (in 1951-09)
violin [violin I]:
Norbert Brainin (in 1951-09)
violin [violin II]:
Siegmund Nissel (in 1951-09)
balance engineer:
Karl-Heinz Westphal (in 1951-09)
recorded at:
Beethovensaal in Hannover, Niedersachsen, Germany (in 1951-09)
recording of:
String Quartet no. 15 in G major, D. 887, op. post. 161: I. Allegro molto moderato (in 1951-09)
composer:
Franz Schubert (in 1826)
part of:
String Quartet no. 15 in G major, D. 887, op. post. 161
Franz Schubert15:24
2String Quartet no. 15 in G major, D.887: II. Andante un poco mosso
producer:
Dr. Fred Hamel
cello:
Martin Lovett (in 1951-09)
string quartet:
Amadeus Quartet (in 1951-09)
viola:
Peter Schidlof (in 1951-09)
violin [violin I]:
Norbert Brainin (in 1951-09)
violin [violin II]:
Siegmund Nissel (in 1951-09)
balance engineer:
Karl-Heinz Westphal (in 1951-09)
recorded at:
Beethovensaal in Hannover, Niedersachsen, Germany (in 1951-09)
recording of:
String Quartet no. 15 in G major, D. 887, op. post. 161: II. Andante un poco moto (in 1951-09)
composer:
Franz Schubert (in 1826)
part of:
String Quartet no. 15 in G major, D. 887, op. post. 161
Franz Schubert11:57
3String Quartet no. 15 in G major, D.887: III. Scherzo (Allegro vivace)
producer:
Dr. Fred Hamel
cello:
Martin Lovett (in 1951-09)
string quartet:
Amadeus Quartet (in 1951-09)
viola:
Peter Schidlof (in 1951-09)
violin [violin I]:
Norbert Brainin (in 1951-09)
violin [violin II]:
Siegmund Nissel (in 1951-09)
balance engineer:
Karl-Heinz Westphal (in 1951-09)
recorded at:
Beethovensaal in Hannover, Niedersachsen, Germany (in 1951-09)
recording of:
String Quartet no. 15 in G major, D. 887, op. post. 161: III. Scherzo. Allegro vivace - Trio. Allegretto (in 1951-09)
composer:
Franz Schubert (in 1826)
part of:
String Quartet no. 15 in G major, D. 887, op. post. 161
Franz Schubert6:18
4String Quartet no. 15 in G major, D.887: IV. Allegro assai
producer:
Dr. Fred Hamel
cello:
Martin Lovett (in 1951-09)
string quartet:
Amadeus Quartet (in 1951-09)
viola:
Peter Schidlof (in 1951-09)
violin [violin I]:
Norbert Brainin (in 1951-09)
violin [violin II]:
Siegmund Nissel (in 1951-09)
balance engineer:
Karl-Heinz Westphal (in 1951-09)
recorded at:
Beethovensaal in Hannover, Niedersachsen, Germany (in 1951-09)
recording of:
String Quartet no. 15 in G major, D. 887, op. post. 161: IV. Allegro assai (in 1951-09)
composer:
Franz Schubert (in 1826)
part of:
String Quartet no. 15 in G major, D. 887, op. post. 161
Franz Schubert9:16
5String Quartet no. 13 in A minor, D.804 "Rosamunde": I. Allegro ma non troppo
producer:
Karl-Heinz Schneider (in 1954-05)
cello:
Martin Lovett (in 1954-05)
string quartet:
Amadeus Quartet (in 1954-05)
viola:
Peter Schidlof (in 1954-05)
violin [violin I]:
Norbert Brainin (in 1954-05)
violin [violin II]:
Siegmund Nissel (in 1954-05)
balance engineer:
Heinz Wildhagen (in 1954-05)
recorded at:
Beethovensaal in Hannover, Niedersachsen, Germany (in 1954-05)
recording of:
String Quartet no. 13 in A minor, D. 804, op. 29 “Rosamunde”: I. Allegro ma non troppo (in 1954-05)
composer:
Franz Schubert (from 1824-02 until 1824-03)
part of:
String Quartet no. 13 in A minor, D. 804, op. 29 “Rosamunde”
Franz Schubert9:31
6String Quartet no. 13 in A minor, D.804 "Rosamunde": II. Andante
producer:
Karl-Heinz Schneider (in 1954-05)
cello:
Martin Lovett (in 1954-05)
string quartet:
Amadeus Quartet (in 1954-05)
viola:
Peter Schidlof (in 1954-05)
violin [violin I]:
Norbert Brainin (in 1954-05)
violin [violin II]:
Siegmund Nissel (in 1954-05)
balance engineer:
Heinz Wildhagen (in 1954-05)
recorded at:
Beethovensaal in Hannover, Niedersachsen, Germany (in 1954-05)
recording of:
String Quartet no. 13 in A minor, D. 804, op. 29 “Rosamunde”: II. Andante (in 1954-05)
composer:
Franz Schubert (from 1824-02 until 1824-03)
part of:
String Quartet no. 13 in A minor, D. 804, op. 29 “Rosamunde”
Franz Schubert7:12
7String Quartet no. 13 in A minor, D.804 "Rosamunde": III. Menuetto (Allegretto)
producer:
Karl-Heinz Schneider (in 1954-05)
cello:
Martin Lovett (in 1954-05)
string quartet:
Amadeus Quartet (in 1954-05)
viola:
Peter Schidlof (in 1954-05)
violin [violin I]:
Norbert Brainin (in 1954-05)
violin [violin II]:
Siegmund Nissel (in 1954-05)
balance engineer:
Heinz Wildhagen (in 1954-05)
recorded at:
Beethovensaal in Hannover, Niedersachsen, Germany (in 1954-05)
recording of:
String Quartet no. 13 in A minor, D. 804, op. 29 “Rosamunde”: III. Menuetto. Allegretto (in 1954-05)
composer:
Franz Schubert (from 1824-02 until 1824-03)
part of:
String Quartet no. 13 in A minor, D. 804, op. 29 “Rosamunde”
Franz Schubert6:49
8String Quartet no. 13 in A minor, D.804 "Rosamunde": IV. Allegro moderato
producer:
Karl-Heinz Schneider (in 1954-05)
cello:
Martin Lovett (in 1954-05)
string quartet:
Amadeus Quartet (in 1954-05)
viola:
Peter Schidlof (in 1954-05)
violin [violin I]:
Norbert Brainin (in 1954-05)
violin [violin II]:
Siegmund Nissel (in 1954-05)
balance engineer:
Heinz Wildhagen (in 1954-05)
recorded at:
Beethovensaal in Hannover, Niedersachsen, Germany (in 1954-05)
recording of:
String Quartet no. 13 in A minor, D. 804, op. 29 “Rosamunde”: IV. Allegro moderato (in 1954-05)
composer:
Franz Schubert (from 1824-02 until 1824-03)
part of:
String Quartet no. 13 in A minor, D. 804, op. 29 “Rosamunde”
Franz Schubert7:19
5▼CD: Beethoven: Violin Sonata nos. 9 "Kreutzer" & 10 / Mozart: Non più, tutto ascoltai
#TitleArtistLength
1Violin Sonata no. 9 in A major, op. 47 "Kreutzer": I. Adagio sostenuto – Presto
executive producer:
Dr. Fred Hamel
producer:
Karl-Heinz Schneider
piano:
Wilhelm Kempff (in 1952-09)
violin:
Wolfgang Schneiderhan (in 1952-09)
balance engineer:
Karl-Heinz Westphal
phonographic copyright (℗) by:
Deutsche Grammophon (in 1953)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (in 1952-09)
recording of:
Sonata for Violin and Piano no. 9 in A major, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto (in 1952-09)
composer:
Ludwig van Beethoven (from 1802 until 1803)
part of:
Sonata for Violin and Piano no. 9 in A major, op. 47 “Kreutzer”
Ludwig van Beethoven14:45
2Violin Sonata no. 9 in A major, op. 47 "Kreutzer": II. Andante con variazioni
executive producer:
Dr. Fred Hamel
producer:
Karl-Heinz Schneider
piano:
Wilhelm Kempff (in 1952-09)
violin:
Wolfgang Schneiderhan (in 1952-09)
balance engineer:
Karl-Heinz Westphal
phonographic copyright (℗) by:
Deutsche Grammophon (in 1953)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (in 1952-09)
recording of:
Sonata for Violin and Piano no. 9 in A major, op. 47 “Kreutzer”: II. Andante con variazioni (in 1952-09)
composer:
Ludwig van Beethoven (from 1802 until 1803)
part of:
Sonata for Violin and Piano no. 9 in A major, op. 47 “Kreutzer”
Ludwig van Beethoven17:33
3Violin Sonata no. 9 in A major, op. 47 "Kreutzer": III. Finale. Presto
executive producer:
Dr. Fred Hamel
producer:
Karl-Heinz Schneider
piano:
Wilhelm Kempff (in 1952-09)
violin:
Wolfgang Schneiderhan (in 1952-09)
balance engineer:
Karl-Heinz Westphal
phonographic copyright (℗) by:
Deutsche Grammophon (in 1953)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (in 1952-09)
recording of:
Sonata for Violin and Piano no. 9 in A major, op. 47 “Kreutzer”: III. Finale. Presto (in 1952-09)
composer:
Ludwig van Beethoven (from 1802 until 1803)
part of:
Sonata for Violin and Piano no. 9 in A major, op. 47 “Kreutzer”
Ludwig van Beethoven9:35
4Violin Sonata no. 10 in G major, op. 96: I. Allegro moderato
executive producer:
Dr. Fred Hamel
producer:
Karl-Heinz Schneider
piano:
Wilhelm Kempff (in 1952-09)
violin:
Wolfgang Schneiderhan (in 1952-09)
balance engineer:
Karl-Heinz Westphal
phonographic copyright (℗) by:
Deutsche Grammophon (in 1953)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (in 1952-09)
recording of:
Sonata for Violin and Piano no. 10 in G major, op. 96: I. Allegro moderato (in 1952-09)
additional composer:
Ludwig van Beethoven (from 1814 until 1815)
composer:
Ludwig van Beethoven (in 1812)
part of:
Sonata for Violin and Piano no. 10 in G major, op. 96
Ludwig van Beethoven7:57
5Violin Sonata no. 10 in G major, op. 96: II. Adagio espressivo
executive producer:
Dr. Fred Hamel
producer:
Karl-Heinz Schneider
piano:
Wilhelm Kempff (in 1952-09)
violin:
Wolfgang Schneiderhan (in 1952-09)
balance engineer:
Karl-Heinz Westphal
phonographic copyright (℗) by:
Deutsche Grammophon (in 1953)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (in 1952-09)
recording of:
Sonata for Violin and Piano no. 10 in G major, op. 96: II. Adagio espressivo (in 1952-09)
additional composer:
Ludwig van Beethoven (from 1814 until 1815)
composer:
Ludwig van Beethoven (in 1812)
part of:
Sonata for Violin and Piano no. 10 in G major, op. 96
Ludwig van Beethoven5:54
6Violin Sonata no. 10 in G major, op. 96: III. Scherzo. Allegro
executive producer:
Dr. Fred Hamel
producer:
Karl-Heinz Schneider
piano:
Wilhelm Kempff (in 1952-09)
violin:
Wolfgang Schneiderhan (in 1952-09)
balance engineer:
Karl-Heinz Westphal
phonographic copyright (℗) by:
Deutsche Grammophon (in 1953)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (in 1952-09)
recording of:
Sonata for Violin and Piano no. 10 in G major, op. 96: III. Scherzo. Allegro (in 1952-09)
additional composer:
Ludwig van Beethoven (from 1814 until 1815)
composer:
Ludwig van Beethoven (in 1812)
part of:
Sonata for Violin and Piano no. 10 in G major, op. 96
Ludwig van Beethoven2:00
7Violin Sonata no. 10 in G major, op. 96: IV. Poco allegretto
executive producer:
Dr. Fred Hamel
producer:
Karl-Heinz Schneider
piano:
Wilhelm Kempff (in 1952-09)
violin:
Wolfgang Schneiderhan (in 1952-09)
balance engineer:
Karl-Heinz Westphal
phonographic copyright (℗) by:
Deutsche Grammophon (in 1953)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Austria (in 1952-09)
recording of:
Sonata for Violin and Piano no. 10 in G major, op. 96: IV. Poco allegretto (in 1952-09)
additional composer:
Ludwig van Beethoven (from 1814 until 1815)
composer:
Ludwig van Beethoven (in 1812)
part of:
Sonata for Violin and Piano no. 10 in G major, op. 96
Ludwig van Beethoven9:34
8Non più, tutto ascoltai, K. 490: II. Aria. Non temer, amato bene
executive producer:
Prof. Elsa Schiller
producer:
Wolfgang Lohse
violin:
Wolfgang Schneiderhan (in 1952-09)
soprano vocals:
Irmgard Seefried (in 1952-09)
orchestra:
Wiener Symphoniker (in 1952-09)
conductor:
Ferdinand Leitner (in 1952-09)
balance engineer:
Harald Baudis
phonographic copyright (℗) by:
Deutsche Grammophon (in 1954)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1952-09)
recording of:
Recitative and Aria for Tenor & Orchestra in B‐flat major, K. 490: “Non più, tutto ascoltai” … “Non temer, amato bene” (in 1952-09)
composer:
Wolfgang Amadeus Mozart
publisher:
Breitkopf & Härtel (in 1881)
part of:
Köchelverzeichnis (number: K. 490), Köchelverzeichnis (number: 490) and Köchelverzeichnis (number: 490)
Wolfgang Amadeus Mozart6:46
6▼CD: Berlioz: Symphonie fantastique / Mussorgsky: Pictures at an Exhibition
#TitleArtistLength
1Symphonie Fantastique, op. 14: I. Rêveries, passions
orchestra:
Berliner Philharmoniker (from 1953-11-23 until 1953-11-29)
conductor:
Igor Markevitch (from 1953-11-23 until 1953-11-29)
recording of:
Symphonie fantastique, op. 14: I. Rêveries, passions (from 1953-11-23 until 1953-11-29)
composer:
Hector Berlioz (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz13:19
2Symphonie Fantastique, op. 14: II. Un bal
orchestra:
Berliner Philharmoniker (from 1953-11-23 until 1953-11-29)
conductor:
Igor Markevitch (from 1953-11-23 until 1953-11-29)
recording of:
Symphonie fantastique, op. 14: II. Un bal (from 1953-11-23 until 1953-11-29)
composer:
Hector Berlioz (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz5:50
3Symphonie Fantastique, op. 14: III. Scène aux champs
orchestra:
Berliner Philharmoniker (from 1953-11-23 until 1953-11-29)
conductor:
Igor Markevitch (from 1953-11-23 until 1953-11-29)
recording of:
Symphonie fantastique, op. 14: III. Scène aux champs (from 1953-11-23 until 1953-11-29)
composer:
Hector Berlioz (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz14:39
4Symphonie Fantastique, op. 14: IV. Marche au supplice
orchestra:
Berliner Philharmoniker (from 1953-11-23 until 1953-11-29)
conductor:
Igor Markevitch (from 1953-11-23 until 1953-11-29)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (from 1953-11-23 until 1953-11-29)
composer:
Hector Berlioz (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:27
5Symphonie Fantastique, op. 14: V. Songe d'une nuit de Sabbat
orchestra:
Berliner Philharmoniker (from 1953-11-23 until 1953-11-29)
conductor:
Igor Markevitch (from 1953-11-23 until 1953-11-29)
recording of:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat (from 1953-11-23 until 1953-11-29)
composer:
Hector Berlioz (in 1830)
quotes music from:
Dies Irae (plainchant)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz10:16
6Pictures at an Exhibition: Promenade (Allegro giusto, nel modo russico ; senza allegrezza, ma poco sostenuto)
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (in 1953-02)
conductor:
Igor Markevitch (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico – Senza allegrezza, ma poco sostenuto, orchestrated by Ravel, 1st promenade) (in 1953-02)
orchestrator:
Maurice Ravel (in 1922)
composer:
Модест Петрович Мусоргский (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: Promenade (1st) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:28
7Pictures at an Exhibition: I. Gnomus (Vivo)
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (in 1953-02)
conductor:
Igor Markevitch (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: I. Gnomus (Pictures at an Exhibition: I. Gnomus, orchestrated by Ravel) (in 1953-02)
orchestrator:
Maurice Ravel (in 1922)
composer:
Модест Петрович Мусоргский (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 1 “Gnomus” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky2:29
8Pictures at an Exhibition: Promenade (Moderato comdo e con delicatezza)
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (in 1953-02)
conductor:
Igor Markevitch (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Moderato comodo e con delicatezza, orchestrated by Ravel, 2nd promenade) (in 1953-02)
orchestrator:
Maurice Ravel (in 1922)
composer:
Модест Петрович Мусоргский (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 1st) (original piano version, often called Promenade 2)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky0:55
9Pictures at an Exhibition: II. Il vecchio castello (Andante)
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (in 1953-02)
conductor:
Igor Markevitch (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: II. Il vecchio castello (Pictures at an Exhibition: II. Il vecchio castello, orchestrated by Ravel) (in 1953-02)
orchestrator:
Maurice Ravel (in 1922)
composer:
Модест Петрович Мусоргский (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 2 “Il vecchio castello” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky3:25
10Pictures at an Exhibition: Promenade (Moderato non tanto, pesante)
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (in 1953-02)
conductor:
Igor Markevitch (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Moderato non tanto, pesante, orchestrated by Ravel, 3rd promenade) (in 1953-02)
orchestrator:
Maurice Ravel (in 1922)
composer:
Модест Петрович Мусоргский (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 2nd) (original piano version, often called Promenade 3)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
recording of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
orchestrator:
Maurice Ravel (in 1922)
composer:
Модест Петрович Мусоргский (in 1874)
orchestration of:
Pictures at an Exhibition (original piano version)
Modest Mussorgsky0:26
11Pictures at an Exhibition: III. Tuileries (Allegretto non troppo, capriccioso)
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (in 1953-02)
conductor:
Igor Markevitch (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: III. Tuileries (Pictures at an Exhibition: III. Tuileries, orchestrated by Ravel) (in 1953-02)
orchestrator:
Maurice Ravel (in 1922)
composer:
Модест Петрович Мусоргский (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 3 “Tuileries” (Dispute d’enfants après jeux) (Pictures at an Exhibition: Tuileries (Children Quarreling at Play), original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:14
12Pictures at an Exhibition: IV. Bydlo (Sempre moderato, pesante)
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (in 1953-02)
conductor:
Igor Markevitch (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: IV. Bydlo (Pictures at an Exhibition: IV. Bydło, orchestrated by Ravel) (in 1953-02)
orchestrator:
Maurice Ravel (in 1922)
composer:
Модест Петрович Мусоргский (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 4 “Bydło” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky2:56
13Pictures at an Exhibition: Promenade (Tranquillo)
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (in 1953-02)
conductor:
Igor Markevitch (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Tranquillo, orchestrated by Ravel, 4th promenade) (in 1953-02)
orchestrator:
Maurice Ravel (in 1922)
composer:
Модест Петрович Мусоргский (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 3rd) (original piano version, often called Promenade 4)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky0:39
14Pictures at an Exhibition: V. Ballet des petits poussins dans leur coque (Scherzino. Vivo leggiero)
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (in 1953-02)
conductor:
Igor Markevitch (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: V. Ballet des poussins dans leurs coques (Pictures at an Exhibition: V. Ballet of the Unhatched Chicks, orchestrated by Ravel) (in 1953-02)
orchestrator:
Maurice Ravel (in 1922)
composer:
Модест Петрович Мусоргский (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 5 “Балетъ невылупившихся птенцовъ” [Balet nevylupivshikhsya ptentsov] (Pictures at an Exhibition: IX. No. 5 "Ballet of the Unhatched Chicks", original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:14
15Pictures at an Exhibition: VI. Samuel Goldenberg und Schmuyle (Andante)
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (in 1953-02)
conductor:
Igor Markevitch (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: VI. Samuel Goldenberg und Schmuyle (Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle, orchestrated by Ravel) (in 1953-02)
orchestrator:
Maurice Ravel (in 1922)
composer:
Модест Петрович Мусоргский (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 6 “Samuel” Goldenberg und “Schmuÿle” (Pictures at an Exhibition: Samual Goldenberg and Schmuÿle, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky2:36
16Pictures at an Exhibition: VII. Limoge, Le Marché (Allegretto vivo, sempre scherzando)
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (in 1953-02)
conductor:
Igor Markevitch (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: VII. Limoges – le marché (Pictures at an Exhibition: VII. Limoges – le marché, orchestrated by Ravel) (in 1953-02)
orchestrator:
Maurice Ravel (in 1922)
composer:
Модест Петрович Мусоргский (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 7 “Limoges”, le marché (La grande nouvelle) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:21
17Pictures at an Exhibition: VIII. Catacombae, Sepulchrum romanum (Largo)
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (in 1953-02)
conductor:
Igor Markevitch (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: VIII. Catacombae (Sepulchrum romanum) (Pictures at an Exhibition: VIII. Catacombae (Sepulchrum romanum), orchestrated by Ravel) (in 1953-02)
orchestrator:
Maurice Ravel (in 1922)
composer:
Модест Петрович Мусоргский (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:54
18Pictures at an Exhibition: Con mortuis in lingua mortua (Andante non troppo, con lamento)
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (in 1953-02)
conductor:
Igor Markevitch (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: Cum Mortuis in lingua mortua (Pictures at an Exhibition: Cum Mortuis in lingua mortua, orchestrated by Ravel) (in 1953-02)
orchestrator:
Maurice Ravel (in 1922)
composer:
Модест Петрович Мусоргский (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:50
19Pictures at an Exhibition: IX. La cabane sur des pattes de poule (Allegro con brio, feroce - Andante mosso - Allegro molto)
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (in 1953-02)
conductor:
Igor Markevitch (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: IX. La cabane sur des pattes de poules (Baba-Yaga) (Pictures at an Exhibition: XIV. The Hut on Fowl’s Legs (Baba-Yaga), orchestrated by Ravel) (in 1953-02)
orchestrator:
Maurice Ravel (in 1922)
composer:
Модест Петрович Мусоргский (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 9 “Избушка на курьихъ ножкахъ” (Баба-Яга) [Izbushka na kuryikh nozhkakh (Baba-Yagá)] (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky3:24
20Pictures at an Exhibition: X. La grande porte de Kiev (Allegro alla breve. Maestoso. Con grandezza)
engineer:
Alfred Steinke (in 1953-02)
orchestra:
Berliner Philharmoniker (in 1953-02)
conductor:
Igor Markevitch (in 1953-02)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1953-02)
recording of:
Tableaux d’une exposition: X. La grande porte de Kiev (Pictures at an Exhibition: X. The Great Gate of Kiev, orchestrated by Ravel) (in 1953-02)
orchestrator:
Maurice Ravel (in 1922)
composer:
Модест Петрович Мусоргский (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (Pictures at an Exhibition: The great gate at Kiev, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
recording of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
orchestrator:
Maurice Ravel (in 1922)
composer:
Модест Петрович Мусоргский (in 1874)
orchestration of:
Pictures at an Exhibition (original piano version)
Modest Mussorgsky4:53
7▼CD: Brahms: Violin Concerto / Sarasate: Navarra / Wieniawski: Études-caprices
#TitleArtistLength
1Violin Concerto in D major, op. 77: I. Allegro Non Troppo
producer:
Wolfgang Lohse
violin:
David Oistrakh (on 1954-02-16)
orchestra:
Staatskapelle Dresden (on 1954-02-16)
conductor:
Franz Konwitschny (on 1954-02-16)
balance engineer:
Heinrich Keilholz (in 1954-02)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1954-02)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: I. Allegro non troppo (Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo) (on 1954-02-16)
composer:
Johannes Brahms (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms22:03
2Violin Concerto in D major, op. 77: II. Adagio
producer:
Wolfgang Lohse
violin:
David Oistrakh (on 1954-02-16)
orchestra:
Staatskapelle Dresden (on 1954-02-16)
conductor:
Franz Konwitschny (on 1954-02-16)
balance engineer:
Heinrich Keilholz (in 1954-02)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1954-02)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: II. Adagio (Concerto for Violin and Orchestra in D major, op. 77: II. Adagio) (on 1954-02-16)
composer:
Johannes Brahms (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms9:30
3Violin Concerto in D major, op. 77: III. Allegro Giocoso, Ma Non Troppo Vivace Poco Più Presto
producer:
Wolfgang Lohse
violin:
David Oistrakh (on 1954-02-16)
orchestra:
Staatskapelle Dresden (on 1954-02-16)
conductor:
Franz Konwitschny (on 1954-02-16)
balance engineer:
Heinrich Keilholz (in 1954-02)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1954-02)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: III. Allegro giocoso, ma non troppo vivace (Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace) (on 1954-02-16)
composer:
Johannes Brahms (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms7:50
4Navarra op. 33
violin:
David Oistrakh (on 1957-04-17) and Igor Oistrakh (on 1957-04-17)
orchestra:
Gewandhausorchester Leipzig (on 1957-04-17)
conductor:
Franz Konwitschny (on 1957-04-17)
recording of:
Navarra, op. 33 (on 1957-04-17)
composer:
Pablo de Sarasate
part of:
Works of Pablo de Sarasate by opus number (number: op. 33)
Pablo de Sarasate5:59
53 Etudes Caprices op. 18 Nr. 2 Es-Dur
violin:
David Oistrakh (on 1957-04-19) and Igor Oistrakh (on 1957-04-19)
recording of:
Étude-Caprice, op. 18 no. 2, in E-flat major, Andante (for 2 violins) (on 1957-04-19)
composer:
Henryk Wieniawski (in 1862)
part of:
Works of Henryk Wieniawski by opus number (number: op. 18 no. 2)
part of:
Études-Caprices, op. 18
Henryk Wieniawski5:09
63 Etudes Caprices op. 18 Nr. 5 E-Dur
violin:
David Oistrakh (on 1957-04-19) and Igor Oistrakh (on 1957-04-19)
recording of:
Étude-Caprice, op. 18 no. 5, in E major, Praeludium. Allegretto scherzando (on 1957-04-19)
composer:
Henryk Wieniawski (in 1862)
part of:
Works of Henryk Wieniawski by opus number (number: op. 18 no. 5)
part of:
Études-Caprices, op. 18
recording of:
Étude-Caprice, op. 18 no. 2, in E-flat major, Andante (for 2 violins)
composer:
Henryk Wieniawski (in 1862)
part of:
Works of Henryk Wieniawski by opus number (number: op. 18 no. 2)
part of:
Études-Caprices, op. 18
Henryk Wieniawski1:50
73 Etudes Caprices op. 18 Nr. 4 A-Moll
violin:
David Oistrakh (on 1957-04-19) and Igor Oistrakh (on 1957-04-19)
phonographic copyright (℗) by:
Polydor International GmbH (in 1958)
recorded at:
Staatlicher Rundfunk in Berlin, Germany (on 1957-04-19)
recording of:
Étude-Caprice, op. 18 no. 4, in A minor, Tempo di Saltarella, ma non troppo vivo (original version for 2 violins) (on 1957-04-19)
composer:
Henryk Wieniawski (in 1862)
part of:
Works of Henryk Wieniawski by opus number (number: op. 18 no. 4)
part of:
Études-Caprices, op. 18
Henryk Wieniawski1:38
8▶CD: Bach; Weihnachts-Oratorium
9▶CD: Schumann: Marsch no. 2 op. 76 / Waldszenen, Op. 82 / Fantasiestücke, op. 12 / Abegg Variations / Toccata / Novellette no. 1
10▶CD: Berlioz, Tchaikovsky, Prokofiev: Romeo and Juliet