Tracklist

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1CD
#TitleArtistLength
1Fidelio, Act I: Ouvertüre
producer:
Walter Legge
orchestra:
Philharmonia Orchestra (in 1962-02, from 1962-02 until 1962-03)
conductor:
Otto Klemperer (in 1962-02, from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1962-02, from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (in 1962-02)
composer:
Ludwig van Beethoven (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven6:56
2Fidelio, Act I, No. 1: Duett. "Jetzt, Schätzchen, jetzt sind wir allein"
producer:
Walter Legge
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (from 1962-02 until 1962-03)
solo tenor vocals [Jaquino]:
Gerhard Unger (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:54
3Fidelio, Act I, No. 1: Rezitativ. "Der arme Jaquino dauert mich beinahe"
producer:
Walter Legge
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1b. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:14
4Fidelio, Act I, No. 2: Arie. "O wär ich schon mit dir vereint"
producer:
Walter Legge
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly and Joseph Sonnleithner
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:05
5Fidelio, Act I, No. 2: Rezitativ. "Guten Tag, Marzelline. Ist Fidelio noch nicht zurück?"
producer:
Walter Legge
solo bass vocals [Rocco]:
Gottlob Frick (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (from 1962-02 until 1962-03)
solo tenor vocals [Jaquino]:
Gerhard Unger (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2b. Dialog "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2c. Dialog "Jaquino!" - "Ja, Meister Rocco?" (Rocco, Jaquino, Marzelline, Leonore) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven1:10
6Fidelio, Act I, No. 3: Quartett. "Mir ist so wunderbar"
producer:
Walter Legge
solo bass vocals [Rocco]:
Gottlob Frick (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (from 1962-02 until 1962-03)
solo tenor vocals [Jaquino]:
Gerhard Unger (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:39
7Fidelio, Act I, No. 3: Rezitativ. "Höre, Fidelio, weißt du, was ich tue?"
producer:
Walter Legge
solo bass vocals [Rocco]:
Gottlob Frick (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3b. Dialog "Höre, Fidelio!" (Rocco, Marzelline) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:18
8Fidelio, Act I, No. 4: Arie. "Hat man nicht auch Gold beineben"
producer:
Walter Legge
solo bass vocals [Rocco]:
Gottlob Frick (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:55
9Fidelio, Act I, No. 4: Rezitativ. "Ihr könnt das leicht sagen, Meister Rocco"
producer:
Walter Legge
solo bass vocals [Rocco]:
Gottlob Frick (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4b. Dialog "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4c. Dialog "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:21
10Fidelio, Act I, No. 5: Terzett. "Gut, Söhnchen, gut, hab'immer Mut"
producer:
Walter Legge
solo bass vocals [Rocco]:
Gottlob Frick (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:08
11Fidelio, Act I, No. 6: Marsch
producer:
Walter Legge
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:19
12Fidelio, Act I, No. 6: Rezitativ. "Wo sind die Depeschen?"
producer:
Walter Legge
solo bass vocals [Rocco]:
Gottlob Frick (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 6b. Dialog "Drei Schildwachen auf den Wall" (Pizarro, Rocco) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:55
13Fidelio, Act I, No. 7: Arie mit Chor. "Ha! Welch'ein Augenblick!"
producer:
Walter Legge
choir vocals:
Philharmonia Chorus (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:38
14Fidelio, Act I, No. 7: Rezitativ. "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm"
producer:
Walter Legge
solo bass vocals [Rocco]:
Gottlob Frick (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7b. Dialog "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm!" (Pizarro, Rocco) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:35
15Fidelio, Act I, No. 8: Duett. "Jetzt, Alter, jetzt hat es Eile!"
producer:
Walter Legge
solo bass vocals [Rocco]:
Gottlob Frick (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:26
16Fidelio, Act I, No. 9: Rezitativ und Arie. "Abscheulicher! Wo eilst du hin?"
producer:
Walter Legge
solo soprano vocals [Leonore]:
Christa Ludwig (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven8:20
17Fidelio, Act I, No. 9: Rezitativ: "Rocco, ihr verspracht mir so oft"
producer:
Walter Legge
solo bass vocals [Rocco]:
Gottlob Frick (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (from 1962-02 until 1962-03)
solo tenor vocals [Jaquino]:
Gerhard Unger (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9b. Dialog "Marzelline!" - "Nein, ich will nicht..." (Jaquino, Marzelline, Rocco, Leonore) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:47
2CD
#TitleArtistLength
1Fidelio, Act I, No. 10: Finale. "O welche Lust!"
producer:
Walter Legge
choir vocals:
Philharmonia Chorus (from 1962-02 until 1962-03)
solo bass vocals [Second Prisoner]:
Raymond Wolansky (from 1962-02 until 1962-03)
solo tenor vocals [First Prisoner]:
Kurt Wehofschitz (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:22
2Fidelio, Act I, No. 10: "Nun sprecht, wie ging's"
producer:
Walter Legge
solo bass vocals [Rocco]:
Gottlob Frick (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:33
3Fidelio, Act I, No. 10: "Ach! Vater, eilt!"
producer:
Walter Legge
choir vocals:
Philharmonia Chorus (from 1962-02 until 1962-03)
solo bass vocals [Rocco]:
Gottlob Frick (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (from 1962-02 until 1962-03)
solo tenor vocals [Jaquino]:
Gerhard Unger (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10d. "Verwegner Alter!" (Pizarro, Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:04
4Fidelio, Act II, No. 11: Introduktion und Arie. "Gott! Welch' Dunkel hier!"
producer:
Walter Legge
solo tenor vocals [Florestan]:
Jon Vickers (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven10:55
5Fidelio, Act II, No. 12: Melodram. "Wie kalt ist es"
producer:
Walter Legge
solo bass vocals [Rocco]:
Gottlob Frick (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (dialogue w/ music) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:48
6Fidelio, Act II, No. 12: Duett. "Nur hurtig fort, nur frisch gegraben"
producer:
Walter Legge
solo bass vocals [Rocco]:
Gottlob Frick (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
partial recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven5:06
7Fidelio, Act II, No. 12: Rezitativ. "Er erwacht!"
producer:
Walter Legge
solo bass vocals [Rocco]:
Gottlob Frick (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
partial recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven2:38
8Fidelio, Act II, No. 13: Terzett. "Euch werde Lohn in besser'n Welten"
producer:
Walter Legge
solo bass vocals [Rocco]:
Gottlob Frick (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (from 1962-02 until 1962-03)
solo tenor vocals [Florestan]:
Jon Vickers (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:47
9Fidelio, Act II, No. 13: Rezitativ. "Alles ist bereit"
producer:
Walter Legge
solo bass vocals [Rocco]:
Gottlob Frick (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (from 1962-02 until 1962-03)
solo tenor vocals [Florestan]:
Jon Vickers (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13b. Dialog "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (from 1962-02 until 1962-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven0:48
10Fidelio, Act II, No. 14: Quartett. "Er sterbe!"
producer:
Walter Legge
solo bass vocals [Rocco]:
Gottlob Frick (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (from 1962-02 until 1962-03)
solo tenor vocals [Florestan]:
Jon Vickers (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven3:50
11Fidelio, Act II, No. 14: Rezitativ. "Vater Rocco!"
producer:
Walter Legge
solo bass vocals [Rocco]:
Gottlob Frick (from 1962-02 until 1962-03)
solo tenor vocals [Jaquino]:
Gerhard Unger (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven0:21
12Fidelio, Act II, No. 14: "Es schlägt der Rache Stunde!"
producer:
Walter Legge
solo bass vocals [Rocco]:
Gottlob Frick (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (from 1962-02 until 1962-03)
solo tenor vocals [Florestan]:
Jon Vickers (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:28
13Fidelio, Act II, No. 15: Duett. "O namenlose Freude!"
producer:
Walter Legge
solo soprano vocals [Leonore]:
Christa Ludwig (from 1962-02 until 1962-03)
solo tenor vocals [Florestan]:
Jon Vickers (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven3:13
14Fidelio, Act II, No. 16: Finale. "Heil sei dem Tag"
producer:
Walter Legge
choir vocals:
Philharmonia Chorus (from 1962-02 until 1962-03)
solo bass vocals [Rocco]:
Gottlob Frick (from 1962-02 until 1962-03)
solo bass-baritone vocals [Don Fernando]:
Franz Crass (from 1962-02 until 1962-03)
solo bass-baritone vocals [Pizarro]:
Walter Berry (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16c. "Bestrafet sei der Bösewicht" (Chorus & Don Fernando) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven6:32
15Fidelio, Act II, No. 16: "Du schlossest auf des Edlen Grab"
producer:
Walter Legge
choir vocals:
Philharmonia Chorus (from 1962-02 until 1962-03)
solo bass vocals [Rocco]:
Gottlob Frick (from 1962-02 until 1962-03)
solo bass-baritone vocals [Don Fernando]:
Franz Crass (from 1962-02 until 1962-03)
solo soprano vocals [Leonore]:
Christa Ludwig (from 1962-02 until 1962-03)
solo soprano vocals [Marzelline]:
Ingeborg Hallstein (from 1962-02 until 1962-03)
solo tenor vocals [Florestan]:
Jon Vickers (from 1962-02 until 1962-03)
solo tenor vocals [Jaquino]:
Gerhard Unger (from 1962-02 until 1962-03)
orchestra:
Philharmonia Orchestra (from 1962-02 until 1962-03)
conductor:
Otto Klemperer (from 1962-02 until 1962-03)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1962-02 until 1962-03)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16e. "O Gott! O welch ein Augenblick!" (Chor, Leonore, Marzelline, Florestan, Don Fernando, Rocco) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (from 1962-02 until 1962-03)
composer:
Ludwig van Beethoven (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven8:06