The Billy May Sessions

~ Release by Nat King Cole (see all versions of this release, 3 available)

Annotation

Copyright: © 1993 Capitol Records, LLC
This Compilation ℗ 1993 Capitol Records, LLC

Available Regions

🇦🇷 Argentina, 🇦🇺 Australia, 🇦🇹 Austria, 🇧🇪 Belgium, 🇧🇴 Bolivia, 🇧🇷 Brazil, 🇧🇬 Bulgaria, 🇨🇱 Chile, 🇨🇴 Colombia, 🇨🇷 Costa Rica, 🇨🇾 Cyprus, 🇨🇿 Czechia, 🇩🇰 Denmark, 🇩🇴 Dominican Republic, 🇩🇪 Germany, 🇪🇨 Ecuador, 🇪🇪 Estonia, 🇸🇻 El Salvador, 🇫🇮 Finland, 🇫🇷 France, 🇬🇷 Greece, 🇬🇹 Guatemala, 🇭🇳 Honduras, 🇭🇰 Hong Kong, 🇭🇺 Hungary, 🇮🇸 Iceland, 🇮🇪 Ireland, 🇮🇹 Italy, 🇱🇻 Latvia, 🇱🇹 Lithuania, 🇱🇺 Luxembourg, 🇲🇾 Malaysia, 🇲🇹 Malta, 🇲🇽 Mexico, 🇳🇱 Netherlands, 🇳🇿 New Zealand, 🇳🇮 Nicaragua, 🇳🇴 Norway, 🇵🇦 Panama, 🇵🇾 Paraguay, 🇵🇪 Peru, 🇵🇭 Philippines, 🇵🇱 Poland, 🇵🇹 Portugal, 🇸🇬 Singapore, 🇸🇰 Slovakia, 🇪🇸 Spain, 🇸🇪 Sweden, 🇨🇭 Switzerland, 🇹🇼 Taiwan, 🇹🇷 Türkiye, 🇺🇾 Uruguay, 🇺🇸 United States, 🇬🇧 United Kingdom, 🇦🇩 Andorra, 🇱🇮 Liechtenstein, 🇲🇨 Monaco, 🇮🇩 Indonesia, 🇯🇵 Japan, 🇹🇭 Thailand, 🇻🇳 Vietnam, 🇷🇴 Romania, 🇮🇱 Israel, 🇿🇦 South Africa, 🇸🇦 Saudi Arabia, 🇦🇪 United Arab Emirates, 🇧🇭 Bahrain, 🇶🇦 Qatar, 🇴🇲 Oman, 🇰🇼 Kuwait, 🇪🇬 Egypt, 🇲🇦 Morocco, 🇩🇿 Algeria, 🇹🇳 Tunisia, 🇱🇧 Lebanon, 🇯🇴 Jordan, 🇵🇸 Palestine, 🇮🇳 India, 🇧🇾 Belarus, 🇰🇿 Kazakhstan, 🇲🇩 Moldova, 🇺🇦 Ukraine, 🇦🇱 Albania, 🇧🇦 Bosnia & Herzegovina, 🇭🇷 Croatia, 🇲🇪 Montenegro, 🇲🇰 North Macedonia, 🇷🇸 Serbia, 🇸🇮 Slovenia, 🇰🇷 South Korea, 🇧🇩 Bangladesh, 🇵🇰 Pakistan, 🇱🇰 Sri Lanka, 🇬🇭 Ghana, 🇰🇪 Kenya, 🇳🇬 Nigeria, 🇹🇿 Tanzania, 🇺🇬 Uganda, 🇦🇬 Antigua & Barbuda, 🇦🇲 Armenia, 🇧🇸 Bahamas, 🇧🇧 Barbados, 🇧🇿 Belize, 🇧🇹 Bhutan, 🇧🇼 Botswana, 🇧🇫 Burkina Faso, 🇨🇻 Cape Verde, 🇨🇼 Curaçao, 🇩🇲 Dominica, 🇫🇯 Fiji, 🇬🇲 Gambia, 🇬🇪 Georgia, 🇬🇩 Grenada, 🇬🇼 Guinea-Bissau, 🇬🇾 Guyana, 🇭🇹 Haiti, 🇯🇲 Jamaica, 🇰🇮 Kiribati, 🇱🇸 Lesotho, 🇱🇷 Liberia, 🇲🇼 Malawi, 🇲🇻 Maldives, 🇲🇱 Mali, 🇲🇭 Marshall Islands, 🇫🇲 Micronesia, 🇳🇦 Namibia, 🇳🇷 Nauru, 🇳🇪 Niger, 🇵🇼 Palau, 🇵🇬 Papua New Guinea, 🇼🇸 Samoa, 🇸🇲 San Marino, 🇸🇹 São Tomé & Príncipe, 🇸🇳 Senegal, 🇸🇨 Seychelles, 🇸🇱 Sierra Leone, 🇸🇧 Solomon Islands, 🇰🇳 St. Kitts & Nevis, 🇱🇨 St. Lucia, 🇻🇨 St. Vincent & Grenadines, 🇸🇷 Suriname, 🇹🇱 Timor-Leste, 🇹🇴 Tonga, 🇹🇹 Trinidad & Tobago, 🇹🇻 Tuvalu, 🇻🇺 Vanuatu, 🇦🇿 Azerbaijan, 🇧🇳 Brunei, 🇧🇮 Burundi, 🇰🇭 Cambodia, 🇨🇲 Cameroon, 🇹🇩 Chad, 🇰🇲 Comoros, 🇬🇶 Equatorial Guinea, 🇸🇿 Eswatini, 🇬🇦 Gabon, 🇬🇳 Guinea, 🇰🇬 Kyrgyzstan, 🇱🇦 Laos, 🇲🇴 Macao, 🇲🇷 Mauritania, 🇲🇳 Mongolia, 🇳🇵 Nepal, 🇷🇼 Rwanda, 🇹🇬 Togo, 🇺🇿 Uzbekistan, 🇿🇼 Zimbabwe, 🇧🇯 Benin, 🇲🇬 Madagascar, 🇲🇺 Mauritius, 🇲🇿 Mozambique, 🇦🇴 Angola, 🇨🇮 Côte d’Ivoire, 🇩🇯 Djibouti, 🇿🇲 Zambia, 🇨🇩 Congo - Kinshasa, 🇨🇬 Congo - Brazzaville, 🇮🇶 Iraq, 🇱🇾 Libya, 🇹🇯 Tajikistan, 🇻🇪 Venezuela, 🇪🇹 Ethiopia, 🇽🇰 Kosovo, 🇦🇫 Afghanistan, 🇦🇮 Anguilla, 🇨🇨 Cocos (Keeling) Islands, 🇨🇫 Central African Republic, 🇨🇰 Cook Islands, 🇨🇽 Christmas Island, 🇪🇷 Eritrea, 🇫🇰 Falkland Islands (Islas Malvinas), 🇰🇾 Cayman Islands, 🇲🇸 Montserrat, 🇳🇫 Norfolk Island, 🇳🇺 Niue, 🇵🇳 Pitcairn Islands, 🇸🇯 Svalbard & Jan Mayen, 🇸🇴 Somalia, 🇹🇨 Turks & Caicos Islands, 🇹🇰 Tokelau, 🇹🇲 Turkmenistan, 🇻🇬 British Virgin Islands, 🇾🇪 Yemen

Excluded Regions

🇨🇦 Canada, 🇵🇷 Puerto Rico, 🇮🇴 British Indian Ocean Territory

Tracklist

| |
1▼Digital Media
#TitleLength
1Walkin’ My Baby Back Home
alto saxophone:
Skeets Herfurt (on 1951-09-04) and Wilbur Schwartz (on 1951-09-04)
baritone saxophone:
Chuck Gentry (on 1951-09-04)
bass:
Phil Stephens (on 1951-09-04)
bongos and congas:
Jack Costanzo (on 1951-09-04)
drums (drum set):
Alvin Stoller (on 1951-09-04)
guitar:
Barney Kessel (on 1951-09-04)
piano:
Jimmy Rowles (on 1951-09-04)
tenor saxophone:
Fred Fallensby (on 1951-09-04) and Ted Nash (on 1951-09-04)
trombone:
Ed Kusby (on 1951-09-04), Murray McEachern (on 1951-09-04), Pullman “Tommy” Pederson (on 1951-09-04) and Jimmy Priddy (on 1951-09-04)
trumpet:
Johnny Best (on 1951-09-04), Conrad Gozzo (on 1951-09-04), Manny Klein (on 1951-09-04) and Ray Linn (on 1951-09-04)
vocals:
Nat King Cole (on 1951-09-04)
conductor:
Billy May (on 1951-09-04)
arranger:
Billy May
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1951-09-04)
cover recording of:
Walkin’ My Baby Back Home (on 1951-09-04)
lyricist:
Roy Turk (in 1930)
composer:
Fred Ahlert (in 1930)
publisher:
Chappell & Co., Inc., Redwood Music Ltd. and Warner/Chappell North America Limited
2:39
2What Does It Take?
alto saxophone:
Skeets Herfurt (on 1951-09-04) and Wilbur Schwartz (on 1951-09-04)
baritone saxophone:
Chuck Gentry (on 1951-09-04)
bass:
Phil Stephens (on 1951-09-04)
bongos and congas:
Jack Costanzo (on 1951-09-04)
drums (drum set):
Alvin Stoller (on 1951-09-04)
guitar:
Barney Kessel (on 1951-09-04)
piano:
Jimmy Rowles (on 1951-09-04)
tenor saxophone:
Fred Fallensby (on 1951-09-04) and Ted Nash (on 1951-09-04)
trombone:
Ed Kusby (on 1951-09-04), Murray McEachern (on 1951-09-04), Pullman “Tommy” Pederson (on 1951-09-04) and Jimmy Priddy (on 1951-09-04)
trumpet:
Johnny Best (on 1951-09-04), Conrad Gozzo (on 1951-09-04), Manny Klein (on 1951-09-04) and Ray Linn (on 1951-09-04)
vocals:
Nat King Cole (on 1951-09-04)
orchestra:
Billy May & His Orchestra (on 1951-09-04)
conductor:
Billy May (on 1951-09-04)
arranger:
Billy May
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1951-09-04)
recording of:
What Does It Take (on 1951-09-04)
lyricist:
Jimmy Van Heusen
writer:
Johnny Burke
composer:
Sonny Burke
2:47
3Walkin’
alto saxophone:
Skeets Herfurt (on 1951-09-04) and Wilbur Schwartz (on 1951-09-04)
baritone saxophone:
Chuck Gentry (on 1951-09-04)
bass:
Phil Stephens (on 1951-09-04)
bongos and congas:
Jack Costanzo (on 1951-09-04)
drums (drum set):
Alvin Stoller (on 1951-09-04)
guitar:
Barney Kessel (on 1951-09-04)
piano:
Jimmy Rowles (on 1951-09-04)
tenor saxophone:
Fred Fallensby (on 1951-09-04) and Ted Nash (on 1951-09-04)
trombone:
Ed Kusby (on 1951-09-04), Murray McEachern (on 1951-09-04), Pullman “Tommy” Pederson (on 1951-09-04) and Jimmy Priddy (on 1951-09-04)
trumpet:
Johnny Best (on 1951-09-04), Conrad Gozzo (on 1951-09-04), Manny Klein (on 1951-09-04) and Ray Linn (on 1951-09-04)
vocals:
Nat King Cole (on 1951-09-04)
conductor:
Billy May (on 1951-09-04)
arranger:
Billy May
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1951-09-04)
recording of:
Walkin'
lyricist and composer:
Mary Lou Williams (in 1951)
2:49
4I’m Hurtin’
alto saxophone:
Skeets Herfurt (on 1951-09-04) and Wilbur Schwartz (on 1951-09-04)
baritone saxophone:
Chuck Gentry (on 1951-09-04)
bass:
Phil Stephens (on 1951-09-04)
bongos and congas:
Jack Costanzo (on 1951-09-04)
drums (drum set):
Alvin Stoller (on 1951-09-04)
guitar:
Barney Kessel (on 1951-09-04)
piano:
Jimmy Rowles (on 1951-09-04)
tenor saxophone:
Fred Fallensby (on 1951-09-04) and Ted Nash (on 1951-09-04)
trombone:
Ed Kusby (on 1951-09-04), Murray McEachern (on 1951-09-04), Pullman “Tommy” Pederson (on 1951-09-04) and Jimmy Priddy (on 1951-09-04)
trumpet:
Johnny Best (on 1951-09-04), Conrad Gozzo (on 1951-09-04), Manny Klein (on 1951-09-04) and Ray Linn (on 1951-09-04)
vocals:
Nat King Cole (on 1951-09-04)
conductor:
Billy May (on 1951-09-04)
arranger:
Billy May
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1951-09-04)
recording of:
I’m Hurtin’
writer:
Skeets McDonald
2:49
5Angel Eyes
alto saxophone:
Willie Smith (on 1953-01-14)
bass:
Jack Agee (on 1953-01-14) and Ralph Peña (on 1953-01-14)
bongos and congas:
Jack Costanzo (on 1953-01-14)
clarinet and saxophone:
Bob Dawes (on 1953-01-14) and Charles Deremo (on 1953-01-14)
drums (drum set):
John Markham (on 1953-01-14)
guitar:
John Collins (on 1953-01-14)
piano:
Cliff Fishback (on 1953-01-14)
tenor saxophone:
Richard Clay (on 1953-01-14) and Ted Nash (on 1953-01-14)
trombone:
Karl DeKarske (on 1953-01-14), Dick Nash (on 1953-01-14), Robert Reisiger (on 1953-01-14) and Si Zentner (on 1953-01-14)
trumpet:
Tony Facciuto (on 1953-01-14), Conrad Gozzo (on 1953-01-14), Jack H. Laubach (on 1953-01-14), Robert McKinzie (on 1953-01-14) and Andy Peele (on 1953-01-14)
vocals:
Nat King Cole (on 1953-01-14)
orchestra:
Billy May & His Orchestra (on 1953-01-14)
conductor:
Billy May (on 1953-01-14)
arranger:
Billy May
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1953-01-14)
cover recording of:
Angel Eyes (1946 jazz standard) (on 1953-01-14)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd., Music Sales Corporation, Onyx Music Corporation and ミュージック・セールス
3:15
6Lover, Come Back to Me!
alto saxophone:
Willie Smith (on 1953-01-14)
bass:
Jack Agee (on 1953-01-14) and Ralph Peña (on 1953-01-14)
bongos and congas:
Jack Costanzo (on 1953-01-14)
clarinet and saxophone:
Bob Dawes (on 1953-01-14) and Charles Deremo (on 1953-01-14)
drums (drum set):
John Markham (on 1953-01-14)
guitar:
John Collins (on 1953-01-14)
piano:
Cliff Fishback (on 1953-01-14)
tenor saxophone:
Richard Clay (on 1953-01-14) and Ted Nash (on 1953-01-14)
trombone:
Karl DeKarske (on 1953-01-14), Dick Nash (on 1953-01-14), Robert Reisiger (on 1953-01-14) and Si Zentner (on 1953-01-14)
trumpet:
Tony Facciuto (on 1953-01-14), Conrad Gozzo (on 1953-01-14), Jack H. Laubach (on 1953-01-14), Robert McKinzie (on 1953-01-14) and Andy Peele (on 1953-01-14)
choir vocals:
[unknown] (on 1953-01-14)
vocals:
Nat King Cole (on 1953-01-14)
orchestra:
Billy May & His Orchestra (on 1953-01-14)
conductor:
Billy May (on 1953-01-14)
arranger:
Billy May
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1953-01-14)
cover recording of:
Lover, Come Back to Me (from "The New Moon") (on 1953-01-14)
lyricist:
Oscar Hammerstein II (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
The New Moon: Act II
2:30
7Can’t I?
alto saxophone:
Willie Smith (on 1953-01-14)
bass:
Jack Agee (on 1953-01-14) and Ralph Peña (on 1953-01-14)
bongos and congas:
Jack Costanzo (on 1953-01-14)
clarinet and saxophone:
Bob Dawes (on 1953-01-14) and Charles Deremo (on 1953-01-14)
drums (drum set):
John Markham (on 1953-01-14)
guitar:
John Collins (on 1953-01-14)
piano:
Cliff Fishback (on 1953-01-14)
tenor saxophone:
Richard Clay (on 1953-01-14) and Ted Nash (on 1953-01-14)
trombone:
Karl DeKarske (on 1953-01-14), Dick Nash (on 1953-01-14), Robert Reisiger (on 1953-01-14) and Si Zentner (on 1953-01-14)
trumpet:
Tony Facciuto (on 1953-01-14), Conrad Gozzo (on 1953-01-14), Jack H. Laubach (on 1953-01-14), Robert McKinzie (on 1953-01-14) and Andy Peele (on 1953-01-14)
vocals:
Nat King Cole (on 1953-01-14)
orchestra:
Billy May & His Orchestra (on 1953-01-14)
conductor:
Billy May (on 1953-01-14)
arranger:
Billy May
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1953-01-14)
cover recording of:
Can’t I? (on 1953-01-14)
lyricist and composer:
Leroy Lovett Jr
3:15
8Papa Loves Mambo
bass:
Joe Mondragon (on 1954-10-18)
cello:
Cy Bernard (on 1954-10-18) and Eleanor Slatkin (on 1954-10-18)
drums (drum set):
Lee Young (on 1954-10-18)
guitar:
Al Hendrickson (on 1954-10-18)
harp:
Ann Mason Stockton (on 1954-10-18)
percussion:
Stevan Dweek (on 1954-10-18), Alvin Stoller (on 1954-10-18) and Carlos Vidal (on 1954-10-18)
piano:
Bill Miller (on 1954-10-18)
reeds:
Fred Fallensby (on 1954-10-18), Chuck Gentry (on 1954-10-18), Skeets Herfurt (on 1954-10-18), Ted Nash (on 1954-10-18) and Wilbur Schwartz (on 1954-10-18)
trombone:
Ed Kusby (on 1954-10-18), Murray McEachern (on 1954-10-18), Pullman “Tommy” Pederson (on 1954-10-18) and Si Zentner (on 1954-10-18)
trumpet:
Johnny Best (on 1954-10-18), Conrad Gozzo (on 1954-10-18), Manny Klein (on 1954-10-18) and Uan Rasey (on 1954-10-18)
viola:
Alvin Dinkin (on 1954-10-18) and Stanley Harris (on 1954-10-18)
violin:
Victor Bay (on 1954-10-18), Alex Beller (on 1954-10-18), Mischa Russell (on 1954-10-18), Eudice Shapiro (on 1954-10-18), Paul Shure (on 1954-10-18) and Felix Slatkin (on 1954-10-18)
choir vocals:
[unknown] (on 1954-10-18)
vocals:
Nat King Cole (on 1954-10-18)
orchestra:
Billy May & His Orchestra (on 1954-10-18)
conductor:
Billy May (on 1954-10-18) and Nelson Riddle (on 1954-10-18)
arranger:
Billy May and Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-10-18)
cover recording of:
Papa Loves Mambo (on 1954-10-18)
writer:
Al Hoffman, Dick Manning and Bickley Reichner
2:39
9Teach Me Tonight
bass:
Joe Mondragon (on 1954-10-18)
cello:
Cy Bernard (on 1954-10-18) and Eleanor Slatkin (on 1954-10-18)
drums (drum set):
Lee Young (on 1954-10-18)
guitar:
Al Hendrickson (on 1954-10-18)
harp:
Ann Mason Stockton (on 1954-10-18)
percussion:
Stevan Dweek (on 1954-10-18), Alvin Stoller (on 1954-10-18) and Carlos Vidal (on 1954-10-18)
piano:
Bill Miller (on 1954-10-18)
reeds:
Fred Fallensby (on 1954-10-18), Chuck Gentry (on 1954-10-18), Skeets Herfurt (on 1954-10-18), Ted Nash (on 1954-10-18) and Wilbur Schwartz (on 1954-10-18)
trombone:
Ed Kusby (on 1954-10-18), Murray McEachern (on 1954-10-18), Pullman “Tommy” Pederson (on 1954-10-18) and Si Zentner (on 1954-10-18)
trumpet:
Johnny Best (on 1954-10-18), Conrad Gozzo (on 1954-10-18), Manny Klein (on 1954-10-18) and Uan Rasey (on 1954-10-18)
viola:
Alvin Dinkin (on 1954-10-18) and Stanley Harris (on 1954-10-18)
violin:
Victor Bay (on 1954-10-18), Alex Beller (on 1954-10-18), Mischa Russell (on 1954-10-18), Eudice Shapiro (on 1954-10-18), Paul Shure (on 1954-10-18) and Felix Slatkin (on 1954-10-18)
vocals:
Nat King Cole (on 1954-10-18)
orchestra:
Billy May & His Orchestra (on 1954-10-18)
conductor:
Billy May (on 1954-10-18) and Nelson Riddle (on 1954-10-18)
arranger:
Billy May and Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-10-18)
cover recording of:
Teach Me Tonight (on 1954-10-18)
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (ended), Cahn Music Co., Hub Music Co., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 and 日音 Synch事業部
3:11
10Blue Moon
2:13
11With You on My Mind
2:37
12Don’t Try
2:22
13Send for Me
producer:
Lee Gillette
bass:
Charlie Harris (on 1957-05-14)
drums (drum set):
Lee Young (on 1957-05-14)
guitar:
John Collins (on 1957-05-14) and Al Hendrickson (on 1957-05-14)
piano:
Paul Smith (on 1957-05-14)
tenor saxophone:
Plas Johnson (on 1957-05-14)
background vocals:
The Herman McCoy Choir (on 1957-05-14)
vocals:
Nat King Cole (on 1957-05-14)
conductor:
Billy May (on 1957-05-14)
arranger:
Billy May
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-05-14)
recording of:
Send for Me (on 1957-05-14)
lyricist and composer:
Ollie Jones
2:39
14Let’s Make More Love
2:55
15Don’t Get Around Much Anymore
cover recording of:
Don’t Get Around Much Anymore
lyricist:
Bob Russell (in 1942)
composer:
Duke Ellington (in 1940)
publisher:
EMI Music, EMI Robbins Catalog Inc., Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
version of:
Never No Lament
3:11
16The Song Is Ended (But the Melody Lingers on)
recording of:
The Song Is Ended (but the Melody Lingers On)
lyricist:
Irving Berlin
composer:
Irving Berlin (in 1927)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
2:46
17You’ll Never Know
recording of:
You’ll Never Know
lyricist:
Mack Gordon
composer:
Harry Warren
publisher:
Copyright Control (ended), EMI Blackwood Music Inc. and WB Music Corp. (until 2019-05-28)
sub-publisher:
ワーナー・チャペル音楽出版, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
The 16th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1943 winner)
2:43
18Just for the Fun of It - Mono / Alternate Take - Take Three
recording of:
Just for the Fun of It
writer:
Lillian Bret Harte and Arlene Jackson
2:35
19Who’s Sorry Now?
recording of:
Who’s Sorry Now? (1923 song)
lyricist:
Bert Kalmar (in 1923) and Harry Ruby (in 1923)
composer:
Ted Snyder (in 1923)
publisher:
B. Feldman & Co. Ltd., Waterson, Berlin & Snyder (on 1923-03-07) and Mills Music Corporation (in 1929)
2:57
20These Foolish Things (Remind Me of You)
3:47
21Once in a While
cover recording of:
Once in a While
lyricist:
Bud Green (in 1937)
composer:
Michael Edwards (in 1937)
publisher:
Copyright Control, EMI Miller Catalog, Inc. and Miller Music Corp.
part of:
New York, New York (1977 musical film soundtrack)
2:47
2▼Digital Media
#TitleLength
1Just One of Those Things
cover recording of:
Just One of Those Things (on 1957-07-31)
lyricist and composer:
Cole Porter (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
2:14
2I Should Care
recording of:
I Should Care
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation, Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック
2:47
3The Party’s Over
recording of:
The Party’s Over (Bells Are Ringing)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Chappell & Co., Stratford Music Corporation and Warner Chappell Music Ltd.
part of:
Bells Are Ringing (stage musical)
2:43
4Just for the Fun of It
recording of:
Just for the Fun of It
writer:
Lillian Bret Harte and Arlene Jackson
2:36
5A Cottage for Sale
recording of:
A Cottage for Sale
lyricist:
Larry Conley
composer:
Willard Robison
publisher:
Chappell & Co.
2:57
6I Understand
recording of:
I Understand
lyricist:
Kim Gannon
composer:
Mabel Wayne
2:24
7When Your Lover Has Gone
recording of:
When Your Lover Has Gone
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
2:30
8Ebony Rhapsody
3:04
9Day In - Day Out
recording of:
Day In, Day Out
lyricist:
Johnny Mercer (in 1939)
composer:
Rube Bloom (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
2:25
10Too Little, Too Late
2:59
11When My Sugar Walks Down the Street
2:08
12Cold, Cold Heart
3:45
13Let’s Face the Music and Dance
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
2:25
14Something Makes Me Want to Dance With You
recording of:
Something Makes Me Want to Dance With You
writer:
Danny Meehan and Colin Romoff
2:08
15I’m Gonna Sit Right Down (And Write Myself a Letter)
cover recording of:
I’m Gonna Sit Right Down and Write Myself a Letter
lyricist:
Joe Young
composer:
Fred Ahlert and Joe Young
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC, Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music and Rytvoc, Inc.
2:35
16The Rules of the Road
2:44
17Warm and Willing
recording of:
Warm and Willing
writer:
Ray Evans, Jay Livingston and Jimmy McHugh
3:01
18Bidin’ My Time
recording of:
Bidin’ My Time (from Girl Crazy)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (in 1930)
publisher:
New World Music Co. (in 1930)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
2:27
19Moon Love
2:09