Golden Sounds From the Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Set CGSC-A-126 comprises: RDC 91101, RDC 91102, RDC 91103, & RDC 91104

Tracklist

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1▼Cassette: All-Time Favourites / Tchaikovsky, Master of Melody
#	Title	Artist	Length
A1	Fingal's Cave Overture (The Hebrides) orchestra: New Symphony Orchestra of London conductor: Sir Adrian Boult recording of: Die Hebriden, op. 26 (The Hebrides, op. 26 “Fingal’s Cave”, Fingal's Cave) premiered in: London, England, United Kingdom (on 1832-05-14) composer: Felix Mendelssohn (in 1830) part of: Works of Felix Mendelssohn by opus number (number: op. 26) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 7)	Felix Mendelssohn	9:48
A2	Arrival of the Queen of Sheba, from "Solomon" orchestra: New Philharmonia Orchestra conductor: Sir Arthur Bliss phonographic copyright (℗) by: The Reader’s Digest Association Limited (in 1968) recording of: Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” composer: George Frideric Handel (in 1748) publisher: Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain part of: Solomon, HWV 67: Act III	George Frideric Handel	3:18
A3	Toccata and Fugue in D minor organ: Virgil Fox recorded at: Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom recording of: Toccata und Fuge d-Moll, BWV 565 composer: Johann Sebastian Bach part of: Bach-Werke-Verzeichnis (number: BWV 565) and Bach Compendium (number: BC J 37)	Johann Sebastian Bach	8:51
A4	An American in Paris orchestra: National Philharmonic Orchestra conductor: Morton Gould recording of: An American in Paris composer: George Gershwin (in 1928) publisher: Chappell Music Ltd. premiered at: Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1928-12-13) part of: An American in Paris (2015 Broadway musical)	George Gershwin	18:50
A5	Waltz: Gold and Silver orchestra: Orchester der Wiener Staatsoper conductor: Victor Desarzens recording of: Gold und Silber-Walzer, op. 79 composer: Franz Lehár	Franz Lehár	8:34
B1	Capriccio Italien orchestra: New Symphony Orchestra of London conductor: Sir Alexander Gibson recording of: Capriccio italien, op. 45 premiered in: Moscow, Russia (on 1880-12-18) composer: Пётр Ильич Чайковский (from 1880-01 until 1880-05) dedicated to: Карл Юльевич Давыдов part of: The Tchaikovsky Handbook (number: TH 47), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 44) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 45)	Tchaikovsky	14:14
B2	Marche Slave orchestra: London Philharmonic Orchestra conductor: Charles Mackerras recording of: Marche slave in B-flat minor, op. 31 premiered in: Moscow, Russia (on 1876-11-18) composer: Пётр Ильич Чайковский (from 1876-09 until 1876-10) part of: The Tchaikovsky Handbook (number: TH 45), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 42) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 31) is based on: Боже, Царя храни! (God Save the Tsar!)	Tchaikovsky	10:28
B3	Fantasy Overture: Romeo and Juliet orchestra: RCA Victor Symphony Orchestra conductor: Charles Gerhardt recording of: Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed) composer: Пётр Ильич Чайковский (in 1869) revised by: Пётр Ильич Чайковский (in 1870, in 1880) dedicated to: Милий Алексеевич Балакирев part of: The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39) revision of: Romeo and Juliet (1870, rarely performed)	Tchaikovsky	20:57

2▼Cassette: Immortal Operetta Favourites / Instrumental Encores
#	Title	Artist	Length
C1	Rose‐Marie (title track) baritone vocals: Richard Fredricks conductor: Lehman Engel recording of: Rose-Marie (title song of the 1924 operetta) lyricist: Oscar Hammerstein II and Otto Harbach composer: Rudolf Friml publisher: Chappell & Co. part of: Rose-Marie (1924 operetta-style musical)	Rudolf Friml, Herbert Stothart, Otto Harbach & Oscar Hammerstein II	?:??
C2	Deep in My Heart, Dear, from "The Student Prince" soprano vocals: Adele Leigh vocals: Ivor Emmanuel conductor: Richard Benson recording of: The Student Prince, Act I: Deep in My Heart, Dear (Karl Franz, Kathie) lyricist: Dorothy Donnelly composer: Sigmund Romberg publisher: Chappell Music Ltd. and Redwood Music Ltd. part of: The Student Prince: Act I	Sigmund Romberg & Dorothy Donnelly	?:??
C3	I'll See You Again, from "Bitter Sweet" baritone vocals: John Hauxvell mezzo-soprano vocals: Rosalind Elias conductor: Lehman Engel recording of: I’ll See You Again (adapted from Bitter Sweet) lyricist and composer: Noël Coward arranger: Saint-Granier publisher: Chappell & Co. arrangement of: Bitter Sweet, Act I: I’ll See You Again part of: Bitter Sweet (Noel Coward operetta)	Noël Coward	?:??
C4	You Are My Heart's Delight, from "The Land of Smiles" performer: Hill Bowen and His Orchestra and Rosalind Page recording of: The Land of Smiles: “You Are My Heart’s Delight” composer: Franz Lehár translator: Harry Graham translated version of: Das Land des Lächelns: Akt II. Nr. 11 „Dein ist mein ganzes Herz” (Sou-Chong) part of: The Land of Smiles	Franz Lehár	?:??
C5	Ol' Man River, from "Show Boat" bass vocals: Valentine Pringle conductor: Lehman Engel recording of: Ol’ Man River (Show Boat) lyricist: Oscar Hammerstein II (in 1927) composer: Jerome Kern (in 1927) publisher: PolyGram International Publishing, Inc. and T.B. Harms Co. (on 1927-11-30) part of: Show Boat (1951 film) part of: Show Boat: Act I	Jerome Kern & Oscar Hammerstein II	?:??
C6	Only a Rose, from "The Vagabond King" soprano vocals: Saramae Endich tenor vocals: William Lewis conductor: Lehman Engel recording of: The Vagabond King: Act I. Only a Rose composer: Rudolf Friml librettist: Brian Hooker and William H. Post publisher: B. Feldman & Co. Ltd. part of: The Vagabond King: Act I	Rudolf Friml, William H. Post & Brian Hooker	?:??
C7	Smoke Gets in Your Eyes, from "Roberta" vocals: Margot Moser conductor: Robert Mandell & His Orchestra recording of: Smoke Gets in Your Eyes lyricist: Otto Harbach composer: Jerome Kern publisher: Chappell & Co Ltd., Chappell & Co., Chappell Music, Chappell Music Ltd., PolyGram International Publishing, Inc., PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc. part of: Roberta	Jerome Kern & Otto Harbach	?:??
C8	Indian Love Call, from "Rose-Marie" baritone vocals: Richard Fredricks soprano vocals: Anna Moffo conductor: Lehman Engel recording of: Indian Love Call (from the 1924/1936 musicals “Rose Marie”) lyricist: Oscar Hammerstein II and Otto Harbach composer: Rudolf Friml and Herbert Stothart publisher: Bill-Bob Publ. Company, Chappell Music Ltd. and Harms, Inc. (on 1924-09-02) part of: Rose-Marie (1924 operetta-style musical) part of: Rose-Marie (1936 musical film)	Rudolf Friml, Herbert Stothart, Otto Harbach & Oscar Hammerstein II	?:??
C9	Stout‐Hearted Men, from "The New Moon" baritone vocals: Peter Palmer vocals: Arthur Rubin conductor: Lehman Engel recording of: The New Moon: Act I. Stout‐Hearted Men (Robert, Phillipe, Men) lyricist: Frank Mandel, Laurence Schwab and Oscar Hammerstein II (in 1927) composer: Sigmund Romberg (in 1927) librettist: Oscar Hammerstein II part of: The New Moon: Act I	Sigmund Romberg & Oscar Hammerstein II	?:??
C10	My Hero, from "The Chocolate Soldier" baritone vocals: Neilson Taylor vocals: Lou Ann Lee orchestra: Douglas Gamley and His Orchestra recording of: My Hero (from “The Chocolate Soldier”) composer: Oscar Straus librettist: Rudolf Bernauer translator: Stanislaus Stange translated version of: Der tapfere Soldat: 1. Akt. „Komm, komm, Held meiner Träume“ (Nadina) part of: The Chocolate Soldier part of: Two Weeks With Love (1950 film)	Oscar Straus & Stanislaus Stange	?:??
C11	Song of the Vagabonds, from "The Vagabond King" tenor vocals: William Lewis conductor: Lehman Engel recording of: The Vagabond King, Act I: Song of the Vagabonds (Villon, Chorus) composer: Rudolf Friml librettist: Brian Hooker and William H. Post publisher: B. Feldman & Co. Ltd. translated version of: 蒲田行進曲 part of: The Vagabond King: Act I	Rudolf Friml, William H. Post & Brian Hooker	?:??
C12	One Alone, from "The Desert Song" baritone vocals: Richard Fredricks conductor: Lehman Engel recording of: The Desert Song: Act II. One Alone (Pierre, Men) lyricist: Oscar Hammerstein II, Otto Harbach and Frank Mandel composer: Sigmund Romberg part of: The Desert Song: Act II. Eastern and Western Love	Sigmund Romberg, Frank Mandel, Otto Harbach & Oscar Hammerstein II	?:??
C13	Drinking Song, from "The Student Prince" conductor: Lehman Engel recording of: The Student Prince: Act I. Drinking Song (Drink! Drink! Drink!) (Detlef, Students) lyricist: Dorothy Donnelly composer: Sigmund Romberg publisher: Chappell & Co Ltd., Chappell Music Ltd. and Redwood Music Ltd. part of: The Student Prince: Act I	Sigmund Romberg & Dorothy Donnelly	?:??
D1	Spinning Song performer: The Virtuoso Piano Quartet arranger: Jascha Zayde recording of: Lied ohne Worte C-Dur, op. 67 Nr. 4 (Song Without Words in C major, Op. 67 No. 4, Spinnerlied; Spinning Song) composer: Felix Mendelssohn (from 1843 until 1845) part of: Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 182) part of: Lieder ohne Worte, op. 67 (Songs Without Words, op. 67)	Felix Mendelssohn	?:??
D2	Jesu, Joy of Man's Desiring organ: William Davies instrumental recording of: Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) composer: Johann Sebastian Bach arrangement of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)	Johann Sebastian Bach	?:??
D3	Prelude in C‐sharp minor piano: Sergio Varella-Cid recording of: Morceaux de fantaisie, op. 3: No. 2. Prélude in C‐sharp minor (The Bells of Moscow) composer: Sergei Rachmaninoff part of: Morceaux de fantaisie, op. 3	Rachmaninov	?:??
D4	Melody in F cello: Francisco Gabarro piano: Robert Docker recording of: 2 Mélodies, op. 3: No. 1 in F major (for cello and piano, arr. David Popper) composer: Антон Григорьевич Рубинштейн arranger: David Popper arrangement of: 2 Mélodies, op. 3: No. 1 in F major (for solo piano)	Anton Rubinstein	?:??
D5	Sevilla classical guitar: Jorge Morel recording of: Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (catch-all for arrangements) composer: Isaac Albéniz arrangement of: Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (for solo piano)	Isaac Albéniz	?:??
D6	Spring Song flute: William Bennett piano: Robert Docker recording of: Lied ohne Worte A-Dur, op. 62 Nr. 6 (Song Without Words in A major, Op. 62 No. 6, Frühlingslied / Spring Song; original for piano) composer: Felix Mendelssohn (from 1842 until 1844) part of: Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 161) part of: Lieder ohne Worte, op. 62 (Songs Without Words, op. 62, for piano)	Felix Mendelssohn	?:??
D7	Introduction and Rondo Capriccioso violin: Raymond Cohen orchestra: Royal Philharmonic Orchestra conductor: René Leibowitz recording of: Introduction et Rondo capriccioso en la mineur pour violon et orchestre, op. 28 (Introduction and Rondo capriccioso in A minor for Violin and Orchestra) composer: Camille Saint‐Saëns (in 1863) part of: Works of Camille Saint-Saëns by opus number (number: op. 28)	Camille Saint‐Saëns	?:??
D8	Polonaise in A piano: Dame Moura Lympany recording of: Polonaise in A major, op. 40 no. 1 “Military” composer: Fryderyk Chopin (in 1838) part of: List of numbered polonaises by Fryderyk Chopin (number: 3) part of: Polonaises, op. 40	Fryderyk Chopin	?:??
D9	Sleepers Awake organ: Virgil Fox recording of: Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 composer: Johann Sebastian Bach part of: Bach-Werke-Verzeichnis (number: BWV 645) is based on: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen” part of: Sechs Choräle von verschiedener Art	Johann Sebastian Bach	?:??
D10	Minuet in G piano: Ralph Votapek recording of: Menuet célèbre, op. 14 no. 1 (for piano) composer: Ignacy Jan Paderewski (in 1887) part of: 6 humoresques de concert, op. 14 part of: Cahier 1 a l'antique	Ignacy Jan Paderewski	?:??

3▼Cassette: On Wings of Song / Johann Strauss
#	Title	Artist	Length
E1	On Wings of Song soprano vocals: Patricia Clarke orchestra: RCA Victor Symphony Orchestra conductor: Eric Hammerstein recording of: Auf Flügeln des Gesanges, op. 34 Nr. 2 (catch-all for arrangements) composer: Felix Mendelssohn arrangement of: Auf Flügeln des Gesanges, op. 34 Nr. 2 (original for voice and piano)	Felix Mendelssohn	2:57
E2	Serenade, from "The Student Prince" tenor vocals: William Lewis orchestra: Lehman Engel recording of: The Student Prince: Act I. Serenade (Overhead the Moon is Beaming) (Karl Franz, Detlef, Lucas, Von Asterberg, Students) lyricist: Dorothy Donnelly composer: Sigmund Romberg publisher: Chappell Music Ltd. and Redwood Music Ltd. part of: The Student Prince: Act I	Sigmund Romberg & Dorothy Donnelly	3:27
E3	My Name Is Mimi (Mi chiamano Mimì), from "La bohème" soprano vocals: Margaret Price orchestra: London Symphony Orchestra conductor: Sir Edward Downes recording of: La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) composer: Giacomo Puccini librettist: Giuseppe Giacosa and Luigi Illica part of: La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)	Giacomo Puccini	5:03
E4	A Wand'ring Minstrel I, from "The Mikado" choir vocals: Beecham Choral Society tenor vocals: Edgar Fleet orchestra: Royal Philharmonic Orchestra conductor: James Walker recording of: The Mikado: Act I, no 2. “A wand’ring minstrel I…” (Nanki-Poo, Men) composer: Arthur Sullivan librettist: William Gilbert part of: The Mikado: Act I	Sir William Gilbert & Sir Arthur Sullivan	4:21
E5	Bless This House choir vocals: John McCarthy Chorus contralto vocals: Norma Procter orchestra: The Romantic Strings and Orchestra recording of: Bless This House lyricist: Helen Taylor composer: May Brahe publisher: Boosey & Hawkes Music Pub. Ltd.	May Brahe & Helen Taylor	3:13
E6	None but the Lonely Heart choir vocals: The Peter Knight Singers recording of: 6 Romances, op. 6, no. 6: None but the Lonely Heart (Нет, только тот, кто знал) (6 Romances, Op. 6: No. 6. None but the Lonely Heart, original for voice and piano) lyricist: Johann Wolfgang von Goethe (in 1795) composer: Пётр Ильич Чайковский (in 1869-11) dedicated to: Анна Полякова-Хвостова translator: Лев Мей (in 1857) part of: Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 216) part of: 6 Romances, op. 6	Tchaikovsky	3:08
E7	Who Is Sylvia? baritone vocals: Neilson Taylor orchestra: RCA Victor Symphony Orchestra conductor: Eric Hammerstein recording of: An Sylvia, D. 891 (for voice and piano) lyricist: William Shakespeare composer: Franz Schubert (in 1826) translator: Eduard von Bauernfeld part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 891)	Franz Schubert	2:44
E8	Drink to Me Only With Thine Eyes soprano vocals: Margaret Price conductor: John McCarthy recording of: Drink to Me Only With Thine Eyes lyricist: Ben Johnson (in 1616) composer: [anonymous]	Ben Jonson	3:10
E9	None Shall Sleep (Nessun dorma), from "Turandot" tenor vocals: Charles Craig orchestra: London Symphony Orchestra conductor: Sir Edward Downes recording of: Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) composer: Giacomo Puccini (from 1921-03 until 1924-03) librettist: Giuseppe Adami and Renato Simoni publisher: Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA part of: Turandot: Atto III (Turandot: Act III)	Giacomo Puccini	3:10
E10	Blow the Wind Southerly contralto vocals: Norma Procter conductor: John McCarthy recording of: Blow the Wind Southerly lyricist and composer: [traditional] part of: Roud Folk Song Index (number: 2619)	[traditional]	3:51
E11	Golden Slumbers recording of: May Fair (Golden Slumbers “traditional” setting) lyricist: Thomas Dekker composer: [traditional] arranger: William Chappell part of: Roud Folk Song Index (number: V18438) is based on: Cradle Song (“Golden Slumbers” poem) is based on: The Beggar's Opera: Act I. Air. "O Polly, you might have toy'd and kissed" (Mrs Peachum, Polly)	[traditional]	2:14
E12	Early One Morning soprano vocals: Mary Thomas vocals: John McCarthy Chorus recording of: Early One Morning lyricist and composer: [anonymous] part of: Roud Folk Song Index (number: 12682)	[traditional]	2:52
E13	I'll Take You Home Again, Kathleen tenor vocals: Allan Bruce vocals: John McCarthy Chorus orchestra: The Romantic Strings and Orchestra recording of: I’ll Take You Home Again, Kathleen lyricist and composer: Thomas P. Westendorf (in 1875) part of: Roud Folk Song Index (number: 12907)	Thomas P. Westendorff	2:56
F1	Vienna Bonbons orchestra: Orchester der Wiener Staatsoper conductor: Hans Weiburg recording of: Wiener Bonbons, op. 307 (Vienna Bonbons, Op. 307) composer: Johann Strauss (in 1866) part of: Works of Johann Strauss Jr. by opus number (number: op. 307)	Johann Strauss II	7:27
F2	Wine, Women and Song orchestra: Orchester der Wiener Staatsoper conductor: Jascha Horenstein recording of: Wein, Weib und Gesang, op. 333 (Wine, Woman and Song) composer: Johann Strauss part of: Works of Johann Strauss Jr. by opus number (number: op. 333)	Johann Strauss II	8:33
F3	Thunder and Lightning Polka orchestra: Wiener Symphoniker conductor: Jascha Horenstein recording of: Unter Donner und Blitz, op. 324 (Thunder and Lightning, op. 324) composer: Johann Strauss part of: Works of Johann Strauss Jr. by opus number (number: op. 324)	Johann Strauss II	3:20
F4	Emperor Waltz orchestra: New Symphony Orchestra of London conductor: Charles Gerhardt recording of: Kaiser‐Walzer, op. 437 (Emperor Waltz, op. 437) premiered in: Berlin, Germany (on 1889-10-21) composer: Johann Strauss (in 1889) part of: Works of Johann Strauss Jr. by opus number (number: op. 437)	Johann Strauss II	9:36
F5	Perpetual Motion orchestra: Wiener Symphoniker conductor: Anton Paulik recording of: Perpetuum mobile, op. 257 composer: Johann Strauss (in 1861) part of: Works of Johann Strauss Jr. by opus number (number: op. 257)	Johann Strauss II	3:01
F6	Roses From the South orchestra: Wiener Symphoniker conductor: Jascha Horenstein recording of: Rosen aus dem Süden, op. 388 (Roses from the South) composer: Johann Strauss part of: Works of Johann Strauss Jr. by opus number (number: op. 388)	Johann Strauss II	8:48

4▼Cassette: Light Classical Pops / Showpieces for Orchestra
#	Title	Artist	Length
G1	The Barber of Seville Overture conductor: Arturo Basile performer: Orchestra del Teatro Comunale di Bologna recording of: Il barbiere di Siviglia: Sinfonia composer: Gioachino Rossini librettist: Cesare Sterbini part of: Der Barbier von Sevilla (german lyrics) part of: Il barbiere di Siviglia part of: Le Barbier de Séville (french lyrics) part of: The Barber of Seville (english lyrics)	Gioachino Rossini	?:??
G2	Waltz: The Grenadiers orchestra: New Symphony Orchestra of London conductor: Eric Robinson recording of: Les Grenadiers, op. 207 composer: Émile Waldteufel	Émile Waldteufel	?:??
G3	Dance of the Hours, from "La Gioconda" orchestra: Orchestra Filarmonica di Roma conductor: Massimo Freccia recording of: La Gioconda: Atto III, scena 2. Danza delle ore composer: Amilcare Ponchielli librettist: Arrigo Boito part of: Fantasia (Disney soundtrack) part of: La Gioconda: Atto III. Cà d'Oro	Amilcare Ponchielli	?:??
G4	War March of the Priests, from "Athalie" orchestra: Metropolitan Symphony Orchestra conductor: James Walker recording of: Athalie, op. 74: War March of the Priests composer: Felix Mendelssohn part of: Athalie, op. 74	Felix Mendelssohn	?:??
G5	Capriccio Espagnol orchestra: Oskar Danon and Royal Philharmonic Orchestra recording of: Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol) composer: Николай Андреевич Римский‐Корсаков (in 1887) dedicated to: Симфонический оркестр Мариинского театра part of: Works of Nikolai Rimsky-Korsakov by opus number (number: op. 34)	Rimsky-Korsakov	?:??
G6	Grand March, from "Tannhäuser" orchestra: New Symphony Orchestra of London conductor: Eric Robinson recording of: Excerpt from Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. Festmarsch (Grand March) composer: Richard Wagner part of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. "Freudig begrüssen wir die edle Halle" (Einzug der Gäste)	Richard Wagner	?:??
H1	The Bartered Bride Overture orchestra: Royal Philharmonic Orchestra conductor: Oskar Danon recording of: Prodaná nevěsta: Overture (The Bartered Bride: Overture) composer: Bedřich Smetana part of: Prodaná nevěsta (The Bartered Bride)	Bedřich Smetana	?:??
H2	Dance of the Seven Veils, from "Salome" recorded in: London, England, United Kingdom (from 1962-10-16 until 1962-10-17) orchestra: Royal Philharmonic Orchestra (from 1962-10-16 until 1962-10-17) conductor: Antal Doráti (from 1962-10-16 until 1962-10-17) phonographic copyright (℗) by: The Reader’s Digest Association Limited (in 1962) recording of: Salomes Tanz, TrV 215a (concert version) (from 1962-10-16 until 1962-10-17) composer: Richard Strauss (from 1903 until 1905) part of: Werkverzeichnis (number: TrV 215a) arrangement of: Salome: Vierte Szene. Tanz der sieben Schleier	Richard Strauss	?:??
H3	Cloudburst, from "Grand Canyon Suite" orchestra: Royal Philharmonic Orchestra conductor: Hill Bowen recording of: Grand Canyon Suite: V. Cloudburst composer: Ferde Grofé (from 1929 until 1931) part of: Grand Canyon Suite	Ferde Grofé	?:??
H4	Night on the Bare Mountain orchestra: New Symphony Orchestra of London conductor: Sir Adrian Boult recording of: Une nuit sur le mont chauve: Fantaisie pour l'orchestre (Night on Bald Mountain, orchestrated by Rimsky-Korsakov) orchestrator: Nikolai Rimsky-Korsakov (in 1886) composer: Modest Mussorgsky (from 1867-06-12 until 1867-06-23) dedicated to: Wladimir Stassoff publisher: W. Bessel & Cie (in 1886) is based on: St. John’s Night on the Bare Mountain (original version) part of: Fantasia (Disney soundtrack)	Moussourgsky	?:??
H5	Roumanian Rhapsody no. 1 orchestra: Royal Philharmonic Orchestra conductor: Oskar Danon recording of: Rapsodia nr. 1 în La major, op. 11/1 „Rapsodia română” (Romanian Rhapsody no. 1 in A major, op. 11 no. 1) composer: George Enescu (in 1901) part of: Rapsodiile române, op. 11 (Romanian Rhapsodies, op. 11)	George Enescu	?:??

Golden Sounds From the Classics

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