| # | Title | Artist | Length |
|---|
| 1 | Sweet Emotion | Aerosmith | 3:13 |
| 2 | Rock and Roll, Hoochie Koo | Rick Derringer | 3:45 |
| 3 | Slow Ride | Foghat | 3:59 |
| 4 | School’s Out- engineer:
- Roy Cicala and Shelly Yakus
- producer:
- Bob Ezrin
- drums (drum set):
- Neil Smith
- electric bass guitar:
- Dennis Dunaway
- electric guitar:
- Michael Bruce and Glen Buxton
- guitar and background vocals:
- Reggie Vincent
- keyboard:
- Michael Bruce and Bob Ezrin
- lead vocals:
- Alice Cooper
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1972, in 1974) and WEA International Inc. (in 1972)
- produced for:
- Alive Enterprises Incorporated and Nimbus 9 Productions
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone: 500 Greatest Songs of All Time (number: 319)
- recording of:
- School’s Out
- writer:
- Michael Bruce, Glen Buxton, Alice Cooper, Dennis Dunaway and Neal Smith
- publisher:
- Bizarre Music Co., BMG Platinum Songs US, Carlin Music Corporation, Copyright Control, Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music and Warner–Tamerlane Publishing Corp.
- sub-publisher:
- フジパシフィックミュージック and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 3:30 |
| 5 | Jim Dandy | Black Oak Arkansas | 2:43 |
| 6 | Tush | ZZ Top | 2:17 |
| 7 | Love Hurts | Nazareth | 3:54 |
| 8 | Stranglehold | Ted Nugent | 8:25 |
| 9 | Cherry Bomb | The Runaways | 2:20 |
| 10 | Fox on the Run- engineer:
- Peter Coleman
- producer:
- Sweet
- arranger:
- Sweet
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1973, in 1974, in 1975) and Chinebridge Ltd. (in 1974)
- recorded at:
- Kingsway Studios in Camden, London, England, United Kingdom
- engineered at:
- Audio International Studios in London, England, United Kingdom
- recording of:
- Fox on the Run
- writer:
- Brian Connolly, Steve Priest, Andy Scott and Mick Tucker
- publisher:
- Maxwood Music Ltd., Sweet Publishing Ltd. and Warner Chappell Music
| The Sweet | 3:27 |
| 11 | Tuesday’s Gone | Lynyrd Skynyrd | 7:34 |
| 12 | Low Rider | War | 3:14 |
| 13 | Highway Star | Deep Purple | 6:09 |
| 14 | Rock and Roll All Night | KISS | 2:57 |
| 15 | Paranoid- engineer:
- Tom Allom and Brian Humphries
- producer:
- Rodger Bain (from 1970-06 until 1970-07)
- drums (drum set) and percussion:
- Bill Ward (from 1970-06-16 until 1970-06-21)
- electric bass guitar:
- Geezer Butler (from 1970-06-16 until 1970-06-21)
- electric guitar:
- Tony Iommi (from 1970-06-16 until 1970-06-21)
- lead vocals:
- Ozzy Osbourne (in 1970)
- phonographic copyright (℗) by:
- Gimcastle Ltd., Sanctuary Records Group Ltd., Warner Bros. Records Inc., Castle Copyrights Ltd. (in 1970), Interworld Communications (in 1970), Sanctuary Copyrights Ltd. (in 1970) and Icarus Music (in 2006)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London, England, United Kingdom (in 1970) and Regent Sound Studios in London, England, United Kingdom (from 1970-06-16 until 1970-06-21)
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 4), NME: 50 Greatest Guitar Riffs of All Time (number: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 13), TV Cream: Real 100 Best Singles Ever (number: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (number: 250) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 338)
- recording of:
- Paranoid (from 1970-06-16 until 1970-07-08)
- lyricist:
- Geezer Butler
- composer:
- Geezer Butler, Tony Iommi, Ozzy Osbourne and Bill Ward
- publisher:
- Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. and Westminster Music Ltd. (in 1970)
| Black Sabbath | 2:48 |