Iron Man 2

~ Release by AC/DC (see all versions of this release, 14 available)

Annotation

This release was originally Mastered for iTunes and also an iTunes LP release. It is not the same as the release that is currently available on Apple Music today as the copyrights changed in 2020.

Tracklist

1▼Digital Media
#TitleLength
1Shoot to Thrill
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
music videos:
Shoot to Thrill by AC/DC
recording of:
Shoot to Thrill (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
5:20
2Rock ’n’ Roll Damnation
engineer:
Mark Opitz
producer:
Vanda & Young, Harry Vanda and George Young
drums (drum set) [drums]:
Phil Rudd (from 1978-02 until 1978-03)
electric bass guitar [bass]:
Cliff Williams (from 1978-02 until 1978-03)
electric guitar [guitar]:
Angus Young (from 1978-02 until 1978-03) and Malcolm Young (from 1978-02 until 1978-03)
lead vocals [vocals]:
Bon Scott (from 1978-02 until 1978-03)
phonographic copyright (℗) by:
J. Albert & Son (Pty) Ltd. (in 1978)
recorded at:
Albert Studios, Sydney, Australia in Sydney, New South Wales, Australia (from 1978-02 until 1978-03)
part of:
The Downloader’s Music Source Book (number: 113)
recording of:
Rock 'n' Roll Damnation (from 1978-02 until 1978-03)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
Edward B. Marks Music Co., EMI Music Ltd., J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd. (in 1978)
3:39
3Guns for Hire
assistant engineer:
Benji, Barry Harris and Gary Hellman
engineer and mixer:
Tony Platt
producer:
AC/DC
bass guitar:
Cliff Williams
drums (drum set):
Phil Rudd
guitar:
Angus Young and Malcolm Young
lead vocals:
Brian Johnson
phonographic copyright (℗) by:
Leidseplein Presse B.V. (in 1983)
recorded at:
Compass Point Studios in Nassau, Bahamas
part of:
The Downloader’s Music Source Book (number: 105)
recording of:
Guns for Hire
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. (in 1983) and Leidseplein Presse B.V. (in 1983)
3:26
4Cold Hearted Man
engineer:
Mark Opitz
producer:
Vanda & Young
drums (drum set) [drums]:
Phil Rudd (in 1976-09)
electric bass guitar [bass]:
Cliff Williams (in 1976-09)
electric guitar [guitar]:
Angus Young (in 1976-09) and Malcolm Young (in 1976-09)
lead vocals [vocals]:
Bon Scott (in 1976-09)
phonographic copyright (℗) by:
Albert Productions (in 1978) and J. Albert & Son (Pty) Ltd. (in 1978)
recorded at:
Vineyard Studios in Southwark, London, England, United Kingdom (in 1976-09)
recording of:
Cold Hearted Man (in 1976-09)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
Edward B. Marks Music Co., EMI Music Ltd. and J. Albert & Son Pty. Ltd. (in 1976, in 1978)
3:36
5Back in Black
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
part of:
NME: 50 Greatest Guitar Riffs of All Time (number: 1), VH1: 100 Greatest Hard Rock Songs (number: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 17), BILLIONS CLUB, The Downloader’s Music Source Book (number: 102) and Rolling Stone: 500 Greatest Songs of All Time (number: 187)
recording of:
Back in Black (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
4:18
6Thunderstruck
additional recording engineer:
Ken Lomas and Ian Taylor
assistant engineer:
Brian Dobbs and Sean Leonard
engineer and mixer:
Mike Fraser
producer:
Bruce Fairbairn
bass guitar:
Cliff Williams
drums (drum set) [drums]:
Chris Slade
guitar [lead guitar]:
Angus Young
guitar [rhythm guitar]:
Malcolm Young
vocals:
Brian Johnson
phonographic copyright (℗) by:
Leidseplein Presse B.V. (in 1990)
part of:
The Downloader’s Music Source Book (number: 116) and BILLIONS CLUB
recording of:
Thunderstruck
writer:
Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
4:54
7If You Want Blood (You’ve Got It)
recording engineer:
Mark Dearnley
assistant engineer:
Kevin Dallimore
producer:
Robert John “Mutt” Lange
mixer:
Tony Platt
bass guitar:
Cliff Williams
drums (drum set):
Phil Rudd
guitar:
Angus Young and Malcolm Young
vocals:
Bon Scott
phonographic copyright (℗) by:
J. Albert & Son Pty. Ltd. (in 1979)
recorded at:
Roundhouse Studios in London, England, United Kingdom
mixed at:
Basing Street Studios in Notting Hill, Kensington and Chelsea, London, England, United Kingdom
recording of:
If You Want Blood (You’ve Got It)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
Edward B. Marks Music Co., J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
4:36
8Evil Walks
recording engineer:
Mark Dearnley
assistant engineer:
Nigel Green, Marc Haliday and Andy Rose
producer:
Robert John “Mutt” Lange
mixer:
David Thoener
drums (drum set):
Phil Rudd
electric bass guitar:
Cliff Williams
electric guitar [lead]:
Angus Young
electric guitar [rhythm]:
Malcolm Young
background vocals:
Cliff Williams and Malcolm Young
lead vocals:
Brian Johnson
phonographic copyright (℗) by:
Leidseplein Presse B.V. (in 1981)
recorded at:
Family Sound Studio in Paris, Île-de-France, France and H.I.S. Studio in Paris, Île-de-France, France
recording of:
Evil Walks
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. (in 1981) and Major Leidén Productions (in 1981)
4:26
9T.N.T.
producer:
Vanda & Young
drums (drum set):
Phil Rudd
electric bass guitar:
Mark Evans
electric guitar [Lead]:
Angus Young
electric guitar [Rythm] and background vocals:
Malcolm Young
lead vocals:
Bon Scott
phonographic copyright (℗) by:
Australian Music Corporation Pty Ltd. (in 1976) and J. Albert & Son Pty. Ltd. (in 1976)
recorded at:
Albert Studios in Sydney, New South Wales, Australia
recording of:
T.N.T.
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd. (in 1976)
3:36
10Hell Ain’t a Bad Place to Be
producer:
Vanda & Young, Harry Vanda and George Young
bass:
Mark Evans
drums (drum set):
Phil Rudd
guitar:
Angus Young and Malcolm Young
vocals:
Bon Scott
phonographic copyright (℗) by:
Australian Music Corporation Pty Ltd. (in 1977) and J. Albert & Son Pty. Ltd. (in 1977)
recorded at:
Albert Studios in Sydney, New South Wales, Australia (from 1977-01 until 1977-02)
recording of:
Hell Ain’t a Bad Place to Be (from 1977-01 until 1977-02)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
4:15
11Have a Drink on Me
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
recording of:
Have a Drink on Me (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
4:01
12The Razors Edge
additional recording engineer:
Ken Lomas and Ian Taylor
assistant engineer:
Brian Dobbs and Sean Leonard
engineer and mixer:
Mike Fraser
producer:
Bruce Fairbairn
bass guitar:
Cliff Williams
drums (drum set):
Chris Slade
guitar [lead guitar]:
Angus Young
guitar [rhythm guitar]:
Malcolm Young
vocals:
Brian Johnson
phonographic copyright (℗) by:
Leidseplein Presse B.V. (in 1990)
recording of:
The Razor’s Edge
composer:
Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
4:24
13Let There Be Rock
producer:
Vanda & Young, Harry Vanda and George Young
bass:
Mark Evans
drums (drum set):
Phil Rudd
guitar:
Angus Young and Malcolm Young
vocals:
Bon Scott
phonographic copyright (℗) by:
Australian Music Corporation Pty Ltd. (in 1977) and J. Albert & Son Pty. Ltd. (in 1977)
recorded at:
Albert Studios in Sydney, New South Wales, Australia (from 1977-01 until 1977-02)
recording of:
Let There Be Rock (from 1977-01 until 1977-02)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
6:08
14War Machine
additional engineer:
Billy Bowers
assistant engineer:
Eric Mosher
engineer and mixer:
Mike Fraser
producer:
Brendan O’Brien
bass guitar:
Cliff Williams
drums (drum set):
Phil Rudd
guitar [lead guitar]:
Angus Young
guitar [rhythm guitar]:
Malcolm Young
lead vocals:
Brian Johnson
phonographic copyright (℗) by:
Leidseplein Presse B.V. (in 2008)
recorded at:
The Warehouse Studio in Vancouver, British Columbia, Canada
recording of:
War Machine
composer:
Angus Young and Malcolm Young
publisher:
Leidseplein Presse B.V.
3:11
15Highway to Hell
recording engineer:
Mark Dearnley
assistant engineer:
Kevin Dallimore
producer:
Robert John “Mutt” Lange
mixer:
Tony Platt
bass guitar:
Cliff Williams
drums (drum set):
Phil Rudd
guitar:
Angus Young and Malcolm Young
vocals:
Bon Scott
phonographic copyright (℗) by:
J. Albert & Son Pty. Ltd. (in 1979)
recorded at:
Roundhouse Studios in London, England, United Kingdom
mixed at:
Basing Street Studios in Notting Hill, Kensington and Chelsea, London, England, United Kingdom
part of:
SWR1 Hitparade 2011 (number: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, The Downloader’s Music Source Book (number: 108), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time (number: 254)
recording of:
Highway to Hell
lyricist and composer:
Bon Scott, Angus Young and Malcolm Young
publisher:
Edward B. Marks Music Co., J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
3:29

Credits

Release

phonographic copyright (℗) by:J. Albert & Son Pty Ltd (in 1976, in 1977, in 1978, in 1979)
Leidseplein Presse B.V. (in 1980, in 1981, in 1983, in 1990, in 2008)
part of:Apple Digital Masters (order: 248)
purchase for download:https://music.apple.com/au/album/575998519 [info] (ended)