The Complete Blue Note and Pacific Jazz Recordings

~ Release by Clifford Brown (see all versions of this release, 2 available)

Tracklist

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1CD
#TitleArtistLength
1Bellarosa
alto saxophone:
Lou Donaldson (on 1953-06-09)
double bass:
Percy Heath (on 1953-06-09)
drums (drum set):
Philly Joe Jones (on 1953-06-09)
piano:
Elmo Hope (on 1953-06-09)
trumpet:
Clifford Brown (on 1953-06-09)
Lou Donaldson/Clifford Brown Quintet4:16
2Carvin' the Rock (alternate take 1)
alto saxophone:
Lou Donaldson (on 1953-06-09)
double bass:
Percy Heath (on 1953-06-09)
drums (drum set):
Philly Joe Jones (on 1953-06-09)
piano:
Elmo Hope (on 1953-06-09)
trumpet:
Clifford Brown (on 1953-06-09)
recording of:
Carvin' the Rock (on 1953-06-09)
composer:
Elmo Hope and Sonny Rollins
Lou Donaldson/Clifford Brown Quintet3:53
3Carvin' the Rock
alto saxophone:
Lou Donaldson (on 1953-06-09)
double bass:
Percy Heath (on 1953-06-09)
drums (drum set):
Philly Joe Jones (on 1953-06-09)
piano:
Elmo Hope (on 1953-06-09)
trumpet:
Clifford Brown (on 1953-06-09)
recording of:
Carvin' the Rock (on 1953-06-09)
composer:
Elmo Hope and Sonny Rollins
Lou Donaldson/Clifford Brown Quintet3:58
4Cookin' (alternate take)
alto saxophone:
Lou Donaldson (on 1953-06-09)
double bass:
Percy Heath (on 1953-06-09)
drums (drum set):
Philly Joe Jones (on 1953-06-09)
piano:
Elmo Hope (on 1953-06-09)
trumpet:
Clifford Brown (on 1953-06-09)
recording of:
Cookin’ (on 1953-06-09)
composer:
Lou Donaldson
Lou Donaldson/Clifford Brown Quintet3:09
5Cookin'
alto saxophone:
Lou Donaldson (on 1953-06-09)
double bass:
Percy Heath (on 1953-06-09)
drums (drum set):
Philly Joe Jones (on 1953-06-09)
piano:
Elmo Hope (on 1953-06-09)
trumpet:
Clifford Brown (on 1953-06-09)
recording of:
Cookin’ (on 1953-06-09)
composer:
Lou Donaldson
Lou Donaldson/Clifford Brown Quintet3:16
6Brownie Speaks
alto saxophone:
Lou Donaldson (on 1953-06-09)
double bass:
Percy Heath (on 1953-06-09)
drums (drum set):
Philly Joe Jones (on 1953-06-09)
piano:
Elmo Hope (on 1953-06-09)
trumpet:
Clifford Brown (on 1953-06-09)
recording of:
Brownie Speaks (on 1953-06-09)
composer:
Clifford Brown
Lou Donaldson/Clifford Brown Quintet3:49
7De-Dah
alto saxophone:
Lou Donaldson (on 1953-06-09)
double bass:
Percy Heath (on 1953-06-09)
drums (drum set):
Philly Joe Jones (on 1953-06-09)
piano:
Elmo Hope (on 1953-06-09)
trumpet:
Clifford Brown (on 1953-06-09)
Lou Donaldson/Clifford Brown Quintet4:53
8You Go to My HeadLou Donaldson/Clifford Brown Quintet4:22
9Carvin' the Rock (alternate take 2)
alto saxophone:
Lou Donaldson (on 1953-06-09)
double bass:
Percy Heath (on 1953-06-09)
drums (drum set):
Philly Joe Jones (on 1953-06-09)
piano:
Elmo Hope (on 1953-06-09)
trumpet:
Clifford Brown (on 1953-06-09)
recording of:
Carvin' the Rock (on 1953-06-09)
composer:
Elmo Hope and Sonny Rollins
Lou Donaldson/Clifford Brown Quintet4:06
10Wail Bait (alternate take)
recorded in:
New York, New York, United States (on 1953-08-28)
alto saxophone:
Gigi Gryce (on 1953-08-28)
double bass:
Percy Heath (on 1953-08-28)
drums (drum set):
Art Blakey (on 1953-08-28)
piano:
John Lewis (on 1953-08-28)
trumpet:
Clifford Brown (on 1953-08-28)
recording of:
Wail Bait (on 1953-08-28)
composer:
Quincy Jones
Clifford Brown Sextet4:06
11Wail Bait
recorded in:
New York, New York, United States (on 1953-08-28)
alto saxophone:
Gigi Gryce (on 1953-08-28)
double bass:
Percy Heath (on 1953-08-28)
drums (drum set):
Art Blakey (on 1953-08-28)
piano:
John Lewis (on 1953-08-28)
trumpet:
Clifford Brown (on 1953-08-28)
recording of:
Wail Bait (on 1953-08-28)
composer:
Quincy Jones
Clifford Brown Sextet4:02
12Hymn of the Orient
recorded in:
New York, New York, United States (on 1953-08-28)
alto saxophone:
Gigi Gryce (on 1953-08-28)
double bass:
Percy Heath (on 1953-08-28)
drums (drum set):
Art Blakey (on 1953-08-28)
piano:
John Lewis (on 1953-08-28)
trumpet:
Clifford Brown (on 1953-08-28)
recording of:
Hymn of the Orient (on 1953-08-28)
composer:
Gigi Gryce
Clifford Brown Sextet4:08
13Brownie Eyes
recorded in:
New York, New York, United States (on 1953-08-28)
alto saxophone and flute:
Gigi Gryce (on 1953-08-28)
double bass:
Percy Heath (on 1953-08-28)
drums (drum set):
Art Blakey (on 1953-08-28)
piano:
John Lewis (on 1953-08-28)
trumpet:
Clifford Brown (on 1953-08-28)
Clifford Brown Sextet3:56
14Cherokee (alternate take)
recorded in:
New York, New York, United States (on 1953-08-28)
alto saxophone:
Gigi Gryce (on 1953-08-28)
double bass:
Percy Heath (on 1953-08-28)
drums (drum set):
Art Blakey (on 1953-08-28)
piano:
John Lewis (on 1953-08-28)
trumpet:
Clifford Brown (on 1953-08-28)
instrumental recording of:
Cherokee (on 1953-08-28)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. and Shapiro, Bernstein & Co., Inc.
Clifford Brown Sextet3:43
15Cherokee
recorded in:
New York, New York, United States (on 1953-08-28)
alto saxophone:
Gigi Gryce (on 1953-08-28)
double bass:
Percy Heath (on 1953-08-28)
drums (drum set):
Art Blakey (on 1953-08-28)
piano:
John Lewis (on 1953-08-28)
trumpet:
Clifford Brown (on 1953-08-28)
instrumental recording of:
Cherokee (on 1953-08-28)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. and Shapiro, Bernstein & Co., Inc.
Clifford Brown Sextet3:27
16Easy Living
recorded in:
New York, New York, United States (on 1953-08-28)
double bass:
Percy Heath (on 1953-08-28)
drums (drum set):
Art Blakey (on 1953-08-28)
flute:
Gigi Gryce (on 1953-08-28)
piano:
John Lewis (on 1953-08-28)
trumpet:
Clifford Brown (on 1953-08-28)
instrumental recording of:
Easy Living (on 1953-08-28)
lyricist:
Leo Robin
writer:
Ralph Rainger (in 1937) and Leo Robin (in 1937)
composer:
Ralph Rainger and Leo Robin
publisher:
Famous Music Corporation (in 1937, in 1964)
Clifford Brown Sextet3:44
17Minor Mood
recorded in:
New York, New York, United States (on 1953-08-28)
alto saxophone:
Gigi Gryce (on 1953-08-28)
double bass:
Percy Heath (on 1953-08-28)
drums (drum set):
Art Blakey (on 1953-08-28)
piano:
John Lewis (on 1953-08-28)
trumpet:
Clifford Brown (on 1953-08-28)
recording of:
Minor Mood (on 1953-08-28)
composer:
Clifford Brown
Clifford Brown Sextet4:34
18Hymn of the Orient (alternate take)
recorded in:
New York, New York, United States (on 1953-08-28)
alto saxophone:
Gigi Gryce (on 1953-08-28)
double bass:
Percy Heath (on 1953-08-28)
drums (drum set):
Art Blakey (on 1953-08-28)
piano:
John Lewis (on 1953-08-28)
trumpet:
Clifford Brown (on 1953-08-28)
recording of:
Hymn of the Orient (on 1953-08-28)
composer:
Gigi Gryce
Clifford Brown Sextet4:02
2CD
#TitleArtistLength
1Capri (alternate take)
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (on 1953-06-22)
tenor saxophone:
Jimmy Heath (on 1953-06-22)
trombone:
J.J. Johnson (on 1953-06-22)
trumpet:
Clifford Brown (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
J.J. Johnson3:51
2Capri
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (on 1953-06-22)
tenor saxophone:
Jimmy Heath (on 1953-06-22)
trombone:
J.J. Johnson (on 1953-06-22)
trumpet:
Clifford Brown (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
J.J. Johnson3:42
3Lover Man
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (on 1953-06-22)
tenor saxophone:
Jimmy Heath (on 1953-06-22)
trombone:
J.J. Johnson (on 1953-06-22)
trumpet:
Clifford Brown (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
instrumental recording of:
Lover Man (on 1953-06-22)
lyricist:
Jimmy Davis (in 1942), Roger “Ram” Ramirez (in 1942) and Jimmy Sherman (in 1942)
composer:
Roger “Ram” Ramirez, Jimmy Davis (in 1942) and Jimmy Sherman (in 1942)
publisher:
MCA Music (ended), MCA Music Publishing (ended) and Universal Music Corp.
J.J. Johnson3:57
4Turnpike
baritone saxophone and tenor saxophone:
Jimmy Heath (on 1953-06-22)
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (on 1953-06-22)
trombone:
J.J. Johnson (on 1953-06-22)
trumpet:
Clifford Brown (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
recording of:
Turnpike (on 1953-06-22)
composer:
J.J. Johnson
J.J. Johnson4:22
5Turnpike (alternate take)
baritone saxophone and tenor saxophone:
Jimmy Heath (on 1953-06-22)
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (on 1953-06-22)
trombone:
J.J. Johnson (on 1953-06-22)
trumpet:
Clifford Brown (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
recording of:
Turnpike (on 1953-06-22)
composer:
J.J. Johnson
J.J. Johnson4:13
6Sketch One
baritone saxophone:
Jimmy Heath (on 1953-06-22)
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (on 1953-06-22)
trombone:
J.J. Johnson (on 1953-06-22)
trumpet:
Clifford Brown (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
J.J. Johnson4:28
7It Could Happen to YouJ.J. Johnson4:47
8Get Happy
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (on 1953-06-22)
tenor saxophone:
Jimmy Heath (on 1953-06-22)
trombone:
J.J. Johnson (on 1953-06-22)
trumpet:
Clifford Brown (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
instrumental recording of:
Get Happy (on 1953-06-22)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc., Francis, Day & Hunter Ltd., Redwood Music Ltd., Remick Music Corp., S.A. Music Co. and Warner Bros. Music
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
J.J. Johnson4:54
9Get Happy (alternate take)
double bass:
Percy Heath (on 1953-06-22)
drums (drum set):
Kenny Clarke (on 1953-06-22)
piano:
John Lewis (on 1953-06-22)
tenor saxophone:
Jimmy Heath (on 1953-06-22)
trombone:
J.J. Johnson (on 1953-06-22)
trumpet:
Clifford Brown (on 1953-06-22)
recorded at:
WOR Studios in New York, New York, United States (on 1953-06-22)
instrumental recording of:
Get Happy (on 1953-06-22)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc., Francis, Day & Hunter Ltd., Redwood Music Ltd., Remick Music Corp., S.A. Music Co. and Warner Bros. Music
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
J.J. Johnson4:14
10Daahoud
recorded in:
Los Angeles, California, United States (in 1954-07)
baritone saxophone:
Bob Gordon (in 1954-07)
double bass:
Joe Mondragon (in 1954-07)
drums (drum set):
Shelly Manne (in 1954-07)
piano:
Russ Freeman (in 1954-07)
tenor saxophone:
Zoot Sims (in 1954-07)
trumpet:
Clifford Brown (in 1954-07)
valve trombone:
Stu Williamson (in 1954-07)
recording of:
Daahoud (in 1954-07)
composer:
Clifford Brown
Clifford Brown4:18
11Finders Keepers
recorded in:
Los Angeles, California, United States (in 1954-07)
baritone saxophone:
Bob Gordon (in 1954-07)
double bass:
Joe Mondragon (in 1954-07)
drums (drum set):
Shelly Manne (in 1954-07)
piano:
Russ Freeman (in 1954-07)
tenor saxophone:
Zoot Sims (in 1954-07)
trumpet:
Clifford Brown (in 1954-07)
valve trombone:
Stu Williamson (in 1954-07)
recording of:
Finders Keepers (in 1954-07)
composer:
Jack Montrose
Clifford Brown3:54
12Joy Spring
recorded in:
Los Angeles, California, United States (in 1954-07)
baritone saxophone:
Bob Gordon (in 1954-07)
double bass:
Joe Mondragon (in 1954-07)
drums (drum set):
Shelly Manne (in 1954-07)
piano:
Russ Freeman (in 1954-07)
tenor saxophone:
Zoot Sims (in 1954-07)
trumpet:
Clifford Brown (in 1954-07)
valve trombone:
Stu Williamson (in 1954-07)
recording of:
Joy Spring (in 1954-07)
composer:
Clifford Brown
Clifford Brown3:18
13Gone With the WindClifford Brown3:42
14Bones for JonesClifford Brown4:19
15Blueberry HillClifford Brown3:18
16Tiny CapersClifford Brown4:18
17Tiny Capers (alternate take)Clifford Brown2:57
3CD
#TitleArtistLength
1Split Kick
recording engineer:
Rudy van Gelder (on 1954-02-21)
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1954-02-21)
double bass:
Curley Russell (on 1954-02-21)
drums (drum set):
Art Blakey (on 1954-02-21)
piano:
Horace Silver (on 1954-02-21)
trumpet:
Clifford Brown (on 1954-02-21)
recorded at:
Birdland in Manhattan, New York, New York, United States (on 1954-02-21)
recording of:
Split Kick (on 1954-02-21)
composer:
Horace Silver
Art Blakey9:31
2Once in a While
recording engineer:
Rudy van Gelder (on 1954-02-21)
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1954-02-21)
double bass:
Curley Russell (on 1954-02-21)
drums (drum set):
Art Blakey (on 1954-02-21)
piano:
Horace Silver (on 1954-02-21)
trumpet:
Clifford Brown (on 1954-02-21)
recorded at:
Birdland in Manhattan, New York, New York, United States (on 1954-02-21)
live instrumental recording of:
Once in a While (on 1954-02-21)
lyricist:
Bud Green (in 1937)
composer:
Michael Edwards (in 1937)
publisher:
Copyright Control, EMI Miller Catalog, Inc. and Miller Music Corp.
part of:
New York, New York (1977 musical film soundtrack)
Art Blakey5:20
3Quicksilver
recording engineer:
Rudy van Gelder (on 1954-02-21)
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1954-02-21)
double bass:
Curley Russell (on 1954-02-21)
drums (drum set):
Art Blakey (on 1954-02-21)
piano:
Horace Silver (on 1954-02-21)
trumpet:
Clifford Brown (on 1954-02-21)
recorded at:
Birdland in Manhattan, New York, New York, United States (on 1954-02-21)
recording of:
Quicksilver (on 1954-02-21)
composer:
Horace Silver
Art Blakey6:49
4Wee Dot (alternate take)
recording engineer:
Rudy van Gelder (on 1954-02-21)
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1954-02-21)
double bass:
Curley Russell (on 1954-02-21)
drums (drum set):
Art Blakey (on 1954-02-21)
piano:
Horace Silver (on 1954-02-21)
trumpet:
Clifford Brown (on 1954-02-21)
recorded at:
Birdland in Manhattan, New York, New York, United States (on 1954-02-21)
recording of:
Wee Dot (on 1954-02-21)
composer:
J.J. Johnson
Art Blakey6:56
5Blues
recording engineer:
Rudy van Gelder (on 1954-02-21)
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1954-02-21)
double bass:
Curley Russell (on 1954-02-21)
drums (drum set):
Art Blakey (on 1954-02-21)
piano:
Horace Silver (on 1954-02-21)
trumpet:
Clifford Brown (on 1954-02-21)
recorded at:
Birdland in Manhattan, New York, New York, United States (on 1954-02-21)
Art Blakey8:38
6A Night in Tunisia
recording engineer:
Rudy van Gelder (on 1954-02-21)
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1954-02-21)
double bass:
Curley Russell (on 1954-02-21)
drums (drum set):
Art Blakey (on 1954-02-21)
piano:
Horace Silver (on 1954-02-21)
trumpet:
Clifford Brown (on 1954-02-21)
recorded at:
Birdland in Manhattan, New York, New York, United States (on 1954-02-21)
recording of:
Night in Tunisia (instrumental) (on 1954-02-21)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing
Art Blakey9:48
7Mayreh
recording engineer:
Rudy van Gelder (on 1954-02-21)
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1954-02-21)
double bass:
Curley Russell (on 1954-02-21)
drums (drum set):
Art Blakey (on 1954-02-21)
piano:
Horace Silver (on 1954-02-21)
trumpet:
Clifford Brown (on 1954-02-21)
recorded at:
Birdland in Manhattan, New York, New York, United States (on 1954-02-21)
recording of:
Mayreh (on 1954-02-21)
composer:
Horace Silver
Art Blakey6:20
4CD
#TitleArtistLength
1Wee Dot
recording engineer:
Rudy van Gelder (on 1954-02-21)
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1954-02-21)
double bass:
Curley Russell (on 1954-02-21)
drums (drum set):
Art Blakey (on 1954-02-21)
piano:
Horace Silver (on 1954-02-21)
trumpet:
Clifford Brown (on 1954-02-21)
recorded at:
Birdland in Manhattan, New York, New York, United States (on 1954-02-21)
recording of:
Wee Dot (on 1954-02-21)
composer:
J.J. Johnson
Art Blakey7:06
2If I Had You
recording engineer:
Rudy van Gelder (on 1954-02-21)
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1954-02-21)
double bass:
Curley Russell (on 1954-02-21)
drums (drum set):
Art Blakey (on 1954-02-21)
piano:
Horace Silver (on 1954-02-21)
recorded at:
Birdland in Manhattan, New York, New York, United States (on 1954-02-21)
instrumental recording of:
If I Had You (jazz standard) (on 1954-02-21)
writer:
James Campbell, Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc., EMI Robbins Catalog Inc. and Robbins Music Corp.
Art Blakey3:43
3Quicksilver (alternate take)
recording engineer:
Rudy van Gelder (on 1954-02-21)
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1954-02-21)
double bass:
Curley Russell (on 1954-02-21)
drums (drum set):
Art Blakey (on 1954-02-21)
piano:
Horace Silver (on 1954-02-21)
trumpet:
Clifford Brown (on 1954-02-21)
recorded at:
Birdland in Manhattan, New York, New York, United States (on 1954-02-21)
recording of:
Quicksilver (on 1954-02-21)
composer:
Horace Silver
Art Blakey8:48
4The Way You Look TonightArt Blakey9:59
5Lou's Blues
recording engineer:
Rudy van Gelder (on 1954-02-21)
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1954-02-21)
double bass:
Curley Russell (on 1954-02-21)
drums (drum set):
Art Blakey (on 1954-02-21)
piano:
Horace Silver (on 1954-02-21)
trumpet:
Clifford Brown (on 1954-02-21)
recorded at:
Birdland in Manhattan, New York, New York, United States (on 1954-02-21)
Art Blakey3:58
6Now's the Time
recording engineer:
Rudy van Gelder (on 1954-02-21)
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1954-02-21)
double bass:
Curley Russell (on 1954-02-21)
drums (drum set):
Art Blakey (on 1954-02-21)
piano:
Horace Silver (on 1954-02-21)
trumpet:
Clifford Brown (on 1954-02-21)
recorded at:
Birdland in Manhattan, New York, New York, United States (on 1954-02-21)
recording of:
Now’s the Time (on 1954-02-21)
composer:
Charlie Parker
publisher:
Atlantic Music Corp.
Art Blakey8:21
7Confirmation
recording engineer:
Rudy van Gelder (on 1954-02-21)
producer:
Alfred Lion
alto saxophone:
Lou Donaldson (on 1954-02-21)
double bass:
Curley Russell (on 1954-02-21)
drums (drum set):
Art Blakey (on 1954-02-21)
piano:
Horace Silver (on 1954-02-21)
trumpet:
Clifford Brown (on 1954-02-21)
recorded at:
Birdland in Manhattan, New York, New York, United States (on 1954-02-21)
recording of:
Confirmation (on 1954-02-21)
composer:
Charlie Parker
publisher:
Atlantic Music/BMI
Art Blakey9:57

Credits

Release

ASIN:US: B000005H1H [info]