Deep in a Dream

~ Release by Pat LaBarbera (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleLength
1Deep in a Dream
assistant engineer:
Paul Offenbacher
engineer:
Scott Boyling
double bass [bass]:
Neil Swainson (from 1998-09-22 until 1998-09-23)
drums (drum set):
Joe LaBarbera (from 1998-09-22 until 1998-09-23)
piano:
Don Thompson (from 1998-09-22 until 1998-09-23)
saxophone:
Pat La Barbera (from 1998-09-22 until 1998-09-23)
recorded at:
D.A.V.E. Audio in Toronto, Ontario, Canada (from 1998-09-22 until 1998-09-23)
recording of:
Deep in a Dream (in 1998-09)
lyricist:
Eddie DeLange
composer:
Jimmy Van Heusen
publisher:
Chappell Music Ltd., Scarsdale Music Corp. and Warner Bros. Music
6:38
2Something to Live For
assistant engineer:
Paul Offenbacher
engineer:
Scott Boyling
double bass [bass]:
Neil Swainson (from 1998-09-22 until 1998-09-23)
drums (drum set):
Joe LaBarbera (from 1998-09-22 until 1998-09-23)
piano:
Don Thompson (from 1998-09-22 until 1998-09-23)
saxophone:
Pat La Barbera (from 1998-09-22 until 1998-09-23)
recorded at:
D.A.V.E. Audio in Toronto, Ontario, Canada (from 1998-09-22 until 1998-09-23)
recording of:
Something to Live For (1938 Billy Strayhorn jazz composition) (in 1998-09)
lyricist and composer:
Billy Strayhorn
3:57
3There's a Lull in My Life
assistant engineer:
Paul Offenbacher
engineer:
Scott Boyling
double bass [bass]:
Neil Swainson (from 1998-09-22 until 1998-09-23)
drums (drum set):
Joe LaBarbera (from 1998-09-22 until 1998-09-23)
piano:
Don Thompson (from 1998-09-22 until 1998-09-23)
saxophone:
Pat La Barbera (from 1998-09-22 until 1998-09-23)
recorded at:
D.A.V.E. Audio in Toronto, Ontario, Canada (from 1998-09-22 until 1998-09-23)
recording of:
There’s a Lull in My Life (in 1998-09)
lyricist:
Mack Gordon
composer:
Harry Revel
publisher:
Robbins Music Corp.
6:54
4It Shouldn't Happen to a Dream
assistant engineer:
Paul Offenbacher
engineer:
Scott Boyling
double bass [bass]:
Neil Swainson (from 1998-09-22 until 1998-09-23)
drums (drum set):
Joe LaBarbera (from 1998-09-22 until 1998-09-23)
piano:
Don Thompson (from 1998-09-22 until 1998-09-23)
saxophone:
Pat La Barbera (from 1998-09-22 until 1998-09-23)
recorded at:
D.A.V.E. Audio in Toronto, Ontario, Canada (from 1998-09-22 until 1998-09-23)
recording of:
It Shouldn’t Happen to a Dream (in 1998-09)
writer:
Duke Ellington, Don George and Johnny Hodges
publisher:
United Music Corp.
5:42
5Maybe You'll Be There
assistant engineer:
Paul Offenbacher
engineer:
Scott Boyling
double bass [bass]:
Neil Swainson (from 1998-09-22 until 1998-09-23)
drums (drum set):
Joe LaBarbera (from 1998-09-22 until 1998-09-23)
piano:
Don Thompson (from 1998-09-22 until 1998-09-23)
saxophone:
Pat La Barbera (from 1998-09-22 until 1998-09-23)
recorded at:
D.A.V.E. Audio in Toronto, Ontario, Canada (from 1998-09-22 until 1998-09-23)
recording of:
Maybe You’ll Be There (in 1998-09)
lyricist:
Sammy Gallop
composer:
Rube Bloom
4:58
6Here's to My Lady
assistant engineer:
Paul Offenbacher
engineer:
Scott Boyling
double bass [bass]:
Neil Swainson (from 1998-09-22 until 1998-09-23)
drums (drum set):
Joe LaBarbera (from 1998-09-22 until 1998-09-23)
piano:
Don Thompson (from 1998-09-22 until 1998-09-23)
saxophone:
Pat La Barbera (from 1998-09-22 until 1998-09-23)
recorded at:
D.A.V.E. Audio in Toronto, Ontario, Canada (from 1998-09-22 until 1998-09-23)
recording of:
Here's to My Lady (in 1998-09)
lyricist:
Johnny Mercer
composer:
Rube Bloom
4:17
7Moon and Sand
assistant engineer:
Paul Offenbacher
engineer:
Scott Boyling
double bass [bass]:
Neil Swainson (from 1998-09-22 until 1998-09-23)
drums (drum set):
Joe LaBarbera (from 1998-09-22 until 1998-09-23)
piano:
Don Thompson (from 1998-09-22 until 1998-09-23)
saxophone:
Pat La Barbera (from 1998-09-22 until 1998-09-23)
recorded at:
D.A.V.E. Audio in Toronto, Ontario, Canada (from 1998-09-22 until 1998-09-23)
recording of:
Moon and Sand (from 1998-09-22 until 1998-09-23)
lyricist:
William Engvick
composer:
Morty Palitz and Alec Wilder
publisher:
Cadmean Dawn
9:14
8What Good Would the Moon Be
assistant engineer:
Paul Offenbacher
engineer:
Scott Boyling
double bass [bass]:
Neil Swainson (from 1998-09-22 until 1998-09-23)
drums (drum set):
Joe LaBarbera (from 1998-09-22 until 1998-09-23)
piano:
Don Thompson (from 1998-09-22 until 1998-09-23)
saxophone:
Pat La Barbera (from 1998-09-22 until 1998-09-23)
recorded at:
D.A.V.E. Audio in Toronto, Ontario, Canada (from 1998-09-22 until 1998-09-23)
recording of:
Street Scene: Act I. No. 12 Cavatina "What good would the moon be?" (Rose Maurrant) (in 1998-09)
lyricist:
Langston Hughes
composer:
Kurt Weill
librettist:
Elmer Rice
part of:
Street Scene: Act I.
6:01
9Why Try to Change Me Now
assistant engineer:
Paul Offenbacher
engineer:
Scott Boyling
bass:
Neil Swainson (from 1998-09-22 until 1998-09-23)
drums (drum set):
Joe LaBarbera (from 1998-09-22 until 1998-09-23)
piano:
Don Thompson (from 1998-09-22 until 1998-09-23)
saxophone:
Pat La Barbera (from 1998-09-22 until 1998-09-23)
recorded at:
D.A.V.E. Audio in Toronto, Ontario, Canada (from 1998-09-22 until 1998-09-23)
5:40
10Some Other Spring
assistant engineer:
Paul Offenbacher
engineer:
Scott Boyling
bass:
Neil Swainson (from 1998-09-22 until 1998-09-23)
drums (drum set):
Joe LaBarbera (from 1998-09-22 until 1998-09-23)
piano:
Don Thompson (from 1998-09-22 until 1998-09-23)
saxophone:
Pat La Barbera (from 1998-09-22 until 1998-09-23)
recorded at:
D.A.V.E. Audio in Toronto, Ontario, Canada (from 1998-09-22 until 1998-09-23)
instrumental recording of:
Some Other Spring (in 1998-09)
composer:
Arthur Herzog, Jr. and Irene Kitchings
5:42
11I Heard You Cried Last Night
assistant engineer:
Paul Offenbacher
engineer:
Scott Boyling
bass:
Neil Swainson (from 1998-09-22 until 1998-09-23)
drums (drum set):
Joe LaBarbera (from 1998-09-22 until 1998-09-23)
piano:
Don Thompson (from 1998-09-22 until 1998-09-23)
saxophone:
Pat La Barbera (from 1998-09-22 until 1998-09-23)
recorded at:
D.A.V.E. Audio in Toronto, Ontario, Canada (from 1998-09-22 until 1998-09-23)
instrumental recording of:
I Heard You Cried Last Night (in 1998-09)
writer:
Ted Grouya and Jerry Kruger
publisher:
Campbell, Loft & Porgie, Inc. (in 1943)
7:24
12As Long as I'm Dreaming
assistant engineer:
Paul Offenbacher
engineer:
Scott Boyling
bass:
Neil Swainson (from 1998-09-22 until 1998-09-23)
drums (drum set):
Joe LaBarbera (from 1998-09-22 until 1998-09-23)
piano:
Don Thompson (from 1998-09-22 until 1998-09-23)
saxophone:
Pat La Barbera (from 1998-09-22 until 1998-09-23)
recorded at:
D.A.V.E. Audio in Toronto, Ontario, Canada (from 1998-09-22 until 1998-09-23)
5:02