Tosca

~ Release by Puccini; Freni, Pavarotti, Milnes, Rescigno, National Philharmonic (see all versions of this release, 4 available)

Annotation

London 414 037-2

Floria Tosca (Mirella Freni), track 5
Mario Cavaradossi (Luciano Pavarotti), tracks: 3, 6
Il barone Scarpia (Sherrill Milnes), tracks: 8, 9, 10
Cesare Angelotti (Richard Van Allan), tracks: 1, 4
Il sagrestano (Italo Tajo), tracks: 2, 7

Tracklist

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1▼CD
#TitleArtistLength
1Tosca: Atto I. “Ah! Finalmente!”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
bass vocals [Angelotti]:
Richard van Allan (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto I. “Ah! Finalmente!” (Angelotti) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini2:20
2Tosca: Atto I. “E sempre lava!”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
bass vocals [Sagrestano]:
Italo Tajo (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto I. “E sempre lava!” (Sagrestano, Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:25
3Tosca: Atto I. “Dammi i colori … Recondita armonia”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini4:39
4Tosca: Atto I. “Voi! Cavaradossi”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
bass vocals [Angelotti]:
Richard van Allan (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto I. “Gente là dentro!” … “Voi! Cavaradossi” (Cavaradossi, Angelotti, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini1:10
5Tosca: Atto I. “Mario! Mario! Mario!”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
phonographic copyright (℗) by:
The Decca Record Company Limited
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto I. “Ah, quegli occhi!…” – “Quale occhio al mondo” (Tosca, Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “Non la sospiri la nostra casetta” (Tosca, Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “Ora stammi a sentir” (Tosca, Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini13:18
6Tosca: Atto I. “È buona la mia Tosca”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
bass vocals [Angelotti]:
Richard van Allan (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto I. “È buona la mia Tosca” (Cavaradossi, Angelotti) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:39
7Tosca: Atto I. “Sommo giubilo, Eccellenza!”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
bass vocals [Sagrestano]:
Italo Tajo (from 1978-05-31 until 1978-08-01)
solo choir vocals:
London Opera Chorus (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto I. “Sommo giubilo, Eccellenza!” (Sagrestano, Coro) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini1:42
8Tosca: Atto I. “Un tal baccano in chiesa!”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
bass vocals [Sagrestano]:
Italo Tajo (from 1978-05-31 until 1978-08-01)
tenor vocals [Spoletta]:
Michel Sénéchal (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto I. “Un tal baccano in chiesa!” (Scarpia, Sagrestano, Spoletta) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:43
9Tosca: Atto I. “Or tutto è chiaro”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
bass vocals [Sagrestano]:
Italo Tajo (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto I. “Ed io venivo a lui tutta dogliosa” (Tosca, Scarpia) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
recording of:
Tosca: Atto I. “Or tutto è chiaro” … “Mario! Mario!” (Scarpia, Tosca, Sagrestano) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini7:30
10Tosca: Atto I. “Tre sbirri, una carrozza”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
bass vocals [Sciarrone]:
Paul Hudson (from 1978-05-31 until 1978-08-01)
solo choir vocals:
London Opera Chorus (from 1978-05-31 until 1978-08-01)
tenor vocals [Spoletta]:
Michel Sénéchal (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto I. “Tre sbirri … una carrozza …” … “Te Deum” (Scarpia, Spoletta, Coro) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini4:52
2▼CD
#TitleArtistLength
1Tosca: Atto II. “Tosca è un buon falco!”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
bass vocals [Sciarrone]:
Paul Hudson (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:14
2Tosca: Atto II. “Ha più forte sapore”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
bass vocals [Sciarrone]:
Paul Hudson (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:19
3Tosca: Atto II. “O galantuomo, come andò la caccia?”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
tenor vocals [Spoletta]:
Michel Sénéchal (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Meno male!” – “Egli è là” – “Tal violenza” (Scarpia, Spoletta, Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:29
4Tosca: Atto II. “Ov’è Angelotti?”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
tenor vocals [Spoletta]:
Michel Sénéchal (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Ed or fra noi parliam da buoni amici” (Scarpia, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:12
5Tosca: Atto II. “Sciarrone, che dice il Cavalier?”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
bass vocals [Sciarrone]:
Paul Hudson (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:06
6Tosca: Atto II. “Orsu, Tosca, parlate”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
bass vocals [Sciarrone]:
Paul Hudson (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
tenor vocals [Spoletta]:
Michel Sénéchal (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:46
7Tosca: Atto II. “Floria… Amore…”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
bass vocals [Sciarrone]:
Paul Hudson (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Floria!” … “Amore” (Cavaradossi, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Nel pozzo del giardino! Va, Spoletta!” (Tosca, Scarpia, Sciarrone, Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:35
8Tosca: Atto II. “Vittoria! Vittoria!”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Vittoria! Vittoria! L’alba vindice appar” (Cavaradossi, Tosca, Scarpia) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:38
9Tosca: Atto II. “Quanto?”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Quanto?” (Tosca, Scarpia) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Se la giurata fede debbo tradir” (Scarpia, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:38
10Tosca: Atto II. “Vissi d’arte”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Vedi, le man giunte io stendo a te!” (Tosca, Scarpia) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:34
11Tosca: Atto II. “Chi è là?”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
tenor vocals [Spoletta]:
Michel Sénéchal (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “Chi è là?” (Scarpia, Spoletta, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:06
12Tosca: Atto II. “Io tenni la promessa”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
baritone vocals [Scarpia]:
Sherrill Milnes (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto II. “E qual via scegliete?” – “Tosca, finalmente mia” (Scarpia, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Io tenni la promessa” (Scarpia, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini7:41
13Tosca: Atto III. “Io de’ sospiri”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
solo treble vocals [Un pastore]:
Walter Baratti (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini5:49
14Tosca: Atto III. “Mario Cavaradossi?”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
bass vocals [Carceriere]:
John Tomlinson (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini4:25
15Tosca: Atto III. “E lucevan le stelle”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
choir vocals:
Chor der Wiener Staatsoper
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
orchestra:
Orchester der Wiener Staatsoper and National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:56
16Tosca: Atto III. “Ah! Franchigia a Floria Tosca”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:37
17Tosca: Atto III. “O dolci mani”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
phonographic copyright (℗) by:
The Decca Record Company Limited
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “L’ora!” (Carceriere, Cavaradossi, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini7:47
18Tosca: Atto III. “Come è lunga l’attesa”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
phonographic copyright (℗) by:
The Decca Record Company Limited
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:29
19Tosca: Atto III. “Presto, su! Mario! Mario!”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
bass vocals [Sciarrone]:
Paul Hudson (from 1978-05-31 until 1978-08-01)
choir vocals:
London Opera Chorus (from 1978-05-31 until 1978-08-01)
soprano vocals [Tosca]:
Mirella Freni (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
phonographic copyright (℗) by:
The Decca Record Company Limited
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini1:40