Unforgettable Love Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistLength
1I've Got You Under My Skin
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-12) and Wilbur Schwartz (on 1956-01-12)
baritone saxophone:
Morton Friedman (on 1956-01-12)
bass:
Joe Comfort (on 1956-01-12)
bass trombone:
George Roberts (on 1956-01-12)
cello:
Ennio Bolognini (on 1956-01-12), Edgar Lustgarten (on 1956-01-12) and Eleanor Slatkin (on 1956-01-12)
drums (drum set):
Irving Cottler (on 1956-01-12)
guitar:
George van Eps (on 1956-01-12)
harp:
Kathryn Julye (on 1956-01-12)
piano:
Bill Miller (on 1956-01-12)
tenor saxophone:
Justin Gordon (on 1956-01-12) and James Williamson (on 1956-01-12)
trombone:
Milt Bernhart (on 1956-01-12), Jimmy Priddy (on 1956-01-12) and Juan Tizol (on 1956-01-12)
trumpet:
Harry “Sweets” Edison (on 1956-01-12), Conrad Gozzo (on 1956-01-12), Manny Klein (on 1956-01-12) and Vito "Mickey" Mangano (on 1956-01-12)
viola:
Alvin Dinkin (on 1956-01-12), Maxine Johnson (on 1956-01-12) and Milton Thomas (on 1956-01-12)
violin:
Victor Bay (on 1956-01-12), Alex Beller (on 1956-01-12), Walter Edelstein (on 1956-01-12), Henry Hill (on 1956-01-12), Alex Murray (on 1956-01-12), Paul Nero (on 1956-01-12), Nathan Ross (on 1956-01-12), Mischa Russell (on 1956-01-12), Paul Shure (on 1956-01-12) and Felix Slatkin (on 1956-01-12)
vocals:
Frank Sinatra (on 1956-01-12)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-12)
conductor:
Nelson Riddle (on 1956-01-12)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (on 1956-01-12)
lyricist and composer:
Cole Porter (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music, Victoria Music Ltd. and Warner Chappell Music Ltd.
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Frank Sinatra3:42
2How D'Ya Like Your Eggs in the Morning?
recording of:
How D’Ya Like Your Eggs in the Morning?
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
Dean Martin & Helen O’Connell2:45
3Beyond the Sea
producer:
Ahmet Ertegun, Nesuhi Ertegun and Jerry Wexler
vocals:
Bobby Darin (on 1958-08-24)
conductor:
Richard Wess (on 1958-08-24)
arranger:
Richard Wess
part of:
Billboard: The 500 Best Pop Songs (number: 397)
cover recording of:
Beyond the Sea (on 1958-08-24)
lyricist:
Jack Lawrence
composer:
Charles Trenet
publisher:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., Warner/Chappell Music International, ワーナー・チャペル音楽出版 Synch事業部 and 日音 Synch事業部
translated version of:
La Mer
Bobby Darin2:48
4My Kind of Girl
recording of:
My Kind of Girl
lyricist and composer:
Leslie Bricusse
publisher:
Hollis Music, Inc.
Matt Monro2:55
5(I Left My Heart) In San Francisco
producer:
Ernie Altschuler
vocals:
Tony Bennett
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (in 1962)
part of:
Billboard: The 500 Best Pop Songs (number: 485)
cover recording of:
I Left My Heart in San Francisco (on 1962-01-23)
lyricist:
Douglass Cross
composer:
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. and EMI April Music Inc.
Tony Bennett2:50
6Moon River
vocals:
Danny Williams
phonographic copyright (℗) by:
EMI Records Ltd. (in 1961)
cover recording of:
Moon River
lyricist:
Johnny Mercer
composer:
Henry Mancini
publisher:
Copyright Control, Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (in 1961) and Famous Music Corporation (in 1989)
sub-publisher:
BMG Ariola Belgium, BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 1961 winner)
Danny Williams2:35
7Mona Lisa
producer:
Lee Gillette
bass:
Joe Comfort (on 1950-03-11)
bongos:
Jack Costanzo (on 1950-03-11)
cello:
Cy Bernard (on 1950-03-11) and Eleanor Slatkin (on 1950-03-11)
drums (drum set):
Lee Young (on 1950-03-11)
guitar:
Irving Ashby (on 1950-03-11)
piano:
Buddy Cole (on 1950-03-11)
viola:
Allan Harshman (on 1950-03-11) and Dave Sterkin (on 1950-03-11)
violin:
Sam Cytron (on 1950-03-11), David Frisina (on 1950-03-11), Murray Kellner (on 1950-03-11), Mark Levant (on 1950-03-11), Dan Lube (on 1950-03-11), Lou Raderman (on 1950-03-11), Paul Shure (on 1950-03-11) and Felix Slatkin (on 1950-03-11)
choir vocals:
[unknown] (on 1950-03-11)
vocals:
Nat King Cole (on 1950-03-11)
orchestra:
Les Baxter and His Orchestra (on 1950-03-11)
conductor:
Les Baxter (on 1950-03-11)
arranger:
Nelson Riddle (on 1950-03-11)
cover recording of:
Mona Lisa (on 1950-03-11)
lyricist:
Raymond B. Evans
writer:
Livingston & Evans
composer:
Jay Livingston
publisher:
Famous Chappell and Famous Music Corporation
sub-publisher:
BMG Unisong Music Publishers BV
part of:
The 23rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1950 winner)
Nat King Cole3:26
8Blue Velvet
producer:
Bob Morgan
cover recording of:
Blue Velvet
writer:
Lee Morris and Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Bobby Vinton2:48
9The Story of My Life
cover recording of:
The Story of My Life
lyricist:
Hal David
composer:
Burt Bacharach
Michael Holliday2:13
10Magic Moments
vocals:
Perry Como (in 1957) and The Ray Charles Singers (in 1957)
orchestra:
Mitchell Ayres and His Orchestra (in 1957)
performer:
Mitchell Ayres and His Orchestra (in 1957) and Perry Como (in 1957)
arranger:
Joe Reisman
phonographic copyright (℗) by:
BMG Entertainment (in 1958)
recording of:
Magic Moments (in 1957)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Music Publishing Ltd. and MCA Music Ltd.
Perry Como2:40
11That's Amore
producer:
Lee Gillette
vocals:
Dean Martin (on 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (on 1953-08-13)
conductor:
Dick Stabile (on 1953-08-13)
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1953)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1953-08-13)
recording of:
That’s Amore (on 1953-08-13)
lyricist:
Jack Brooks
composer:
Harry Warren
publisher:
Famous Chappell, Famous Music Corporation, Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. and Universal Songs
sub-publisher:
BMG Ariola Belgium and BMG Unisongs Music Publishers BV
part of:
The 26th Academy Award for Best Original Song (number: 2)
part of:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin3:07
12Love and Marriage
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-08-15)
vocals:
Frank Sinatra (on 1955-08-15)
conductor:
Nelson Riddle (on 1955-08-15)
arranger:
Nelson Riddle
recording of:
Love and Marriage (on 1955-08-15)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp. and WB Music Corp.
Frank Sinatra2:38
13Kiss Me Honey Honey, Kiss Me
vocals:
Shirley Bassey (in 1958)
orchestra:
Wally Stott & His Orchestra & Chorus (in 1958)
recording of:
Kiss Me, Honey Honey, Kiss Me (in 1958)
writer:
Michael Julien and Albon Timothy
Shirley Bassey2:24
14Kisses Sweeter Than Wine
cover recording of:
Kisses Sweeter Than Wine
lyricist:
Paul Campbell
composer:
Joel Newman
Jimmie Rodgers2:20
15Just Walking in the Rain
vocals:
Johnnie Ray (on 1956-06-29)
orchestra:
Ray Conniff, His Orchestra & Chorus (on 1956-06-29)
cover recording of:
Just Walkin’ in the Rain (on 1956-06-29)
writer:
Johnny Bragg, Buddy Killen and Robert Riley
Johnnie Ray2:38
16It's All in the Game
conductor:
Leroy Holmes
arranger:
Leroy Holmes
cover recording of:
It’s All in the Game
lyricist:
Carl Sigman (in 1951)
composer:
Charles Dawes (in 1911)
publisher:
Campbell Connelly & Co. Ltd., Larry Spier Inc., Majorsongs Ltd., Memory Lane Music Ltd., Music Sales, Music Sales Corporation, Remick Music, Warner Bros. Music Ltd., Warner Bros., Inc., Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
is based on:
Melody in A major (instrumental)
Tommy Edwards2:37
17You Belong to Me
recording of:
You Belong to Me
writer:
Pee Wee King, Chilton Price and Redd Stewart
publisher:
Hill & Range Inc. and Ridgeway Music Co, Inc.
Jo Stafford3:12
18Secret Love
vocals:
Doris Day (on 1953-08-05)
orchestra:
The Warner Bros. Orchestra (on 1953-08-05)
conductor:
Ray Heindorf (on 1953-08-05)
recording of:
Secret Love (song from “Calamity Jane”) (on 1953-08-05)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Chappell, Remick Music Corp., Warner Bros., Inc., Warner Chappell North America and Warner Chappell North America Ltd.
sub-publisher:
Universal/MCA Music Ltd. and Warner Bros. Music Ltd.
part of:
The 26th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1953 winner)
part of:
Calamity Jane (stage musical)
Doris Day3:39
19Portrait of My Love
recording of:
Portrait of My Love
lyricist:
David West
composer:
Cyril Ornadel
Matt Monro2:45
20On the Street Where You Live
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (in 1956)
cover recording of:
On the Street Where You Live (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd.
part of:
My Fair Lady (full musical)
Vic Damone2:43
21Fly Me to the Moon
engineer:
David Hassinger
producer:
Snuff Garrett
vocals:
Julie London
conductor:
Ernie Freeman
arranger:
Ernie Freeman
phonographic copyright (℗) by:
Liberty (in 1964)
cover recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
Julie London2:32
22Anything Goes
cover recording of:
Anything Goes
lyricist and composer:
Cole Porter (in 1934)
publisher:
Chappell Music, Chappell Music Ltd. and Warner Bros., Inc.
part of:
Anything Goes
Tony Bennett2:20
23You Make Me Feel So Young
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-09) and Wilbur Schwartz (on 1956-01-09)
baritone saxophone:
Mort Friedman (on 1956-01-09)
bass:
Joe Comfort (on 1956-01-09)
bass trombone:
George Roberts (on 1956-01-09)
cello:
Cy Bernard (on 1956-01-09), Ennio Bolognini (on 1956-01-09) and Eleanor Slatkin (on 1956-01-09)
drums (drum set):
Frank Flynn (on 1956-01-09) and Alvin Stoller (on 1956-01-09)
guitar:
George van Eps (on 1956-01-09)
harp:
Kathryn Julye (on 1956-01-09)
piano:
Bill Miller (on 1956-01-09)
tenor saxophone:
Ted Nash (on 1956-01-09) and Irving “Babe” Russin (on 1956-01-09)
trombone:
Milt Bernhart (on 1956-01-09), Francis Howard (on 1956-01-09) and Juan Tizol (on 1956-01-09)
trumpet:
Harry “Sweets” Edison (on 1956-01-09), Conrad Gozzo (on 1956-01-09), Manny Klein (on 1956-01-09) and Mickey Mangano (on 1956-01-09)
viola:
Alvin Dinkin (on 1956-01-09), Maxine Johnson (on 1956-01-09) and Milton Thomas (on 1956-01-09)
violin:
Victor Bay (on 1956-01-09), Alex Beller (on 1956-01-09), Harry Bluestone (on 1956-01-09), Harold Dicterow (on 1956-01-09), David Frisina (on 1956-01-09), Paul Nero (on 1956-01-09), Mischa Russell (on 1956-01-09), Paul Shure (on 1956-01-09), Felix Slatkin (on 1956-01-09) and Marshall Sosson (on 1956-01-09)
vocals:
Frank Sinatra (on 1956-01-09)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-09)
conductor:
Nelson Riddle (on 1956-01-09)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-09)
recording of:
You Make Me Feel So Young (on 1956-01-09)
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd., ヤマハミュージックエンタテインメントホールディングス, ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
E bi eit barn med deg
Frank Sinatra2:54
24Sway
producer:
Lee Gillette
vocals:
Dean Martin (in 1952)
orchestra:
Dick Stabile and His Orchestra (in 1952)
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1952)
cover recording of:
Sway (in 1952)
lyricist:
Norman Gimbel
composer:
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
version of:
¿Quién será?
Dean Martin2:41
25At Last
additional performer:
Dianne Reeves
Dianne Reeves & Lou Rawls3:38
26Fever
double bass [bass]:
Joe Mondragon (on 1958-05-19)
drums (drum set):
Shelly Manne (on 1958-05-19)
finger snaps:
Peggy Lee (on 1958-05-19) and Howard Roberts (on 1958-05-19)
vocals:
Peggy Lee (on 1958-05-19)
conductor:
Jack Marshall (on 1958-05-19)
phonographic copyright (℗) by:
Capitol Records, Inc. (in 1958)
cover recording of:
Fever (on 1958-05-19)
writer:
Eddie Cooley and John Davenport
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music, Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
Peggy Lee3:21
2▼CD
#TitleArtistLength
1True Love Ways
producer:
Dick Jacobs
bass guitar:
Sanford Bloch (on 1958-10-21)
drums (drum set):
Cliff Leeman (on 1958-10-21)
guitar:
Al Caiola (on 1958-10-21)
harp:
Doris Johnson (on 1958-10-21)
piano:
Ernest Hayes (on 1958-10-21)
tenor saxophone:
Abraham “Boomie” Richman (on 1958-10-21)
violin:
Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (on 1958-10-21) and Paul Winter (on 1958-10-21)
vocals:
Buddy Holly (on 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (on 1958-10-21)
conductor:
Dick Jacobs (on 1958-10-21)
phonographic copyright (℗) by:
Geffen Records (in 1960) and MCA Records, Inc. (in 1960)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
recording of:
True Love Ways (on 1958-10-21)
writer:
Buddy Holly and Norman Petty
publisher:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. and Southern Music Publishing Co., Inc.
Buddy Holly2:50
2When the Girl in Your Arms Is the Girl in Your Heart
recording of:
When the Girl in Your Arms Is the Girl in Your Heart
writer:
Roy C. Bennett and Sid Tepper
publisher:
Universal‐MCA Music Publishing and Universal/MCA Music Ltd.
Cliff Richard2:25
3Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (on 1960-10-27)
arranger:
Stan Applebaum
phonographic copyright (℗) by:
HHO Ltd., WEA International Inc. (in 1960, in 1961) and Atlantic Recording Corporation (in 1986)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music, Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt, Melodie der Welt GmbH & Co. KG, Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music, Trio Music Co., Inc., Unichappell Music and Universal Music Publishing
Ben E. King2:58
4Unchained Melody
engineer:
Larry Levine
producer:
Phil Spector
solo lead vocals:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche
phonographic copyright (℗) by:
Spectrum Music, PolyGram Records, Inc. (in 1965, in 1968) and Universal Records (in 1966)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd., MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers3:35
5All I Have to Do Is Dream
producer:
Al De Lory and Kelly Gordon
vocals:
Glen Campbell (on 1969-01-23) and Bobbie Gentry (on 1969-01-23)
conductor:
Tommy Oliver
arranger:
Al De Lory
cover recording of:
All I Have to Do Is Dream (on 1969-01-23)
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications, Sony/ATV Acuff Rose Music, ソニー・ミュージックパブリッシング A事業部 and Acuff-Rose Publications, Inc. (on 1958-04-21)
Bobbie Gentry and Glen Campbell2:33
6('til) I Kssed You
phonographic copyright (℗) by:
Cadence (in 1959)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 28)
recording of:
(’Til) I Kissed You (on 1959-07-07)
lyricist and composer:
Don Everly
The Everly Brothers2:23
7Saturday Night at the Movies
recording of:
Saturday Night at the Movies
writer:
Barry Mann and Cynthia Weil
publisher:
Screen Gems–EMI Music Ltd.
The Drifters2:28
8Happy Heart
recording of:
Happy Heart
lyricist:
Jackie Rae
composer:
James Last
publisher:
Panorama Song Ed.
Andy Williams3:12
9Why Do Fools Fall in Love
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 8) and Rolling Stone: 500 Greatest Songs of All Time (number: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
additional writer:
George Goldner, Jimmy Merchant and Herman Santiago
writer:
Morris Levy and Frankie Lymon
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
Frankie Lymon & The Teenagers2:17
10Will You Love Me Tomorrow
drums (drum set) [drums]:
Gary Chester (in 1960)
kettle drum:
Carole King (in 1960)
piano:
Paul Griffin (in 1960)
lead vocals:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) and Beverly Lee (in 1960)
phonographic copyright (℗) by:
HHO Licensing Ltd.
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 4), Billboard: The 500 Best Pop Songs (number: 33), Rolling Stone: 500 Greatest Songs of All Time (number: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc., Warner/Chappell Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Shirelles2:42
11Mr. Sandman
producer:
Archie Bleyer
performer:
The Chordettes
phonographic copyright (℗) by:
Cadence (in 1957)
recording of:
Mr. Sandman
lyricist and composer:
Pat Ballard
publisher:
Edwin H. Morris & Co., Inc.
The Chordettes2:23
12I Only Have Eyes for You
recording of:
I Only Have Eyes for You
lyricist:
Al Dubin
composer:
Harry Warren
publisher:
B. Feldman & Co., B. Feldman & Co. Ltd., B. Feldman Ltd., EMI Music Publishing, Remick Music Corp., Warner Bros. Inc., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
The Flamingos3:11
13More Than I Can Say
cover recording of:
More Than I Can Say
writer:
Jerry Allison and Sonny Curtis
publisher:
Southern Music Ltd., Warner–Tamerlane Publishing Corp. and 台灣琦雅有限公司
Bobby Vee2:29
14A Message to Martha (Kentucky Bluebird)
cover recording of:
Message to Martha (in 1964)
lyricist:
Hal David
composer:
Burt Bacharach
Adam Faith3:09
15Travellin' Light
recording of:
Travellin’ Light
writer:
Roy C. Bennett and Sid Tepper
Cliff Richard & The Shadows2:37
16Never Be Anyone Else but You
recording of:
Never Be Anyone Else but You (1959 song)
lyricist and composer:
Baker Knight
publisher:
Matragun Music Inc., Sony/ATV Music Publishing LLC and Sony/ATV Songs LLC
Ricky Nelson2:14
17Answer Me
Nat King Cole2:55
18(I Loves You) Porgy
bass:
Chris White (on 1960-06-30)
drums (drum set):
Bobby Hamilton (on 1960-06-30)
guitar:
Al Schackman (on 1960-06-30)
lead vocals:
Nina Simone (on 1960-06-30)
recorded at:
Newport Jazz Festival
recorded at:
Freebody Park in Newport, Rhode Island, United States (on 1960-06-30)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (on 1960-06-30)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd., Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone4:06
19We Have All the Time in the World
producer:
John Barry and Phil Ramone
lead vocals:
Louis Armstrong
conductor:
John Barry
arranger:
John Barry
phonographic copyright (℗) by:
Metro Goldwyn Mayer
recording of:
We Have All the Time in the World (from the film "On Her Majesty’s Secret Service")
lyricist:
Hal David
composer:
John Barry
publisher:
EMI Music Publishing Ltd. and EMI United Partnership Ltd.
part of:
James Bond themes
part of:
On Her Majesty's Secret Service (from the James Bond film)
Louis Armstrong3:12
20Something
recording engineer:
John Kurlander (from 1984-07 until 1984-08)
assistant engineer:
Toby Alington (in 1984)
producer:
Tony Colton, Johnny Harris and Norman Newell (in 1984)
vocals:
Shirley Bassey (from 1984-07 until 1984-08)
orchestra:
London Symphony Orchestra (from 1984-07 until 1984-08)
conductor:
Johnny Harris and Carl Davis (from 1984-07 until 1984-08)
arranger:
Johnny Harris
phonographic copyright (℗) by:
Capitol Records, LLC. (in 1970) and Towerbell Records (in 1984)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1984-07 until 1984-08)
cover recording of:
Something (from 1984-07 until 1984-08)
lyricist and composer:
George Harrison
publisher:
EMI Music Publishing, Harrisongs Ltd. and Nichion Synch Division
Shirley Bassey3:33
21I'm Stone in Love With You
cover recording of:
I’m Stone in Love With You
composer:
Thom Bell, Tony Bell and Linda Creed
publisher:
Mijac Music, Warner Chappell Music Ltd., Warner–Tamerlane Publishing Corp. and Warner/Chappell North America
Johnny Mathis3:30
22The Look of Love
recording of:
The Look of Love
lyricist:
Hal David
writer:
Burt Bacharach and Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
Dusty Springfield3:31
23From Russia With Love
producer:
George Martin
lead vocals:
Matt Monro
conductor:
John Barry
arranger:
John Barry
recording of:
From Russia With Love
lyricist and composer:
Lionel Bart
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)
Matt Monro2:34
24Unforgettable
producer:
Lee Gillette
piano:
Nat King Cole (in 1961)
vocals:
Nat King Cole (in 1961)
conductor:
Ralph Carmichael (in 1961)
recording of:
Unforgettable (in 1961)
lyricist and composer:
Irving Gordon
publisher:
Bourne Co. and Bourne Music Ltd.
Nat King Cole3:27