Oxford American: Ballads - Southern Music Issue Vol. 25

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Free companion CD with the Oxford American Winter 2023 issue (issue 123)

Tracklist

1▼CD
#	Title	Artist	Length
1	Walk With Me phonographic copyright (℗) by: Smithsonian Folkways Recordings (from 2015 to present)	Fannie Lou Hamer	1:57
2	Cigarettes and Coffee recording of: Cigarettes and Coffee writer: Jerry Butler, Eddie Thomas and Jay Walker publisher: Gil Music Corporation and Warner–Tamerlane Publishing Corp.	Otis Redding	3:33
3	Omie Wise	Okkervil River	5:06
4	At My Most Beautiful recording of: At My Most Beautiful writer: Peter Buck, Mike Mills and Michael Stipe publisher: Temporary Music	R.E.M.	3:37
5	The Titanic recorded in: Spartanburg, South Carolina, United States (in 1960) recording engineer: Sam Charters (in 1960) guitar: Pink Anderson (in 1960) vocals: Pink Anderson (in 1960) recording of: The Titanic (aka "It Was Sad When That Great Ship Went Down") (in 1960) publisher: William & Versey Smith (in 1927) writer: [unknown] (from 1915 until 1916)	Pink Anderson	2:53
6	How Do I Live recording of: How Do I Live lyricist and composer: Diane Warren publisher: ヤマハミュージックエンタテインメントホールディングス, ユニバーサル・ミュージック・パブリッシング Synch事業部 and Realsongs (from 1997 to present) part of: The 70th Academy Award for Best Original Song (number: 2)	LeAnn Rimes	4:29
7	It Had to Be You	Milt Hinton	6:18
8	Abilene recording of: Abilene lyricist and composer: Jess Williamson publisher: Orgasmic Bliss	Plains	3:06
9	Be Real Black for Me recording engineer: Jimmy Douglass producer: Joel Dorn and Arif Mardin mixer: Jimmy Douglass and Arif Mardin drums (drum set): Bernard Purdie (from 1971-03 until 1971-10) electric bass guitar [electric bass]: Chuck Rainey (from 1971-03 until 1971-10) electric piano and piano: Donny Hathaway (from 1971-03 until 1971-10) guitar: Eric Gale (from 1971-03 until 1971-10) percussion: Ralph MacDonald (from 1971-03 until 1971-10) vocals: Roberta Flack (from 1971-03 until 1971-10) and Donny Hathaway (from 1971-03 until 1971-10) horn [horns] arranger and strings arranger: Donny Hathaway recorded at: Atlantic Studios in Midtown Manhattan, New York, New York, United States (from 1971-03 until 1971-10) recording of: Be Real Black for Me writer: Roberta Flack, Donny Hathaway and Charles Mann	Roberta Flack & Donny Hathaway	3:34
10	The Day Is Past and Gone	Buna Hicks	2:05
11	Hawk for the Dove bass: Jimbo Hart drums (drum set) and percussion: Fred Eltringham fiddle: Amanda Shires guitar: Jason Isbell keyboard: Peter Levin and Lawrence Rothman background vocals: Brittney Spencer vocals: Amanda Shires recording of: Hawk for the Dove lyricist: Amanda Shires writer: Lawrence Rothman composer: Lawrence Rothman and Amanda Shires	Amanda Shires	3:50
12	Think of Laura recording engineer and mixer: Chet Himes additional engineer: John Guess, Lee Herschberg, Mark Linett and Richard Mullen assistant engineer: Stuart Gitlin and Margaret Gwynne assistant producer: Rob Meurer and Michael Ostin producer: Michael Omartian lead vocals: Christopher Cross conductor: Michael Omartian strings arranger: Michael Omartian arranger: Christopher Cross, Rob Meurer and Michael Omartian concertmaster: Assa Drori phonographic copyright (℗) by: Warner Bros. Records Inc. (in 1983) and WEA International Inc. (in 1983) produced for: Free Flow Productions recorded at: Pop ’n’ Roll Studios in Santa Monica, California, United States, Studio South in Austin, Texas, United States, The Aspen Studios in Aspen, Colorado, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States mixed at: Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States recording of: Think of Laura lyricist and composer: Christopher Cross publisher: Pop ’n’ Roll Music and Universal Music–MGB Songs sub-publisher: シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部	Christopher Cross	3:26
13	The Carrier Line recorded in: Sledge, Mississippi, United States (on 1942-08-15) banjo: Lucius Smith (on 1942-08-15) bass drum: Will Head (on 1942-08-15) fiddle: Sid Hemphill (on 1942-08-15) guitar: Alec Askew (on 1942-08-15) vocals: Sid Hemphill (on 1942-08-15) field recordings: Alan Lomax (on 1942-08-15)	Sid Hemphill	6:00
14	Dead Horses recording of: Dead Horses writer: Linda Jean Stokley	The Local Honeys	4:02
15	Pa’lante part of: Pitchfork: The 200 Best Songs of the 2010s (number: 94) recording of: Pa’Lante lyricist and composer: Alynda Mariposa Segarra	Hurray for the Riff Raff	5:29
16	The Glory of Love	George Lewis & The Barry Martyn Band	4:18
17	Liar recording engineer: Paramore miscellaneous support: Anne Declemente (task: A&R administration) artist & repertoire support: Anne Declemente and Steve Robertson assistant engineer: Patrick Kehrier, Kyle McAulay and Scott Moore engineer: Harriet Tam producer: Carlos de la Garza assistant mixer: Zach Pereyra, Trey Station and Anthony Vilchis mixer: Manny Marroquin alto flute, bass clarinet, clarinet and flute: Henry Solomon drums (drum set) [drums]: Zac Farro guitar: Taylor York lead vocals: Hayley Williams drums (drum set) [drum] technician: Joey Mullen phonographic copyright (℗) by: Atlantic Recording Corporation (in 2023) mixed at: Larrabee Studios in North Hollywood, Los Angeles, California, United States recording of: Liar writer: Zac Farro, Hayley Williams and Taylor York publisher: But Father, I Just Want to Sing Music, Hunterboro Music, WC Music Corp. and Zac the Wolf Music	Paramore	4:24
18	The Final Gift	Dom Flemons	6:40

Credits

Release

Discogs:	https://www.discogs.com/release/29079298 [info]
discography entry:	https://oxfordamerican.org/magazine/issue-123-winter-2023 [info] https://oxfordamerican.org/magazine/issue-123-winter-2023/2023-music-issue-cd-credits [info]

Discogs